Friday of week two is a good day to take off work and Fringe, most years I’ve done this; it was always a day for seeing pricier shows that were on the Friends of the Fringe list for me and Bud, always beginning with Shakespeare for Breakfast, we’d snaffle any croissants left on nearby seats at the end. This year it just happens to be one the days I’ve taken off work, but thinking about it, it is indeed a perfect day to Fringe. It’s shortened the working week, woohoo, which allows for later shows on Thursday night; it’s far enough in that the list of possibles has been whittled down from it’s original unwieldy size; it’s also far enough in that other possibles are in the mix, from chatting to flyerers, tips from people in queues, reviews.
Just as well I didn’t go to any late night shows on Thursday night – the first show I saw on the Friday started even earlier than Shakespeare for Breakfast! Okay, so only five minutes earlier, but still, my Fringe Friday tradition of running to get to the first show on time ain’t gonna end with early starts like this! Headhog was only on for six days of the middle week, the blurb was that a man has a scan after having a fit and discovers he has a hedgehog living in his skull. No one can explain how it got there and removal of it is (obviously) unknown territory.
Headhog was a charmingly absurd play; a great concept to mull over. I liked Malcolm, the turmoil he was going through was well played out. When he becomes more concerned by the “why me?” than “how?” the scene with the ecologist and philosopher was great – amusing and exasperating. Some of the play felt a bit clunky but overall it was well done, with a lovely melancholy ending that was somehow quite uplifting.
Two hours later I was back in the same venue, Paradise In The Vault, in the Annexe room, one of the best smaller venues; the seats are generous and comfortable, with a reasonably tiered-height between them, it’s also got a good record with me for good productions.
The Man From Verona was a very funny, dark comedy, quite farcical at times. It is quite a small stage but the set was well-conceived to maximise use of every part of it. Everyone was great in it, especially Mama – don’t mess with a mafia matriarch! Rocco, her henchman, had some wonderful moments. The Man From Verona himself is a mafia don/landlord, Harry, who spends a lot of the play dead, but is very effective when he’s alive. Blaze and Jimmy, our secretly-in-love couple are the ones we’re rooting for, will they get to be together? Will Jimmy ever be able to leave the bathroom?
From Paradise in The Vault on Merchant Street it was a quick jog over to the Space @ Surgeons Hall, with just ten minutes to spare before The Very Well-Fed Caterpillar started. Another trustworthy venue, I see they’ve moved their Box Office to just inside the gate, probably to cut down some of the noise in the foyer though the queue inside was still regularly told to hush – with more and more people joining in the sssssshhh-ing for a laugh.
The Very Well-Fed Caterpillar is one weird show! It’s extremely quirky and absurd, a great piece of high-energy physical theatre and hell the delivery is fast, it can be tricky to keep up with the plot at times. I followed the basic story, Caterpillar likes eating, can’t stop, won’t stop eating, demands all the food his subjects have, a complete tyrant hated by all; through a portal he meets and falls in love with the Butterfly King, a good, beloved ruler; Caterpillar tries to change his ways, err, the ending escapes me! No matter, the destination is unimportant, the journey there is loads of fun with this talented, enthusiastic bunch.
After a breather, a beer and a bite to eat, I headed to Boteco on Lothian Street for Privates: A Sperm Odyssey and though it’s a PWYW show instinct told me to buy ticket upfront; good call as a lot of folk had tickets, I doubt many without made it in. Oh my, how much utterly joyful daftness can one hour contain??!! Blimey, never have sperm been so funny! These three chaps, Luke Rollason, Christian Brighty and Tom Cufzon have created one bloody wonderful show. And I’ll never hear the name Darnell again without a smirk on my face!
So, four for four, and it was only half past six! At this point of such a brilliant Fringe day picking the next show is trickier, it’s like, it’s gone too well, don’t mess it up. I decided to take a chance with Ava Beaux: The Mysterious Tales of Poe at the Revolution Bar as part of PBH’s Free Fringe. The blurb promises macabre minds, magic and gothic tales. Ava has been at the Fringe before and I’ve always been a tad tempted so tonight was it. Well, it was lovely, good magic and a charmingly dark sense of humour, but it came across as too rehearsed and some how contained, she needs to get wilder?! The venue wasn’t the best though for her show, too many distractions which hampered the ambience Ava was going for. I did enjoy it but not half as much as the previous shows.
As the night was still young I took a wander up to the Squares, Bristo and George, plenty of ambience there. Flyerers, buskers, young chaps trying to hang on to a high bar for 100 seconds (a tenner a shot, £100 to any who can do it, I’ve seen many try but none succeed), bright young things out to party, older things blethering to other old things only met in Edinburgh in August. The melting pot that is Fringe.