Bands

And that was the end of another one

bruceonthefringe 2026, Absurd comedy, Bands, Edinburgh, Edinburgh Fringe 2026, Fringe Awards, Magic at the Fringe, Sooo fringe, Stand-up comedy, Theatre Tags: , , , , , , , , , , , , Leave a comment

Oops! Hello, I kinda dropped out there. It’s been a whole week since the Fringe fizzled out for another year and even longer since I last tapped out any musings (oh, I’ve mused plenty but failed miserably to get anything done, bad moose). Ha, even just now I manage to distract myself thinking, I’m sure it didn’t used to fizzle out so pathetically, I should look back through all my Fringe planner calendars and see if there’s anything obvious …. much time later, maybe I should get back to writing about the end of this Fringe?! (the fizzle factor can wait for another time)

Ah yes, last thing it was Friday night, start of the final weekend and I was going to see Bad Santa and the Angry Elves and then the Moanin’ Bones; such a fine evening, but so glad I remembered my earplugs, Bannermans is LOUD, kinda to the detriment of the music for me, but that’s the way they like it in there. The second time I saw the show there’d be a few changes, this time the band was purely rocking out sans storyline (hmm, did I mention that I’d seen the show again? well, I did), oh boy, was that fun! Certainly hope they make it back again sometime. Whistlebinkies wasn’t mentally busy, the Bones were great as per usual, but I headed home before the final set, left the loons to it (it was a full moon to be fair).

From having a number of magic shows in my pile of possibilities I only saw one, picked as I’ve never seen him before though he’s been playing the Fringe for years, Charlie Caper, obviously very popular as he’s in the Liquid Room Warehouse (it’s BIG); mind, that really doesn’t equate to whether I’ll enjoy an act. Reader, I loved it, I liked the vibe from him and he’s so good you can’t help but wonder if it really is magic!

I also hadn’t seen much in the way of absurd theatre, or anything at theSpace@Surgeons Hall (which is unusual for me) both remedied with Don’t Flush Me Yet. Gent goes to the toilet (an enormous one onstage) and poos a large sentient poo. Why? How? Who’s that chasing after the man and his poo? A silly, surreal, madcap, absurd caper, I thoroughly enjoyed it, though probably not for everyone.

One show that appeared on the Half Price Hut list most days was Louise: The Last Dance, I started looking out for it, oh, go on then. Wow, what a fascinating show! A one woman show telling the life story of Louise Weber, more famously known as La Goulue the original cancan girl at the Moulin Rouge (and a muse to Lautrec and Renoir), she led a full life from rags to riches and back again. A great asset to the show was the screening throughout of portraits and photographs of her and the area she lived and worked in; and to cap it all, there’s old film footage from 1928 when, at 62 and destitute living in an old caravan in Montmartre, she danced for a documentary filmmaker. A story worth telling and well told; I do quite like shows on interesting historical characters (you may have noticed).

I have mentioned in the past that compilation comedy shows are not always all they make themselves out to be (especially those with titles beginning “Best of …”). I’m a tad wary these days, but I’ll always get to Stand-up Science at some point, it’s fine, there’s Matt Hobs hosting, Alex Farrow as permanent guest and one more science-nerdy type stand-up, yup, guaranteed laughs and the occasional interesting fact. Did I mention seeing Stand-up Philosophy earlier? Well, I did. The lovely Mr Farrow hosts, two other stand-ups, and some philosophy in the mix.

On the last Sunday night I didn’t stay up late enough for the ACMS Awards but earlier in the evening I did attend The Spookies: Horror Awards, it was mentioned in the Wee Blue Book (PBH’s Free Fringe programme, a must). I’d not heard of it before, ah, just in it’s third year, awards to recognise and support horror theatre, and why not? As a niche, it can get lost in the hugeness of Fringe, I’ll admit I didn’t know most of the nominees but had great fun cheering on those who attended in the hope of winning.

As I said, not a late late night for me, just late enough to end the weekend with a right couple of clowns, that would be the very talented, sublimely funny Dan Lees and Tom Curzon: The Sonic Joy Orchestra. Anything can happen and probably will with these two, but it will be ridiculously, wonderfully silly (honestly, you’d have to have a heart of granite not to warm to the pure joy and playfulness here). A fitting finale for my Free Fringe this year, it really doesn’t get fringier than than this pair.

