Well, I do try not to judge a book by the cover, but with hundreds of shows to choose from, a poster is a quickfire way to yay or nay. Some make you shudder, ye gods, no, some amuse, some bemuse. That first look counts, and if it’s a massive poster, well, call me Homer Simpson, but the influence to see or avoid is greater on this moose. I have written previously about misjudgements I have made based on the look of a poster, hey ho, usually pleasant surprises in the end.
The town by this stage, the Eve of Fringemas, is postered up to the max. Here is a multi-show poster board, anything tall, thin and stationary gets these things attached in August. Shakespeare given comedic makeovers, hmmm. For one, I already have that covered with Shakespeare For Breakfast, and second, neither poster has much moose appeal. Miss Havisham pops up most years in one form or another, such a magnificent character to get creative with; a possible possible there.
Top right and bottom left, neither yays or nays, wallpaper; as the Fringe goes on, they make more of an impression. It’s the little beauty bottom right that caught my eye, loving the artwork. Oh, and if you read my last post, no, I didn’t realise the connection before now. Yes, I’m doubly persuaded that it’ll be worth seeing!
It could become a spotcheck game – asking random people for immediate honest yay/nay responses to posters. Probably get rather more truthful answers than they would say to flyerers! Oo, and on that, I got flyered twice today! The Out of the Blue crew were out in numbers on the Royal Mile, actually, I got past them all without taking a flyer but not for want of their trying. Shortly after I bumped into Paul Currie, been doing the Fringe for years, I’ve never seen any of his shows, this could be the year. Yes, I accepted his flyer!
By the way, I share all my blog posts on Facebook, Bruce T Moose is the name (and no, the T doesn’t stand for what you’re thinking). There’ll also be more daily pics and vids on my Instagram, do check them out.
This time last week I was in Stramash watching The Scat Rats, another damn fine performance as we’ve come to expect from them. The early evening band was Nicole Smit and Jed Potts doing their thang (the first time I’ve seen their double act outside of Binkies) ranging from country, blues, rock’n’roll, and this week Jed went lounge (honestly, eyes shut he sounded like he should be wearing velvet and ruffles!) on a couple of numbers.
Last night I had been expecting to see The Blueswater but alas they had to cancel, well, some of them, so instead Nicole and the Back-up Crew (there are a few overlaps there) did the late night shift at The Jazz Bar. No, I didn’t go, I went to bed at a reasonable time instead! I do hope things are okay again for their Fringe shows (the first one is Wednesday 9th).
I had been wondering at a seeming lack of Tuck this year, nothing in the programme! Surely he’d be up? What anarchy would ACMS descend into without him? And This Is Your Trial without a single Tuck appearance? Surely not. Oh, and TIYT is with Laughing Horse this year, in The Counting House at half past five in the afternoon. It is very random depending many factors but hey, it’s free, definitely worth a punt!
And then, midweek he shared a pic on Instagram of his Fringe schedule so far, yay! Thom Tuck will be in the building, well, a building, a number of buildings, around Edinburgh during August. I like his use of colours, if a tad rough, but curious what Dom and Wogan mean!? 2110 Ginzel’s I think I’ve figured out, some serious acting? I’ll let you know.
This morning I headed up Moose Ridge in Holyrood Park, after a week of slow ambles with old dogs I’ll have to get back into the long climb up, ready for Arthur’s Seat Comedy Extravaganza on Saturday 19th. If you’ve never been up to the top, then that’s the day to do it! Catch a 45 minute free Fringe show with four stand-ups and the most spectacular view in town (unless there’s very low cloud!)
Hot news of the week, Logan’s Close have released another succulently scintillating single from their forthcoming album Heart-shaped Jacuzzi, for which they have also announced a Release Party date in late December, oh yay! So that’s Hot Blondes In Your Area Tonight available now on Spotify and other music streams; and Liquid Room on 29th December.
Alas, I was away on Monday when they invited fans to go along and be in the video for Hot Blondes, hopefully it’ll be out before too long. In the meantime, I have put a clip on Instagram of The Scat Rats doing an acoustic version in Stramash.
Anyhoo, time for bed, just three sleeps to go. I’ll leave you with the Rats from last week…
Just time to fit in another quick flit to the home country, then it’s back up to Auld Reekie and no sleep ’til September! I’ve noticed that The Blueswater are playing the Jazz Bar on Saturday night in advance of their Fringe shows, I may well make it back up in time for that. A couple of days to get my moose cave in order, it’s all coming together.
Yay, Accordion Ryan will be back with more Pop Bangers, this time he’s in 32 Below, next door to where he was last year, again part of the Free Festival eleven o’clock every night except Wednesdays, really, make time, go see!!
Alex Farrow is back, once again hosting Stand-up Philosophy and Stand-up Science besides his new solo show Wisdom of the Crowd, all at Laughing Horse venues. His solo show is PWYC, the other two are free, they’re more or less entertaining depending on the line-ups each day.
