Are you ready?

Hey, yay! It’s that time again – Eurovision!! Just over an hour to go. I have marinated chicken thighs in the oven, parboiled spuds to be sliced and sauteed, bread garlic buttered to be put in the oven later, mixed salad all diced and refrigerated, prosecco in the fridge, hmmm, have I forgotten anything? Score cards printed out, yup. I did fancy making something nice for dessert but I was distracted a while this afternoon so that ain’t happening.

For the first time in ages I caught the Kennedy’s Project busking on Waverley Bridge so I just had to linger. The sun was shining and it was a gorgeous afternoon, the combination outweighed the idea of even more time in the kitchen. It was so good to see the Kennedy’s Project again, they make it easy to hang around awhile, great music as ever. And on great music, Logan’s Close are back in Germany; tonight they’re playing the Sonic Ballroom in Köln, just the name sounds amazing!

The lads flew over on Thursday to Berlin for a radio interview with three live songs thrown in, nice! Luckily it wasn’t just on radio, it went out on Facebook Live, you can check it out on Chocolate Soup’s page, Logan’s Close Interview & Liveset. All the songs are from the upcoming album which is mentioned, of course. LC will be back over on the continent in June for Spoorpark Live at Tilburg in the Netherlands. I’m really gonna have to get myself over sometime. They hope to do a big tour in Europe once the album is released, hmmm, a moose on the move, a travel blog. Maybe?!

Oo, best check my chicken thighs. Good luck, everybody! Let’s face it, everyone will be fine if Ukraine wins – that’ll be a big two fingers up to Russia!

Hot blondes in the Auld Toun

I think the title of my last blog post confused a few Americans – they went looking for whisky talk and found a Dutch band instead! How to get attention though, just put the word scotch in, or maybe I’ve just suddenly gotten very popular in America?! Hahaha, nah. So what’s new? Not a lot. Oh, the Uke Hoot is back at the Kilderkin on Wednesday evenings, I really should get along there one week. I’m currently trying to master a Blues Shuffle in G that I found online, it could take a while but hey, it’s a fine excuse for not doing other things that I should be doing.

I was inspired to search out some bluesy uke playing after seeing Mr Marah play not once not twice but three times last weekend. Yay for social media keeping me informed – it’s not stalking when folk put their schedule on Facebook! First off, The Buccaneers were playing the after midnight slot at Stramash on the Thursday night. I had intended to go down to Leith Arches earlier that evening as Willie Dug was playing there along with three other bands; annoyingly, after tea my little relax on the sofa turned into a big time nap til around ten o’clock, dammit. A couple of episodes of Lucifer perked me up for stepping out into the night and up to Stramash.

Carl was back in Stramash for the seven o’clock slot Friday evening with fellow Scat Rat Scott Rough. Oo, we were treated to Hot Blondes In Your Area Tonight from the upcoming Logan’s Close album, nice! This pared down version really brought out the bittersweet-sounding chords and harmonies; music to make your soul soar whilst at the same time tearing a rip in your heart. A young couple completed the romance of the song by dancing together to it, I’m sure I wasn’t the only one to be enchanted for those few minutes, that moment in time.

Less than twenty-four hours again and the Scat Rats were doing an afternoon set in Whistlebinkies. I just caught the second set, it was my reward to myself for spending the previous two hours up a ladder carefully painting the final inch strip around the top of the kitchen walls. Hey, I have high ceilings, the concentration required to paint that neatly and not fall off the ladder was intense, I deserved to sit in a dark room with great music playing after that! There was a new Stewart beer on, a very nice session ale, just had the one half, you understand, just to relax after my endeavours.

And yay, I got to hear Hot Blondes again, a big reason for going along so I’m glad it wasn’t in their first set. There weren’t many in Binkies but the lads gave it gusto as always, Carl managed to break another two strings (I saw two go the previous evening!) – overexuberance?! So, a lot of the same songs always come up, but I could never be bored of listening to this pair, there’s always something to delight, a sound that’s tight but loose and always fresh.