What could possibly follow that on Monday?! Let’s see, the last day of August, hmm, august, a Thom Tuck double bill! How To Fringe: a chat show with Thom Tuck (for a second time), then a quick snack on the way to Hoots’ other Yurt at the Potterow Underpass for Heartwarming Animal Content (WIP). A most convivial way to finish a Fringe, and so interesting to hear anecdotes about past Fringes that I would never have otherwise heard (fifty pence pieces from a door bucket lined up on a pool table so that folk could play for free, yes! a true gent); and hey, I’ve been fringing for so long I could place each reminiscence within my own fringeframe.

And time to finish this post, methinks, it’s very late and a mouse just ran past me, nope, not caring right now. I’ll think of a title with a fresh head in the morning.

Toodle pip!

Musings, music and a movie

bruceonthefringe 2026, a rant, Bands, Cinema, Comedy, Edinburgh Fringe 2026 Tags: , , , , , , , , , , , Leave a comment

Yesterday evening I took myself off to the cinema to see Casino, showing as part of a Scorcese season at Cineworld, oh boy, such a brilliant film, so full-on and powerful (and a great soundtrack). Walking back along towards the Grassmarket I was definitely in need of something light and fun, it was very nearly eleven o’clock, so I took a right at Hoots @ the Apex and went to see Beatlesjuice again! Yay! Okay, so Rob’s voice is starting to go a tad from the nightly singing, but for one, it’s fine for Beatlesjuice’s raspy tones, and second, with his exuberant performance it’s kinda endearing (to this moose, anyway).

《Edit Oops, I thought I’d written a review for Beatlesjuice when I saw it last week, nope! Well, it’s so brilliant I went back for more, nuff said ⭐️⭐️⭐️⭐️⭐️》

Afterwards, heading down the Cowgate it occurred to me that it would be possible for someone out Fringing to see Bad Santa and the Angry Elves which finishes at eleven at the Caves, to then walk smartly along to the Apex for Beatlesjuice at ten past. Honestly, ten minutes is enough, and besides the first five minutes is, Hello, has everyone seen Beetlejuice? Does everyone know the Beatles? Even the more obscure tracks? Like the ones by Ringo? And a bit more banter before starting proper. It’s doable, and wow, what a double bill!

Yesterday was one of those Tuesdays, so I headed up Niddry Street to Whistlebinkies and the Scat Rats for a couple of hours, sweet. I’ll be finishing off tonight in there as well, it’s Louis Crosland and whoever he’s rustled up to play bass and drums. Friday midnight sees Louis back in there with the Moanin’ Bones to bring in the weekend, yeah, the English bank holiday weekend and start of the Fringe fizzle down. Actually, a thought occurred to me the other day when yet another person asked how long the Fringe would be going on for, people, it always ends on the English Bank Holiday Monday, well, the few final bits of Fringe finish up. Why not, instead of a fixed ending, fix the start instead? Have it so that 241 Monday in the first full week is on the Scottish Bank Holiday Monday, ergo, more local and Scottish folk generally to come and see more shows and spread the word on what’s good? That way the end will be three sundays after that, no silly sad Monday leftovers. And breathe.

While I’m tapping away here I suppose I might mention a few more shows I’ve seen. It’s been some years since I saw Felicity Ward so I popped along to Cabaret Voltaire for an entertaining hour, and she says at the beginning it may be in the afternoon but some content is well, more for evening after a few cocktails with the girls. She is funny, just not as much my cup of tea anymore, palates change you know (still some howling funny moments for sure). Maybe if I’d had a cocktail on my way in ⭐️⭐️⭐️½

Mind, I was also not long out of God’s Longest, one of the most darkly funny improvised comedy sketch shows I’ve seen. I went twice last year, this year they’re across from last year’s venue, in Supercube Cowgate, it’s one of those creepy karaoke room places (well, I think they’re creepy). Yeah, following that, Ms Ward had her work cut out. Yeah, this is one weird bunch, just hang on and enjoy the ride, oh, they have no clue where they’re headed either but they’ll go there and beyond. It’s part of the PBH’S Free Fringe so no particular prior planning is needed, Cowgate at half two. Yes, it’s ⭐️⭐️⭐️⭐️⭐️ again.

