To watch is not necessarily to follow

I shall make a start on this post but I will be popping out in a bit to see Scaramouche Jones, or maybe not as it’s still exceptionally windy out there and yesterday’s performance had to be cancelled! It’s in a yurt, you see, next to the Potterrow underpass. Storm Floris wreaked havoc across Scotland yesterday and the winds are still going strong (no, I haven’t been anywhere near the Park, I don’t want to end up in Fife!!).

Anyhoo, that last show last Friday, it was at the Assembly Rooms in George Street, well, close by, the Front Room is actually a large white box in the street outside the Assembly Rooms. The opening music was O Fortuna played on banjos, oh-kay, best strap in (well, I’m pretty sure it was O Fortuna, conjuring up the dark, magnificent Excalibar for me, the Old Spice ad for others). A large laundry bag was pushed inside the box by stage hands, it awkwardly moved itself further into the room before unzipping and our man extracted himself from it.

Jonah Non Grata is a one man performance, it was bemusing, confusing and a tad disconcerting; full on absurd. An old adventure choice book was to hand, and left in the audience’s whilst he went outside, we just kept playing wondering when he would reappear, what else to do?! Later on, he led us all outside, just to lead us back in, oh, we all followed obediently on (not sure how much time had elapsed in the box, I did wonder if he’d just wander off and that would be the end of the show). I have no idea what it was about, had I missed something? A brief check with a few other audience members afterwards, it wasn’t just me, phew, none of them really made sense of this strange experience we had witnessed together, but, you know, we all kinda enjoyed it. ⭐️⭐️⭐️½

There was a storyline to The Mayor and His Daughter: A Genuine Appreciation of Comedy but for me it got a bit lost in the sketches and the two strange personalities ( I say two, I think the daughter had a few going on there). This is absurd comedy with a dash of horror and a Russell Howard dvd boxset; very funny, a dash unsettling. It reminded me of how I felt about The Establishment, hysterically silly but with something dark and uncontrollable lurking underneath (Is that just me? Anyone else?) ⭐️⭐️⭐️⭐️

So I nipped out to see Scaramouche Jones, absolutely superb, a triumph for Tuck, but more on that later. Since then, I’ve been out at another show and had a mushroom pizza from Moratti, on the corner of St Mary’s Street and Holyrood Road (tasty and reasonably priced). Now, on to the third in this trio of surreal absurdities…

A Haunted House began with a very impressive model of a very haunted looking house, welcome to the nightmare! Car broken down outside? Come in and stay for the night, have a tour of the old place – if you dare! There’s all manner of ghoulish creatures, brought to life (or undeadness) by grotesque mime and dark surreal comedy. While there’s definitely nods to The League of Gentlemen, the eyes loop bit (sorry, it would be insanely difficult to describe it more, but if you see A Haunted House you’ll know the part I mean) had me thinking of Guillermo del Toro. I’ll admit, while I enjoyed David Hoskin‘s performance (he is great at physical comedy), I kinda lost the narrative at times, though, maybe it was just loosely there, anyway? Oh, and the Blue Moon part, loved it! ⭐️⭐️⭐️½

A very haunted house!

It’s late again!! One of these nights I intend to be asleep before midnight!

Don’t worry madam, he’s a trained stunt dog.

Another sweltering night in Auld Reekie, the cars go swooshing by outside, the occasional drunk screeches her boyfriend’s name, a nearby gate gratingly squeals open and clatters shut again. Ah, the Gotham effect! Love that show, sooo stylish.

And a duo who definitely have their own distinct style would be The Establishment, not unlike a couple of really creepy henchmen, who you may be fooled into thinking are just buffoons but they’re really creative geniuses in the art of psychological torture. Do go see them😆  This year they’re doing two shows, Fool Britannia which runs right through to the final Sunday and Le Bureau de Strange just two nights where they’ll have “very special guests”. I’ll fit in Fool Britannia but I have a number of late night shows to choose from and at my age beauty sleep is essential!

Another duo, possibly the most distinctively recognisable duo at the Fringe for more than ten years are Gamarjobat; a mohawk-sporting, shades-wearing mime comedy act from Japan. Yeah, I know, mime, a word that can inspire almost as much disdain as juggler, but these guys are seriously and uproariously brilliant at it! They should be, they’ve been doing it for yonks.

The first couple or so years I think they were just a street show, then in 2006 Bud and I saw their first proper Fringe show and the following two years. In 2008 was probably the first time the second half of the show was The Boxer not a million miles from Rocky in it’s storyline, this was mime on another level, to this day a standout Fringe moment for me (and probably Bud too, he was a big fan of Rocky and got bits that I missed). They still perform on the street when they’re here, so even if you don’t go to the show you can catch them, still mohawked!