Comedy

Sunshine, smiles and stars

bruceonthefringe 2026, Comedy, Edinburgh Fringe 2026, Fringe weather, Holyrood Park Tags: , , , , , Leave a comment

I don’t usually write blog posts on my phone but it’s so lovely up here, just me and the crows and the odd snatch of far off conversation on the breeze. Where am I? High at the top of Moose Ridge enjoying the warm sunshine. I had intended to be up here much earlier, yeah, no, wasn’t going to happen. Hey ho, I have a while before my next show, and I have pumpkin seeds to munch on. Next show? Its Will & Noah: Dinner Dinner Chicken Winner at George Square Gardens. They had a cracking show last year and reviews are looking good for this time too. Mind, I expect nothing less than brilliantly bonkers from Will BF.

Last night I went along to see Moon Team IIIV again, yes, for a third year! But each time Will’s tightened bits and made tweaks, especially to Swimothy – at this rate that fish will have his own show next year! Indeed, Swimothy’s plaintive solo is quite a highlight, what a voice! Moon Team IIIV is what the Fringe is about, a mad idea brought to life, a spark of joie de vivre. Okay, for some this show will be just tooo silly, but hey, for this moose it’s silly to make the soul soar ⭐️⭐️⭐️⭐️⭐️

Oh yeah, before I head down, oo, possibly past Peregrine for one of their scrummy cakes, I went to see Hudson Hughes: At Your Service again, this time everything worked, every whistle whistled and every bell rang, and how! That ratcheted up the horror somewhat (but that second preview was glorious madness, Hughes was brilliant), and the imp, oh, he was great. Comedy horror to chill and tickle your funny bone, definitely worth that extra half star! ⭐️⭐️⭐️⭐️⭐️

Must dash, I’ve an awards show, well, a show about awards, to see. Toddle pip!

A scare, a scam and some Sam

bruceonthefringe 2026, Comedy, Edinburgh Fringe 2026, Theatre Tags: , , , , , Leave a comment

I’m currently on a train heading to Glasgow, thought I’d use the time to start a new post, a look back on the first full week of the Fringe. It’s been rather good, some fair and some absolutely cracking shows; and a return visit to Edinburgh for some of my favourite Irish musicians. But first, a very welcome return to the Fringe, they had to cancel their run last year, the waiting was finally over for…

Crybabies: The Scaring Wow, just wow! A comedy horror, there’s plenty of silly, even the sinister bits are silly, often thanks to Ed Jones; he takes his characters so far but never tips over the edge. Then there’s the ridiculously funny and really rather creepy too, character of a young boy played by James Gault (a wonderful visual gag that just became more hilarious every time he appeared). The other third of the comedy trio, Michael Clarke, plays a former priest having to deal with all the strange oddities played by Jones and Gault within the setting of an old hotel (plenty of horror in one of those). Crybabies have pushed the boat out to ensure the visual and sound effects are a match to their performances; a masterclass in funny, an absolute hoot! ⭐️⭐️⭐️⭐️⭐️

From a comedy trio at the top of their game to a most august Fringe institution, the Tuck. The Wolf of Poyais is the perfect role for Thom Tuck, a deliciously dark, conniving character from the early nineteenth century (while some actors somehow look too modern to play historical figures, Tuck fits older times perfectly). The Wolf refers to a Gregor MacGregor who lived a very eventful life, which included conning hundreds of people into investing and emigrating to a country he made up, that’s Poyais.

The story is told as MacGregor turns motivational speaker delivering his “Eight steps to success” with flip chart! But here’s the thing, it’s true! Thom Tuck with his marvellous eloquence and talent for voices and accents, charms us into liking MacGregor as he tells his life story, laughing at his exploits even when he’s recounting very terrible things he did, now justifying it all to himself (I say himself, these are more sober moments for the audience, as we’re aware there’s still many very successful conmen around). An hour of rollicking adventures, audacious lies anoh, and Id thoughts to ponder about human nature. Bloody magnificent and I got a badge! ⭐️⭐️⭐️⭐️⭐️

And so from the silly to the sublime to the “could someone please tell me what I just witnessed?!” I went to see Flabbergast Theatre in the Pleasance at EICC. Always on the unnerving side, Flabbergast are, for me, the theatrical version of The Tigerlillies, creepily entrancing, creatures from elsewhere, a realm apart; Endgame by Samuel Beckett is already a realm apart, so with added Flabbergast! Hmmm, yeah, I picked it on account of the theatre company, note to self, check everything. Beckett is not for everyone and that includes me, at ninety minutes long, the bleakness drained all my joy. Having said that, while it wasn’t really my mug of tea, I could appreciate that it was great theatre.

