A Casio-carrying comic and a Volcano

Another rainy night in Edinburgh, it’s late but just time for a couple of musings….

Huge Davies: Album For My Ancestors (Dead) is billed as “musical comedy, stand-up” and yes it is, stand-up with a huge Casio keyboard slung low in front – personally I think a ukulele would be so much easier. Oh, and Huge is correct, not a spelling error. Huge is also very deadpan, very. He’s that guy you can’t suss out, does he hate you, everyone in general, or is he actually just taking the piss? Does he just enjoy being miserable and moany?

Apparently, we were the worst audience ever (sure, I bet he says that to all his crowds!), and woe betide anyone not clapping or finger-clicking as required, or disrespecting his family; the deadpan delivery also continues in his songs. Huge is obviously quite an accomplished musician (a strong one too, carrying that thing around) and his comic lyrics are sharp to the point and wickedly funny, some even a tad catchy.

It took me a while to warm to him (or was it a Fringe version of the Stockholm syndrome?!) but with songs about pokemon, aliens, Pearl Harbour, Grampa Joe (from Charlie and the Chocolate Factory, Huge really had a bee in his bonnet about him!), well, I do like a witty ditty. ⭐️⭐️⭐️⭐️

I was intrigued by Volcano: Ben Miller, a Pay What You Want show on at Just the Tonic at The Caves. Yes, of course I realised it wasn’t the Ben Miller but I bet I wasn’t the only one who went along anyway thanks to the non-connection. The show zipped along, Ben was pleasantly personable and engaging, but while it was quite interesting and entertaining, there could have been more, well, oomph. ⭐️⭐️⭐️

Oops, definitely time for bed. Sweet dreams!

Flyerers are our friends

Don’t laugh! Okay, so I refer to those flyering their own shows, those who put themselves up for rejection, ridicule and some downright rudeness. Have you ever actually tried to engage with one? And I don’t mean listening to their autospiel – that’s almost like a security blanket they can hide behind; smile and ask a question, there’s often a realignment pause as they realise you’re still standing there interacting with them. I’m not saying chat to every flyerer, crikey, the thought of it! Some shows you know are definitely not for your thing, but if something, anything, makes you smile or think, like the flyerer’s attire or manner, the glimpse you caught of the flyer, pause a moment.

I spotted him in a pretty authentic-looking WW1 uniform so 20190808_154012trotted over to find out more. He’s a personable chap, one Shane Palmer over from Melbourne, the performer and writer of Echoes Of Villers-Bretonneux, on at 3.10pm at Greenside@Nicolson Square (a venue I’ve never been to before so I had a little nosy around – nice cafe). So glad I did notice him as it was an excellent one man play, both in the conception and performance. The minimal set of a multi-use wooden pallet was great and I have to admit I didn’t know about puttees before; sure I’ve seen plenty of old pictures of men in army uniforms but didn’t realise the lower leg part was a long strip of cloth wound spirally around the calf. Just the detail of him putting them on and taking them off while recounting his story fascinated me.

Another chap in a hat, this time a woolly one with a furry bobble (the hat not him), flyering his own one man show Will Penswick: Nørdic(k) along with Mark & Haydn : Llaugh – a flyer has two sides, I admire the camaraderie and economy of this idea (both shows are at Just the Tonic at The Caves in Just The Wee One). I’m not hugely into Scandi noir but I do like it and thought a send-up of it could be fun. Oh yes, indeed! And he was going for full audience participation, well, there weren’t many of us at the performance, mind we were quite a bunch of oddities, and we were all up for embracing the moment.

Though, and here comes a mini-rant, some folk wandered in about twenty or so minutes after the start, wtf?! It’s one thing someone coming ten minutes late (which someone did) but over twenty minutes into a show?! Just because it was Pay What You Want (ie you can go without a ticket and just put into the bucket at the end) shouldn’t mean you wander in whenever, just a touch of exasperation escaped Will’s composure, he is a professional (just as well it was his show, some comedians would have ripped them apart for such an offence). He kinda got his own back getting one of them up for a part that required remembering something that was mentioned in the first twenty minutes, he did get in a good-natured dig about it! Will did come across well, keeping in character while putting his audience at ease. As I said before, there weren’t many there but this is a great show and deserves way more people seeing it, though I doubt he’ll forget the day I was there, no, not because there was a moose there, hell there were folk way weirder than me there!

And if you read my last post you’ll know The People’s Boat people also enticed me in by flyer. So if you’re at the Fringe, or any other Festival around the world, take a moment, have a chat, remember flyerers are human too.

Toodle pip!