If you’ve been paying attention you’ll know I went to see Will & Noah: Dinner Dinner Chicken Winner after chilling in the Park yesterday. Sadly Peregrine were just closing up as I went past, so I didn’t get to have a cake, dammit, but I did make it to George Square Gardens in plenty of time. Will and Noah play off each other well, obviously having fun with the material, then they’d pair up together against some unfortunate audience member, haha. No no, they’re gentle with them, although it was hilarious how an audience member interpreted the sketch he was pulled into; note, I kinda picked up on it at the time so was not as surprised as Will and Noah, but I wasn’t surprised that the sketch had never been taken that way before (nope, I’m going to leave you wondering!). I think they’re trying new areas and pushing their boundaries, and why not, but for me it didn’t always land as well it might. Oh, I did enjoy it aside my niggles, these guys are very funny together and their interactions with the audience are brilliantly played out; the show has won an award, so why not check it out for yourself? ⭐️⭐️⭐️⭐️

Anyhoo, I’ve been tapping this out through the day, time for Binkies again. More musings tomorrow.

Toodle pip!

Another Fringemas Eve

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I’ll be going out shortly but first a quick post. Where? I got me a ticket to see W.I.T.C.H. at La Belle Angele, support by some local band called Logan’s Close. There’s going to be some serious rhythms and grooves going on! I suspect it won’t be the only hot sweaty room I’ll be in this month, even with improvements over the years, some Fringe venues still get incredibly warm and stifling. I wonder which room will take the max oven setting prize this year, hmmm. If anyone thinks they’ve sat in the winner, do let me know!

I was back at the cinema last night to see Toy Story 5 on the big screen, I think i may well go see it again, at least once more. Yes, another excellent film, one of the very few film franchises that has always delivered, for me, anyway. Oh, there’s so much that makes this movie an absolute joy. Of course, the main themes are around new tech toys replacing old toys, but I was touched by the little note that you shouldn’t change and be less of who you are in order to fit in with the popular crowd; really, there’s no point, one slip up and they will turn on you, they don’t generally like different. Oh, that got dark! Hey, it’s a cracking film, way more than a kids movie.

Up close with the Close

Okay, so at that point I left to go the gig, the lads were awesome!! After starting with Babestation, the rest of the set was new stuff on the upcoming second album. They went down well with the crowd, hopefully picking up a few new fans. I was at the front so managed to get some good vids, best ones I’ll put on Instagram; I just took one vid of the headliners W.I.T.C.H, but as I was much further back it’s not the best visually. For me, they were a mixed bag, from just okay to some really intoxicating grooves. Overall a fine evening, including a wee chat with Mr Marah about LC‘s time recording in London and what’s comes next.

Ha, another late night, despite all my best intentions. Thankfully my first show isn’t until midafternoon, the first of four tomorrow. Oh yay, one more sleep, then its Fringe ’til September!

Toodle pip!

Not my fault, the music beckoned

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It’s after midnight, so it’s just less than three weeks to the start of this year’s Edinburgh Fringe Festival, oops, I may need to get my skates on, if I could just remember where I put them! I’ve been distracted by glorious sunny days and evenings fulled with the sweetest sounds (well, nine out of the last fourteen evenings). Yes, I most certainly had to see the Scat Rats three times, and I had to see Louis Crosland playing solo, with his band and with the Moanin’ Bones. Jed Potts was on the early Saturday afternoon slot with that queen of soulful sass Nicole Smit, then he turned up the following Sunday evening, not quite as the poster advertised, playing blues with Jonny Christie on drums and the long not seen Ewan Gibson on bass! A welcome surprise (well, he needs the practice with the Blueswater Fringe gigs coming up, haha).

Another string gone
and another one gone

It’s a regular occurrence for Scott to snap strings but it’s much rarer to see an electric guitar string go!