Beckett’s world was well realised, I felt was there (though for me, wrong venue, odd, old places are where the Flabbergast world shines through the brightest). Centre stage Henry Maynard (the creator of Flabbergast) holds court as Hamm, unable to move from his chair but desperate to control his small, contained world, including his parents who live in two dustbins and Clov, a young man who’s incapable of sitting down. Clov is the one moving part, and though that’s done in pain, there is a bitter humour to it. Yup, an odd play but then it’s Fringe, a good time to dip your toes outside your comfort zone; while I probably won’t go see another Beckett play, I will go see Flabbergast Theatre next time they’re in town ⭐️⭐️⭐️⭐️

Next time, the antidote for Beckett malaise.

Toodle pip!

It draws ever closer

bruceonthefringe 2026, Comedy, Comic theatre, Edinburgh Fringe 2026 Tags: , , , , , , , , , , , Leave a comment

Just a week to go now! The poster boards are going up everywhere and this afternoon I was handed a flyer! Yes, the earliest ever. To be fair I was dawdling as I passed the Pleasance Courtyard as they have boards outside listing all the shows in all of their venues, a lady was obviously making some content with her phone by one of the boards….I was nosey, she was lovely, A Better Memory has been added to my pile of possibilities. But what of my certainties?

Hooray, the ridiculously talented Voloz Collective are back again, another double bill, REDACTED: The Cover-up of a Cover-up of a Cover-up and the brilliant The Man Who Thought He Knew Too Much. I’ll be kicking off my Fringe with REDACTED, yay, and ending my first day yelling “Ya die, ya die, ya die!” at someone called Darren (if you know you know). My second day starts with another promising production The Crimes of Pete and finishes with Hudson Hughes: At Your Service which I’m confident will bookend the day very nicely. Friday will start with the return of Tom Neenan, it’s so important to start your Fringe well, you know. At least, I’m pretty damned certain these will all be great, not sure about the others, time to see if my Fringe-dar is still in working.

How to start your Fringe well

Wonderfully silly and totally Fringe Will BF is back with space epic Moon Team IIIV again, no doubt he’s most likely made a few changes since last August (I wonder how Swimothy is getting on). There’s also new show Will & Noah: Dinner Dinner Chicken Winner with Noah Geelan, oh yes, I’ll be seeing that for sure, loved them together last year. Ironing Board Man is back for a third year, an 80’s action movie homage with an excellent soundtrack and more ironing boards than you’d ever ordinarily see at once; but I’ve seen it twice already, so it’s the new show Jody Kamali: This Is My Dad that I quite fancy seeing, hmmm.

My Fringe-dar favours these

One return that I can’t decide whether to see is Jeremy Lion, some things are best left as memories. He was achingly funny the first couple of times I saw him, but the third time was not as good, that was, oh, fifteen or so years ago! To go or not to go? [Edit. Turns out its cancelled, debate over!] No such question about Thom Tuck’s latest theatrical outing The Wolf of Poyais, and, of course, the Tuck has two more shows (and maybe the odd other thing, too), a WIP stand-up show and a chat show, huh, if he announces who the guests will be each day, maybe.

The Tuck, a most august institution

It’s very late again. Toodles!

Possibilities of laughter

bruceonthefringe 2026, Comedy, Edinburgh Fringe 2026, Edinburgh Fringe Programme, Free Fringe, Pay What You Can, Pay What You Want Tags: , , , , , , , , , Leave a comment

I’ve been away to Yorkshireland again, got back Sunday evening, a very drizzly drive up, but hey, the rain was needed, and looking at the forecast, the rain gods are getting some practice in ready for August! If you’re coming to Edinburgh for the Fringe don’t forget your brolly, and don’t go leaving it in a pub like I almost did Sunday evening; well, after that long drive I needed a drink and it just so happened that Louis Crosland was playing in George IV Bar. It’s a nice enough bar but it’s very much a place folk eat then head off elsewhere, few stay longer. Louis will be back there on Friday evening, then, contrary to any websites, he’ll be playing in Whistlebinkies with whoever he can round-up at short notice. That’s my Friday evening sorted.