In The Morning is sounding so good now (well, yes, it’s always sounded good but this is A+ with a cherry on top good); sitting in Binkies I realised this was the song on Friday night when I could have sworn Big Nick was there beside me enjoying it, saying, “Yep, those boys have it!” As the Rats wound up with You Can’t Judge A Book it finally twigged – Carl’s gotten a tad flamenco-ey at times, very like Nick did in the later years, that’s why he’s been hovering round.

Facebook tells me that The Buccaneers are back at Stramash this Sunday night (well, Monday 00:30), another late night. Mind, Facebook has also just told me the Close are back in Hamburg, a quick trip or will I be in bed before midnight on Sunday?

I’m sure Elsie won’t mind me sharing the latest shot of their magnificent mugs here

A little voodoo magic from Elsie

It’s very late Friday night in Edinburgh, Facebook has informed me that Logan’s Close are in Hamburg; from the pic they were let loose on the streets after their first day in the recording station working on their debut album Heart-Shaped Jacuzzi. It being Hamburg they’re posing in front of a place called Sex-House, well, of course they would, all looking fine and dandy. I wonder how the gig went last night after just travelling over there? I hope it gave them a boost for today. Couldn’t have been as good as last Sunday night at the Voodoo Rooms, though.

Ah yes, finally Logan’s Close got to play the Ballroom in the Voodoo Rooms again – and it was awesome. Not just one or two, they had three support bands to get the crowd warmed up, Julen Santamaria, Jupiter Strange and Racecar. From a low simmer the room gradually went to gently bubbling with the beats and expectation, then the lights dimmed, the lads took to the stage, from bubbling to boiling, a most rapturous reception!! Oh, the love was in the room, I think they may have been a bit taken aback by it all for a few moments before opening with Lost In You.

At the time I was taken by surprise by this choice (oh, a very lovely one, just not a song I would have anticipated as an opener) but as I recall the atmosphere, they were totally caught up in the crowd’s adoration and enthusiasm, so yeah, lost in the euphoria of it all. Next up, Never Bloom, a great live song but like the title says it’s not destined to blossom into a studio track (well, you could grab a copy of the LimbicTV session CD to hear it). Newby Merry-Go-Round was third, I remember because it was also the third song down in the Running Horse, a gorgeous number from the new album (I’m really looking forward to how the studio version will sound, I’m expecting nothing less than totally scrumptious).

Another new song to follow, Half n Half which to be honest I remember thinking was great, but that’s it, the title alone had the crowd smiling. For those outside of Scotland I should explain, a half and half (or hauf n hauf) is a whisky with a half pint of beer for a chaser. Give It To Me a particular favourite of mine was next, the opening harmonies and keyboards slither round like thick smokey tendrils reaching out before engulfing you in a hazy, intoxicating fog (well, maybe not you but it does me) with that guitar break, oh yeah.

Oo la la, Dans Le Jardin bounced and tripped along joliment, one from the album? Next song definitely was, Heart-Shaped Jacuzzi, the title track. Okay, so by this time my powers of remembering were prerty much used up, that’s it. There may have been another new song in there, and the Close “finished” with another newby about Hot Blondes. Babe Station was in there, of course, and Mock Marble Linoleum, both destined for a soak in the Jacuzzi. Classic I Want You had to get an airing, it’s not an LC gig without it, and the song about the number 33 bus? Yeah, Gouching was there with it’s luxurious rolliness.

After the brief off stage right and the crowd hollering for more the lads obliged with Eleonara (oh yay!), Girl, and what else to end with, especially on Mothering Sunday? Listen To Your Mother, of course! The band each did the obligatory solo after being introduced, the crowd went suitably nuts, oh yes, the new line-up totally rocks it.

I am so, so looking forward to the album coming out, of course that’ll be a while yet, after the recording studio there’s loads to do before it actually gets to be released, all of which costs money, so Logan’s Close have set up a crowdfunder with various rewards for pledges ranging from a digital download of the album, to a virtual pint with Carl and Scott, to a live stripped-back full band set (that’s within 150 mile range of Edinburgh, fair enough). There’s a VIP Concert Day Experience that includes “a pre-concert fry-up at their favourite greasy spoon” – they have a new favourite now? The Babelon Cafe is long gone, I wonder where Scotty gets his tatty scones now?

