Stand-Up Philosophy

Here comes the rain again

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Today is the start of the second week of the Edinburgh Fringe, the day that a lot of full run shows take off; if not today, tomorrow or a few take Wednesday off. Certainly all the Just The Tonic shows are not on today – are they all having like a huge works party somewhere?! Thunder rumbled through yesterday evening and night heralding the end of the heatwave, this evening we have torrential rain forecast from around nine o’clock onwards, settling down to steady rain from first thing Tuesday morning until sometime in the early evening. All the wetness should be cleared by Wednesday when most shows are back on, it’s how it often goes, an August institution.

Another August institution is the ever delightful Thom Tuck, who is, of course, here again, yay. Indeed, I just went this afternoon to see his show, Thom Tuck: An Even More August Institution. He’s only doing it for three days, this was the first one – almost like he knew in advance that the weather would be rubbish, so folk would want to head indoors! Well, he knows how August in Edinburgh pans out, he’s been here for plenty of them, and his show this time features a number of tales of Fringes past. I could have quite happily sat listening to him for another hour, the man is witty, erudite, silly; always a pleasure ⭐⭐⭐⭐⭐

Thom did mention that he studied philosophy at university, couldn’t help wondering if he’s ever a guest comedian at Stand-up Philosophy? I’d definitely go to that, the chap could wax lyrical on anything I reckon. I have actually been to Stand-up Philosophy once already this Fringe but it is one of those, a different show every night. The afternoon I went along the topic was identity, the host had three comedians lined up to do short pieces on the topic, after each he’d join them to chat and get questions from the audience, it’s an interesting idea for those wanting something a bit different from stand-ups. ⭐⭐⭐1/2

Late morning today I went to see Rachel Creeger at The Globe Bar (PBH’s Free Fringe) on the basis of seeing her doing Stand-up Philosophy. Good choice, she comes across well; the raconteur style of stand-up rather than jokes, and there is plenty to laugh about in her stories. Probably not to everyone’s tastes but I had a lovely hour in her company, oh, and she’s an orthodox Jew, there’s a few mentions about food – you will be feeling hungry by the time you head out. ⭐⭐⭐1/2

Just time for another mention before I head out to see Aidan Goatley, a show that I saw as a WIP last year Rob Kemp: Agenda. Until this year I don’t think I’ve ever been in The Hive in Niddry Street, in the last two weeks I’ve seen three shows there, all great. The Hive rooms are an extension to the Monkey Barrel Comedy Club, so tickets can be bought in advance or PWYC at the end of the show. Anyways, Rob Kemp: Agenda is a great show, he’s great, great legs too. This is an autobiographical show about Rob dealing with societal expectations versus his identity as a man who likes, when the mood takes him, to wear sequins and make-up, a pansvestite (his term). It’s honest and blunt, also very funny and touching, loved it last year, loved it this time too ⭐⭐⭐⭐⭐

Must dash. Toodle pip!

Twenty One Returns

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That is to say, there are a number of shows that did make the effort to come to Edinburgh last year, that are back again, some did come as WIPs (Work In Progress) in ’21 so there will be changes to them. I’m excited to see Rob Kemp: Agenda in a couple of days, that was excellent last year, I wonder if I’ll spot the changes. All three Privates are back with last year’s shows, alas, again no actual Privates show even though they do have a new show Great Ideas by Geniuses, which was premiered at the Brighton Fringe earlier this year.

Due to extremely popular demand last year I didn’t get to see Tom Curzon in The Flop: A Band of Idiots but this year I’m determined (he was in another show last year which I did see but thats not being repeated). Luke Rollason and Christian Brighty were both at Monkey Barrel last year so I was able to get tickets in advance to ensure seeing them. Christian has moved over to the Pleasance Courtyard (Below), let’s start with him.

