Logan’s Close

I don’t reckon I’ll forget this September

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Sadly there was no gold

September has been quite balmy in Edinburgh, great for some late afternoon brambling in the park; well, just for idling in the park generally, making the most of the end of summer. I haven’t picked as many brambles as last year, but then I’m not going to make any wine this time, just lots of jam! Time for a terrible segue, Jed Potts was the guest host at the Handsome House Jam at Stramash on the first Sunday of the month, a fine evening of the blues. It was the second time seeing him that weekend as he and Nicole Smit were doing their thing in the Jazz Bar early Saturday evening, an interesting change from Binkies!

The next HHJ is this Sunday evening, I haven’t seen who the guest host will be; but I do know the Scat Rats are playing after that at ten o’clock, yay! That’s the only music noted on my calendar now until the end of the month – unless something pops up soon. I had toyed with the idea of a wee Highland trip up around Inverness to coincide with Carl Marah‘s gig at the Market Bar (this Saturday), but by the time I thought about it again everywhere cheaper than very expensive was gone, Inverness is obviously going to be very busy this weekend!

Ho hum, shouldn’t grumble, last week was ridiculously great fun; Glasgow on Wednesday for some blues harmonica, the Scat Rats twice on Thursday night (early in Stramash, midnight in Whistlebinkies), they were back in Binkies on the Saturday afternoon, mid-evening spot was Louis Crosland plus two, he was back in Binkies Sunday midnight with two others, that was after he’d played the ten o’clock slot in Stramash with the Moanin‘ Bones; and I didn’t miss a thing (apart from a few opening numbers, as per usual).

Saturday night
Sunday midnight

Friday evening I was in Peebles for Show Don’t Tell, an evening of five short films from the Tweed Valley, by rural filmmakers, with live music afterwards. Okay, so the live music was a short set by Logan’s Close, they also starred in one of the short films, of course I went along! It was held in the Eastgate Theatre, an arts centre in a converted church. Wow, what a great place they’ve created! The auditorium is the actual church (there’s a studio area and cafe too) with well tiered seating (with plenty of leg room!) that can all be retracted back leaving the floor cleared, stairs on both sides up to the three-sided balcony. After the films were shown there was a long break while the band set up and the seating was just taken back a few rows, so that there was room for standing and sitting. I mean, what an amazing use of space! I would definitely go back.

Logan’s Close: Live at Maryhill was up first, quite a gothic feel to it, the lads performing in an old empty theatre, flouncy shirts, and a freaky, disturbing side storyline involving Scott and a surgeon (I would tell you more about it, but it was just really odd, okay?) The songs in it were Costume Changes, Chillz and Dans Le Jardin, beautifully shot in a slightly disorientating way. It was directed by Aidan Duckworth, our host for the evening and also director of GIMP the last film shown (his party, so why not two?). The others were Antlers, Cover-up and Cernunnos; short films, they throw you in at the deep end and expect you to survive confusion, gore, drama, BDSM, old gods and antlers (not just in Antlers!). Fun, but I definitely needed a drink afterwards!

I took a stroll down the main street to the Bridge Inn, a real ale pub that I visited some years ago, yay, they had a Stewart’s ale in. Just a half for me seeing as I was driving, then the stroll back to the theatre took me to almost time to head back into the auditorium and some music. Due to the first part of the evening lasting longer than expected, it was a shorter set than planned just five songs, opening with Babestation on to Costume Changes, Hot Blondes, very new one Cuck Chair, then with the crowd yelling for one more, the lads got the nod to go ahead, so they went out with the bloody magnificent Mock Marble Linoleum, yay! Needless to say, my soundtrack for the drive back to Edinburgh was my Logan’s Close Live at LimbicTV cd. All in all, a damn fine evening!

Ha, since I started this, then paused a while for my tea, I’ve discovered that Louis Crosland (and whoever!) is playing the half nine slot at Whistlebinkies on Saturday, yay. Ha, a Binkies usual, a band was listed as playing that slot on the month’s list poster and the website, and then this week it was TBC on social media – but hey, that’s me happy! There was also confusion over last Sunday’s midnight slot; towards the end of the Scat Rats Saturday afternoon set Carl announced they’d be back the following night, a back and forth ensued between the Rats and George on sound as he was down to play bass with Louis then, I piped up that he was right, erm, they ended up playing Rock, Paper, Scissors for it, hahaha. All friendly banter, the Rats were having a great afternoon, a good, appreciative audience, they never sounded better (in part, thanks to George, he really knows his stuff), Funnel of Love was particularly exquisite 💛 Oh, and we even got an encore of two extra songs over time, sweet!

