Returning Fringe shows

Late night ping-pong and other things

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I was about to start typing when I buzzed by a bee, a bee very keen to hang around my writing corner. It took almost quarter of an hour of persuasive wafting to get it to leave, and now I’ve completely lost my opening, dammit. Ho hum, it was good, I came up with it whilst walking down the Pleasance towards home. One of the big posters? Don’t think so. Ermmm.

Maybe, this’ll be the year I go see A Young Man Dressed as a Gorilla Dressed as an Old Man Sits Rocking in a Rocking Chair for Fifty-Six Minutes and Then Leaves…16. Yes, this is the sixteenth time so the young man is not quite as young as he was, unless it’s a different young man than the one who started this nonsense, how would we know? Always one performance only, never listed in the same category two years in a row, this year it’s in Spoken Word, hahaha.

Almost a rival? I’ve spotted Stuart Laws as Michael Caine Saying Never for One Hour, it’s when Michael Caine as Alfred the butler says “never” to Batman. It’s listed under Comedy, but if it really is Laws just saying “never” for an hour, well, surely it should be in Spoken Word? Laws has two other shows, one involving puffin murder, yes it’s in my possibilities pile.

And while we’re on the weird stuff, there’s a table tennis tournament happening late-night over two Fridays, two hours each in Monkey Barrel 3. The blurb in the programme calls it iconic and that it features some of the best comedians. Hmm, best comedians doesn’t necessarily mean they’ll be any good at table tennis; it will after midnight – just how sober will they be? But also, comedians can be wildly competitive. That’s Ray Badran: King of the Table if watching ping-pong is your thing.

The movies have been used and abused in Fringe shows over the years, this year’s sacrificial lamb is the John Wick franchise. The blurb says that the audience help create the most violent film ever made, so the show could depend on how psycho the crowd are, interesting. I have to admit that while I am aware of John Wick, I don’t recall seeing any of the movies, hmmm; but if you have, the show is Woody Fu: One Man John Wick.

It’s late (I paused for tea, and then a tad longer), just one more, one that I’m really looking forward to! Beetlejuice retold through songs of The Beatles, gets you Beatlesjuice, yay. It’s a WIP by Rob Kemp who previously gave us the ridiculously brilliant The Elvis Dead (along with other non-musical shows that I’ve thoroughly enjoyed). Mind, Kemp looked kinda like a young Bruce Campbell and has a cracking voice for Elvis songs, it’s like The Elvis Dead was just totally meant to be, will Beatlesjuice work as well? I’ll let you know.

G’night, sweet dreams!

A few happy returns to the stage

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I have a table covered with cut-outs from the Comedy section of this year’s Edinburgh Fringe Festival programme, but before that, a few more theatrical musings….

I knew I recognised the name, yup, three years ago I gave him five stars, so I reckon I’ll give Ben Moor: A Three Thing Day a go; I remember he had a wonderful voice that whisked you away into his stories. Henry Naylor is back with a new play, Monstering the Rocketman which sounds interesting; as the name gives away it’s about Elton John, him and that big kerfuffle with The Sun, could be pretty juicy (Naylor does do his research).

Looking back through my Fringe diary (I must remember to buy a new notebook, the last one’s full), it was also 2022 when I saw Space Hippo, an epic sci-fi adventure told in the medium of Japanese shadow puppetry. I notice the company name is different, has the story also had changes made? It was a wonderful experience last time, I am rather tempted, maybe late on, see how things go.

And a few pages later I wrote about Neil Frost: Nan’s House of Fun (omg, this is getting silly, it was also the year I last saw one of Henry Naylor’s plays!) A wonderfully silly, but bittersweet, show that’s morphed into The Door (well, that is the very disturbing Ricky Mouse in the picture). I gave the original 4½ stars, if I only had Hermione’s watch I’d go see Mr Frost again, truly a joy. Mind, he’s here for the whole month so I’ll keep an eye out for him popping up elsewhere, he’s that type, you know!

Those defiant wee bears are back and they’ve brought a bag of tatties with them. Yay, Batisfera are back with two short plays this year; The Gummy Bears’ Great War was one of my highlights from last year’s Fringe (4½ stars), can Tale of a Potato possibly be as good? I’ll let you know, I already have a ticket for this one! I also have my ticket for that great Fringe institution Shakespeare For Breakfast, always entertaining, okay, so some years have been better than others, but I wouldn’t miss it (or the croissant and coffee).

One last happy return, Scaramouche Jones is back, as Thom Tuck said, ten years later (he first performed it twenty years ago and declared that he intends to perform it every ten years, maybe even reaching the clown’s old age if he’s lucky). Scaramouche Jones is a 100 year old clown, born on the stroke of midnight 1899 and now a hundred years later on the eve of a new century, after not speaking in fifty years, the old clown speaks to tell his life story before he dies. Ten years ago I wrote “Thom Tuck at his very best” and gave him five stars.

