Bags, uke, that’s me ready!

Just time for a quick catch up before I head off for a wee while, bags are packed, ukulele by the door so I won’t forget it. Yay, I did get to see Free Guy again! Still great on second watch. I also got to see the Aretha Franklin biopic Respect, like wow, WOW!! Jennifer Hudson is sooo good. The film ended at the time when she recorded the live album Amazing Grace, the recording of which was filmed, a film I saw two years ago in the Filmhouse, sweet!

This week I luckily spotted that The Green Knight was on at the Filmhouse, a “last chance to see” Facebook post . It’s a re-telling of Gawain and the Green Knight, in this version Gawain is played by Dev Patel (the reason I wanted to see it, he’s getting better and better as he ages). Sumptuous and kinda arty, lots to enjoy, but I did feel it lacked a bit towards the end.

Stramash have very kindly released a lot of gig dates for October and November, so there’s Jed Potts, the Kennedy’s Project and Willie Dug to look forward to, and yay, the Scat Rats (aka Messrs Marah and Rough) will be back, and, double yay, not until after I’m back in toun. Ah, thinking of the Close, I recently went on a coastal meander and popped by Dunbar, look what I found, yay!

Just a jog away from Dunbar is Belhaven Bay, plenty sand, sea and surf. Oh yeah, the surf was up! A great place just to idle a while, shame I didn’t discover it midsummer, ah well. Beach Boys songs swam around in my head as I strolled across the sand; it struck me that it could well have been the Beach Boys sound that heavily influenced the Scat Rats if they’d spent more time on the beach…..

Toodle pip!

That turned out pretty damn fine!

Last night wasn’t a good Friday night, it was a great Friday night! Oh yeah, I finally got round to seeing Free Guy and I think I may have to go see it again on the big screen before it disappears, I ❤ Ryan Reynolds. There’s a lot that I love about this movie – RR, Jodie Comer, Channing Tatum, Taika Waititi, great choices of music for some of the big scenes (especially the scene using Mama Cass’s Make Your Own Kind of Music), it is sooo visually stunning, a wickedly funny, witty script and, for me, great ideas and layers all delivered with a weirdly gentle innocence and charm.

I didn’t actually know much at all about Free Guy but it’s got Ryan Reynolds in it so that’s enough for me. I had heard stuff but had forgotten the details, like that Jodie Comer is in it. When Molotov Girl first appeared she made me think of Danni Minogue, then when I saw Millie, oh yay, it’s Villanelle, ah, yes, when you need someone who can do accents! The opening sequence with all the “sunglasses guy” stuff was such fun, and Channing Tatum too! Something of the premise came back to me, Free City is an online open-world video game and Guy is a background character who somehow breaks from his programming, game world and real world interactions ensue …. As I’m not a gamer at all I floundered a little, er, NPC? A non-player character? Ah, a background character within the game, yeah, I don’t play these games at all.

So, Guy, a mild-mannered bank teller, living a regular life, doing the same things every day, happens to spot the girl of his dreams – not part of his daily routine, it triggers something and he starts being more than he should be, he does the unexpected, he takes a pair of sunglasses off a bank robber, wow, the sunglasses let him see things he didn’t know were there (bit of an unwitting Matrix blue pill moment there). What Guy doesn’t understand is that the glasses are showing him what a game player sees, with them on the NPC becomes a game player and he moves away more from his programming, which causes Millie and everyone in the real world to think he’s a player/hacker. Guy finds Molotov Girl but she tells him he must level up to above 100 if he wants to speak to her again and shows him how to click the side of the sunglasses to see his level. He doesn’t really understand it but he really wants to see her again, how to level up? Take guns and money, she tells him, but he’s a good guy, and so begins the ascent of Blue Shirt Guy.

No more plot for you, just that Guy helps Molotov Girl in his world to help Millie in the real world fight the bad guy Antwan, played deliciously by Taika Waititi. Guy’s fight to be free to do whatever he wanted made me think of Wreck-It Ralph (another great film imo). There’s plenty in this film that sparks thoughts about other films, oo, a fresh one, remember Chris Hemsworth’s dancing in Ghostbusters and Bad Times At The El Royale? Channing’s moves in this made me think of how good he was in the tap-dancing sequence in Hail, Caesar! We need a film with the two of them in a dance-off – Mr Waititi, if you’re not busy?!