Yes, very nice, moose, but what about Comedy? Well, there’s a lot of it, and it does seem like prices have increased plenty. Yes, I know there’s plenty of good reasons, I get it, but I also want to see shows, whittling them down to even fewer is really hard. And all the lovely flyerers, what to say to them? Yes, that sounds great but which other show should I drop from my list in order to afford it? Actually, that could be quite interesting, kinda mean but a fun experiment, hmmm.

Surprisingly, I have only Free Fringe show cut-outs from Comedy, unsurprisingly one is John Robertson’s latest stand-up show; and there’s another magic show by David Alnwick, like why? Why isn’t that one also listed in Cabaret and Variety with the other two? Any logic there?! Oh yeah, on C&V, I missed mentioning (overlooked, it was a double-sided cut-out) Bad Clowns and Good Friends, their late night show with various guest comedians is back at Eve, I might get round to popping in this time round, I kept saying I would last year but,!? (it’s in the Cowgate, not exactly a tricky location)

The majority of my Comedy possibilities are the hybrid PWYC and PWYW, take a gamble that you’ll get in without a ticket and pay when you leave. Two shows I won’t just chance are Ed Byrne: Work In Progress and Luke Rollason: Alas! (WIP), both short runs and no doubt will sell out. John-Luke Roberts and Nish Kumar have full Fringe runs at Monkey Barrel so I reckon I’ll be fine seeing them early on. Then there’s the ticketed shows I’d like to see, well, some only if they get listed on the Half Price Hut. Unfortunately way too many of my choices clashed timewise, so they wouldn’t all fit during the preview period (oh, a mini rant about that at some point).

I haven’t been the forthcoming with my choices in this post, so I’ll put in some pics of my possibilities. Next time, more on the Comedy section, the shows I’m definitely going to see.

Toodle pip!

Shut up you tiny fool!

bruceonthefringe 2025, Aussie comedians, Comedy, Edinburgh music scene Tags: , , , , , , Leave a comment

Is something I should say way more often to my monkey mind; it’s also something I was singing last night at The Stand (along with the rest of the audience, it wasn’t just me doing a musical heckle, that would be weird). Yes, John Robertson was back in Edinburgh for one evening as part of his UK tour. It was a toss-up between him and some band playing at The Hive (it popped up on my Instagram and looked intriguing), I didn’t decide til early evening. Hey, one hundred minutes of manic glee? It had to be.

The Stand was packed but it’s not too difficult to find a single seat close to showtime. Being British I felt bad plonking myself on a stool that would ruin the view of the person behind me, on the otherhand, the stool was clearly visible, if not me then someone else would have most likely sat on it as the room was very full. Being me, seeing a Fringe show outside of the Fringe initially feels slightly wrong, a shake of the head and I’m rejigged.

Fringe shows are generally an hour long, so two hours with a twenty minute break is a real treat, and that long with John Robertson was almost overload. I have to mention his hair, it looked amazing last night, so fine, so silky, sorry, but it was. The show is called John Robertson Plays With The Audience, and yeah, that’s basically it, anyone, anywhere in the room is fair game, he scans the room for anything that tickles him and then pulls it into the narrative, weaving it in amongst the other threads. There was plenty for him last night, we were all howling with laughter (and a pinch of relief), no idea where he’ll go next (I’m not sure he did either); and of course, there was the raucous, fuzzed up ukulele tunes (not sure George Formby would make of them!)

If you’ve not heard of John Robertson before, are reading this thinking, oo, I’ll pop along to one of his shows, Brucie likes him, a few points for the uninitiated …. it’s adult content, I do mean, adult content, and not a show to take your parents or maiden aunt to, unless you intend to disappoint them (on the otherhand, a disgusted walkout always delights Robertson) or are prepared to be shocked when they roar with laughter. One thing though, he maybe shouty and manic and out there, but he’s also a lovely human being who knows when to back off and does so (there was a real bunny in the headlights moment last night but a skilful swerve and the show revved away from it).

