An unlikely double bill

January hasn’t been a month for doing much, certainly not outside anyway, lucky for me there’s been things to see in the cinema. Mind, I let a few go by, awkward times or appalling weather to battle through; just two shone through as seriously worth seeing – and how, I went and saw both a second time! Just as Barbie and Oppenheimer made an unlikely double act so too do these two, Wonka and Poor Things!

Just sticking this here, just because

Okay so Wonka is PG and Poor Things is 18 but they’re both fantastical fairy tales, just one has more adult themes (probably not for a prudish relative nevermind the children!). Both have glorious cinematography, stunningly sumptuous sets; and the hair, make-up and costumes were pretty damn fine too! The music in each is so perfect to the stories, Poor Things has been nominated for the Best Original Score Oscar, along with about ten other nominations.

The music in Wonka is so so wonderful 💛 Yes, it gets a golden heart from me. Really, I cannot believe that A World Of Your Own hasn’t been nominated for Best Song Oscar, it’s so utterly charming and joyous, with a touch of bittersweet. All the songs are deliciously sharp-witted but when you have Neil Hannon of The Divine Comedy writing them, well, it’s to be expected (he’s also responsible for that Eurosong entry My Lovely Horse on Father Ted).

I have little, well, no love for Tim Burton’s film in 2005, it was all so wrong; but hearing this film was being made by Paul King (who made the Paddington films) as a prequel to the original 1971, oh yay, definitely promising news. Oh, my heartses, when the film opened with those familiar notes! A very charming bow to the original, and an orange and green Oompa-Loompa singing his Oompa-Loompa ditties too!

The whole cast are brilliant, the big musical numbers, just jaw-droppingly wow. Timothée Chalamet is perfect as a young Willie Wonka who’s sweet, quirky and a tad naive; an irrepressible optimist who’s come to town to open his dream chocolate shop….. Mean, unscrupulous baddies at every turn, but Willie’s winning smile makes friends and sells chocolates. As the story unfolds he becomes smarter and wiser but never loses his childlike sense of joy, it was like the mix of these created who he became; I fancied his eyes sparkled a little brighter (and wilder!?) and his tone had a more confident edgy smile in it by the end of the film. I reckon Gene Wilder would have approved!

Okay, I seemed to have prattled on somewhat about Wonka, oops. I’ll leave saying more about Poor Things until tomorrow. I’ll leave you with few pics from the Innocent Railway Tunnel today, the graffiti gallery has all been refreshed, so…..

Toodle pip!

Paddington: The Fringe Show.

I just went back to see Paddington 2 for a second time, almost seven weeks after I first went to see it – I guess it’s a success, not many films stay on the big screen that long these days. Once back home I did that thing folk like to do these days, looked up the film on IMDb to see who’s done what where. But what! What! Tim Fitzhigham and Dan Antopolski were both in it and I missed them? Oh, and Cal McCrystal had a cameo besides being the Physical Comedy Consultant. FYI all Fringe favourites of mine.

Justin Edwards and Richard Ayoade were also in it, didn’t miss them, well it would be hard not to spot Richard Ayoade, who, incidentally, was being directed by Paul King (director of both Paddington films) in Garth Marenghi’s Netherhead the first time I saw him at the Fringe many years ago! One last tentative Fringe connection Tom Conti, well, I’ve seen him in town in August – up to see Nina?

In fact the first evening I saw Paddington 2, I saw Justin Edwards twice as he also had a part in The Death of Stalin (oh yes, two films in one evening with a trip to Nando’s sandwiched between them, well, I do have an unlimited viewings card). At the Fringe Justin Edwards had a magnificent creation the children’s entertainer Jeremy Lion, possibly one of my Desert Island Fringe Shows! More on him another time.

It is great when I see folk who I’ve seen in small, sweaty venues on the big screen, guess it reflects how long I’ve been fringing. Both Paddington films are excellent, having all the elements in the right proportions to make cinematic classics, and they came from a guy who first directed at the Fringe. What an inspiration! Crikey, I’ll be singing Circle Of Life next!

Next film I’ll go see may well be Three Billboards Outside Ebbing, Missouri by Martin McDonagh, who also wrote the bloodiest play I’ve ever seen, or will probably ever see again, at the Fringe, The Lieutenant Of Inishmore. See another Fringe connection!