My donation to the coffers was pre-crowdfunder, yeah, I’m a trailblazer; currently pledges have reached 134% of the original target, so like, wow, the lads are well chuffed and, there’s still over a week to go. It helps a lot that the band were selected by Creative Scotland’s “Crowdmatch” (one of just twenty to be selected), which as it sounds, means Creative Scotland matches pledges when they reach certain milestones. If from all my rabbiting on about LC you’ve checked them out and like their stuff, please check them out again. Gonna leave you with a few pics from last Sunday night. Sorry, epic night but rubbish mobile camera.

It’s going to be a special night

….. Said Carl Marah shortly after Logan’s Close finally began their set at the Running Horse in Nottingham last Saturday night. Oh, it was a special night alright, for all the wrong reasons but I had a great time. I had a great day, first time in two years I’ve been anywhere other than Edinburgh or back home.

After much umming and ahhing I had decided I would go down to see the lads play Nottingham as a prelude to the Voodoo Rooms gig. On hearing my decision, a recent convert to the fineness of the Close asked to trot along with me, goodo, two in a twin room are cheaper than one, and of course soaring fuel prices could be shared, nice. We made the most of the day visiting a number of real ale pubs, lining our stomachs for the evening ahead in a Barburrito, before drinking our way towards the Running Horse.

Okay, so we got there fairly early, but only four including the bar staff?! It had been a gorgeous warm, sunny day, many were out drinking in the sunshine all afternoon; also remember it was Super Saturday (last three matches of Six Nations Rugby) with England not playing until 8pm; and it was just two days after St Patrick’s Day too, personally I don’t get why folk go so OTT about it but they do. The aforementioned may have been factors in lack of bodies at the gig later, who knows. We were happy sitting chatting at the bar with the rather quaffable Duck Berry Pale Ale from the Dancing Duck Brewery. As a few more folk came in we moved away from the bar, must say it’s a nice place, and having a large flat screen to watch the band on in the bar area is a masterful touch.

Rob, the man in charge, had told us the band were running late, fair enough, we were happy. So was Mr Rough when the band rolled up, he came over to say hello rather exurberantly, happy? – he was steaming. The official line seemed to be that his voice was done in from being too enthusiastic the previous two night, maybe there was some truth in that; he’d also gotten drunk after the gig in Bristol and in the morning decided to keep topping up, all day. Thank god for Carl being his usual laidback, quietly assured self keeping the show on the road, minding Scotty, and chatting to folk about the band.

Finally the band started up, my friend and I moved through to watch them (still only a few in, I did feel for the lads), yay, they kicked off with Eleonara, sweet. Next up was Girl, a song that Scott has said he’d be happy never to sing again and he didn’t tonight, Carl did all the lead vocals tonight. My friend was disappointed not to hear Scott sing or the lads’ usual amazing harmonies, that was a big shame for her, yeah. The new bassist did do the backing vocals for Babe Station I noticed (he did good) but I’m not sure if he sang on any other songs. Sadly no harmonies at the start of Lost In You later in the evening, a particular pleasure of mine.

A new song Merry-Go-Round from the upcoming album was next, oh I approve, looking forward to hearing a studio version of it! Oo, just thought, I wonder who’ll be singing it on the album? (I’ve often wondered how the lads settle who’s taking lead vocals on each song, must ask some time) It was great hearing the Marah touch on all the songs as Scott usually does the majority of the lead vocals, Saturday he was too rough to even sing backing (at times he looked too rough to stay upright!), Scott was totally in the zone for what he wanted to hear from the band though, nearly falling off his seat a number of times trying to conduct the others’ performances, even hammered the lad has it!

The sets included quite a few covers – was this the same at the Swansea and Bristol gigs, or just to get the band through the gig using more old standards in place of new songs in the circumstances? Again, I was fine with it, That’s Alright, Mama, What’d I Say, Hound Dog, what’s not to love? Oh yeah, I’d Rather Go Blind was excellent, a song I heard Scott singing some months ago in Stramash, I’m not gonna call it between them.

