Voloz Collective

Too many possibilities for one moose!

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Later than I intended (it’s been another gorgeous day outside) but here’s a few musings on what’s caught my eye in the Theatre section of the Edinburgh Fringe 2026 programme. Oh crikey, there’s a lot of cuttings, the majority will be bin bound (especially once I’ve taken my scissors to Comedy), but I prefer having groupings of faint possibilities that can be discarded than wondering if I should have another look through the programme, if it’s not been cut out, tough (besides, there’s always more chances of consideration once the Fringe is underway).

The classics, kinda. Five hovering around Shakespeare, I’ve often enjoyed these sorts of productions; two have puppetry as a keyword, the whimsy in me is a sucker for that stuff; and 11½ Angry Men, just because I saw Guy Masterton’s 2003 comedians production of 12 Angry Men, mind, only a preview ticket. Prices are certainly going up now, but that’s partly because the booking fee is now included in the ticket price, so no getting annoyed at the extra fee, but hey, if you buy more than six tickets at a time then you’ll pay slightly less as there’s still a cap of £9 booking fee on a single order (slight whoop there). Still, at £25.00 within a bunch of tickets, nope, that’s two other shows I can see.

I always have a pile of Half Price Hut hopefuls to keep an eye out for once the Hut is up and running. Some of the pile will be potential previews too, but as the preview prices are generally just the first Wednesday and Thursday (Friday was a preview day until very recently, damn them), I can’t see as many as I used to. The Half Price Hut is once again operating from the Fringe Box Office and so shuts at six in the evening, still bloody stupid, I say (I’ve done a full blown rant on this before, it irks me).

The vast majority of tickets in the Theatre section are set prices, checking through I’ve no Free Fringe possibles, oops, one! It jumps between categories a lot, this is a Theatre year, that perennial A Young Man Dressed as a Gorilla….17, as usual, one performance only, on Tuesday 18th. Could this be the year I see it?! I have just two Pay What You Want and two Pay What You Can in my possibilities. Quick recap, PWYW gives one ticket price to buy in advance to guarantee entry while PWYC gives four price options to pay in advance. A word of advice/warning, if you’ve bought a ticket in advance to one of these shows you’ll probably find yourself apologetically bleating “honest, I bought a ticket” as you exit past the bucket.

There’ll always a few shows that aren’t on until the final week, that’s a separate pile of it’s own. No need to think about them just yet, and a lot can happen before the last week of Fringe. There are some possibilities that don’t fit any where particular in my head, they’re probably looking at each other thinking, how did I get stuck in a pile beside you?! And I seem to have created a pile of best publicity pictures, when I’ve reached for the scissors at first glance; yeah, Film Noir Frog is very appealing (come on, it’s a frog, they’re always great).

Yeah, these six shows all have a high chance of getting on my calendar; and then there’s five absolute definites, oo, I’m looking forward to these…

REDACTED: The Cover-up of a Cover-up of a Cover-up is the new show from the brilliant Voloz Collective, physical theatre at its very best. Their previous Fringe shows were among the best of all Fringes for me, really (and they’re performing The Man Who Thought He Knew Too Much again this year, honestly, I could be tempted to see it again, I love it’s style and sass). That most august of Fringe institutions Thom Tuck is playing The Wolf of Poyais, nuff said, I’m going. The Crimes of Pete is the latest play by Hughie Shepherd-Cross, I thoroughly enjoyed his previous three plays, don’t let me down Hughie! The creepy, unnerving Flabbergast Theatre are back again, this time with Endgame by Samuel Beckett, always a mesmeric watch this theatre company. And Top Gunchained because Yippee Ki Yay was so damned awesome, both years (different actors) I saw it.

No picture of all my other possibilities in the Theatre section, too many will have to go unseen, and after all, there’s no science to how I picked them, just my Fringe-dar twitching. Next time the Comedy section of the Edinburgh Fringe 2026 programme. You have been warned.

Toodle pip!

So, any highlights in 2023?

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January 2024, Edinburgh is a tad cold; not that it’s stopped my walks in Holyrood Park, if anything it’s spurred me on! Early mornings up on Nethers Hill in minus degrees temperatures, biting winds. Not quite early enough to see the sunrise but hopefully I’ll make it one of these mornings, that is, if the weather stays clear, hmmm. Early mornings aren’t really my forte any more, Wednesday morning was a real challenge as I wasn’t abed until nearly three. Yes, it was a Scat Rats Late at Binkies Tuesday (generally fortnightly), I needed my fix and the interweb is only showing one more Rats outing for January (another Whistlebinkies but, well, have they actually mentioned it to the lads?!)