I’ll leave you now, but just one thing, totally unrelated to the above. You know how I regularly check social media so that I don’t miss any music I like …. hmmm, this Saturday evening, who to see? There’s the Louis Crosland Trio at Stramash at seven o’clock or The Moanin’ Bones at Whistlebinkies at seven o’clock. I know these details to be correct at time of writing this, maybe I’ll catch a set of each? I am very intrigued to see who’ll playing guitar with The Moanin’ Bones!! Hahaha.

See! the Old Town Pub Co calendar

Puffins, potatoes and a fish called Swimothy

bruceonthefringe 2025, Comedy, Edinburgh Fringe 2025, Fringe reviews, Theatre, Uncategorized Tags: , , , , , , , , , Leave a comment

When I saw the puffin on the poster I knew I’d go see Stuart Laws Is Stuck, yes, I’m a sucker for a puffin, and a comedy/murder/mystery with a puffin? I immediately thought, the puffin did it, why? Did you see Dr Dolittle Kills a Man last year? The puffin turned out to be the big bad, so this time round I’d be ready.

Our guy is the only human on an island inhabited by 1004 puffins, he took the job of caretaker after a bad break-up; but one of the puffins is missing, Titus. Oh yeah, they all have names, and he can talk to them, and they talk back (Kate Hammer is hilarious as puffins Milo, Angie and D’Angelo). Missing becomes possibly murdered as Stuart investigates and soon things start to unravel…. And if you’re not 100% paying attention you may get lost in it all!

The show swaps between the story on Puffin Island and stand-up in the Fringe Venue; there are prompts to know the swaps, not always obvious to folk sat further back (another time when a slightly higher stage would help!) As the puffin mystery is being solved we start to become aware that there’s something else behind it all, the clues are in the stand-up. Oh, there’s more levels here than first meet the eye, all well constructed and well written, and Laws and Hammer are great together. If you do see this, don’t just put aside the cards on some seats, it’s excellent artwork depicting the characters, Milo is adorable! ⭐️⭐️⭐️⭐️

From puffins to potatoes, Batisfera are back with another short play Tale of a Potato to enchant, bemuse and leave us mulling over our own human nature. The stage is a square wooden table with just one light, Valentina Fadda presides over all as narrator, voices, puppeteer and knife-wielder (some of those veg are trouble!), oh, and bringer of sight (nails for eyes! ironic for a potato). She had the audience spell-bound as she told the story of a potato called Protagonist.

We follow Protagonist’s through his life, loves, trials and tribulations, and by god, we feel for that little fellow before the end. There’s a supporting cast of a variety of vegetables, including an antagonistic aubergine. The show may only be half an hour long but there’s a lot packed in there; Fadda’s voice and this little table-top world, take us through a gamut of emotions. It’s profound and whimsical and will dwell with you long after ⭐️⭐️⭐️⭐️½

Batisfera are also performing The Gummy Bears’ Great War again – and you thought vegetables were small to perform with! I loved it, but be warned, if you felt for Protagonist, those little bears may leave you floored.

Time for one more before I head out to Binkies for some late night sounds. A fish called Swimothy, no, it’s not called that, mind his role has gotten rather bigger than it was in Moon Team IIIV at the start of the Edinburgh Fringe in 2024, he even has a song this year (I’m pretty certain that wasn’t there last time!?). Will BF has said that this is a fully finished copy, hmmm, we’ll see. Moon Team IIIV has been tweaked, rejigged, upgraded, but it’s still as silly and bonkers as it was, still with the talking head mockumentary parts intertwining with the action on stage. Will Will ever truly settle on a completed version? Will Swimothy become tyrannical and take over the whole film? It’s funny, it’s highly entertaining and totally Fringe ⭐️⭐️⭐️⭐️½

Next time, a little philosophy and a guy into a black and white striped suit. Toodle pip!