And on that note I shall bid you goodnight, bonne nuit, gute Nacht, buonanotte!

Another Fringemas Eve

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I’ll be going out shortly but first a quick post. Where? I got me a ticket to see W.I.T.C.H. at La Belle Angele, support by some local band called Logan’s Close. There’s going to be some serious rhythms and grooves going on! I suspect it won’t be the only hot sweaty room I’ll be in this month, even with improvements over the years, some Fringe venues still get incredibly warm and stifling. I wonder which room will take the max oven setting prize this year, hmmm. If anyone thinks they’ve sat in the winner, do let me know!

I was back at the cinema last night to see Toy Story 5 on the big screen, I think i may well go see it again, at least once more. Yes, another excellent film, one of the very few film franchises that has always delivered, for me, anyway. Oh, there’s so much that makes this movie an absolute joy. Of course, the main themes are around new tech toys replacing old toys, but I was touched by the little note that you shouldn’t change and be less of who you are in order to fit in with the popular crowd; really, there’s no point, one slip up and they will turn on you, they don’t generally like different. Oh, that got dark! Hey, it’s a cracking film, way more than a kids movie.

Up close with the Close

Okay, so at that point I left to go the gig, the lads were awesome!! After starting with Babestation, the rest of the set was new stuff on the upcoming second album. They went down well with the crowd, hopefully picking up a few new fans. I was at the front so managed to get some good vids, best ones I’ll put on Instagram; I just took one vid of the headliners W.I.T.C.H, but as I was much further back it’s not the best visually. For me, they were a mixed bag, from just okay to some really intoxicating grooves. Overall a fine evening, including a wee chat with Mr Marah about LC‘s time recording in London and what’s comes next.

Ha, another late night, despite all my best intentions. Thankfully my first show isn’t until midafternoon, the first of four tomorrow. Oh yay, one more sleep, then its Fringe ’til September!

Toodle pip!

On a rainy night in Graz

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Hello you! I know, it’s been a while since my last post but I do have an excuse for May and hey, five posts in April up to that point, a blooming record for me outside of Fringe! The excuse? I’ll get back to that, for now a quick trawl through the last third of April…

I hinted at the end of my last post that Louis Crosland may play guitar alongside blues harmonica player Giles Robson again sometime; it’s definitely happening, folks! That’s through August (and into September, I think), so fairly extensive through the UK. Hmmm, if it ends anywhere northish I may have to go, that should, will, be pretty damned awesome. That’s if the tour does go through to September, I have priorities, you know.

He may not be around Edinburgh in August, but July sees Louis’s debut at the Edinburgh Jazz and Blues Festival where his Trio will be playing as one of three bands at a Blues Afternoon in the George Square Spiegeltent. Yes, a whole afternoon of blues (I think they have them each weekend of the Festival), you can catch the Louis Crosland Trio on Sunday 19th July. [Quick edit, there’s also a gig 12th June at Pilgrim in Newcastle]

That will probably (or possibly, you can never quite tell with musicians) the last time the Trio as it is, play together. Louis is planning on taking stock of things, a good time to, what with being away awhile with Robson. It will fun speculating what the new autumn season outfit will be. The final Whistlebinkies gig was great, a very lively crowd, cracking tunes and I love that of late Rob Henderson‘s bass line has been up in the mix, Max was on fine form on drums too. A decent finale for Binkies.

I said final gig, so was surprised when it was on Instagram that Louis was playing Binkies, huh?! Definitely wasn’t scheduled (mind, it was Binkies), ah, a last minute call up. Last minute, so it was a trio but for all the combinations I’ve seen, this was new. It may have been, who the hell is available now? The universal forces played ball, and how, it worked well, better than well, for a first time? it was ridiculously fine; and they weren’t done after Binkies, immediately packing up double quick to play at the Jazz Bar straight afterwards! Of course I went along! Already, just a second time round things were gelling nicely. Will this be a one night only (both musicians are usually very busy), certainly the three played together and Louis was clearly enjoying himself. It will certainly have added another dollop to the mulling mix; this cake could be sublime.