I’m starting to get a bit excited about this Fringe. Toodle pip!

A few faces to watch out for

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Just time to fit in another quick flit to the home country, then it’s back up to Auld Reekie and no sleep ’til September! I’ve noticed that The Blueswater are playing the Jazz Bar on Saturday night in advance of their Fringe shows, I may well make it back up in time for that. A couple of days to get my moose cave in order, it’s all coming together.

Yay, Accordion Ryan will be back with more Pop Bangers, this time he’s in 32 Below, next door to where he was last year, again part of the Free Festival eleven o’clock every night except Wednesdays, really, make time, go see!!

Alex Farrow is back, once again hosting Stand-up Philosophy and Stand-up Science besides his new solo show Wisdom of the Crowd, all at Laughing Horse venues. His solo show is PWYC, the other two are free, they’re more or less entertaining depending on the line-ups each day.

David Alnwick has a new show The Mystery of Dracula, expect good theatre and great magic (if you’re thinking, umm, a magic show, it will be way more than that!) in the Speakeasy at the Voodoo Rooms. It is part of PBH’s Free Fringe but be warned, Mr Alnwick is very popular, best be there in plenty of time!

Those two absurdly funny men, Neil Frost and Dan Lees are back with solo shows. I could be wrong but Neil Frost: The Door sounds very similar to his show last year, no matter, it was a wonderfully funny show. That other absurd clown Luke Rollason is back with Cheep Cheep, of course I have a ticket! Oh, it’s not mentioned in the printed version of the Fringe programme.

Anyhoo, must go, I’m being taken out for lunch! Apparently it’s by a place we used to go many, many years ago – I have no recollection of it. ……. and I’m back, I was whisked away! Even driving past Waters Meet (where we used to have picnics on Sunday afternoons I’m told) I only had the faintest of memories. It’s at Walshaw Dean, a bleak moorland area above Heptonstall (above Hebden Bridge), further on and bleaker still, you come to Pack Horse Inn; it’s stood there as a welcome shelter from the elements for just over 400 years (ok, no doubt with a few changes over time). They serve fine ales, a very good Ox Cheek Bourguignon and scrummy desserts.

More about tasty Fringe morsels next time. Toodle pip!

There’s nothing else here but bracken, more bracken and hills

Only two weeks to go!

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Hurrah! At the weekend Assembly announced their Locals offer was back again. Good news for me as Laser Kiwi are back with a new show Rise of the Olive at Assembly Roxy. They were last at the Fringe in 2019, brilliantly bizarre, amazing acrobatics and soooo bendy! Also back are Mochinosha Puppet Company, last year they did an epic sci-fi adventure Space Hippo, this year it’s a fantasy adventure Shadow Kingdom. Needless to say I’ve bought tickets for both (along with three more Assembly shows).

Back for more puns and frolics are Shakespeare For Breakfast, well, of course they are! I see they’ve moved venue yet again, this year to Lauriston Halls in Lauriston Street (I’ve been to a few ceilidhs there in Fringes past). It’s back to just one performance a day (last year it was two back-to-back every morning!) at the original time, ten o’clock, the earliest show on the Fringe! Okay, there may be earlier ones, but not for me, ten is quite early enough, thank you.

Also back with a new show are the Voloz Collective. Last year’s The Man Who Thought He Knew Too Much was a total joy – great physical theatre, a great story, all very stylishly delivered. I’m almost a little nervous whether The Life Sporadic of Jess Wildgoose can match it. I’ll let you know, and I won’t have to rely on my memory to recall The Man Who… as they’ve brought that back and, well, I couldn’t resist another watch. Yes, it’s that good; I do believe they Sold Out a lot last year – you have been warned!

Two more shows that I really enjoyed last year Manbo and Yippee Ki Yay are back – if you don’t get what they’re referencing then they’re probably not for you! Both were well conceived and highly entertaining. More sombre returns are Watson:The Final Problem and …And This Is My Friend Mr Laurel, again the clues are in the titles, fans will enjoy them.

My calendar is nicely busy from 2nd ’til 8th, after that, well, the Fringe is my oyster. Stramash have been busy posting on Facebook who’s playing when in August – I’ve added particular ones to my Fringe calendar in green. You know the ones, Nicole, the Rats, the Buccaneers, and, oh joys, Ol’Times will be back in town! Oh, and for folk who’d like to give ceilidh dancing a whirl during the Fringe, Stramash has the Daily Ceilidh every afternoon.

Next time, interesting things noticed in the Fringe programme and more happy returns. Toodle pip!