This was the first time I’ve seen the new line-up, one of the reasons for going down. This mini-tour was a fine bonding session for them before hitting the recording studio. If they can survive sharing a small bunk-bedded dorm room with Scott on Saturday night they can survive anything! Stuart on bass and Gavin on drums are from the same previous band; Stuart had already played with the Close when they started looking for a drummer to commit to them, enter Gavin (very smiley and very young, I like him); fine acquirements for the Close . Sean Keys was kinda tucked away on the far side off the porch, excellent on keyboards as usual.

There was a wee sideshow going on of a couple who’d just met earlier in the bar, obviously from an online dating app; she was obviously rather drunk and kept flouncing off, only to return shortly afterwards to make up, then argue again, all of us who picked up on it were very entertained. I must mention watching Scott trying to pick his plectrum back up off the floor, that was hilarious. Sure moaners would have found plenty to moan about on Saturday night, they’d have probably grumped too when Carl completely fucked up the words to Roll Over Beethoven, bless, I think he was finally begining to crack from the strains of the day. Mind, before the encore he was still on form enough to quip “Here’s one we wrote for the album” before launching into Blue Suede Shoes, haha.

Heading back to the BnB time flew by as we recapped the gig. As two old timers we concurred Scott was completely forgiven by us, it may be a bunch of hazy memories now but hey, we were twenty seven once. If I told you some of things from my twenty seventh year, I’d have to kill you afterwards!!

Just a few visuals from the evening to finish……..

Scott’s pished face, very like his bored face
from the left Sean, Stuart, Carl, Scott, Scott’s scarf and Gavin
just playin’ some tunes on Rob’s back porch
Carlos, did you just mess up that line? That’s my boy!
dear god, Carl, what’ve you been eating, man?
I know it’s only rock’n’roll but I love it ❤

Five long gloriously juicy years

Next month It’ll be five years since I stumbled upon Logan’s Close, towards the end of this month the new line-up will take to the road with their mini tour of the UK before heading off to Germany; what will the next five years have in store? But before they headed off to their future would they have time to chat about their past to an old moose? They did ….. in the Waverley late Tuesday night before they played the midnight set at Whistlebinkies. Yup, The Scat Rats, aka Carl Marah and Scott Rough, agreed to meet me there (a favourite pub of theirs) well, they are two lovely amiable chaps, funny, smart, easy-going; as delightful offstage as on. Unfortunately we were drinking, and still drinking at Binkies ’til after two, so I’ve had to sift through an alcohol-induced blurriness to recall anything from the conversation.

Rough and Marah have been best buds since they met playing football at eight years old, so going on twenty years. Both started playing guitar around the same time, Carl was self-learning, Scott was going to a guitar class and told Carl about it; and so the seeds were planted. By 2014, in their late teens the two had been joined by friend Mike on drums and they took the name of a lane in their hometown, Dunbar, as their moniker Logan’s Close. This bit’s hazy, finding a bass player who fitted in took a while, I think Olly was the third one and he was a perfect fit. Now they were a tidy foursome, things started progressing nicely.

I first became aware of them at the end of April 2017 when Facebook suggested I might like their video Listen To Your Mother. Oh, I did, it was cracking and I still reckon it’s a great watch, do check it out! The following month they were the support for a touring band playing Sneaky Pete’s in the Cowgate so I went along and was totally blown away by their energy and sound, yup, one taste and I was hooked! I saw them three times more that year, the final time in November was for the launch of their latest single Girl, at the Caves just off the Cowgate.

Logan’s Close at Sneaky Pete’s Wednesday 31st January 2018

As good as this line-up and sound were, Rough and Marah were after one more piece to complete the puzzle – a keyboard-player, but where to look for someone to match their sound? The gods were happy to oblige them and dropped one into their laps, late one night after a gig in Stockbridge, a chance meeting in a small supermarket. He sent them a demo and Sean Keys was part of the LC sound; as I suspected, it was Scott who christened him Sean Keys, no his surname is not Keys! That was in March 2019 and now those keyboards are very much an integral part of the Logan’s Close soundscape.