Yes, I need to see it again, there’s also Respect to see this week before it finishes, possibly Shang-Chi And The Legend Of The Ten Rings too. Thursday sees the new Bond film oot, that looked pretty good on the trailer. Oh yeah, I saw a trailer for Venom: Let There Be Carnage too, really looking forward to that!

You may be thinking that was my Friday night done, oh no, I hoofed it quickly down to Stramash to catch Willie Dug and his band (not the Cosmic Gents as seen at the Voodoo Rooms a couple of weeks ago). This was Willie on guitar and vocals with a drummer and a guy on harmonica, nothing more needed to make sweet sounds! Willie Dug is one magnificent hound, oozing style and charisma, shades of a young Malcolm McDowell, especially when he stripped off his shirt and put on a faux leopard fur jacket that was lying on a barrel just in front of the stage.

The Stramash crowd were really up for dancing, the band delivered and then some. For me the best of the bunch were Come Together (I notice it’s become a popular one to cover since the lockdowns), Roadhouse Blues and the final, one more song, Not Fade Away, ah, a song with many fine memories for me. The minimalness of the band recalled Bluefinger for me, Not Fade Away was a fitting number to head out into the night air on. To paraphrase from Free Guy.….

I may not be real, but for a couple of hours there I felt pretty alive

Three films and a lot of haar

What a cracking weekend it’s been! I don’t think the weather gods realised it was a bank holiday weekend, way too sunny! Well, sunny once the sun burnt off the haar each day. Sunday morning I enjoyed a ramble up into a haar swathed park, no sign of Arthur’s Seat at the top, total white, er, grey out. It was almost noon before the Seat was visible and the sky blue, even then, looking down at Portobello the haar was still clinging to the coastline.

Joys! The cinemas are open again. Just as well I had a ganders last Wednesday evening, Judas and the Black Messiah was showing just one more day, phew, ticket booked. Two more films caught my attention, Raya and the Last Dragon and Demon Slayer: Mugen Train, tickets booked, god, I love having an Unlimited pass. So, just like the old normal I had to trot quite smartly to get to the cinema on time on Thursday afternoon! Even with the social distancing of empty rows and seats, as I often go when films have been on a while it looked almost normal to me – apart from all the masks.

Judas and the Black Messiah is a stunning film, so glad I caught it. Daniel Kaluuya was brilliant, now I see why he received so many nominations and won many awards for his portrayal of Fred Hampton. Lakeith Stanfield as Bill O’Neal had me constantly wondering how he’d play the situations O’Neal found himself in; the use of the real Bill O’Neal in interview and other historical from the time really brought up how real this all actual was. I found it a rivetting and chilling film, so much to take in and digest.

Saturday morning I was back in for Raya and the Last Dragon, a very different movie! I actually knew very little about it but hey, it’s Disney and there’s a dragon. There’s also a strange creature called Tuk Tuk, a giant armadilloey type thing, useful as a mode of transport for our heroine Raya and also her cute animal sidekick (a Disney staple); and in a quick googling sess, I discovered he’s voiced by the excellent Alan Tudyk! That guy has done so much stuff, looks like he’s Disney’s new version of Pixar’s John Ratzenberger, just more animal noises! The dragon’s voice wasn’t what I expected but my initial surprise was soon forgotten as I sat back and enjoyed the visuals and some fairly quick, funny dialogue. There were a few gripes but overall it was a fine film; the whole “trust” thing running through it may really confuse some kids, parents may find themselves in some tricky discussions afterwards.

Saturday night and back again for Demon Slayer: Mugen Train and this time I knew nothing, except that it’s anime and according to a couple of reviews it wouldn’t be too tricky to pick up without seeing the previous tv series. They were right, I just went with it, the best way with Japanese films in general! Another visual treat, very different for a newcomer to watch. I’d gone to a subtitled showing as dubbed versions are generally not as good in my opinion. Would I go see more anime films? Yeah, probably.

