Oh, those Russians!

If you’ve recently checked oot my Facebook doings (I’m Bruce T Moose, being proper, like) you’ll know the world just shrank a teensy bit more, when I was accosted by a gent flyering his show which also stars our mutual friend Will Seaward! Only very a unusual, warped intellect could have devised this show, I suspect over a jar or two in some drinking establishment! Why do a straightforward play? Why not bring in the contrariness of chance to keep the actors on their toes? Improv with a difference – a roulette wheel!

Russian Roulette is just that, a Russian play of chance; the first choice is between writers Dostoyevsky, Tolstoy and Chekhov, twas Tolstoy’s Anna Karenina the evening I went. Some victim from the audience becomes the croupier and whenever the bell sounds (apparently set up earlier using randomly picked times) he/she spins the wheel and calls out the number. We, the audience, had numbered lists to check and yell out (well those with the eyesight to read small print in semi-darkness,  I’d forgotten my reading glasses), cryptic instructions like “Borscht Surprise”, “Russian Dolls” or “I’m Stuffed”. Will and his co-host would explain what each meant and the actors had to incorporate it into the play. Hence, poor Princess Kitty spent a long while unable to move as she became stuffed! “Beard Ban” was tricky for two of the cast, did I mention there were penalties for failure!? This was obviously set up by some devious, dastardly mind who wouldn’t be actually caught up in this play of chance themselves! Will?!

Whilst thoroughly enjoying the fun I noticed some of the cast looked somehow familiar, I also noticed that every seat had a flyer for A Midsummer Night’s Droll, yeah, I completely failed to spot the connection – I’d seen their show Droll last year! (another smidgeon off the earth’s girth) At the end of a very entertaining hour, everyone did the usual plugging of their other shows, only then did I twig! And, being a moose of limited means, I went off to purchase a ticket for their last £10 show, at 10.05 in the morning!

If you like some fun with your Shakespeare and some top-notch comic acting to go with it, then I can’t recommend these guys highly enough. Yes, I know it breaks one of my rules, never recommend just say you liked it, but I fail to see how anyone who matches the aforementioned criteria could not love this show!!! Oh, and I noticed Princess Kitty in the audience looking charmingly unstuffed!

So that’s Russian Roulette at Just the Tonic: La Belle Angele and A Midsummer Night’s Droll at theSpace on the Mile. If you want to see a little culture this Fringe !  😊 🎭

Theatre Spaces

On a quick perusal of my fringe timetable theSpace@ venues have featured a lot for theatre shows I’ve seen. Over the last few years more and more small venues are becoming part of bigger companies which have also opened up more venues in central hotels. I suppose it’s no bad thing if smaller venues can benefit from the support and assistance of a larger umbrella company. Certainly theSpace@ North Bridge and Surgeon’s Hall have ticks against them in my book, Jury’s Inn has been great but it was also the venue of one of only four shows that I’ve ever walked out of in thirty years.

Space on North Bridge has now moved into the first floor of the hotel, rather more pleasant than it’s original location there. Edgartown is playing there at lunchtime. This is a fabulously macabre dark comedy with steampunk costumes and a cast who can rachet up the tension and creepiness with ease.

Space@ Surgeon’s Hall has the impressive Lord Dismiss Us by Boys Of The Empire Productions, who’s first play back in 2008 stood out from the crowd for me. A play with plenty of humour and drama brought out brilliantly by a very talented cast. And is it just me or does the English master have a slight look of Littlefinger from GoT?

Also at Surgeon’s Hall was Droll. Okay, so it was at 10 in the morning and only cost £8.50, this week it’s moved to theSpace on the Mile at 5 past 10 in the evening and costs £13, it all adds up! Whilst queuing I quickly recognised one of the actors as being previously part of Broken Holmes Productions (oo, they were always worth seeing), so that was a plus. Drolls are from when theatre was illegal in the 17th century, almost completely forgotten by history and not performed since then, until now. It certainly had a charming, devil-may-care enthusiasm which swept the audience along with it.

Now along to Sweet Grassmarket where we find Not: Lady Chatterley’s Lover, a farce done in the best possible taste! Plenty of saucy innuendos, high drama, clipped accents, manly chests and fish-net stockings, what more could a moose ask for? Certainly Happy Idiot have pulled off a triumph with this hilarious retelling, they’re on my fringe-dar now.

Crikey, it’s late now, but I do want to mention one more gem. It’s finished now but worth mentioning not only because I managed to get a ticket from the Half Price Hut, nor because of the Free G&T (that’s Edinburgh Gin and Fentiman’s Pink Grapefruit Tonic Water, devine!) but because The Gin Chronicles at Sea was yet another great romp. Done as a 1940’s radio play with four actors playing all the parts and a Foley artist (who was a joy to watch), it was a tale of intrigue and adventure with a large dose of comedy thrown in.

The venue itself, St Marks on Castle Terrace was beautiful, an old church with a three quarter balcony, a first visit for me, that’s one of the bonuses of the Fringe, we get to see inside some amazing buildings that we otherwise would never go in.