Eels, eggs and bolognese

bruceonthefringe Comedy, Comic theatre, Edinburgh Fringe 2025, Fringe Venues, Uncategorized Tags: , , , , , , , , , , , Leave a comment

Finally yesterday morning there were only the lightest of breezes, so I took myself off to the Park and up Moose Ridge. There was a wildfire up over the other side of Arthur’s Seat on Crow Hill a few days ago, great plumes of smoke could be seen for miles! Of course, the most popular joke was that the volcano had come back to life (Arthur’s Seat is a very old very extinct volcano), I had intended to go and check out the damage. Unfortunately, I’d forgotten my water so at the top of Moose Ridge (I’m gonna keep calling it that until it catches on), I took Pipers Walk back down, and home via Old Wood Cafe at St Leonard’s to try their Eggs Benedict, not bad.

The afternoon saw me stepping into the darkness of the Banshee Labyrinth Cinema Room to bear witness to The Night Mouth. I had no idea what to expect, certainly not the Childcatcher! Ye gods, the stuff of nightmares, oh, and two school dinner ladies from hell (Lady Bolognese) popped in. Silly, and comically disturbing, mind, it was Pittman and Hughes behind it; and as you can’t have too much of a good thing, I later popped into Carbon to see God’s Longest again (it was the last of three shows, and being impro it’s always different). Hmmm, some folk’s deepest, darkest secrets really should remain secret!

My childhood trauma came a-knocking!

Evening time found me at that fine old institution the Bedlam Theatre to see Eelmageddon by Intrepid Fools. Yes, it’s as it sounds, the imminent end of the world as we know it, brought about by eels (some days looking at the news, would it be that surprising?!). Only a mad scientist and his assistant stand in their way, one wants to understand them, the other wants to eat them; but they’re running out of time and the super secret underwater science bunker is developing cracks.

Eelmageddon is a laugh-out-loud comedy with a great plotline running through the silliness, and oh, Mother Eel is a fine big bad with a voice to send chills through her enemies (it had me back to watching Dr Who as a young calf). For a small theatre company, they’ve put together a great show, just one thing grated by the end (and if they’re reading this, I bet they know what I’m going to say) – the professor’s voice, obviously a well-travelled scientist as the accent went everywhere and beyond, which, yes does have comedy value, but for me it tipped over into grating. Sorry, that’s just me, but I did love the creativity of Intrepid Fools, their comedy, the sound and lighting (a lot more important to making a production well-rounded than many realise, but then, if you don’t notice, then job well done!), and a cracking song to end on, what great voices! This is grassroots theatre, I look forward to whatever they do next. ⭐️⭐️⭐️½

That’s enough from me for now, I have another show to see. Toodle pip!

I pondered lonely as a moose

[Edit. It helps if I press the Publish button twice as instructed!]

A little bit of bonkers!

bruceonthefringe 2025, Comedy, Edinburgh Fringe 2025, Late night shows, Sooo fringe, Stand-up comedy, Uncategorized Tags: , , , , , , , , , , Leave a comment

Today is the day that many Fringe shows with full runs take off, and it’s not bad at all out there. It is rather cloudy but the winds have abated down to breezes, and it’s a nice 20°ish. Pretty good for a scottish summer! I did a proper big shop earlier, think I’m still buoyed up from last night at the Jazz Bar. I had a grand time enjoying some quality blues and rock’n’roll from The Blueswater, always a blast! A little sad though, as it reminded me how much I miss seeing Nicole and the Back-up Crew and The Buccaneers playing in Stramash, ah well, times move on. But back to the present, and the near future, there’s just two more chances to catch The Blueswater this Fringe, that’s on Thursday 14th and Sunday 24th (see the Fringe out with a bang, why not?) at eleven o’clock in the Jazz Bar.

One chap who’s not resting up at all this Fringe is the lovely Alex Farrow (in fact in the absence of Mr Goatley, Alex may be the loveliest person on the Fringe now, hmmm, I’ll have to recalibrate). He’s back with a new show Alex Farrow: New Order, as well as his two usual, hosting Stand-up Philosophy and featuring in Stand-up Science; he’s also directing a play at the Pleasance Courtyard! Busy, busy! He did tell me it’s name when I ran into him last week, but no, it’s gone (there’ll probably be an edit here later!).