By the time I was walking home from the cinema the pubs were shut obviously not long shut as there were plenty of folk about, many steaming drunk! The Grassmarket was seeming more like it’s old self, only, it seemed to me there were more streams of piss running from doorway corners, like even more men than would be usual had forgotten the art of taking a piss before leaving the pub (well, it has been a while). I was surprised then when The Three Sisters was still open, and with a queue waiting to get in! Brewdog next door was closed and all locked up for the night.

Oo, I just noticed the time, and there was me planning to have an early night! I’ll tell you the latest on the Fringe next time. I shall leave you with a couple of pics of the Meadows on Sunday morning. Toodle pip!

At ten on Sunday morning there weren’t many about except sporty types.
The Meadows with the rooftops of Marchmont peeping through the trees.

Y’know, 2020 wasn’t all bad….

Saw yet another strand of tinsel as I downward dogged this morning, that’ll be the twelfth since my last blog post! It lay there glinting mockingly at me, bold as brass it was, well not any more. Oh, and we didn’t get the promised snow, so I closed the curtain again and went back to bed. There has been more snow outside of Edinburgh but nothing in the city, just freezing temperatures.

Listening to the news, it’s sounding like we’ll be lucky if we can do anything at Easter nevermind Mothering Sunday here in the UK. That’ll be another of my annual trips to the old country cancelled, I’ll have forgotten the way down soon! Yeah, 2021 isn’t looking that much better than 2020 so far. How depressing! So, to brighten the mood I decided to look back through 2020 and find my highlights, surely there were some?!

First off, Esther – our wee beastie o’the loch. I reckon she’ll be a highlight for a few Edinburgh folks grateful for the distraction. It’s been so good to watch this beautiful wild creature so close by. Hopefully she’ll be okay after all the recent weather, Dunsapie Loch has been frozen over a fair bit this last month. From otters to rabbits….

Way back last January I went to Jojo Rabbit three times at the cinema. Those were days, open cinemas, me with my unlimited card going to see two films in one evening, Nando’s chicken wings in between (will Cineworld reopen at all now?). Jojo Rabbit is such an outstanding film and a proper cinema film too. God, I miss going to the cinema, that sense of occasion (as a young moose a trip to the cinema was an event, that feeling has never quite left). The whole cast of Jojo were brilliant and Taika Waititi cemented his place as my favourite director and all-round amazing film person.

Thinking about it, I guess all that time spent in Holyrood Park, walking around, lying in sunny nooks reading, that was pretty special. We did have long spells of great weather in 2020, I did most of my reading outdoors. Highlights bookwise, finally reading Errol Flynn’s autobiography (an amazing glimpse at another time and place) and John Robertson’s The Little Town of Marrowville, I expected it to be good and darkly humorous but wow, it exceeded all my expectations! Yes it’s a kid’s book, but it’s a damn fine one.

Not Eurovision 2020 was a day of Eurovision treats for the fans on radio and tv. In the evening Graham Norton guided us through the main Not Eurovision Show, which just felt like one big love-in around the world (as Australia is now in it, yes I make that around the world). I thoroughly enjoyed a day of reminiscing, music, dancing, oh, and prosecco with pear juice.

2020, a shorter but sweetest year yet for Strictly Come Dancing. Bill Bailey with Oti was a worthy winner, confounding the initial assumptions of so many viewers with his capacity to learn and ability to dance. Their routine to Rapper’s Delight will go down in Strictly history. I learnt you could video chat on WhatsApp in November – yeah, Strictly brings out that need to share!

Fringey goodness was found online. April and May saw the magnificent Will Seaward online re-telling his Spooky Ghost Stories sometimes with live accompaniment courtesy of Jam With Humans. Yes, it was back in the early lockdown days, things went a bit wonky, not always online just somewhere in the vicinity, but no matter, it was great to see the maestro weaving his wondrous tales again.

