Now how do I put it in my phone calendar?

Yay! Today those lovely people at Assembly finally announced that their Edinburgh Locals £5 Tickets offer was back on again this year. I wasted no time in re-checking my cuttings and making a decision which six to go for (there’s a maximum of six and up to the end of the first Sunday night). I quickly got it down to nine, but which other three to drop? Ummm.

As it’s his final tour ever (so he says), Stewart Francis: Into the Punset would have been a definite contender but that 8pm timeslot knackers up so many other shows so no; plus he’s doing a full run and is on the Friends of the Fringe 241 list, so I may get to see him later with a chum. Modern Maori Quartet: Two Worlds was a thought. Yes, I saw it last year but it is really good – and at only a fiver! On the other hand my cuz may pop up for a few days and he’d love them, and I’m already going to their Garage Party show.

Also dropped for now as it would be the wrong time of the Fringe, much more suited to be a final week show (no, I don’t know why, it just is) is the magnificently titled John-Luke Roberts: After Me Comes the Flood (But in French) drop splosh splash drip BLUBBP BLUBBP BLUBBPBLUBBPBLUBBP!!

So what has made it into my Fringe diary? The lovely Sarah Kendall with Sarah Kendall: Paper Planes, and it’s just occurred to me, yes, indeed, same time same venue as two years ago! Also from Oz The Long Pigs claiming to be “spine-tingling original theatre” showing at the Roxy, very few duds seen there. Staying antipodean, Laser Kiwi a surreal sketch circus troupe, at a fiver it’s worth a shot.

Fringe regular Guy Masterton is directing The Shark is Broken, apparently a true story set during the filming of Jaws (what else with that title?) It is at eleven on the Sunday morning which could be hard after Saturday night, but I’ll just have to force myself to go straight home after Nick Helm’s I Think, You Stink, a musical comedy horror at the Roxy. And finally those Silly Funny Boys the Sleeping Trees, I wonder if they know what it’s about yet?!

Ha, who needs 241 Monday and Tuesday? If I knew how to spell it, I’d spell a long, fruity, loud raspberry. Yeah, I’ll be well into my Fringe before they even come round (bitter? moi?)

Toodle pip!

 

….then the armadillo said to the bishop….

Hello peeps! No he didn’t – I have no idea what the armadillo said, which I suppose means he could have said it after all! Way back one of my first posts was about the effects of negative advertising on fringe-goers, this title is to test the effect of false advertising. If you’ve read this far and intend to continue on, well, yay!

So I happened to glance at one of the update Assembly emails and noticed that Sleeping Trees have gone for the Ronseal approach for their show this year; no messing just Sleeping Trees: Silly Funny Boys.  Indeed they cannot be done for false advertising, they are as funny as they are talented with silliness in spades, and the brilliance of a show title like this is it says everything about them but nothing about the show itself (most likely because they haven’t written it yet but wanted to get a good slot).

They have been very busy; last year’s Edinburgh Fringe show Sleeping Trees: World Tour is still touring the world, they were at the Adelaide Fringe earlier this month, then a quick hop to Melbourne before coming home to Blighty. Even then they still have a few performances to go. Phew! A new show, new ideas, new jokes must be quite an attractive prospect after such a long run. I can’t wait to see it!

Oh yeah, for those not familiar with old British tv adverts, the Ronseal tagline quickly became part of the vernacular “it does exactly what it says on a tin”.

Toodle pip!