Logan’s Close at the Voodoo Rooms supporting Black Cat Bone in April 2019

Alas, in July 2019 the band said a sad farewell to Mike. Since then they’ve had various drummers, but drummers seem to be flighty things, LC wanted one who’d settle down and go steady with them. Mind, it’s been an interesting time, Alex (as seen on the Fantastic Man lockdown vid and the LimbicTV gig) was great and Simon Gibb (currently playing with The Buccaneers amongst other things) has picked up the sticks for them on occasion. They have a new drummer, yet to be seen out at play with the band and also a new bass player since Ollie left for Italy last year, interesting to ponder how this change in the rhythm section will affect the band.

Messrs Rough and Marah have been very busy coming up with a whole stack of new tunes since the lockdowns. That must have been grand, finally getting back together, bouncing ideas off each other, getting the old chemistry sparking again. I had intended to ask a bit about the process of their particular alchemy on Tuesday night, hey ho, maybe another time if I’m lucky.

There’s been a shift in their style, the lads have gradually moved away from their initial early Beatles and Sixties sound, looking back Give It To Me (released July 2019) was a clear signal of this change. Oh, there’s still the sixties sensibilites in there in the weave but much more subtly. There’s so many new songs, and what with new band members, much of the old repertoire has been consigned to the band’s history, but there’s the odd one or two that’ll be kept around. Playing as The Scat Rats some LC tunes can pop up, I presume their particular favourites (some of mine too). A couple of songs from the LimbicTV session last year will be on the new album, I’m rather excited to hear how both will have evolved since then, and with the full studio treatment too! Yes, I know which two – not telling!

Sadly Eleanora isn’t one of them, shame. Oh, I did ask where Eleanora came from – Carl having his fortune told high up on a mountain in Italy (Apparently the fortune teller only spoke Italian, so he recorded it and got it translated later). Hey, at least it’s available on the Logan’s Close Live at LimbicTV CD now on sale as a limited edition vinyl-style CD on the band’s website for a mere £10 GBP (exc. shipping). I’d like to think I had a small part in their decision to put the CD out there, you may thank me later.

That’s it from what I’ve retrieved from my sozzled memory of Tuesday night. It was a fun night, there weren’t many in Binkies but we had plenty of enthusiasm and yes, I was up dancing again! So that’s the first five years of my acquaintance with the Close, can’t wait for the next five and beyond. Whatever Marah and Rough get up to next, it promises to a whole barrel of juicy fun.

Let’s finish this with a pic of the divinely talented, exquisitely in-sync Scott Rough and Carl Marah ❤

late night in Binkies

NEWSFLASH!!! Just announced on Facebook, the Close’s debut album Heart-Shaped Jacuzzi will be recorded in Hamburg in April. Well, newsflash to you, I already knew.

Odd balls and green eyes

Another rugby weekend done and dusted, the French fans will all be back home again after a grand weekend away. Some arrived early last Thurday (as noticed in Stramash in my last post), some stayed to carry on the party ’til Sunday night. Oh, I wasn’t witness to it ’til after Peaky Blinders had been on telly. Yay, the new and final series of Peaky Blinders is up and running, and I wasn’t being anywhere other than in front of my telly at nine o’clock on Sunday night. By ‘eck it was good, a fine tribute to the late actress Helen McCrory, Aunt Polly, who died almost a year ago.

Only after it did I tidy round from my evening meal and get ready to head out to Whistlebinkies. For why? The Buccaneers were scheduled to play at midnight. Now if you’ve been following my posts recently you may wonder if it was worth staying up so late – this time it was definitely happening, The Buccaneers said so on their Facebook page. I’ll admit to a slight hesitancy as I drank my way through a pint of Stewart’s Edinburgh Gold at just after midnight, oh yay, the band members started turning up, that helped wake me up! And I stayed awake ’til around three having the most splendid time drinking and dancing, it was a fine crowd there, all really enjoying the music. Mr Marah was on top form, well, all the band were. From pics on Facebook yesterday I think the keyboardist, Luke Cunningham, had just been on at Stramash which could explain his being the last to turn up but it was no problem to turn in a great performance. God, I’m so lucky to have such great musicians on my doorstep!