The nearing of the NonFringe saw me checking to see what the Sleeping Trees were up to, if anything. Oh bugger! I’d missed getting to see MAFIA? by about ten days! Joys, I did get see SCI-FI? again. So is there a recording of WESTERN? somewhere? I’d love to see that again. Pretty please?! I could read MAFIA? by purchasing a copy the recently published Sleeping Trees at The Movies – Blueprints for Devised Comedy, but it just wouldn’t be the same as seeing it. But the best was yet to come – a Christmas Living Room Adventure! Oh yay, The Legend of Moby Dick Whittington was the highlight of my Christmas, yes, even above my Christmas Lunch Roll! That first sighting of the great white whale will stay with me forever.

Anything else, Brucie? Well, there was the small matter of Logan’s Close at the Caves for the release of their latest opus Lost In You at the end of February, like, a truly epic night! Best I’ve seen them yet; there was a gig planned for the end of this month but it has, of course, been cancelled. Lead guitarist and singer Carl Marah took to singing Bob Dylan to his washing machine in April, strange behaviour but captivatingly beautiful.

My top highlight of 2020? The Close’s Lockdown Cover of Fantastic Man by William Onyeabor. Having since put the original on one of my Spotify playlists, I love what the lads did with it even more; they’ve taken the best parts, condensed and Closified it into a summer classic of their own. Their video is rather fine too, and usually if I leave YouTube running afterwards it goes to a film of roller dancers skating to the original with some seriously cool moves (yes, I’ve watched both plenty of times after I’ve done online exercises – hey, its good cool down music).

So, wow, 2020 wasn’t all bad, and I did two seasons of Preacher and three of Lucifer, plus my uke playing is slowly coming on. Dear reader, I hope you too can look back and recognise your own highlights of 2020, to paraphrase Aidan Goatley, What made you happy in 2020?

Toodle pip!

Is it just me?

I’ve never seen June go so fast before! Is she speeding up or is Corona slowing time down so June just looks to be sprinting away? It’s Friday evening again, last Sunday I was brimming with ideas and good intentions for this week – I’ve got a lot of cramming to do before Sunday bedtime. Umm, can I blame my lack of impetus (aka bone idleness) on the current situation or am I actually this crap but just never noticed before?

Of course, any other year the full Fringe programme would have come out in the last week or so, I should be poring over it page by page, marking up potentials, big squiggles in the top outer corner of any page of note. Any other year I’d be looking forward to the Film Festival imminently starting, if it hadn’t already. Oo, he says after a quick dive into his files, ten years ago today I saw two films in Filmhouse One, The People vs George Lucas (primarily Bud’s choice as a big Star Wars fan), then just time for a quick pee before going back in for Monsters. 

Yeah, having a big Star Wars fan for a friend, I was well aware that many fans were feeling rather disillusioned by Mr Lucas (that was more than a few nights in the pub I can tell you!) Luckily for me, it was a smart, entertaining documentary (so it was a tad one-sided but these were passionate long time fans), enjoyable and thought-provoking (more pub chat!) even for the ambivalent.

Quick aside, Buffy has just come on the telly – it’s the first appearance of Spike and Drusilla!! Oh yay! And on that note….

Monsters but this time of the sci-fi genre. The film is obviously low budget but just how low was not appreciated until the Q&A afterwards, one of the best Q&As I’ve ever been at. Gareth Edwards, the director, writer, cinematographer, production designer and visual effects guy, came across really well with plenty great stories about the making of it; it was filmed in just three weeks in some pretty scary places, often without permission, using any locals hanging around who were willing to be extras. Edwards then spent months in his bedroom on his computer creating all the visual effects using just Adobe software. It all paid off – in 2011 Gareth Edwards was announced as the director of the new Godzilla film.

I saw ten films at the EIFF in 2010, Boy by Taika Waititi being my favourite followed by Monsters, then in third place Evil – in the Time of Heroes a Greek zombie horror film (yup, really!). One of my ticket stubs bears a film title that I have no recollection of whatsoever, nope, nothing.

And back to 2020, where the EIFF and Curzon Home Cinema have come up with #EdFilmFestAtHome, an online festival of cinema. It will run from 24th June until 5th July, there’ll be a new film each day (which then shows for between two and twelve days). I have had a quick look at this year’s selection but nothing stands out on first glance. Mind you, in a full year I may not find many films I wish to see, so I wasn’t really expecting my types to make the cut in such a slimmed down affair. I’m glad that something has been worked out, there’s even going to be live online Q&A after at least one of the films! Modern technology, eh!