I also saw Mr Marah twice more – with band at McChuills in Glasgow and solo as first support in Sneaky Pete’s on Friday (picking up my copy of his new EP Me, Myself and I). Unfortunately, due to tardiness and an accident on the motorway slowing traffic, I missed some of the Niche Family set. I did want to see it all as the singer/guitarist is Stuart Neil, that’s Big Stu, bassist and harmonies in Logan’s Close. Did I mention I’d caught them a few weeks earlier in Binkies and thoroughly enjoyed them? Their support slot for Carl was going to be the band’s last gig together, the Glasgow crowd gave them a good send-off, the poignancy of the moment was palpable. Second support were the Black Denims, more country sounds (there does seem to be more honkytonk, americano sounds over West!)

It was a very warm evening, thank god for the AC in the venue room, a shame there wasn’t any in the bar itself, the wall of heat hit hard and the temperature outside wasn’t much cooler. I just grabbed another drink and headed back in to stand in the sweet spot to get maximum benefit from the AC until it was time for the main act. I did move right up near the front but soon moved back as it was way too loud for me, I did try the earplugs available at the bar but they were rubbish and really dunted Carl’s vocals and guitar, a lesson to remember to have my good earplugs with me, just in case. After a couple of songs I went closer again, this time making use of all the lanky beanpoles as shields between me and the speakers, while at the same time being in a reasonable position to see through the gaps.

《It’s very late now, I’m away to my bed, will finish this in the morning》

I’m back, thinking how much more was I going to say, except for it was another brilliant gig. Cat’s Eyes just gets better and better with each live performance and Roll the Dice was an absolute treat for the soul, Me, Myself and I exquisite! The sparse chill of World Keeps Turning especially the keyboards and Carl’s guitar sound had me thinking of Tom Waits; watching the bit that I filmed, yup, I still hear it (in fact, yeah, it’s going up on Instagram, why not). On drums for the evening it was Carl’s other drummer, Ryan Bradley (previously seen on Mam Talent with Carl), a snug fit. The EP is a thing of beauty but live is when Carl’s music really shines. If anyone knows how do a decent bootleg recording …!

On recordings, Logan’s Close are currently down in London town for a couple of weeks recording their second album, yay, whoop!! (see now why I was getting my fill before the dynamic duo disappeared south!) Then at the start of August, in fact on Fringemas Eve (Tuesday 4th August) Logan’s Close are playing support in La Belle Angele for Zambian band W.I.T.C.H. (We Intend To Cause Havoc), I’ve checked them out on Spotify, African rhythms meet psychedelic rock, and boy, sounds like a great way to kick off my Fringe!

That’s all for now. Next time I’ll be musing on the Theatre offerings in the Fringe programme. Toodle pip!

Me, Myself and I and Moose

He, himself and other class musicians

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And so the Magnificent Marah continued his tour to spread the word of his new EP Me, Myself and I with a return visit to Gateshead and the Station East, before a home crowd in the Voodoo Rooms. The EP is out on streaming platforms now, so if you haven’t already, go check it out, that’s Carl Marah, for those not paying attention. Oh, it’s magnificent!! A thing of beauty, charm, wistfulness, I could go on. It was released into the ether Friday 5th June, the same day that Mr Marah played Gateshead, but this time with the band, ooo.

I’d pondered on going down, it’s a great pub with a good range of beer and real ciders, and there’s the pie fridge at the end of the bar too. Of course, last time it was a long lazy Sunday afternoon session, okay for getting back up afterwards, I’d maybe have to book a room this time. Could I justify it when I’d be seeing him five days later at the Voodoo Rooms? Well, no harm just checking the train times…. hallelujah, the last train up is much later than it used to be, yay. A nice cheap Lumo train at 11.10, sweet, the return ticket came in at just under twenty five quid!

What a gorgeous afternoon and lucky me, my seat was on the left-hand side of the train so I could enjoy the coast views (they really are something to watch out for if you ever travel up to Edinburgh on the east coast line). Once in Newcastle I had a wander round before crossing over the bridge to Gateshead and the Station East. Again, what a smashing pub, lovely barstaff, a hug from AJ.Potter, the locals are a friendly bunch so plenty of chat, the early evening sun kinda delayed the start of the gig I think (you know when it’s still too warm to realise that time is passing). AJ. Potter kicked things off again with his delightfully honest folkish (his word and I agree) songs. An excellent entree before a main course of Marah!