Oops, just popped out a while there! I noticed one of my post-it notes had a mention of a free Fringe show starting very shortly, so I legged it up to Carbon on the Cowgate to see God’s Longest, I didn’t actually remember anything about it, but I’d written it down, so I obviously wanted to see it. Ah ha, it’s Aidan Pittman and Hudson Hughes (Dr Dolittle Kills a Man) along with Anand Sankar and Alex Berr doing improv, very surreal improv; this is improv that runs down rabbit holes with manic glee. They’re all very funny and watching them bouncing off each other, wow, pure joy, the situations and characters they conjured up were brilliantly bonkers ⭐️⭐️⭐️⭐️⭐️

And on bonkers, (hmm, does that need re-wording?! nope, it stays) I tootled along to see Will & Noah: Too Much Time on Their Phones at the Underbelly, Bristo Square. Oh, they had me at the opening sketch of skimming stones; as someone who cannot pass by any stretch of water without looking down to find a flat stone, this was hilarious (and please can I borrow that sound effect to make myself feel better about my own attempts?). Will BF has a silly streak a mile long, and sharing a stage with Noah Geelan, well, the pair take silly to new levels, I would give the finding things on the floor of a nightclub sketch as prime evidence, it went there and beyond! Audience participation is plentiful and the day I went the audience were very game. The Where’s Wally sketch was an absolute hoot; and when they started on the final furlong, it was like a mad dash of the callbacks to reach the finish line. Just bonkers! ⭐️⭐️⭐️⭐️½

Toodle pip!

A Barr, a king and a clown

bruceonthefringe 2025, Comedy, Edinburgh Fringe 2025, Fringe Venues, Theatre, Uncategorized Tags: , , , , , , , Leave a comment

So far Edinburgh has had pretty good temperatures this Fringe (touch wood!), but I do wish all the crazy winds would calm down. See, I like to have my windows open a smidgen in summer, but even only having the top sash down a wee bit will result in all my Fringe cuttings being strewn everywhere whenever I’m out awhile. No, I can’t put them away, really. Back home from the Farmer’s Market, I picked the latest windfalls, oh, the picture of James Barr looked reproachfully back at me, oops. It had been right at the front to remind me, yeah, let’s do it….

James Barr: Sorry I Hurt Your Son (Said My Ex to My Mum) was at the Fringe last year, I remember pondering on seeing it, but never went. Time to give it a shot, and yes, another success for my Fringe-dar! James Barr opens up to the audience about his life and the domestic abuse he suffered in a four year relationship; it sounds like quite a personal and harrowing subject for a Fringe comedy show, but Barr injects plenty of quips and wit into his narrative. This is his story and he tells it well; he would take us down into the darkness, then neatly bring us back up with a deliciously funny quip, a roller-coaster of a show! I walked out feeling quite buoyed up, and I got a badge too! ⭐️⭐️⭐️⭐️

How times change, in years past the Pleasance Courtyard and Dome were regular features on my Fringe Calendar, especially during the previews, but last year I saw nothing at all at the Pleasance Dome and this year there’s been one (I’d say, so far, but that could well be the only one). Mind, that one was great fun! Up the stairs in the King Dome is Alasdair Beckett-King: King of Crumbs, oo, three kings there! Wow, an hour packed full of laugh-out-loud one liners, surreal silliness, a dollop of whimsy, and, as he called them, some “sad jokes”. There were plenty of nice little call-backs and a continuing phone gag that just kept on giving! ⭐️⭐️⭐️⭐️½

It’s late, again, but I mentioned last time that I’d report on Scaramouche Jones – it’s brilliant! And it’s on until the very last day of the Fringe (excluding Monday 11th), I may well be back, ‘twould be a great way to round off my Fringe. The part could have almost been written for Thom Tuck, he inhabits it so well; and the Big Yurt, with it’s makeshift nature, is the perfect setting for this picaresque tale. It’s a story that spans the twentieth century, an old clown has just come off stage from his final performance and speaks for the first time in fifty years as the time ticks towards the final midnight of 1999, the first stroke of which will be exactly a hundred years since Scaramouche’s birth on a fishmonger’s slab in Port of Spain.

The script is full of vibrant descriptions of the places and people in Scaramouche’s life, and Tuck’s lustrous tones paint them even more vividly, his talent for accents comes in as Scaramouche journeys around the world meeting all manner of people. When Tuck expresses young Scaramouche’s delight in knowing his father was an Englishman, his youthful pomposity is sweetly hilarious. There’s so much to love about this production – I’m already looking forward to seeing Scaramouche Jones in ten years time! ⭐️⭐️⭐️⭐️⭐️

Toodle pip!