Not so lucky as the Welsh, though, well, the ones in Swansea. Whilst the Welsh may have been beaten by England on Saturday, they will have the first look at the new Logan’s Close line-up at Hangar 18 in Swansea on Thursday 17th March – jeez, I’m sooo jealous! I’ve never been to Swansea, don’t think I haven’t been pondering on a visit! The day after it’s a drive to The Elmer’s Arms in Bristol; again, somewhere I’ve never been, some very nice pubs there so I’m informed, hmmm. Saturday 19th March sees the band trotting north-east up to The Running Horse in Nottingham, then a left turn to Liverpool and the Prohibition Recording Studio on the Sunday evening before heading home to Auld Reekie. Might as well give you the other dates, that’s their long awaited return to the Voodoo Rooms on Sunday 27th (yay!!!) and then a skip across to Hamburg and the Indra Musikclub on the 31st; again, I’ve never been to Hamburg, I haven’t been anywhere (except Yorkshire) for over two years, maybe?!

I’ve noticed that the Nottingham gig is on Super Saturday, the final day of the Six Nations Rugby this year (so called as all three matches are on the same day). In years gone by that was a pub day, often the Greenmantle or The Blind Poet, ah, we were young, up for it and very, very drunk by the end of it. This year I’ll be down at the Mothership around that weekend, Nottingham is just down the road, well, under two hours down the road, oo.

Maybe I should just appreciate that the lads are having four dress rehearsals before the big one back here, the glass half-full approach. Yeah, I’m not really buying it. Swansea, Bristol, Nottingham, Liverpool, Logan’s Close are coming your way, you lucky, lucky bastards!

Driving with Elsie

Today has seen bright sunshine and blue skies over Edinburgh, very chilly with it, as the forecast predicted. Annoyingly they got it very wrong for yesterday morning! The forecast had promised snow from the early hours, some heavy, awoke all expectant and excited I did – bloody none! And I’d come back up on Thursday for it. Well, and also to avoid Eunice, that’s Storm Eunice (who came up with Eunice?! What sort of name is that for a storm?).

I was down in deepest, dampest Yorkshire again. Very damp indeed, not much time was spent out-of-doors, it was ‘orrible! The few hours of fine were spent wandering round Hebden Bridge, note to self, some shops are closed Tuesdays as well as Mondays. Still a tasty lunch was had and a few purchases made, I do like Hebden Bridge, and there’s usually a fine calibre of busker in the Square.

Naturally, my choice of travelling audio accompaniment included my new Logan’s Close Live CD, at 63 minutes its perfect for the last legs down and up. In the gathering dusk I hurtled across the moors to Scott letting rip on I Want You, followed by the classic Listen To Your Mother – that’s when the low fuel light started flashing (yeah, yeah, mother, make sure there’s plenty in the tank, I know); after that first, oh bugger, I reasoned there was actually around 40 miles worth left so no worries. On the homeward leg it takes about an hour to get from Abington services (junction 13 off the M74) to home, that is, without slowcoaches on the road; so perfect, with a second playing for Eleanora as I pulled up.

Eleanora is a bouncing upbeat babe of a tune, a catchy infectious earworm so it is! Everything a good Logan’s Close song should be, and also something slightly new, different but still undeniably LC. Sean Keys’ (that’s what he gets called, anyway) keyboards are at times reminiscent of Jon Lord on early Deep Purple, noticeably so on Mock Marble Linoleum. I’ll admit it’s taken me a while to get into this track, my original take was “fine but nothing special”, I’d like to update that, Mock Marble Linoleum is fine and dandy, like a mid 70s rock opus, swirling keyboards, grand majestic riffs, Scott going for it, yeah, it is pretty special.

Paralysed is a whirling dervish of a tune with Carl taking lead vocals this time. This lady who “reached inside and stripped you of your core” sounds like AC/DC’s Soul Stripper; two very different songs but the same female lineage (in my head, anyway). Gallus Laces is great, a lackadaisical swing and hook to it, love Scott and Carl’s vocals together on the chorus.