Anyone that saw clips of Carl the last time he played the Station East may be wondering where the band would fit, that’s a tiny space by the staircase! Aha, go left at the bar and there’s a dark, high arched room (possibly part of an old railway arch?), almost a bit spooky but a good space for gigs, and this was a good gig, indeed. An hour and a half of sheer joy and bliss, good humour with an occasional touch of bittersweet, a warm fuzzy hug of an evening; just how it is watching Carl perform any time, but maxed up with the added band elements; then, of course, five days later in Edinburgh there was keyboards too, oh, my heartses!

For keyboards Carl has called on his old Buccaneering pal, Luke Cunningham, of course he would, the guy’s brilliant; and as it happens, in a band with Gavin Lamont and Simon Toner. Sekoya is a contemporary jazz collective, formed as a project for the three, usually sidemen, to develop their own sound together. A great stroke of fortuosity for Carl to get all three to back him?! To have two of them with him in London and Gateshead was awesome, but all three at the Voodoo Rooms was epic. The shades, the sounds almost like textures you could feel, well, okay, that might just be the effect on me, honestly, it was glorious.

The setlist was the same order but with more songs as time allowed. Cat’s Eyes seems to get longer every time they play it, no bad thing; yeah, I must go to the Inverness gig at the end of July, it’ll be well over fifteen minutes by then, haha. Carl gave the rest of the band a wee break when he played a new song solo on his acoustic guitar, he said new, I’ve heard Day By Day a few times now, but yeah, new. The VR gig also had the brilliant Don’t Wanna Love You No More as the encore, wowzah, what a way to round off the night.

I’ll sign off now as the Moanin’ Bones will have started at Stramash, but I’ll just mention that Carl will be in Glasgow at McChuills on the 8th July, just saying. Toodle pip!

On a rainy night in Graz

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Hello you! I know, it’s been a while since my last post but I do have an excuse for May and hey, five posts in April up to that point, a blooming record for me outside of Fringe! The excuse? I’ll get back to that, for now a quick trawl through the last third of April…

I hinted at the end of my last post that Louis Crosland may play guitar alongside blues harmonica player Giles Robson again sometime; it’s definitely happening, folks! That’s through August (and into September, I think), so fairly extensive through the UK. Hmmm, if it ends anywhere northish I may have to go, that should, will, be pretty damned awesome. That’s if the tour does go through to September, I have priorities, you know.

He may not be around Edinburgh in August, but July sees Louis’s debut at the Edinburgh Jazz and Blues Festival where his Trio will be playing as one of three bands at a Blues Afternoon in the George Square Spiegeltent. Yes, a whole afternoon of blues (I think they have them each weekend of the Festival), you can catch the Louis Crosland Trio on Sunday 19th July. [Quick edit, there’s also a gig 12th June at Pilgrim in Newcastle]

That will probably (or possibly, you can never quite tell with musicians) the last time the Trio as it is, play together. Louis is planning on taking stock of things, a good time to, what with being away awhile with Robson. It will fun speculating what the new autumn season outfit will be. The final Whistlebinkies gig was great, a very lively crowd, cracking tunes and I love that of late Rob Henderson‘s bass line has been up in the mix, Max was on fine form on drums too. A decent finale for Binkies.

I said final gig, so was surprised when it was on Instagram that Louis was playing Binkies, huh?! Definitely wasn’t scheduled (mind, it was Binkies), ah, a last minute call up. Last minute, so it was a trio but for all the combinations I’ve seen, this was new. It may have been, who the hell is available now? The universal forces played ball, and how, it worked well, better than well, for a first time? it was ridiculously fine; and they weren’t done after Binkies, immediately packing up double quick to play at the Jazz Bar straight afterwards! Of course I went along! Already, just a second time round things were gelling nicely. Will this be a one night only (both musicians are usually very busy), certainly the three played together and Louis was clearly enjoying himself. It will certainly have added another dollop to the mulling mix; this cake could be sublime.