I just couldn’t resist a little dig there – some calendars are more reliable than others. Having said that, looking back over 2023, I saw The Scat Rats nineteen times in Whistlebinkies so I can’t really complain (twelve times in Stramash). I’ve been contemplating my highlights of 2023, funny how it starts with, errrrm, what did I get up to? to, ooo that, and, aw that was great! Let’s face it, seeing Marah & Rough on stage is always a highlight for me – a shot of their sound, bliss. I still say a live recording would be awesome!!

The fine weather in April 2023 saw a particular highlight of my year performing in the sunshine on Waverley Bridge – Ol’Times an awesome rock band from Galway. With a sound very reminiscent of 70s rock and a wiry, charismatic frontman, these guys were an absolute blast! They played to a packed out Whistlebinkies twice, I even went through to Glasgow to see them too! August saw them back again briefly, back on Waverley Bridge, back in Binkies, and in Stramash too. Hmmm, so when the summer comes, will the boys be back in town again?!

Another highlight in April was the three days of glorious weather for my road trip up to Melvaig on the West Coast. The scenery was stunning and with great tunes on the stereo, so good! It was just a shame the weather took a turn while I was at Melvaig, the drive back down was as quick as I could make it.

Checking back, I saw 36 films in 2023, erm, two of the titles I have absolutely no recall of, yup, that memorable. Top two film highlights are definitely Renfield and Barbie. Is it just that I only saw Spirited last month or it might possibly class as a highlight? It was highly entertaining – ask me about it in June.

So what about Fringe 23 highlights four months down the line? Grubby Little Mitts splashing about in little paddling pools comes immediately to mind!! Finally entering The Dark Room presided over by the magnificent and shouty John Robertson. Two brilliant impeccable performances by the Voloz Collective in one day. Seeing Aidan Goatley do 10 Films With My Dad again (one of my all-time favourite Fringe shows). More memories are popping up as I think back, but I’ll stop with those that came to mind first or I’ll end up recounting half my Fringe!

Of course, the biggest highlight my year was getting my mitts on my favourite band’s debut album, that’s Heart-Shaped Jacuzzi by Logan’s Close, in case you weren’t aware. Oh, and all the various videos, top spot to Babestation, stylish and retro, hilarious with slapstick violence, big moustaches, green screen guy, there’s a lot to love in there! LC ended 2023 with a sell-out show at the Liquid Room, an epic way to end the year!

No more highlights spring to mind, adieu to 2023, good night to you, and may your god smile upon you in 2024 💛

I know my onions, yes I do

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Have you seen the price of onions lately? Okay, so I don’t pay much attention to the price of staples usually, but when a bag of three, yes, three is £1.10 in the local Tesco’s!! In a bag too (why?), I prefer to pick my own, especially at that price (bagged vegetables have a nasty habit of having the odd dodgy one, don’t you find?) No, I didn’t buy any onions there. And breathe.

I missed the anniversary of the first Bruce On The Fringe Fringe Awards yesterday. I say I missed, hmm, missed or procrastinated the entire day?! The double Fringe there was deliberate, by the way, in case of any non-Fringe Awards I choose to bestow in the future, you never know. If you follow me on Instagram or Facebook (and why not??) you may have noticed the latest pic on my storyline featuring flyers and cut-outs, and so, without further ado,

Mesdames et monsieurs, ceux entre et ceux au-delà, welcome to the Bruce on The Fringe Fringe Awards 2023!

Best Epic Fantasy Adventure: Shadow Kingdom

Best Double Feature: Voloz Collective with The Man Who and The Life Sporadic

The Pugwash Trophy: Max Norman: A Pirate’s Life For Me

As the Actress Said: to the Bishops

Best Flounce: Yippee Ki Yay

Best Bedcaps: Finlay and Joe: Past Our Bedtime

Best Blood and Gore: How to Eat a Bear

Best Game of Jenga (ever): Laser Kiwi: Rise of the Olive

Best Docucomedy: The Last Gun

Loveliest Fringe Thing: Mark Twain’s The Stolen White Elephant

Best Fringe Follow-up: Grubby Little Mitts: Hello, Hi

Most Beguiling Poster: Ginzel’s Little Cordoba: A Double Bill

Best Aidan on the Fringe: joint winners, Aidan Goatley and Aidan Sadler

Yes, maybe a couple pictured didn’t make the final cut but they were so so close. And what? No Best Musical Moment nominees this year?! Nope, my favourite, hands down winner will be on Instagram shortly. That’s it from me, and thank you to everyone who brought shows to Edinburgh this August, I may not be real, but for a few weeks there you made me feel alive ❤️

Twenty four hours in….