I could finish this post here, but as I’ve just poured myself another glass of a rather nice grüner veitliner, I shall continue…

Last post Carl Marah was about to take part in the semi-final of Mam Talent! this time taking a band with him. He didn’t make it through to the final, but no matter, it was a great experience and will have definitely opened up new avenues for him; and he used the opportunity to play his newly released single (just the day before, nicely done) You’re Always Right. The video is also out with Carl not only wearing his love for the Beatles on his sleeve, it’s more like an arm tattoo (done with such charm and gentle grace, tis a wonderful thing).

The Edinburgh launch of the new EP had been announced before, but now all the dates for the EP tour have been announced, which is how I came to be tapping this out on my phone in Austria. The first gig is Tuesday 19th at The Finsbury in London, aha. I’ve been meaning to get round to using an Interrail Pass that I bought end of last August when there was a discount, meaning to, but never quite succeeding; Carl’s London gig gave me an anchor point, yay. I’ll be on a Eurostar back to London on the Monday afternoon, Carl on Tuesday evening, next day a train back to Edinburgh in nice time for two Logan’s Close gigs, how excellent is that?!!

My glass is just about empty, time to sleep. Next time, probably a postcard or two.

Auf wiedersehen, meine Freunde!

Here, there and even on the telly!

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As promised last post a catch up on Messrs Marah and Rough, oh, they’ve been busy! There’s been the usual Tuesday midnights at Whistlebinkies, I say usual but I’d swear they’ve gotten even better recently, how? I know, right! Maybe it’s from recent activity with the rest of Logan’s Close and the anticipation of summer gigs.

At the end of March, LC played down in Norwich and then Glasgow supporting one Ghost Funk Orchestra; I did consider going over to Glasgow, but after a busy week, yeah, no. But Brucie, it was Logan’s Close?? Ah, but they’re playing two nights in Edinburgh next month, yay (got to get some money together to make the second album, you know). Just one night was announced but the lads already had plans for another gig the following night, and indeed, ticket sales were excellent, all snapped up in less than a month. I’m not sure if they realised the date or decided it would be a funny twist – the sell out and second gig were announced on 1st April, err, April Fools Day, guys!? Did anyone hang fire to make sure it was genuine, I wonder? Anyhoo, the second night is Friday 22nd May at Leith Cricket Club.

Oo, I see badge potential here

Scotty went even further than Norwich with his other band last month. Dr Salad were out playing a few gigs in Cambodia (as you do!?) That was quite a surprise when Scott told me late one night in Binkies, had I heard right? I was like, Cambodia? Huh? Yes really. A trifle bizarre, but then, it is Dr Salad, goes with the territory. When I caught up with him after his return, Scott was certainly buzzing from the whole experience, oh, he’d definitely go back for more.

Carl has also been playing his own music overseas on Mam Talent! Poland’s version of Britain’s Got Talent. He does visit Poland plenty with his Polish fiancée, and last year friends over there suggested he should enter, he did, et voilà …. he’s only gone and made it to the semi-finals!! The live show will be on Polish telly 25th April, like wow. Always busy, the date for the launch show of Carl’s debut Me, Myself and I EP has been announced as Wednesday 10th June, at the Voodoo Rooms, where else?! And it’ll be a four piece band this time – added keyboards. Tickets are available now on Carl’s website (there’s options with a signed cd or signed vinyl, nice).

He did tell me that there’ll be tour dates north and south, but that’s as much as I know, no more details were forthcoming. I wonder if he’s waiting to see how Mam Talent! goes before setting everything in stone? Meantime there’s plenty to watch on Carl’s Instagram, including some great studio diary videos. In a video last Thursday it was mentioned that Carl looks more like George Harrison than the actor in the new upcoming film; I almost choked on my IPA when an hour after I saw it, a chap sat next to me in Stramash exclaimed, “Bloody’ell, George Harrison!” pointing at Carl on stage. Actually, he does do a beautiful version of While My Guitar Gently Weeps at his solo pub gigs.

Time to crash, but I’ll leave you with a couple of pics from the day Carl was shooting a video à la Beatles on the rooftop of an Edinburgh tenement. Next time, when you’ve got the blues make sure you have good support. Toodle pip!

