An odd week

This has been an odd week, well, a week of oddities, flashbacks, fun and not-so-much fun. It started on Monday when I got an email that Apocalypse Clown a film I had booked to see in Glasgow the following day was cancelled due to technical difficulties. Dammit! It was my only opportunity too, it only had a very limited release (yup, not a single cinema in Edinburgh was showing it!). You may be wondering what’s so special about Apocalypse Clown that I’d be prepared to trek over to Glasgow for it?

Three of the co-writers were one of my all-time favourite Fringe acts, Dead Cat Bounce, that’s Demian Fox, Shane O’Brien and James Walmsley. Sure its quite some time since they were at the Fringe but they were supertalented, very original and achingly funny; the trailer for Apocalypse Clown looks so good, they obviously haven’t lost the spark. It’s a film with clowns (obviously), vengeful human statues and a slow-motion walrus fight (so I’ve read) – what’s not to love?! A film of semi-epic proportions, I reckon.

So, I wasn’t happy at missing that, for consolation I went to see Barbie for a second time, yay. It made a good start to my evening before Nicole and the Back-up Crew in Stramash, finishing off at Whistlebinkies with The Scat Rats and a wonderful, unexpected delight – the first acoustic rendition of Heart-shaped Jacuzzi, oh my heartses!

Wednesday I decided to check what other old Fringe favourites of mine The Les Clöchards were up to these days – they only have a new album out and it’s on Spotify! Stop, Drop & Rock is a lot of fun, those hobos from a small island near Corsica have still got it – blimey Charlie, it’s ten years since they last played the Edinburgh Fringe when I bought their CD Never Don’t Not.

Interestingly there’s new versions of two songs from that previous album, Love Baby has definitely gone up a few notches but I prefer the raunchier, heavier earlier version of Girls Just Wanna Have Fun (but you will love the new version if you’ve never heard the first one, truly you will). I love what they’ve done with Material Girl a great Clöchards reworking, but my current favourite is Bunch of Assholes, delightfully lackadaisical and bouncy.

Thursday night, yay, a rare visit from over West for Baby Face and the Beltin’ Boys to Stramash. Who? Baby Face aka Julen Santamaria of Awkward Family Portraits, purveyor of Western Swing with a very distinctive voice. There was actually just one Beltin’ Boy with him on this occasion, but the two of them were more than enough for a fun time (I’ll stick a reel on Instagram later). See, this is why I pay so much attention to who’s playing where and when, to catch such gems!

Friday morning and a big downer, my throat was on fire, bloody painful. It had been threatening a while, I’d hoped nightly gargling with TCP would do the trick, nope! Nothing was going to soothe it now, it was only a matter of time before my sinuses joined in the revolt. They did and how, for about forty-eight hours and two boxes of tissues; just a few foot soldiers are left behind now, the rest have moved to my chest.

Okay, so twice I’ve missed The Scat Rats this weekend, hey, I do see them plenty, but The Buccaneers were playing The Jazz Bar after midnight on Friday and I was fully intending on going, damn. Not impressed.

Other bits of news, Logan’s Close have announced 20th October as the release date for their long-awaited debut album Heart-shaped Jacuzzi, get your order in! The loveliest man on the Fringe Aidan Goatley is writing a new show, “the show I’ve wanted to do for several years but only now feel ready for”, this will definitely be one to see next year, can’t wait. Austrian stand-up Elias Werner will be in the UK on Thursday 12th October at The Pen Theatre in London as part of their Fresh off the Fringe season; well, he did tell me he’d be back!

Well, that’s all my news, now I must go gargle some more TCP and get to my bed.

Oh, my precious!

Not the last night of Fringe 2020

The last night of the Fringe, the final push. No matter that so many venues have already closed a day or two earlier, it’s not over til the Pleasance and Gilded Balloon close the bars! Years ago Bud and I got serious on the importance of a great final night, no random show would be the last memory of our Fringe.

Over the years last shows included Otis Lee Crenshaw (three times), Rich Hall, Adam Hills, the Penny Dreadfuls (twice, and Humphrey Ker’s solo show), the Les Clöchards, then in 2013 we met Will Seaward and a new tradition was born. Alas last year he didn’t do the final night (I know, how very dare he!!), his last night was the Sunday, what ever was I to do!? Never fear, his fellow Rouletteers were keeping on to the bitter end, and a fine job they did too. Stupendous!

Interestingly, if Covid hadn’t come along this year, I would have had to start a new game of Who’s Last? See last year was the last of Will’s Spooky Midnight Ghost Stories at the Fringe. Sure, shows, companies, faces come and go, I know that. I do hope my favourite faces make it back again or are at least still being creative wherever they may be in 2021.