David Alnwick has a new show The Mystery of Dracula, expect good theatre and great magic (if you’re thinking, umm, a magic show, it will be way more than that!) in the Speakeasy at the Voodoo Rooms. It is part of PBH’s Free Fringe but be warned, Mr Alnwick is very popular, best be there in plenty of time!
Those two absurdly funny men, Neil Frost and Dan Lees are back with solo shows. I could be wrong but Neil Frost: The Door sounds very similar to his show last year, no matter, it was a wonderfully funny show. That other absurd clown Luke Rollason is back with Cheep Cheep, of course I have a ticket! Oh, it’s not mentioned in the printed version of the Fringe programme.
Anyhoo, must go, I’m being taken out for lunch! Apparently it’s by a place we used to go many, many years ago – I have no recollection of it. ……. and I’m back, I was whisked away! Even driving past Waters Meet (where we used to have picnics on Sunday afternoons I’m told) I only had the faintest of memories. It’s at Walshaw Dean, a bleak moorland area above Heptonstall (above Hebden Bridge), further on and bleaker still, you come to Pack Horse Inn; it’s stood there as a welcome shelter from the elements for just over 400 years (ok, no doubt with a few changes over time). They serve fine ales, a very good Ox Cheek Bourguignon and scrummy desserts.
More about tasty Fringe morsels next time. Toodle pip!
There’s nothing else here but bracken, more bracken and hills
It’s Saturday afternoon and time for the annual defrosting of my fridge freezer, well, I’m waiting for it to defrost completely, then I’ll clean it. No meat from the Farmers Market this morning, instead I’m letting mince and chicken thaw out for cooking later; the subsequent bolognaise sauce and chicken curry will refill the freezer in mealsize portions. There’s method in the madness!
Now, while the freezer slowly warms up, on with “things I’ve spotted in the Fringe programme” with pauses to occasionally go through and mop up the gathering puddle. Oo yeah, definitely possible, the gorgeous Rose Matafeo will be at Monkey Barrel 4 for only £7 or PWYW, bargain! Unfortunately whilst in the Box Office in June I overheard the chap at the next till being told that Rose was already sold out, so that’s almost definitely impossible, then. I say almost, apparently a few seats will be available on the day, good luck getting one of them!
The show with what has to be the longest title is back again, one performance only. It’s part of PBH’s Free Fringe, I’ve never seen it but maybe this is the year for A Young Man Dressed as a Gorilla Dressed as an Old Man Sits Rocking in a Rocking Chair for 56 Minutes and Then Leaves… 14. Would you be tempted? I really don’t know, I suppose it is free, very much a see-how-I-feel-on-the-day. I wonder how many will go, and has anyone gone to it more than once?
So …Gorilla… is now pencilled with brackets in my calendar, supposing he never does it again? Someone who won’t be back at the Fringe ever again is the late great comedy legend that was Barry Cryer who sadly died last year. For the last twenty years Barry was part of the Fringe in a double act, this year instead it’s Ronnie Golden: Allo Keith! Remembering Barry Cryer, I came over quite emotional seeing that!
What do you reckon “unusual old-school Fringe activities” will entail? Apparently Mark Watson’s Churchfest will be seven hours of the stuff on Tuesday 22nd. Churchfest because the venue is St Peter’s Church up at Lutton Place on the Southside (it has a lovely garden beside it). I do like Mark Watson, he’s intelligent with a slight of whimsy, he has me intrigued with this show (and it’s free non-ticketed).
Back in my school days I studied Murder In The Cathedral by T.S.Eliot for English Lit A-level, even got to see it performed in York Minster. This year, for one night only it’s on at Old Saint Paul’s Church. I’m don’t remember ever seeing it in a Fringe programme before, an OMG moment when I spotted it; but no, well, I’ve already seen it, haven’t I?
More from me tomorrow, I have a Jazz Festival to attend just now. Toodle pip!
Hurrah! At the weekend Assembly announced their Locals offer was back again. Good news for me as Laser Kiwi are back with a new show Rise of the Olive at Assembly Roxy. They were last at the Fringe in 2019, brilliantly bizarre, amazing acrobatics and soooo bendy! Also back are Mochinosha Puppet Company, last year they did an epic sci-fi adventure Space Hippo, this year it’s a fantasy adventure Shadow Kingdom. Needless to say I’ve bought tickets for both (along with three more Assembly shows).
Back for more puns and frolics are Shakespeare For Breakfast, well, of course they are! I see they’ve moved venue yet again, this year to Lauriston Halls in Lauriston Street (I’ve been to a few ceilidhs there in Fringes past). It’s back to just one performance a day (last year it was two back-to-back every morning!) at the original time, ten o’clock, the earliest show on the Fringe! Okay, there may be earlier ones, but not for me, ten is quite early enough, thank you.