Night all!

 

 

 

 

 

 

 

 

Someday he’ll make a fine moose

I had been looking forward to the re-pairing of David Tennant and Michael Sheen on telly Wednesday night in Staged but it turned that would have to wait, there was even better stuff on the box, even better than the first fifteen minutes of an episode of Buffy! I know, what could possibly be that good?! American Graffiti that’s what, and maybe this time Curt would get to meet the Blonde in the T-Bird at the end, poor guy; I have to watch it to the end just in case, you understand, yeah?

And who, you may be wondering, will make a fine moose? That would be Curt played by a young Richard Dreyfuss (boy, does he look young but he was actually in his mid-twenties). Curt has been given a scholarship from the local Moose Lodge to enable him to go to college, where he’s flying to in the morning after one last night out with his friends. Ironically, the line is said one moose to another not knowing that whilst Curt is distracting them, hoodlums who he’s fallen in with are robbing the pinball machines in the next room. Well, not so much fallen in with, more coerced to go along with.

Yes, I would be happy to have Richard Dreyfuss as an honorary moose, he’s great. I wasn’t aware of him until I saw Down and Out in Beverley Hills in the mid Eighties, it was sometime after that that I first saw Jaws and American Graffiti on video (the days of Blockbuster!), yes, I hadn’t seen Jaws. I was a tad too young when it came out in the cinema, I had parents who were real sticklers on rules, and really Disney was more my bag at the time.

By the time I saw American Graffiti was as mythical to me as Wolfman Jack was, within the film; I knew the soundtrack well, it’s all great rock’n’roll songs around in 1962 when the film is set. Apparently George Lucas (director and co-writer) had specific songs in mind for every scene – like, way before Tarantino, an influence?. I was not disappointed, Richard Dreyfuss is just one in a great ensemble that included a young Harrison Ford (four years before Star Wars) and one Ronny Howard, who just a year later became Ritchie Cunningham in Happy Days (trust me it was really big back in the day) before turning director in 1980.

In the late Eighties Dreyfuss made Stakeout and Always, two movies I loved at the time that I really should check out again. Umm, I think of the two Always will be the better one (well it does have John Goodman in it), I don’t reckon Stakeout will have aged well, it was a good buddy cop movie though. Oh, and another movie with Dreyfuss from my wild video-watching all-nighters was of course Close Encounters of the Third Kind. Classic!

I leave you with a pic of my precious…..

20200612_025520

 

 

He acted with Will Hay, you know!

Oh hello there! I’ve just been watching six scene snippets from the theatrical play Oh Hello on Facebook; back in April Facebook suggested I might like it, being theatrical and all. Oh ‘ello, thinks I, this rings a bell. Hmmm, a one man play about Charles Hawtrey, ah yes, indeed, on watching the first little scene it took me right back to God knows when. When, when? So I spent bloody ages skimming over my old Fringe calendars – nothing! I started them proper in 2004 so it must have been seriously ages ago, I had to delve into my box of tickets (thankfully kept in ticket holder envelope thingies each year) an age of reminiscences later….. Tuesday 6th August 2002 at 20:30 in Venue 13.

Ah Venue 13, I have a soft spot for Venue 13, not really sure why. It’s an obscure little venue in Lochend Close down off the Canongate (that’s the bottom part of the Royal Mile). I couldn’t tell you what it is the other eleven months of the year, maybe a social centre. It is a bit off the usual beaten tracks but Venue 13 has done me well over the years, certainly nothing awful springs to mind but a number of gems do. Each year I wonder if it will be swallowed up into one of the big companies, but it’s stayed independent and long may it remain so! Oh, and it’s also very close to the Kilderkin, a great real ale pub on the Canongate.

Oh Hello was written by Dave Ainsworth, who I think was performing it too (I know that he did perform it elsewhere around that time). Why did Bud and I pick it? See, Charles Hawtrey was part of our youth, our culture, a favourite in the old Carry On films, one of those wonderful comedy actors who make it look so easy. He had an air of bewildered but twinkly charm, which could have been from all the alcohol it turns out.