Christian Brighty: Playboy is a brilliantly silly show with plenty of bawdy Carry On style humour. One obvious change from last year – no bows and arrows left on any seats for the audience to fire at him, shame! At least in Pleasance Below there’s quite a gradient up to the tech desk, so the avian messengers had easier downward flights to the stage. Pingback back time, if it works, see last year it was A win by a gnat’s crochet for young Brighty (click on the highlighted bit to see last year’s review), could he do it again?

Well I’m pretty damn certain there was no talking armchair in Luke Rollason: Bowerbird last year! It even has a wee segment to itself when it invited someone to sit on it (the guy at the front wouldn’t, nothing would persuade him, Brighty boy was in the audience and obliged the armchair), then Luke reappeared, kind of like those little odd bits in The Young Ones, remember them?! I did think he spoke more this year, as I previously noted that it seemed almost weird when he did talk. I’ve checked and my review from last year still stands, he is A barrelful of funny. Another pingback there, do let me know if they’re not working.

But which one won the battle of the Privates this year? Oo, gonna have to say Luke Rollason: Bowerbird (and that’s not just because he had badges at the end!). Mind, if you go to either of these shows and enjoy it, then do check out the other.

This evening I trotted up to Cabaret Voltaire to see Alex Farrow: Philosophy Machines last year it was Philosophy Pig – a man who doesn’t stray far from his favourite subject! Another interesting and entertaining show, oh, he did get in a mention about Andrew Nagel and his book again (well, I do recall his liking for bats). Last year Philosophy Pig did very well with plenty full audiences, mind that was a smaller room, but I’d say go for the Pay What You Can in advance option, this chap could get very popular again!

I’ll put this up I’ve seen some things, you know as it has my review of Alex Farrow: Philosophy Pig in it along with my reviews of The Return of Sherlock Holmes and Stand-Up Philosophy which are both back again. I’ve noticed that the company that put on Embassy Stomp are back again, hmmm. And John-Luke Roberts’ show was my favourite at that point of the Fringe. Ah well, it’s very late, to bed!

I just noticed the date…..

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Whoa! Friday the 13th, that snuck up quietly! I wonder if today’s topic at Stand-Up Philosophy will be something about being superstitious? I’m not particularly superstitious myself, I’ll happily walk under a ladder, on the other hand I always salute the first magpie I see any day, even if I have to do it surreptitiously. Will there be any Fringe performers being extra exact in any little rituals they may have, to overt any bad luck floating around looking for victims today?

There’s a young chap, David Alnwick, who’s got three different magic shows in three venues every day for the full run of PBH’s Free Fringe – Friday the 13th could be just the day to see his show Nightmare Magic! That’s his last show every day at 8.20pm in Banshee Labyrinth (did he want specifically want that venue for that show? The names do fit so well). Oo, he’ll have started his first show of the day Super Chill Magic in the back lounge at Pilgrim Bar. After a chilled beginning, he’s ready to show off some Exceptional Magic in the Canon’s Gait cellar bar at 5.20pm.

How long before he does the wrong act in the wrong bar? Starts one magic trick that somehow morphs into a different one halfway? Smashes a bunny with a hammer? Sorry about that last one but it popped into my head as soon as I started thinking about mishaps of an overworked magician. I’m sure there’ll be no rabbits in any of his shows and he’ll be young, eager and bright enough to sail through a Fringe doing sixty plus shows! Yeah, I have to give at least one of them a go. I wonder if anyone’s been to see all three shows in the one day? Hmmm.

Toodle oo, mes amis.

○ □ ~ + ☆

I have now seen David Alnwick’s Exceptional Magic and indeed it is! I definitely intend to see his evening show now, and have been warned to get the Banshee Labyrinth an hour early to grab a “ticket” to get in, apparently they can disappear very quickly (like magic!). He does like to get folk up to help out in Exceptional Magic but no worries, he’s a lovely chap. The seating in the Canon Gait’s cellar bar is different from previous years and better for it, I reckon. You’ll get why I used those symbols above if you go to see the show!