One day fans will flock to this spot
The man himself, or George Harrison?

A pint and a hug, please

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Happy New Year! Oh, the ninth day of 2026 has just begun as I finally get round to writing something. So, circling back round to 22nd December 2025 as promised last post, I went over west to see Logan’s Close at The Hug and Pint in Glasgow for their usual Christmas gig. There were plenty of familiar faces in the bar by the time I arrived, grabbed a pint, a few hugs and headed downstairs to the venue where the crowd were enjoying the Raeburn Brothers, also over from Edinburgh (yes, I quite enjoyed them too). It turned out that one of them was on a double shift, as keyboard player (and occasional percussion!) for Logan’s Close. I wonder, did the guys get the gig then LC went oo, actually, while you’re there, could you, or did they get the gig with that already in mind? Anyhoo, a fine choice, the Raeburn Brothers had the crowd nicely warmed up for LC taking to the stage; I say stage, it wasn’t much higher, more a performance area.

The lads opened with a brand new song Crystal Ball, Scott and Stu looking sharp in suits, Carl had already lost his jacket (it was definitely going to get hot), Gavin was way back in the gloom (shame), while the keyboard guy took the prize for coolest shirt (sadly I didn’t get a pic of it). From there, straight into Babestation, the first of seven songs from Heart-Shaped Jacuzzi; newish songs Chillz and Costume Changes were there, both of which occasionally pop up in Scat Rats setlists, so well-known to some.

The brand new song I presumed to be called Giddy Up, Baby at Leith Arches was there and it is; a stark, sparse song, Scott put down his guitar, picked up his drink and donned a cowboy hat, plenty keyboards in the mix on this one (I have to say it was the LC sound is better with keyboards rather than Carl juggling between instruments). After some outstanding singing from the gathered, along to more Heart-Shaped Jacuzzi numbers (a grand sound!), we were treated to another brand new bouncing baby of a song, Not Love (the prospect of another album is starting to get exciting).

Carl, Scott and Stu in harmony

The guys didn’t bother to leave the stage between the “last” number and the first encore, which was, yay, Lonely This Christmas by Mud. This is one of my favourite christmas songs and have previously loved the Rats doing it, but the full LC treatment, and the crowd all singing, oh, my heartses! Only something big with grandiose could follow it, so that would be Mock Marble Linoleum then. Love that bass riff and Carl gets to have fun with his theremin to emblemish Scott’s tale of a sad loser. A class ending to the evening, well, mine. I know there were plans for where folk would continue drinking after the gig but I headed back to the subway into the centre, happily fuzzed up.

I had hoped to hear Lonely This Christmas once more by the Scat Rats the following evening in Stramash but, well, it was a solo Carl Marah instead! I’m saying nothing. Except that the crowd loved him, Carl was in fine voice (the overall sound was excellent, beautifully rich, well done, whoever was on the buttons). From where I was sitting, I could see a number of folk going over to check the poster of the month’s listing to see who he was. His penultimate song for the evening was the full version of American Pie, well, it’s been so long since I’ve heard it, I had to make that my final advent calendar clip.

It’s now very late, or early?! Time I toddled off to bed. I’ll share this on Instagram tomorrow along with videos of LC in action. I did put one up shortly after the gig but it seems the sound has gone, if it was ever there, I’m sure it was!

Goodnight, sweet dreams!

I’m beginning to feel christmassy

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It’s late on a Tuesday evening, not one of those Tuesdays, last Tuesday was meant to be, but it didn’t happen as Mr Rough was unwell, the next of those Tuesdays isn’t ’til the 30th, boo; but the Scat Rats are playing Stramash at the more reasonable time of 9.30pm on Tuesday 23rd, yay. The night before, Marah and Rough will be in Glasgow with the rest of Logan’s Close at the Hug and Pint for the band’s annual Christmas bash; I’ll be there too, of course. Just one downer (apart it being in Glasgow), sadly it’s the same night as Blue Christmas 2025, a wonderful evening of blues, r’n’b and rock’n’roll festive tunes performed by Jed Potts (curator of the event) and a bunch of his friends (honestly, the amount of talent in that one room, wow, only for LC will I miss it). It’s like a warm fuzzy hug of Christmas cheer (and it’s happening at La Belle Angele off the Cowgate, Monday 22nd).

