You may want to, but can you?

Uufh, time is marching quickly on! Less than four weeks to go now. Still no mention about this year’s Half Price Hut setup nor a peep from Assembly about ticket offers for locals. I have a pile of possibles if they are HPH-ed and a pile of Assembly offer possibles, and another pile to be moved over if Assembly don’t come through. Oh, I have lots of piles, hahaha. There’ll be some whittling down, obviously; without further cheaper options it’ll be an axing not a little whittle.

On closer inspection of all my possibilities I’ve spotted there is a distinction between Pay What You Want and Pay What You Can. Call me unobservant, well, I was kind of aware, just not paying much attention.

Pay What You Want has been going a few years now, most noticeably at Monkey Barrel Comedy and Just the Tonic. Oo, I’ve spotted that a couple of my fancies are PWYW at Paradise in The Vault, which I believe is new for that venue (it happens to be one of my favourites). Hmm, I wonder how it works, does a venue have to okay having PWYW tickets or is it just up to the shows themselves?

I notice Ahir Shah is doing a show at Monkey Barrel, he’s very popular (well, he is a very intelligent, funny guy), always does very well; tickets are £12 to guarantee entry or PWYW – you’d have to be there pretty early to be in with a chance of seeing the show without a ticket, there’ll be some seats still available but not many!

Pay What You Can is the new kid on the block from the Free Festival folk (possibly brought in as a response to controls during covid?), alongside their free non-ticketed shows. Rather than one ticket price there’s usually three or four options ranging from £5 to £12.50 to guarantee entry, or donate at the end. There is occasionally a £2.50 option – c’mon, that’s just a deposit, I would definitely give more at the end, unless it was a really duff show.

Whilst these newer payment options are great and no doubt help to put bums on seats, they are a cause of consternation for some Fringe-goers. They shuffle out past the bucketholder quietly mortified or feebly mumbling, “I bought a ticket, honest”, poor things (I am a bit like that at times, it depends on the demeanour of the bucket-person!) Of course, there’ll be others who feel great that they can breeze out of a show without anyone knowing they haven’t parted with any money (w*****s).

So there you go, the difference between Want and Can. You may Want to see a show but can’t because you didn’t buy a ticket, but you Can see a show when you’ve already paid what you could. Got that?

Toodle pip!

Make me an offer, please

I have Fringe tickets, woohoo. I mentioned as much at the end of my last blog post, I have even more now, thanks to an email update from Underbelly. I just wish I’d opened and read it sooner – I’d have saved a few quid! Only a few but it all adds up. Underbelly had announced a special offer of £6 tickets for shows up until 10th August, one just had to be organised enough to buy them by midnight tonight, oops. I only read the email after I had booked a wodge of preview shows; I did feel a tad disgruntled, my own fault, I know, I really should check my emails more regularly.

At least I’ve managed to save on booking fees, that old bugbear! The Fringe and Underbelly box offices have once again capped the booking fees at £5 per transaction (£1.25 a ticket). Organisation is key, fifteen tickets in and a tenner spent on fees, not that I see that as a saving, just less irksome.

Assembly have for a number of years now done an offer for locals at the start of the Fringe, they just like to announce it quite late on. To make us sweat or just so’s we might have already paid full whack? There’s a number of Assembly shows I quite fancy, that I may fancy even more with a cheap offer, only one has made my must-see pile.

My favourite comedy duo from last year are back, and with a new show, Grubby Little Mitts: Hello, Hi. Well, I had to get a ticket, this is one second outing I’m confident will be as funny, clever and dark as the first (not always the case).

It’s a tad late, I shall away to bed. I leave you with a peek at my possibilities…..

They made me an offer I couldn’t refuse

The rain gods realised it was 241 Monday at the Edinburgh Fringe, oh yes! It may not be much of a 241 Monday but the rain gods were gonna christen it, a full-on dunking. Finally around mid evening they got bored and allowed the skies to finally clear – just as well as I had to queue outside for a show, that started 30 minutes late (technical lighting problems). Yes, I went to my first show today! Well, the lovely people at Assembly were doing a Locals offer – half price tickets for a select few shows for the next few days. Naturally, I had to check the list, nothing that really tickled my fancy, but Guy Masterton, Fringe institution, was doing a one man show, definitely worth a shot!

So there I was at the back of nine o’clock sitting in the magnificent Palais Du Variété spiegeltent in the Assembly George Square Gardens. I took a moment to have a good long look around and savour everything. Really, you couldn’t have a fringier start to a Fringe – a wet, wet day, an atmospheric spiegeltent, and Guy Masterton performing Under Milk Wood (abbreviated, or he called it, Semi-skimmed). I’ve never seen it or read it before, the little I knew about Under Milk Wood never appealed to me, but this, it seemed was finally the time to try it, taste it and see!

How was it? Very theatrical, darling. But it worked – thinking back on it now, I could almost believe I saw it with a full cast of actors, the stories in black and white vignettes on film. Guy Masterton is a masterful storyteller, riveting to watch, yes, a bit theatrical for me, does that say more about me or him? I am very glad I went, I experienced something a little out of my range (hey, these days I eat salad mixes with tomatoes, cucumber and celery in them, would never have done that twenty years ago!). I really appreciated some of the lighting effects, white spotlights from below sending dark silhouettes on to the red background (very Lynchian) and when they flicked from side to side to have the effect of two people arguing, I loved it. I found myself thinking that the shadow might actually start acting apart from him, move independently, even attack him! Yes, the shadow play really did a number on me – was that Masterton’s intention with the effects?

I don’t think I’ve ever seen him perform before. I’ve seen plenty of his Fringe work as producer and director, best known are, 12 Angry Men, One Flew Over the Cuckoo’s Nest, The Odd Couple and more recently The Shark Is Broken; all rather excellent. Oh yeah, on my wander home after the show tonight I passed Pip Utton, another Fringe institution who’s had a number of his shows directed by Masterton.

Must go lie down and sleep now. Ah, it feels my Fringe has begun now! A few photos from this evening for your delight and delectation.