Watching the clips from this new production it felt like I’d seen it just last year, the writing is so sharp and memorable; and, as when I saw it, the performance really captures the essence of the man. Charles is played by Jamie Rees here, his Charles Hawtrey impersonating Kenneth Williams – brilliant! The last clip flips from ominous humour to pathos, I was left with a lump in my throat just like the first time.

I think it was meant to be at the Fringe this year (another logarithmic reason for Facebook to suggest it to me), so that’s not happening. The plan is for it to be up next year, do hope so, I’m quite a fan!

Toodle pip!

 

Saturday night at Chez Brucie

And it’s another late night for yours truly. I did spend plenty of the evening in the kitchen with Elvis making meat sauce for a lasagne (tea tomorrow). Yes, Elvis, well, a compilation cd I made a few years ago from records I’d put on my computer. Probably not the songs you may be thinking of like Blue Suede Shoes or In The Ghetto; no, my siblings and I loved watching his films on the telly, those were the songs we wanted, from the likes of Blue Hawaii, Kissing Cousins, Viva Las Vegas.

Easter weekend, it seemed right to reminisce, sing along and have a wee dance. It’s easy to forget how amazing Elvis’ voice was, man, he was gooood! But hey, all the words came flooding back, from I Got Lucky at the start right to Tender Feelings at the end, via two big big favourites of mine Someone To Lean On and Beach Boy Blues. Honestly I was doing some cooking too, a good ragu sauce does take time you know, lots of chopping up to do.

By the time the music and sauce were done it was late and I hadn’t actually had any tea (possibly the two white chocolate cookies I’d had earlier might have kibboshed my appetite). Hmm, what to have? A small bowl of sauce with added cream and quickly rustled up very garlicky bread, washed down with a bottle of Peroni.

Nice, J.J.Abrams’ Star Trek was on the telly, nearly halfway through but I know it well enough. It’s a great movie, how scared were we that it wouldn’t work before it came out?! Rather, but Chris Pine and all were brilliant, Pine especially was perfect as Kirk and Karl Urban as McCoy, uncanny at times. The only blot on the copy book was Simon Pegg as Scotty; he was fine enough but it seemed rather hammed up for me.

That’s my glass empty, time for bed.

Ciao, dudes.

Later on, that same evening …..

Hello again! And it’s still Friday the 13th, so more happy returns of the day to George MacKay, the remarkable star of the Not So True History of the Kelly Gang. I found both him and Orlando Schwerdt, who plays the young Ned Kelly, very watchable and believable. The performance of Essie Davies as the family matriarch Ellen is really powerful and a tad scary, shades of Lady Macbeth (interesting as director Justin Kurzel made his own telling of Macbeth in 2015); but Nicholas Hoult as Constable Fitzpatrick quite mesmerised me, such a charm and ease, and cold hardness (hmm, it just struck me that Hoult could make a rather good Flashman).

Sergeant O’Neil bugged me as I couldn’t quite place the actor; then I reckoned it was just that he’s like a cross between Tom Hardy and Heath Ledger; much later I realised I’d seen him just a few weeks ago in The Gentlemen, Charlie Hunnam, doh. It was lovely to see Thomasin McKenzie again (Elsa in Jojo Rabbit) and Russell Crowe (another born in Wellington like Thomasin) gave a rather good performance as the bushranger Henry Power (I have to admit I’m not particularly fond of the man).  Also, a mention for Earl Cave (indeed, son of Nick) as the feral Dan Kelly, he was really good; and, as I checked out as soon as I got home, a deadringer for a young Malcolm Young on the cover picture of Highway to Hell!

The Not So True History of the Kelly Gang is an atmospheric,  on-edge film, it gripped me from beginning to end. Visually it is brilliant, the cinematography is awesome, but then Australia is kinda awesome for a backdrop. One thing, it’s not so much about the Kelly Gang, more the personal (fictionalised, remember) history of Ned Kelly with the Gang thrown in as part of it; it’s Ned against his father, against Sgt O’Neil, Henry Power, Constable Fitzpatrick. For me there were shades of Peaky Blinders not only in style but that, like Thomas Shelby, Ned is driven by family loyalty and responsibility (and lost in it too?).