I could finish this post here, but as I’ve just poured myself another glass of a rather nice grüner veitliner, I shall continue…

Last post Carl Marah was about to take part in the semi-final of Mam Talent! this time taking a band with him. He didn’t make it through to the final, but no matter, it was a great experience and will have definitely opened up new avenues for him; and he used the opportunity to play his newly released single (just the day before, nicely done) You’re Always Right. The video is also out with Carl not only wearing his love for the Beatles on his sleeve, it’s more like an arm tattoo (done with such charm and gentle grace, tis a wonderful thing).

The Edinburgh launch of the new EP had been announced before, but now all the dates for the EP tour have been announced, which is how I came to be tapping this out on my phone in Austria. The first gig is Tuesday 19th at The Finsbury in London, aha. I’ve been meaning to get round to using an Interrail Pass that I bought end of last August when there was a discount, meaning to, but never quite succeeding; Carl’s London gig gave me an anchor point, yay. I’ll be on a Eurostar back to London on the Monday afternoon, Carl on Tuesday evening, next day a train back to Edinburgh in nice time for two Logan’s Close gigs, how excellent is that?!!

My glass is just about empty, time to sleep. Next time, probably a postcard or two.

Auf wiedersehen, meine Freunde!

Here, there and even on the telly!

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As promised last post a catch up on Messrs Marah and Rough, oh, they’ve been busy! There’s been the usual Tuesday midnights at Whistlebinkies, I say usual but I’d swear they’ve gotten even better recently, how? I know, right! Maybe it’s from recent activity with the rest of Logan’s Close and the anticipation of summer gigs.

At the end of March, LC played down in Norwich and then Glasgow supporting one Ghost Funk Orchestra; I did consider going over to Glasgow, but after a busy week, yeah, no. But Brucie, it was Logan’s Close?? Ah, but they’re playing two nights in Edinburgh next month, yay (got to get some money together to make the second album, you know). Just one night was announced but the lads already had plans for another gig the following night, and indeed, ticket sales were excellent, all snapped up in less than a month. I’m not sure if they realised the date or decided it would be a funny twist – the sell out and second gig were announced on 1st April, err, April Fools Day, guys!? Did anyone hang fire to make sure it was genuine, I wonder? Anyhoo, the second night is Friday 22nd May at Leith Cricket Club.

Oo, I see badge potential here

Scotty went even further than Norwich with his other band last month. Dr Salad were out playing a few gigs in Cambodia (as you do!?) That was quite a surprise when Scott told me late one night in Binkies, had I heard right? I was like, Cambodia? Huh? Yes really. A trifle bizarre, but then, it is Dr Salad, goes with the territory. When I caught up with him after his return, Scott was certainly buzzing from the whole experience, oh, he’d definitely go back for more.

Carl has also been playing his own music overseas on Mam Talent! Poland’s version of Britain’s Got Talent. He does visit Poland plenty with his Polish fiancée, and last year friends over there suggested he should enter, he did, et voilà …. he’s only gone and made it to the semi-finals!! The live show will be on Polish telly 25th April, like wow. Always busy, the date for the launch show of Carl’s debut Me, Myself and I EP has been announced as Wednesday 10th June, at the Voodoo Rooms, where else?! And it’ll be a four piece band this time – added keyboards. Tickets are available now on Carl’s website (there’s options with a signed cd or signed vinyl, nice).

He did tell me that there’ll be tour dates north and south, but that’s as much as I know, no more details were forthcoming. I wonder if he’s waiting to see how Mam Talent! goes before setting everything in stone? Meantime there’s plenty to watch on Carl’s Instagram, including some great studio diary videos. In a video last Thursday it was mentioned that Carl looks more like George Harrison than the actor in the new upcoming film; I almost choked on my IPA when an hour after I saw it, a chap sat next to me in Stramash exclaimed, “Bloody’ell, George Harrison!” pointing at Carl on stage. Actually, he does do a beautiful version of While My Guitar Gently Weeps at his solo pub gigs.

Time to crash, but I’ll leave you with a couple of pics from the day Carl was shooting a video à la Beatles on the rooftop of an Edinburgh tenement. Next time, when you’ve got the blues make sure you have good support. Toodle pip!

