Strictly rock’n’roll

Oh lordy, what a sweet, crazy evening! Oh, yes, last night in Dunbar was as well, but I’m referring to this evening in Stramash. I trotted up there at the back of seven to see The Scat Rats, it was fairly quiet as it usually is at that time, folk just sitting watching the band. Then a couple got up to dance, and how!

I’m not sure who we were all applauding after the number, but the Rats were very appreciative of the dancers; a bit of banter was definitely called for, they were Australian. Well, once Carl started he decided that the group on the other side of the room should show off some dance moves, haha. They didn’t oblige ’til much later but were clearly having a great time.

A few tunes later and Carlos got chatting to the crowd again, the group were from Brazil, as were another table, next two he asked were from Glasgow (oh well, never mind). At the back were a French couple from Paris, but they won’t be there when the Close are playing. Ah yes, that news I knew before – after Logan’s Close play Trento in Italy they’ll be heading to Rome and Paris to support Kula Shaker!!

Now on a definite tour plug, was there anyone in from Germany? Yes! Ah, Frankfurt, not on the tour but not that far from Mannheim where LC are playing on May 5th. No Danes in, he didn’t ask about Italians, how remiss! And back to the music, the aussies were still up to nearly every song, I must say, it is truly a joy to watch a couple dancing and enjoying themselves as much as they were. Oh, to dance like that!

As usual it was John Mackie on sound and lighting, he got a few mentions from Carl. Actually, come to think of it, Carlos may have been a tad drunk, hmm, yeah, he was on the beer tonight (usual for Scotty but not Carl); and there was the shots from the Glaswegian guy. Not that it would ever impair his playing, Paint It Black was particularly excellent tonight. Well, it’s all great but some shine brighter. It all came to a bittersweet end with the usual Bo Diddley cover, of course, the beauty of live music, there’s always sweet little differences and nuances to the playing ❤️

After a spirit deflating day that was a wonderful hug for the soul. I’ll leave you with a lovely pic taken this morning as I headed home from a walk in the park…

Happy?!

In 2019 the loveliest man to grace a Fringe stage was back again with his new show Aidan Goatley: Happy Britain Part I, naturally I went along. Happy Britain? He told how he came up with an idea of going to the centre of every county in the UK and asking the first person he met, “What makes you happy?” Part I? Well, you know, life, best laid plans, et al, there was to be a Part II this year, and a book too! God only knows when that’s gonna happen now!! Mind you, his wife is a vicar so she could make enquiries!

The show was as good as expected – that being an engaging, charming, thoroughly entertaining hour that went by way too quickly for my liking. I could have happily sat another hour in that state of warm, fuzzy cheeriness (oh and the room did have good air conditioning – a bonus). The pic is from Mr Goatley’s bit in the Fringe programme. I think his attire may be a reference to Arthur Dent in HHGTTG, I seem to vaguely remember something, but I could have dreamt it.

Some time later I found myself musing on Aidan’s question, indeed, what made me happy, really happy? Where was my happy place? Could I answer that without resorting to flippancy? You see, though I always do my best to present myself as a jovial and happy-go-lucky chap, I am no stranger to melancholy; I knew I’d been slowly sinking into the doldrums for some time, my spark wasn’t very sparky anymore, more like an ember. Oh sure, Edinburgh in August (when there’s a Fringe on!) but what about the rest of it? I mulled over it for some time, if I could figure out the true honest answer could I use it as a compass to lead myself out of the doldrums on to firmer ground?

Actually, it’s the reason why I like the Fringe so much, it’s that blissed out fuzziness of witnessing a great feelgood show (usually accompanied by a goofy smile). It’s sitting listening to Aidan’s stories, it’s watching an hour of surreal sketches about three sperm, it’s the fun of watching a troup of actors allowing themselves to be dictated to by a roulette wheel of absurd scenarios.

And it’s being at a Logan’s Close gig, any time of the year. Oh yeah, there’s my Happy. No wonder this year’s been hard – I haven’t seen them since January! And on bands, one of my most memorable happy times was at the Fringe in 2005, late night in the Debating Hall at Teviot watching Bill Bailey’s band Beergut 100. The sheer exuberance of the band and the crowd was intoxicating, and when Kevin Eldon sang a seriously punked up The sun’ll come out tomorrow oh my heartses! The room was a big sweaty blob of happy!

As a young moose I used to daydream, as so many do, about being a great performer, acting or singing, both, I’d be amazing!! Once we get past the time of when our dreams were meant to somehow be happening (with no effort from ourselves), it’s woulda, coulda, shoulda. Then, one night, I don’t remember when, who or where, but I do remember having an epiphany, I was Audience – being a great audience is important, without an audience what is a show? I shouldn’t be looking up wishing I was the one on the stage, that’s not me; I’m the one giving my undivided attention, watching, listening, absorbing the atmosphere; I’m the one whooping and cheering and clapping, showing my appreciation to the performers.

Oo, that got a bit profound there! Thinking on it, I know it changed my perspective and my being. Would recognising my Happy bring on another change? Then 2020 came along and the whole world has been spun off kilter. Will Aidan ever get to do his Part Deux? Will hugging ever come back? There’s a great deal of Happy in hugging.

Bonne nuit, mes amis 💛