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Just a quick rundown of the twenty-four hours, before I get some sleep. It’s been quite a start to this year’s Fringeyness, a very wet one too. So, twenty-four hours ago I’d just got into Whistlebinkies to see that edgy and dynamic duo The Scat Rats. It’s becoming quite a regular slot for them, Tuesday midnight, it always surprises me how many folk are up until after two so early in the week.

The lads were on great form, as were some members of their audience, especially one particular lady to Babestation! I won’t tell you the details, suffice to say, Carl later said, it’s one of those things that could only happen in Binkies. So true, certainly Scotty won’t forget it for quite some time.

I happened to meet a stand-up from Austria, over for his first Fringe, a personable young chap so I’ll go see his show. He’s Elias Werner, his show is called Live & Deaf at Hootenannies. Oh, the show isn’t listed in the printed programme, neither is the venue! It’s taken over an older number 108, Hootenannies is at the Apex Hotel in the Grassmarket, it has plenty of shows on offer.

Didn’t make it home until around half two, had to be up in the morning at eight to be sure of making my first show on time. It was chucking it down outside, bugger, but I made it with time to spare for Shakespeare For Breakfast so second breakfast was coffee and croissant. A good show, I kinda felt it took a wee while to really find it’s stride but hey, first preview, oh, and Puck kept forgetting to light up, I’m sure that’ll get sorted. Overall, great.

A Voloz Collective double next. First The Man Who Thought He Knew Too Much then just over an hour later The Life Sporadic of Jess Wildgoose, like OMG, they were both so brilliant; a very talented bunch! More on them later. Hard acts to follow for Crizards: This Means War in the early evening; there seemed to be a number of preview problems, or it could have just been their style of comedy (it was amusing, some parts very funny but I found it a tad lame at times).

I was hungry after that, didn’t want to wait to eat, so Mosque Kitchen time. Yum, chicken curry and rice, washed down with a mango lassi (I rarely go there outside of Fringe time these days, so it felt quite a treat). Home to chill, but not shut my eyes for fear they wouldn’t open in time for my last show.

Finally I’ve seen John Robertson’s The Dark Room and it’s bloody brilliant!! Again, more later, the clock’s ticking, luckily my first show tomorrow isn’t until early afternoon. Oh, and joys, Crizards had badges to give out after the show (well, they had 300 made, after that, tough).

So a fine start to Edinburgh Fringe 2023! Goodnight guys, sweet dreams!

The Man Who Thought He Knew Too Much

(PS. Don’t miss anything by following me on Facebook, Bruce T Moose, and Instagram @bruceonthefringe)

Only two weeks to go!

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Hurrah! At the weekend Assembly announced their Locals offer was back again. Good news for me as Laser Kiwi are back with a new show Rise of the Olive at Assembly Roxy. They were last at the Fringe in 2019, brilliantly bizarre, amazing acrobatics and soooo bendy! Also back are Mochinosha Puppet Company, last year they did an epic sci-fi adventure Space Hippo, this year it’s a fantasy adventure Shadow Kingdom. Needless to say I’ve bought tickets for both (along with three more Assembly shows).

Back for more puns and frolics are Shakespeare For Breakfast, well, of course they are! I see they’ve moved venue yet again, this year to Lauriston Halls in Lauriston Street (I’ve been to a few ceilidhs there in Fringes past). It’s back to just one performance a day (last year it was two back-to-back every morning!) at the original time, ten o’clock, the earliest show on the Fringe! Okay, there may be earlier ones, but not for me, ten is quite early enough, thank you.

Also back with a new show are the Voloz Collective. Last year’s The Man Who Thought He Knew Too Much was a total joy – great physical theatre, a great story, all very stylishly delivered. I’m almost a little nervous whether The Life Sporadic of Jess Wildgoose can match it. I’ll let you know, and I won’t have to rely on my memory to recall The Man Who… as they’ve brought that back and, well, I couldn’t resist another watch. Yes, it’s that good; I do believe they Sold Out a lot last year – you have been warned!