Aw sweet, the night before again (so that’s Sunday 21st), the Louis Crosland Trio are on the midnight slot at Whistlebinkies, well, that’s what the poster says. Oh, but that would be a great three night run of great music, please Binkies, don’t screw it up! At least I know they’re definitely playing Stramash on the 18th, but not as a trio, no, there’s gonna be keyboards too! I’m looking forward to it, I’m intrigued. Up until then things are a tad quieter, no bad thing, I’m recovering from a bad cold and there’s a number of films I want to see. Oh, I may wander into Binkies on Saturday afternoon for Louis Crosland solo; I wonder if there’ll be any Bob Dylan covers. Instagram says the Moanin’ Bones are playing there this Sunday midnight, go on, I’ll believe them.

There’s four films that I want to catch before they disappear from the big screen, The Running Man is a definite, being Edgar Wright’s latest, well, I’ve loved everything else he’s done. It could be good, it could be awful, but I’m willing to give Fackham Hall a shot. The cast looks fun, but will it be funny or a tad cringey? Would I go see it if I didn’t have an Unlimited card? Probably not. Another that I’ll see just because I can is Now You See Me: Now You Don’t, I enjoyed the previous films, how will this one measure up? Annoyingly, Benoit Blanc’s latest investigation, Wake Up Dead Man: A Knives Out Mystery is not on at Cineworld (I’m so not impressed), but it’s still a definite for me. There’s a second Five Nights at Freddy’s coming out on Friday, the first was okay, I thought about it but then I looked it up on Rotten Tomatoes, hmmm, don’t think I’ll bother. Fitting the four in will be interesting enough.

In other pre-christmas news, I’ve finally made jam from this year’s harvest of park brambles, my fridge freezer needed defrosting so it made sense. There’s also new batch of bramble wine just started fermenting! That made sense too. I’m a tad nervous about the jam but my previous attempts have always been well received, so hopefully this lot will be just as delicious. It’s the frozen plate test bit that never works for me, but afterwards the jam sets perfectly well anyway!?

I’m doing another Advent Calendar of music from the last year on Instagram, it’s fun going back over stuff, picking out what to include has been fine so far but I know it’s gonna get harder, too many to choose from, too few days! Haha, I just can’t help going in deep with my silly notions. They’re all still available to view in my highlights, including a clip of Carl Marah singing his new Christmas tune at the Auld Hundred last week! I’m looking forward to hearing it in all it’s full glory!

Anyhoo, it’s very late, I must away to my bed. I’ll leave you with a pic….

My box of jars is now somewhat depleted

Yeah, I like me some live music

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Saturday evening, six o’clock and it’s already almost dark, bah. I’ll be heading out soon, the Louis Crosland Trio are on at Stramash at seven, but there’s just enough time to catch you up, well, it’s been such a great week music wise.

Wednesday evening I was in need of a pick-me-up, a quick scroll found one in the form of Jed Potts at The Jazz Bar early evening. One leisurely half and a set of Potts and I was restored! There were plenty of people in, well, all the tables had folk at them, oh, I was fine standing (swaying along) at the back, but I was also ready to swoop in when a couple left.

Thursday evening I trundled down to Leith Arches where Messrs Marah and Rough, in LC mode, were supporting Native Sun over from New York on tour. There were two more bands playing but I missed the first and just caught part of the second, they were quite psychedelic, not bad, music for an indie movie soundtrack. Hey, I was there to see Logan’s Close and the boys did not disappoint!

Babe Station started the set in style, so lush; for me, one of their best, the intertwining vocals towards the end send me every time. The newish Costume Changes was next up, a moody tune, with flits of foreboding and melancholy. After Hot Blondes we were treated to a brand new tune, they didn’t mention it’s name, so I’m calling it Giddy Up until I hear otherwise. Half and Half had a notch more echo on Scott’s vocals, oh wow, and combined with Carl’s Gretsch, chillingly atmospheric (I’m thinking an Edgar Wright film soundtrack).

