A hard act to follow

The National Theatre Live had a new screening last Wednesday, nice timing to whet the appetite for some theatrics at the Fringe, only eight days away now! Apparently it was the highest grossing event cinema release in the UK, not surprising as the star (and only person in it) is Jodie Comer of Killing Eve fame; Prima Facie is her West End debut and boy, she is bloody tremondous in it! A hundred minutes of monologue and she kept us hanging on every word – a high bar for any one to reach in the next month.

Jodie Comer plays Tessa a brilliant young barrister who specialises in defending men accused of sexual assault, the start of the play sees her swagger and treat the job like a sport to be won, winning points (there’s something of a reminder of Villanelle); then, after being raped by a male work colleague, she comes the realisation that someone else will be trying to score all those same points if she presses charges.

The set is two large, grand wooden tables and leather chairs which Comer moves around herself during her monologue, she also has slight changes of clothing to gracefully and unobtrusively manage whilst speaking. She takes books and ledgers down from the walls to later replace them again, files light up signifying the number of cases of sexual assault, but our eyes stay on Comer and her brilliant performance. An amazing piece of theatre but it leaves a bitter taste in the mouth of the truth of how courts work and how little truth can mean in a court of law.

Now I did say at the end of my last blog post that that would be it on local live music for a bit, but last Friday night was a tad special at Stramash. I mentioned that the Willie Dug Band had been moved from the 7pm slot to the 10pm slot; it was Willie Dug‘s other band the Miracle Glass Company who were playing on Friday, and boy they were good. I got into them thanks to a playlist by Logan’s Close on Spotify that I listened to a lot during the first Lockdown (I was being cheap and listening for free). The MGC are back playing together again and have two gigs next week, if it wasn’t the start of the Fringe I would have tried to get a ticket. Oh well, there’ll be more opportunities.

Last night saw the end of the Edinburgh Jazz & Blues Festival and I saw the ever delightful Nicole Smit and her Travelling Tent Show. Unfortunately it was a drizzly evening so I stayed under one of the big umbrellas until the queue had gone and I could dash straight into the Piccolo Tent. It’s rather nice in there, red velvet drapes on the walls and well-padded tiered seating (There used to be another old spiegeltent, the Bosco, which just had wooden benches, rather numbing on the bottom!) Locals the Tenement Jazz Band were backing our chanteuse; there was also the bonus of Kat Brooks singing a few numbers and shimmying around in white fringed dress (oh my!). Blind Boy Paxton popped in for one song, it was quite a show all in all.

The Assembly George Square Garden stays open this week, hoping the footfall won’t fall too much between the Festivals. The other bar area in Teviot Square is up and running too, it opens a few weeks early so that all the graduates have somewhere to celebrate straight after walking out of the McEwan Hall (literally next to it!). This shows the power of advertising – I really can’t say whose beer garden it is! I walk past it a lot, every year, but to me it’s just “the bar bit in Teviot Square”, I assume one of the big names has it?! The Pleasance Courtyard are busy getting ready, the big 33 sign still wasn’t up yesterday.

The town is getting busy now, not long to go. Must dash, just noticed on Facebook that The Scat Rats are playing Stramash tonight, something of a departure for them, on a Monday!

Toodle pip!

《Didn’t click hard enough last night – it’s been hanging half published, oops!》

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