Are you sitting comfortably? Then I’ll begin.
Way back in the early 90s I went to see a new play by John Godber performed by the Hull Truck Theatre Company, April in Paris. Bloody marvellous it was! A sharp and witty piece about a middle aged couple who win a trip to Paris, well, she wins it from one of the many competitions she likes to enter. They have problems like any couple but through all the sarcasm and moans its clear they do love each other, it’s just dark northern humour to hide their soft sides. The two who played the couple really excelled at bringing the script to life. One of my Fringe highlights to this day.
In any year at least one company will put on a John Godber play, some years have seen as many as three Bouncers and you can often have a pick of which production of Shakers or Teechers to see. April in Paris seemed not to reappear so often and I must admit I wasn’t sure if it would be as good again, but in 2003 it resurfaced in a little venue off the Royal Mile and as I’d waxed lyrical to my Fringe Bud about it, we went.
Oh dear, oh my. Remember I said they loved each other really? Well, these two clearly hadn’t read their own blurb in the Fringe Programme that it was a “warm-hearted comedy”, it was devoid of love. The vitriol was incredible, oh it was the same script, but said meanly with bitterness. I walked out at the end completely flummoxed by the experience. I tried to explain to Bud that it was really a very good play, not sure he was convinced.
And so that’s why I rarely revisit past favourites by other companies. I couldn’t go through that again! On the other hand, I doubt anything could ever be as misinterpreted as that again!