Gouching On The 33 had the crowd singing and swaying along, and on into Heart-Shaped Jacuzzi too; that was meant to be the final song but of course, the crowd called out for more and from the way the guys were debating, they hadn’t planned for another, they asked for suggestions, oh my heartses, we got Merry-Go-Round!! I’ve not heard a duo version before, I’ve wondered how they’d do the long instrumental part, I think they were still wondering about that too, haha. I reckon the acoustic version should just wander off on its own track there, do it’s own thing, it’s such a different creature to the studio showpiece. Whatever, I do hope it’ll start appearing on Scat Rats set lists.

After that, the headliners Native Sun were good, but honestly, the evening had already peaked for me, I did enjoy them, the lead singer sure has it. I would see them again, if they’re ever back in Edinburgh.

That’s how far I got writing (and rewriting) bits of this on Friday and Saturday early evenings; the hour between six and seven is much shorter than any other hour of the day! Hence, on Friday evening the Scat Rats first set was nearing it’s end by the time I strolled into Stramash. So I was a little freaked to realise that yes, once again, it was that spell of summoning, Babe Station being played! Scotty clocked me and looked equally bemused. As Stu from Logan’s Close was in, Hot Blondes had extra harmonies, yay (like they’d have let the opportunity go to waste!).

It was back to Stramash, the back of seven, on Saturday for the Louis Crosland Trio, yes, this time they were playing! But only as mentioned on Instagram at the start of the week, the poster and website both showed Safehouse, who, incidentally, were the band that played instead of LC3 the previous Saturday (hmmm). Sorry, but it is a bugbear of mine, the poster, okay, but why not correct the website, huh?

And that’s been my week for music so far. So far – I’m tapping this out on a megabus heading to Newcastle. Turns out that pub that Carl Marah is playing in at four this afternoon has a fine selection of real ales and decent ciders! It’s Station East just over the bridge in Gateshead. Well, why not? It’s actually my first time on a megabus, not only is it cheap, the views from the top deck, travelling down the coast have been excellent!

Next week is not nearly as good as this has been. On the other hand, the week after does have Mr Marah doing his thing in the Voodoo Rooms, with a full band too! You really should go if you’re in Edinburgh, really.

Toodle pip!

The world keeps turning

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Can you believe this is the 500th musing from this moose?! Really, it is. It started from a friend’s suggestion that I should impart my accumulated Fringey facts and wisdom to a wider audience (i.e. and stop boring them with it all). My first bit of nonsense was written on 25th April 2017, just a wee introduction about myself and my love of the Fringe. It was around the same time that I first heard of Logan’s Close with their release of Listen to your Mother, a pure slice of 60s pop, I was in love!

After Fringe affairs, all things LC have been my second favourite topic these last eight years; the rebirth of live local music after all the Covid restrictions was amazing, it rekindled a spark in me and has given me much to muse on. Yeah, I go on about the bands I like, I know, but they are darn good, worth spreading the word on them.

But back on Fringe stuff, June ’22 was the first time I was offered a comp ticket to review a Fringe show, I wrote about it in my 300th blog post 300 not out! Who’d have thunk it! I didn’t take up the offer, but I pondered on it aplenty. It’s the same doubts and niggles that pop up each year now, but hey, better that way than becoming blasé.

Anyhoo, it’s now ridiculously late, but I’ve had such a hard time trying to write anything these last few weeks that I determined tonight I had to get something down. Normal service should hopefully resume shortly (I say that but I’ll be away in Yorkshireland next week, so). I’ll leave you with a picture from a lovely September afternoon at Dr Neil’s Garden. Sweet dreams!

It’s in 5/4 time, you know

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I’ve come to realise that I first heard Carl perform Roll the Dice in the Auld Hundred last October, I have a vid clip of it, but later couldn’t remember if that was one of his own or a cover, ha. I thought it was, but didn’t want to put it on Instagram and have folk point out that it was actually an old Paul Simon number! There is an air of Graceland about it (as Carl is happy to acknowledge), I’m excusing my cautious lack of surety as a compliment to Carl’s ability to write timeless songs that defy being placed in any particular decade.

Do check it out, Roll the Dice is available on the usual streaming platforms, a few listens and you’ll soon find yourself tapping out bits of the rhythm at random moments of the day (or is that just me?). Carl plays all the instruments and was his own backing choir on the studio recording, everything except the drums, and who better to lay down a jaunty 5/4 rhythm than fellow Logan’s Close member, Gavin Lamont (really, no one!).