If one was to watch THotKG on such as Netflix, it would make a great double bill with The Proposition or Lawless. Or you could precede it with Captain Fantastic from 2016, in which George MacKay plays the eldest son to Viggo Mortensen, great performances from both. If you prefer horror, there’s The Secret of Marrowbone, another stellar performance from George, I caught this at the EIFF in 2018; horror as in suspense not gore, and an ending that may cause some sniffles.

I expect a great future for George MacKay, I’ll be watching.

Toodle pip!

 

A Post of Two Films

This week I finally got around to seeing 1917 and True History of the Kelly Gang at the cinema; it’s interesting how long some films will stay showing in multiplexes these days while others still disappear after only a short window space. Mind, burying a film in one early afternoon slot after just one week isn’t, to my mind, a good way to encourage more folk to see it.

1917 is an epic film and worthy of all the awards and accolades it has received. I’ll admit I didn’t see it earlier because I didn’t think it would be my thing, but as a few friends have raved about it having seen it, I thought I’d give it a bash. So glad I did, though glad possibly seems to some an odd word about seeing the horrors of trench warfare. It is an incredible but very sobering film of humanity in extreme circumstances. I found myself noticing the cloth puttees (cloth strips wrapped around from ankle to calf to give support) and remembered the moving Echoes of Villers-Bretonneux at last year’s Fringe.

As well as friends’ acclaim, I decided to go see 1917 because the cast includes some of my favourite actors, and one George MacKay, who has popped up on my radar the last few years.  (OMG, just noticed on IMDb on my phone – it’s his birthday today! Happy Birthday, George!) George is also the reason I  went to see True History of the Kelly Gang, as he plays Ned Kelly (that and my predilection to things antipodean). Personally, I seriously enjoyed THoftKG, the cinematography, cast, performances, the style and feral feel (akin I felt to Peaky Blinders), I say personally as there are many who hate it for many reasons, I mean, really hate it. Why? Well……

In the film Ned Kelly is beardless, this alone has upset a lot of people! Maybe if I was Australian I’d be quite protective of one of the most iconic Aussie images too, but maybe, it was, possibly even subconsciously, a very visual way to show that this is a fiction NOT a factual re-telling? The film is based on a novel of the same name by Aussie writer Peter Carey; the novel won the Booker Prize in 2001. See that word novel? It’s a fiction, a story. Crikey, if you want to complain about films that are historically inaccurate (yes, I know, me included), British historians have waaay more to be upset about!

Another element that greatly offended many was the “cross-dressing” outlaws. Erm, either those offended haven’t actually seen the film or weren’t paying attention when they did. It’s clearly said that they wear the dresses to freak out people and wrong foot them. One critic wondered where they’d get so many dresses, well, dur, they are thieves! The premise of acting crazy to appear more dangerous and unpredictable is very sound (let’s not forget Klinger in Mash). On top of that the “homo-erotic” moments were too much for some!

I can guess at some of those “moments” that offended, nowadays we’re all so tuned in for spotting the “offensive” even when we ourselves take none. The long-held stares between Ned Kelly and Constable Fitzpatrick (Nicholas Hoult) are quite a thing, but hey, two alpha males and all that; then there’s Ned and Joe’s (Sean Keenan) relationship, apparently too close for some, oh, get over it! Two people of any sex can be close emotionally and physically without it being sexual (and if more folk were capable of realising this it would save a lot of misunderstandings and broken hearts down the way), and again, this is a fiction, why would you care either way?!

In recent times Lord of the Rings Frodo’s and Sam’s relationship has been put under the same skewed microscope. These relationships are not to be viewed under 21st century lens, and isn’t it a shame that close platonic same-sex friendships can’t be perceived as just that? By now some may be jumping to the conclusion that I’m being homophobic, that I’m arguing against these guys being allowed to be gay (really, you must be olympian-standard long jumpers). Yes, you who want to be offended, nay, demand to be offended, and often on behalf of someone else who couldn’t give a rat’s arse.

Really, behave! To each his or her own, I say. And here endeth a slightly ranty post. Next up, more on THoftKG and the birthday boy.

Toodle pip!