One day fans will flock to this spot
The man himself, or George Harrison?

What happened to November?!

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Last post was all about Carl Marah‘s latest Voodoo Rooms gig, yeah, that post almost three weeks ago, oops; you can now see an eight minute video from said gig on his YouTube channel featuring You’re Always Right and It Takes One To Know One. Oh, and while you’re there do check out the Live at Everyman Cinema video filmed in August, see why I love Carl’s song Cat’s Eyes so much! That’s on there along with Roll the Dice, well worth a peek. You want more? Check out his latest posts on Instagram, I particularly like the ones where the camera is looking down on the piano keyboard, yes, the lad’s tickling the ivories with his tunes! Nice to see a proper old piano being played.

The dark evenings are bringing folk into the pubs earlier now, I’m used to wandering into an almost empty Stramash at the back of seven for the Scat Rats, but now it’s miserable and colder outside, all the best views are already taken by the time Babe Station lures me in (despite my determination to be in before the Rats started on Friday evening, once again I made my entrance to it, haha). They’re playing Stramash again next Friday, can I make it in earlier?!

I also caught Jed Potts and Nicole Smit both times they played at Whistlebinkies this month, always a delight, and oo, they’re back in Binkies next Saturday afternoon (two Saturdays in a row, great stuff!). Jed was back there this evening with his new band Power Denim, yeah, I gave it a miss just to catch you up, but I will be trotting up the way soon for the Louis Crosland Trio at midnight, third time this month. It has been a pretty fine month for me music-wise, I just won’t think about the rest of it.

I’m determined to get back on top of things next month, er, tomorrow. After a lull in my Park meanderings I’ll have to get back out there more, get into practice for going all the way to Arthur’s Seat for New Year’s Day, and probably Christmas Day before that; yes, I’m staying here in my moose cave this year!

Anyhoo, time to toddle off. Toodle pip, mes amis!

Yeah, I like me some live music

bruceonthefringe 2025, Bands, Edinburgh music scene, Live music venues Tags: , , , , , , , , , , , Leave a comment

Saturday evening, six o’clock and it’s already almost dark, bah. I’ll be heading out soon, the Louis Crosland Trio are on at Stramash at seven, but there’s just enough time to catch you up, well, it’s been such a great week music wise.

Wednesday evening I was in need of a pick-me-up, a quick scroll found one in the form of Jed Potts at The Jazz Bar early evening. One leisurely half and a set of Potts and I was restored! There were plenty of people in, well, all the tables had folk at them, oh, I was fine standing (swaying along) at the back, but I was also ready to swoop in when a couple left.

Thursday evening I trundled down to Leith Arches where Messrs Marah and Rough, in LC mode, were supporting Native Sun over from New York on tour. There were two more bands playing but I missed the first and just caught part of the second, they were quite psychedelic, not bad, music for an indie movie soundtrack. Hey, I was there to see Logan’s Close and the boys did not disappoint!

Babe Station started the set in style, so lush; for me, one of their best, the intertwining vocals towards the end send me every time. The newish Costume Changes was next up, a moody tune, with flits of foreboding and melancholy. After Hot Blondes we were treated to a brand new tune, they didn’t mention it’s name, so I’m calling it Giddy Up until I hear otherwise. Half and Half had a notch more echo on Scott’s vocals, oh wow, and combined with Carl’s Gretsch, chillingly atmospheric (I’m thinking an Edgar Wright film soundtrack).

Gouching On The 33 had the crowd singing and swaying along, and on into Heart-Shaped Jacuzzi too; that was meant to be the final song but of course, the crowd called out for more and from the way the guys were debating, they hadn’t planned for another, they asked for suggestions, oh my heartses, we got Merry-Go-Round!! I’ve not heard a duo version before, I’ve wondered how they’d do the long instrumental part, I think they were still wondering about that too, haha. I reckon the acoustic version should just wander off on its own track there, do it’s own thing, it’s such a different creature to the studio showpiece. Whatever, I do hope it’ll start appearing on Scat Rats set lists.

After that, the headliners Native Sun were good, but honestly, the evening had already peaked for me, I did enjoy them, the lead singer sure has it. I would see them again, if they’re ever back in Edinburgh.