Probably (at least at time of writing this) my favourite track is Babe Station, from the opening drumbeats, sultry keyboards, offhand guitar, and then Mr Marah plaintively narrates the girl’s nightlife; the spacious sleaziness and Carl’s vocals almost echoey, with added Scott on backing, omg, it’s like sliding into a hazy drug-addled dream state! I’ve also had the pleasure of hearing The Scat Rats take on this song a number of times ❤

Mind, Give It To Me is a very close second on this, right from Sean’s piano intro and Scott’s and Carl’s harmonies; the guitar sound, the space, more beautiful desolation from the lads. I Want You is always near the top spot at any gig but the competition is tough here, even with Sean back on the piano and Scott’s sublime vocals. It would be hard to place all fifteen tracks in an order of preference, really, after my top five I couldn’t separate the others. God, I love this CD! Will this recording, this moment in time, ever be made available to anyone else? I don’t know, but if it is, no self-respecting LC fan would be without it!

Toodle pip!

If you don’t ask ……

Remember my Highlights of 2021? No? Well, go back and read it later, for now I’ll recap that my top treat of 2021 was Logan’s Close’s LimbicTV performance back at the end of March. I’ve watched it, hmmm, a few times since, okay, maybe a few more just to get me through the hard times of not being able to see live bands. Is it a polished performance? Is it ‘eck, but it really shows how talented the lads are, how well fitted they are together- it’s five guys enjoying finally getting to play as a band again and making the most of it (it was obviously still going to be a while before live gigs would be allowed).

Before writing a blog post about it I made a few notes, call me sad but I kept those notes; I think I wrote them on my third viewing. A few snippets……

You get the picture? I wondered if anything would be done with the recording, and if nothing, why? Sorry but I needed those tracks, yes, needed, doing nothing with them really wasn’t an option. A moment in time, a live moment, never to be repeated like that again, ‘specially since bassist (from the very start) Ollie Turbitt has moved to Italy. Aargh! I started thinking, mulling it over, hey, I could always just ask Logan’s Close for them!? I could, and Scott did say…

on listening again, Scott’s spiel is “we want to make an album, but we don’t have any cash, so give us money and we can make it”

There’s a phrase “put your money where your mouth is” and I’ve been telling folk for the last five years how brilliant Logan’s Close are, so yeah, time to step up moose, give the lads some real support. And it would help towards a whole album of juiciness! Yes, please! Just one thing, if I donate please can I have all the tracks from the LimbicTV session on a cd? Reader, they said yes, oh yay!

I’ve spent the last month listening to my new LC cd; a polished studio album will surely be a wondrous thing but these songs are how I think of the band having seen them live plenty times. I have it on my phone so I can listen on my meanderings round the Park. My precious ❤

Hmm, so how good does his coffee taste?!

‘Twas the night before Christmas…

And all through the hoose, not a creature was stirring, not even a moose, everything was ready for the morn and all presents wrapped….

Yes, I’m down in deepest, dankest Yorkshire for the festivities. I’m on veg duties tomorrow – a thousand sprouts to be prepared and cooked! Okay, that may be a slight exaggeration, we wouldn’t have room for the carrots and tatties for mashing (roasted parsnips and tatties has been assigned elsewhere). There’s a cake courtesy of a cousin, it looks okay but it won’t be a patch on mine waiting for me back in Edinburgh (for one thing, mine doesn’t have any nuts in it – I’m not allergic just not keen).

I had been starting to wonder if things would go bonkers in the run-up to Christmas again, thankfully not so much as last year. I made it down on possibly the greyest day of the year, at least I had a great soundtrack for it: Logan’s Close for exiting the Lothians, on to 70s Black Sabbath (Fluff is just an amazing piece), followed by Christmas tunes from the last seventy years, and as I still wasn’t quite back in happy valley, a dash of Hedwig and the Angry Inch. I may have sung along on the odd occasion.

Have a very Merry Christmas wherever you are in this big wide world. Now I must go to sleep or Santa won’t come! I’ll leave you with a couple of pics of Old Hummus bedecked with tinsel!