I’ve seen some things, you know!

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Since I last tapped out a post to you I’ve seen six shows in six different venues. I could go through them in chronological order, nope, gonna go least favourite first; that would be Embassy Stomp at theSpace Triplex (yes, one of the tickets I was having problems booking, which irks me now that maybe I should have taken the hint!). Oh, it wasn’t all bad, it just could have been so much better. The plot was fine, pacy and silly, the car chase scene was great, but I wished two of the actors had dialled it back a bit. They were too much for me, made me think of a show I saw a few years ago same problems, shouting is not projecting and less mugging can be a lot funnier (it didn’t help that the room acoustics were not good for shouty voices and made them slightly incoherent). I do think though that there was potential, there were some good ideas; given a few years the two I had problems with may well become fine comic actors.

From a group of young enthusiastic actors to the other side of the business, two experienced older actors playing Holmes and Watson in The Return of Sherlock Holmes. Oh it was fine, maybe I would have enjoyed it more if I’d been sat further back, I felt a tad blasted by the performance of Holmes (very Jeremy Brett, I thought) but I can see that’s definitely a way to play him, just a teensy bit hammy for me. Another thing was, a whole conversation piece at the end of the play, it felt like it should have happened near the start but they’d somehow missed it out and decided to tag it on at the end to keep the time right; it just seemed odd to me. It’s on in the Dining Room at the Gilded Balloon until the 29th; Sherlock Holmes fans should go see it and most likely they will.

Next up, another theSpace venue, this time Surgeon’s Hall, I’ve seen plenty of shows here usually pretty good ones, so no pressure. I’d forgotten that Theatre 19 Presents: John was down as an absurdist comedy, now it makes more sense, or at least, what seemed absurd was meant to absurd, and some elements were delightfully so. Again, the room was not the best acoustically when volume overtook projection, but hey, another bunch of young, enthusiastic performers (with those dials up to 11 at times, again, come on directors!) Some of the characters seemed like they were borrowed from bad Radio 4 “comedies” but the plot was fine and the ending, somehow it took me by surprise, well played!

This afternoon I was in the Ballroom at The Counting House for Stand-Up Philosophy. An hour of four comedians (one host, three guests) being funny and philosophical on the topic of the day, which today was rationality. I like these types of shows as the stand-ups can’t just rely on their rehearsed material, we get to see more of their mettle, especially when our host would open the floor for questions! And if you go more than once it’ll be a different show each time. It’s on until the 29th but it was full today, so that bodes well for the run. The Counting House is part of the Laughing Horse family and so operates on Pay What You Can to guarantee entry or risk turning up and donating at the end; today looked like most had booked in advance, you have been warned.

Our genial host of Stand-Up Philosophy, Alex Farrow is next on my list with his own show Alex Farrow: Philosophy Pig. No, I didn’t go to his other show because I was impressed by his solo show, I actually bought that ticket first, but if I hadn’t, I would have bought one! Alex Farrow is an engaging chap with a quietly confident air. I bet he was a great teacher, easy-going but in control; he gave up teaching philosophy to do stand-up about it instead. Yes, an hour with Alex is informative and well as entertaining, plenty to muse on as well as chuckle over. The Pig bit? Humans are animals too and have a base piggy side. He also has a lot to say about bats and is a bat-watcher, good man! This show is next door to The Counting House at 32 Below, (also a Laughing Horse venue) best book in advance as it’s quite a small room and he’s filling it already!

Top show so far? John-Luke Roberts: It Is Better – Live! The man is a genius! Bonkers, but a genius. This show wasn’t in the Fringe programme but I heard about it from Monkey Barrel and quickly got a ticket as it was only on for a few nights, so so glad I did – for me it was the best show of his that I’ve seen. He was so charmingly engaging, (I think he may have mellowed a bit from the first time I saw him) and looked quite debonair with his long mane of hair and beard to match. It will take something very special to knock It Is Better – Live! off my top spot!