That’s how far I got writing (and rewriting) bits of this on Friday and Saturday early evenings; the hour between six and seven is much shorter than any other hour of the day! Hence, on Friday evening the Scat Rats first set was nearing it’s end by the time I strolled into Stramash. So I was a little freaked to realise that yes, once again, it was that spell of summoning, Babe Station being played! Scotty clocked me and looked equally bemused. As Stu from Logan’s Close was in, Hot Blondes had extra harmonies, yay (like they’d have let the opportunity go to waste!).

It was back to Stramash, the back of seven, on Saturday for the Louis Crosland Trio, yes, this time they were playing! But only as mentioned on Instagram at the start of the week, the poster and website both showed Safehouse, who, incidentally, were the band that played instead of LC3 the previous Saturday (hmmm). Sorry, but it is a bugbear of mine, the poster, okay, but why not correct the website, huh?

And that’s been my week for music so far. So far – I’m tapping this out on a megabus heading to Newcastle. Turns out that pub that Carl Marah is playing in at four this afternoon has a fine selection of real ales and decent ciders! It’s Station East just over the bridge in Gateshead. Well, why not? It’s actually my first time on a megabus, not only is it cheap, the views from the top deck, travelling down the coast have been excellent!

Next week is not nearly as good as this has been. On the other hand, the week after does have Mr Marah doing his thing in the Voodoo Rooms, with a full band too! You really should go if you’re in Edinburgh, really.

Toodle pip!

Music to a moose’s ears

bruceonthefringe 2025, Bands, Edinburgh bands, Live bands in Edinburgh, Uncategorized Tags: , , , , , , , , , , Leave a comment

And just like that, June was over, four weeks today it’ll be Fringe Eve! I’d panic about my lack of preparedness but my procrastination skills have reached such a level that I’m even procrastinating about panicking. Honestly, I’ve long been Olympic standard, but this is bloody ridiculous now. And breathe. Yes, this year’s Edinburgh Fringe is getting close now (the courtyard at the Pleasance is already taking shape), next [Edit:but one] post will be Fringey, but for now, well, I had the most deliciously musical weekend….

Last post I was down in Yorkshireland, intending to make it back up for Jed and Nicole at Whistlebinkies; thanks to an unexpected road closure, plenty of motorway roadworks and torrential downpours, I just caught their second set. Grrrr. A pint of Stewart’s, some fuzzed up guitar and Ms Smit’s blend of sweet’n’sass and I was fair revived from my journey. Special note for their final number Something’s Got a Hold on Me, always great, but on Friday, woozah, Nicole really went out with a blast 💛

Jed Potts & Nicole Smit

Saturday, after another scrumpy ice cream from Thistle & Churn, followed by scallops from Creelers (I may have a habit taking shape there), I was back at Binkies for The Scat Rats and their usual mix from country to rhythm’n’blues and, of course, the odd original. There was what I took to be a, ahem, “maturer” tour group who had escaped the heat outside along with their tour guides (two wore tartan trews and glengarry hats), a bit of Johnny Cash and they were up! It’s always nice to have a floor show to enjoy, ha.

The Scat Rats, as ever, always a joy, delivered the goods, and I must give a shout out to George on sound; I’ve come to appreciate how differently some sound guys work, and he really brought out the music (loved the echoey bits, Scotty certainly did!) When I went to compliment his work afterwards, George’s modest reply was, “It’s easy to make someone sound good, when they’re that good already”. Nah, he’s good, he really got them, some don’t.

And then it was Sunday, time for the big one….

…… Carl Marah’s Second Single Tour beginning in the Voodoo Rooms, his second single being Roll the Dice (it’s in 4/5 time, you know) But that deserves a post of it’s own, I’ll just say here that I cannot allow Sunday evening to be the only time I get to hear his music in it’s current form on this tour. Those lucky bastards in London on the 2nd! It was a glorious evening, continued with further drinking, finishing back, once again in Whistlebinkies with the Harry Higgs Band, not the trio, a quartet (trio plus keyboards) with an occasional fifth, of guest vocals by Reine Beau.

A great end to a great weekend!