Two more shows that I really enjoyed last year Manbo and Yippee Ki Yay are back – if you don’t get what they’re referencing then they’re probably not for you! Both were well conceived and highly entertaining. More sombre returns are Watson:The Final Problem and …And This Is My Friend Mr Laurel, again the clues are in the titles, fans will enjoy them.

My calendar is nicely busy from 2nd ’til 8th, after that, well, the Fringe is my oyster. Stramash have been busy posting on Facebook who’s playing when in August – I’ve added particular ones to my Fringe calendar in green. You know the ones, Nicole, the Rats, the Buccaneers, and, oh joys, Ol’Times will be back in town! Oh, and for folk who’d like to give ceilidh dancing a whirl during the Fringe, Stramash has the Daily Ceilidh every afternoon.

Next time, interesting things noticed in the Fringe programme and more happy returns. Toodle pip!

Red hats, chest freezers and an owl

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Wow, it’s Sunday, pretty sure it is, yup, my Fringe calendar shows that I saw BriTANick last night and indeed I did. This afternoon I’m staying in to fill you guys in on what I’ve enjoyed so far. What? Staying inside on a lovely Sunday afternoon when the town will be heaving with Fringey things? Well, exactly, it’ll be heaving out there and I have to write something down, all these shows are starting to merge into each other in my head, some were perfectly bizarre enough on their own without added plots. I have been out earlier in Holyrood Park, I headed up by the lesser walked Lang Rig, round to Nether Hill and down the steps, a bracing walk on such a windy morning. Washing up from the last three days finally done, I have strong coffee and a punnet of cherries to help me along.

So, how was Fritz and Matlock? Pretty good. Two friends have managed to accidentally get locked in a house basement while putting a dead body into a chest freezer down there; they’ll be unable to get out for sometime. The house belongs to Fritz’s granny and the lads have been growing marijuana in the attic, dubious characters; this is drama and dark comedy about dependency within relationships, with occasional illumination from the chest freezer. Its well acted, well written and well conceived, it struck a chord with this moose.⭐⭐⭐⭐ (Pleasance Courtyard in The Attic)

I was back up in The Attic the following morning for Who Here’s Lost? an utterly delightful monologue by Ben Moor. The hour slips away as our narrator tells a tale about going on a road trip with his ex-mother-in-law who is dying from cancer; it’s funny, heart-warming, surreal, recognisable, beautifully eloquent. I really enjoyed it and intend to pop up to the Courtyard just after he’s finished one day as I want to buy the book of it (didn’t have any cash on me at the time), oo, and there’s a badge too, yay ⭐⭐⭐⭐⭐

From the Pleasance Courtyard I headed to the Pleasance Dome for The Man Who Thought He Knew Too Much by the Voloz Collective. The blurb in the Fringe had “Chaplin meets Hitchcock meets spaghetti western ….. live music ….. Lecoq-trained physical theatre company” how could I not see it? (great promo pic too, quirky, intriguing) Live musical accompaniment can really enhance a show, this guy played keyboards, guitar and harmonica (well if you’re gonna get a musician in, might as well get one who can play a few instruments). Could the Voloz Collective deliver what seemed promised? Yes, and how, with impeccable timing and nuances. Physical, comic theatre at its best, and that red hat amid the grey, loved it. Definitely gonna be one of my top shows this year (yes, three weeks still to go, it’s that good) ⭐⭐⭐⭐⭐

While I’m on about the best ones so far let’s stay in the Pleasance Dome and go back a day to when I saw Crybabies: Bagbeard. Picked because the blurb said Absurdist and “a sci-fi infected narrative sketch adventure”, the pic was too dark to inform further. By George, my fringedar was right on the bullseye with this one, these lads are great. Right from the first scene, so, so funny and inventive, and the owl. I lost it when the owl appeared, not just because it was a ridiculous costume (that looked more like a strange bat to me) but it looked like John-Luke Roberts had just wandered into their show (it so looked like something he’d come up with and the chap is not dissimilar to him). And Victor Valentine – this character (and only when he was playing this one character) so made me think of the crazed FBI agent in one of my favourite films The Frighteners.

Crybabies:Bagbeard is hilarious, ridiculous, sweet, quite bonkers, there is a very good, clever plotline in there amongst the laughs. Another top Fringe delight for me. So what if there was a slight technical mishap, it was the first preview and they handled it well ⭐⭐⭐⭐⭐

Must finish here just now. I do need to eat before my next show.

Toodle pip!