After breakfast things improved

bruceonthefringe 2025, Absurd comedy, Comedy, Comic theatre, Edinburgh Fringe 2025, Fringe Venues, Uncategorized Tags: , , , , , , Leave a comment

A few weeks ago I was talking Fringe with a friend, about how to choose which shows to see. Reviews are a handy measure, of course, then my friend said that they tend not to trust reviewers who always give high ratings to everything, like a sickeningly sycophantic tv host (oh yeah, I know which they meant). The conversation has lingered about in my head, were they including me in that? Hey, I’ve been Fringing for thirty plus years now, my Fringe-dar is finely tuned, thank you very much.

And yes, it might look like I’ve been throwing stars around willy-nilly on Instagram recently, but they were all acts that I’ve enjoyed at previous Fringes; a damn fine first Fringe Friday was the plan. Mind, sometimes returning acts can be disappointing….

Friday morning was an early rise (for Fringe time) to make it to Lauriston Halls for Shakespeare For Breakfast at ten o’clock in time to grab a coffee and croissant on my way in. The thing with Shakespeare For Breakfast is that while the premis of goofing around with a Shakespeare play is the same, the actors and writers are always different from year to year, so the feel and style is very varied; the faithful returning audiences rely on the company getting it right, again.

For me, this year it felt a bit lame, a bit little one of those Radio4 afternoon comedy plays at times (if you know what I mean), oh, some parts were pretty funny but not enough to really raise it up. The performances were enjoyable enough, and the torch song to a croissant was brilliantly sung, but it lacked something for me. Oh well, it’ll be something different next year. ⭐️⭐️⭐️

Next up were Finlay and Joe: Pretend It’s Fine at the Dovecot Studios where used to be Infirmary Street Baths (more on the venue later). I saw them two years ago performing Past Our Bedtime, in my Fringe diary I put, “Will see these two again in the future”, and indeedily, yes I have!

Off to a great start, opening with a song to the music of the Beach Boys’ I Get Around (great choice of tune and wow, they have great singing voices!) and looking very dapper in blue suits with flames flickering up the bottom of the sleeves and trouser legs. Pretend It’s Fine is a sketch show but there’s a story arc going on, and a bit of improv thrown in for good measure; some sketches are surreally stitched together, other times we’re jolted back to the story, like, oh yeah, that’s where we were; it’s sharp, silly, surreal, full of quick, good-humoured wit and warmth. It says family-friendly in the programme blurb, and it is, British humour at it’s best ⭐️⭐️⭐️⭐️⭐️

After a late lunch of scrambled eggs (with leek and cheese) on toast, it was up to Appleton Tower (the latest Gilded Balloon venue while Teviot is still closed) for Ironing Board Man, well I really enjoyed it last time and reckoned there would be changes from last year’s show, so why not? Jody Kamali has created a wonderful parody of an 80’s action/romance blockbuster movie with an amazing soundtrack; I’ve no doubt the soundtrack was a labour of love (like making the perfect mixed tape where the right order was vital!) but that hour of sound must have taken sooo long to get just right. Good choice to go back, even better this year! ⭐️⭐️⭐️⭐️½

One more return for the day Bad Clowns seen last year, twice actually, I saw the unrehearsed Role Swap version of Hostage and then the proper version (I actually preferred the role swap version, it was hysterically funny!). This year it’s Bad Clowns: Long Live the King! actually the King dies at the start of it and our clowns are all contenders to be the new king! These three guys are all very funny in their own right, but the dynamic and chemistry between them makes comedy gold (see, that alchemy again!). Long Live the King! is a silly, gleeful romp with plenty of audience participation and laughs a-plenty, loved it! ⭐️⭐️⭐️⭐️½

Now, I did those four shows in one day (there was another one too later in the evening, but I reckon it fits in better with the next two shows, and right now it’s quite late!), but like I said I’m a seasoned Fringer, if you attempt those last three shows in one day, please wear a girdle or your sides may literally split, you have been warned!

G’night, sweet dreams!