2013 was the year the Free Fringe got really quite exciting, no longer was it just stand-up comedians in back rooms of pubs, there were proper shows to see! Or, at least, that was how my buddy and I perceived it. Casual Violence: Om Nom Nominous in the Voodoo Rooms was one such show, so good we went to see the company’s other non-free show the next day; the live musical accompaniment was a fine asset!
The Hawke Papers at the Blind Poet (loved that pub, alas, no longer there, that fine old boozer has been absorbed by the Pear Tree) was an interactive murder mystery using the full space of the pub for us to move around, look for clues and talk to the various characters. It was popular for a morning show, we missed out one day but were given a signed flyer and told to be there twenty minutes early the next day to be sure of getting in!
We heard that Death Ship 666 at the Three Sisters was very good and very popular and at 10:45 in the morning! After one miss we made it in plenty of time on the second attempt, great show, dubious venue. It may be fine now (I haven’t seen any shows there for a few years) but the back of the Three Sisters used to have a whiff of stale urinals, watching a show distracted from it, but hanging around waiting for a show to start was not pleasant!
The Free Fringe show that sounded right up our street was Captain Morgan and the Sands of Time at what was the Fiddlers Elbow at Picardy Place – ours and every other bugger’s street. We’d heard it was popular so headed down a good twenty minutes early, apparently not a hope in hell said the guy who came out to count the queue. The next time we were just over half hour early, so did we get in? Argh, by a gnat’s crochet, no!!! We were right at the door, next in, sorry, jam-packed full!! Now fainter hearts may have given up at this point, not us, another evening another even longer wait (forty five minutes) but, yes, we made it in! Was it worth it? Absolutely! Two actors, one musician (yes, more live accompaniment), lots of characters including Poseidon, a Lovecraftian creation played by the actors together.
2013 was the year we saw the wonderful Aidan Goatley for the first time, another visit to the Voodoo Rooms to see Ten Films With My Dad, a Free Fringe show. It was also the Fringe we finally scaled the mighty Arthur’s Seat, not once but twice, to see This Arthur’s Seat Belongs to Lionel Ritchie, a gala spectacular of Barry Ferns and friends (not quite at the top as it was a very windy squally day) and then Barry on Arthur’s Seat, which poignantly turned out to be the last time he’d do his solo show up there – his knees had decided enough was enough.
Here’s a little collage of pics from the Arthur’s Seat shows. See, you can tell it was a proper Free Fringe show – there was a doorway to go in through and it’s where he stood with the bucket at the end 😆