There’s an official video too, featuring Carl, his fiancée Klaudia, Piccolo the Dog and a cameo appearance of the Edinburgh Monopoly board and pieces. Our troubadour pops up all around the town looking for his lady, will they ever be on the same space together? A sweet, delightful film that’ll warm your cockles! And you can play identify the places in this montage of Edinburgh spaces. [And if you’re part of an acapella choir visiting Edinburgh this Fringe, why not do an acapella arrangement of Roll the Dice in one, or a few, of the spots? Carl would love that!]

Of course, there’s not been just the single and video released this last week, Mr Marah also started another promotional tour, kicking off in the Voodoo Rooms last Sunday evening, the Ballroom no less! Very nice it was with tables and chairs laid out in a relaxed fashion; we had been warned that there was no support i.e., don’t be late! The Jefferson Airplane classic White Rabbit heralded Carl’s arrival on stage, a fine choice.

For starters we had Siren Song but, oh my, the lad’s gotten into looping! With guitar, keyboards, percussive knick-knacks, this was Marah MkII; this time round the sound is fuller, richer. I really enjoyed his songs the first time round, but wow, to hear them again switched up, it’s great hearing the progression. What will they sound like by the third single tour?! I’m looking forward to that already.

Fourteen songs, including a new work-in-progress, Me, Myself and I, some sweet chord progressions there, I’ll admit I was more engrossed by the music than the words, next time. Carl played 39 without any introduction, a beautiful song, the natural slight melancholy timbre of his voice adds to the poignancy of the lyrics. You’re Always Right was played on the keyboards this time (with added percussive loop); about halfway through it hit me, Lynsey de Paul, mid 1970s, that’s what it now reminded me of! Yeah, okay, you’re probably thinking, who? But for those of a certain age I’ll put up a vid of it on Instagram, I’m sure you’ll get what I mean!

Oo, and Cat’s Eyes, this time around by the end of the guitar break I was like, oh wow, John Martyn, by the end of the song I could almost hear his voice. I mentioned it to Carl afterwards, haha, he understood what I meant; Carl does wear his influences proudly and unashamedly on his sleeve (he knows where he’s come from and has a fair idea where he wants to go). After Cat’s Eyes it was time for the final song, the second single Roll the Dice.

First the build-up of the loop, shaker, tambourine, hand claps (interesting with it being in 5/4 time, did I mention that before?!), drum beat, and to great cheering, triangle (Would any other nation do this? Pure, silly glee at the sight of a lowly triangle?), oh, and backing vocals. While the studio version is great, a live version built up to over an evening, oh my heartses! A wonderful climax to the evening, Marah MkII was a great success! After the crowd had called out for more (we couldn’t just leave at that, we needed to be gently brought back down), Carl obliged with a cover of Squeeze’s Up The Junction.

I do fully intend to catch the show at least one more time, but right now I really need my bed. Goodnight, sweet dreams!

Where have I been? Well…

bruceonthefringe 2025, Comic theatre, European trip 2025, Logan's Close, London, Uncategorized Tags: , , , , , , , , Leave a comment

Hello chaps, just a quickie before I away to my slumber, a sketch map so far…

So, eight days ago, down to London Town to see Logan’s Close at the New Cross Inn oh boy, that was fun and a wee bit different as Seankeys wasn’t down with them. Carl filled in some keyboard parts, it was fine, the crowd had a great time from Half and Half for a starter through to Eleanora to finish (more details later).

Friday was another day in London and as luck would have it, those Grubby Little Mitts were on at the Soho Theatre! Couldn’t resist another peep, that’s another 5☆+ performance!

Since then I’ve been in three countries and am going back to the first tomorrow. First off Belgium and Bruges, next, not Germany but Switzerland and Basel, then it was Germany but not Hamburg, Aachen instead, where I currently am until tomorrow morning when I head back to Belgium and Brussels. Then homeward bound on Tuesday 3rd, the day that this year’s Fringe programme comes out in solid form.

It’s been fun, interesting, informative, eye-opening. More about all that later, right now a large comfy bed is calling me – my only hotel stay of the trip, the rest all hostels! Well, it calls itself a hotel, it’s a tad odd.

London
Bruges
Basel
Charlemagne

Toodle pip! Sleep well, mes amis