Oh, and there’s been the Edinburgh International Festival Fireworks on the final Monday for the last five years. Since they moved to the final Monday I stopped going to watch them in Princes Street Gardens, instead I wander down The Mound to catch a part of it, then I’m off to Fringe again.

I shall leave you with a few pics from last nights at the Fringe…

20180827_220059Something’s afoot at the Castle

Oooo! Ahhh!20180827_220205

The dark truth of the Fringe……

20180829_220302

….sweat and tears, is what some performers take away with them after an August in Edinburgh!

 

Last but never least…..

Yes, I know I said “tomorrow night” over a week ago, but I’ve been busy! Yes, busy, sleeping, working, eating. I haven’t even got round to seeing Tarantino’s new film yet, though I did manage to squeeze in Toy Story 4 (again), well, it is such a perfect film (to me, maybe not to you, but it is to me) and it left me feeling all happy and fuzzy.

Happy and fuzzy are good, see that’s how I like my last evening of the Fringe to be, I like a happy, bittersweet ending. But what did I do this year? Will had already left, I felt a tad bereft! Why, Mr Seaward has been rounding off my Fringe since 2013, yes, that’s the year before he started his Spooky Midnight Ghost Stories. Let me take you back…….

Monday 26th, it was a balmy evening, myself and a few friends were drinking in the Pleasance Courtyard, well, continuing drinking after the wonder that was the final Monday show of Tim Fitzhigham: Challenger (there are those who will remember the significance of it being a final Monday show for Tim, I shall just say, legendary!!). Flyerers were hovering around, desperately trying to tempt punters into one last show; we all had work in the morning and the alcohol was fast taking effect, so no amount of cajoling could sway us but we lapped up the attention. We had a right laugh with them all, generally waylaying their spiel with “So how’s your Fringe been?” plenty were happy to sit and blether before heading off to find more potential victims.

As we sat basking in a warm alcoholic glow, and I’ll quote from my Fringe diary here “a ruddy-faced, Crystal Tipps-haired chap came over to entice us to his show, we explained it would be too late (11.30pm) but invited him to sit down and join us a while and he did. Turns out he did the Bouncy Castle shows a few years back ……….Inevitably we later decided to head to Teviot to see him.” Yes, that was Will, and we were all so charmed and drunk that we agreed just one more last show would be fine!

So we turned up for Will Seaward: Socialist Fairytales! in The Turret, front row seats, we had no fear, we had more beer! I do recall Will got one of my friends up on the stage to play a witch, the idea being he had to fight the witch and she should try to get him to the ground, he wasn’t actually expecting her to almost succeed! He admitted later that she wasn’t as drunk as he’d thought, but she was drunk enough to be determined to achieve what he’d asked of her. What a great Fringe ending, and with that a new tradition was born.

Aaaand back to 2019. For the first time ever I took the final Monday off work, well, I did have my guest still up and thought I might start some tidying round (Yeah, right, the tidying was never gonna happen). I’d bought two tickets with my Friend of the Fringe deal to see A Midsummer Night’s Droll on the Monday morning before my guest headed for the train, however a late change of plans meant an earlier train back, so I ended up going on my own, ho hum. Not that I minded, I’d picked that show as they’re one of my favourite companies of the last few years and I’d get to see Titania again! Yay!

So what did I finish 2019 with? Well, the tried and tested method myself and Bud had, was to see again something we’d seen near the start and really rated, something silly and totally Fringe. Previous last shows have included Jeremy Lion, Otis Lee Crenshaw, the Les Clöchards, and the Penny Dreadfuls (three times!). Something silly and totally Fringe, a surefire brilliant show I’d seen before…..what a minute! What about an added bonus of a show seen – but also not seen before, a show as random as the spin of a wheel! Russian Roulette!

As Will had departed, our host for the evening was Sullivan Brown (looking very dapper in a sparkly jacket), presiding over the night’s production of Chekhov’s The Seagull. I’ve never seen The Seagull before – some may say I still haven’t seen it. Oh, it was marvellous, I was riveted! The plot seemed a little bizarre but hey, it’s Russian, maybe that’s how they roll. I felt for Konstantin, and poor Nina getting dysentery, and the chap who had a faberge egg for a head!! I wasn’t expecting Rasputin to show up, and that impression he did of Christopher Walken? Mind-blowing! But how did Donald Trump get there? Okay, so I remember that it turned out to be set in space, but did I miss some time travel bit?! Oh yeah, that roulette wheel may have had something to do with it 😆

Toodle pip!