Also back with a new show are the Voloz Collective. Last year’s The Man Who Thought He Knew Too Much was a total joy – great physical theatre, a great story, all very stylishly delivered. I’m almost a little nervous whether The Life Sporadic of Jess Wildgoose can match it. I’ll let you know, and I won’t have to rely on my memory to recall The Man Who… as they’ve brought that back and, well, I couldn’t resist another watch. Yes, it’s that good; I do believe they Sold Out a lot last year – you have been warned!
Two more shows that I really enjoyed last year Manbo and Yippee Ki Yay are back – if you don’t get what they’re referencing then they’re probably not for you! Both were well conceived and highly entertaining. More sombre returns are Watson:The Final Problem and …And This Is My Friend MrLaurel, again the clues are in the titles, fans will enjoy them.
My calendar is nicely busy from 2nd ’til 8th, after that, well, the Fringe is my oyster. Stramash have been busy posting on Facebook who’s playing when in August – I’ve added particular ones to my Fringe calendar in green. You know the ones, Nicole, the Rats, the Buccaneers, and, oh joys, Ol’Times will be back in town! Oh, and for folk who’d like to give ceilidh dancing a whirl during the Fringe, Stramash has the Daily Ceilidh every afternoon.
Next time, interesting things noticed in the Fringe programme and more happy returns. Toodle pip!
I have Fringe tickets, woohoo. I mentioned as much at the end of my last blog post, I have even more now, thanks to an email update from Underbelly. I just wish I’d opened and read it sooner – I’d have saved a few quid! Only a few but it all adds up. Underbelly had announced a special offer of £6 tickets for shows up until 10th August, one just had to be organised enough to buy them by midnight tonight, oops. I only read the email after I had booked a wodge of preview shows; I did feel a tad disgruntled, my own fault, I know, I really should check my emails more regularly.
At least I’ve managed to save on booking fees, that old bugbear! The Fringe and Underbelly box offices have once again capped the booking fees at £5 per transaction (£1.25 a ticket). Organisation is key, fifteen tickets in and a tenner spent on fees, not that I see that as a saving, just less irksome.
Assembly have for a number of years now done an offer for locals at the start of the Fringe, they just like to announce it quite late on. To make us sweat or just so’s we might have already paid full whack? There’s a number of Assembly shows I quite fancy, that I may fancy even more with a cheap offer, only one has made my must-see pile.
My favourite comedy duo from last year are back, and with a new show, Grubby Little Mitts: Hello, Hi. Well, I had to get a ticket, this is one second outing I’m confident will be as funny, clever and dark as the first (not always the case).
It’s a tad late, I shall away to bed. I leave you with a peek at my possibilities…..
Today is the last day of June, it’s raining but still warm (for Edinburgh, that is); I’m often surprised how warm it is when I step outside, the moose cave is always fairly cool (in all ways, daddio). Was mid-June the best of this year’s Scottish summer? Don’t laugh, it might be! We could be in for a wet, miserable August – mind, at least Edinburgh doesn’t have midgy problems like plenty of Scotland (always look on the bright side, eh). It has been good being out late night without feeling chill. Oh, I did go along to The Jazz Bar to see Duke Duncan & the Hurricanes last Saturday, walking home going on three in the morning was rather lovely.
On my way there I glanced in the window of B Bar and noticed Nicole Smit with a couple of her Back-up Crew (Simon on drums and Ewan, this time on guitar), as I had plenty of time to hand I popped in. Not really my style (it’s quite a cocktaily place) but nice enough, the bartender was cheery, for a late Saturday night it seemed fairly quiet. Once in The Jazz Bar I noticed there were more hurricanes this time, a female backing singer and a saxophonist had blown in. Whilst I enjoyed the full band experience, I reckon I prefer the version at Binkies (harder and more intense?), yeah, sans sax for me; the backing vocals were very good (great voice), a different feel again, hmmm.
I was at the cinema last night til late, popped into Whistlebinkies on my way home as Willie Dug was playing, along with two musicians I haven’t seen before (at least I don’t reckon so) – as long as the name written up let’s you know what to expect, I guess. It was fine, but no Cosmic Gents outing. I left before the end of the first set because down the road at Stramash it was time for The Buccaneers to be taking to the stage (indeed, they just started their first number as I paid for my pint of Stewart’s, perfect). No keyboards tonight, again, you never can tell who’ll actually be up there, but hey, I love both versions equally with these dudes.
Stramash was heaving, plenty of students boisterously (or, drunkenly) dancing/colliding enjoying the music as much as The Buccaneers looked to be enjoying playing it. Oh, that iconic lick on I Heard It Through The Grapevine so, so fine, and the sparseness without the keyboards shows off the tight rhythms on the drums and bass (yes, that would be Simon and Ewan again, from Saturday night). I think I grinned from ear to ear through the whole set, such an irresistible joie de vivre when these guys are playing. Black Magic Woman finished the set in style, I finished my pint and popped back to Binkies, caught the rest of Willie Dug before home. No, I was too tired to stay up any later, hey, it was going up to two!
Oh, the film? I went to see The Flash, I knew very little about the film and even less about the character, apart from snippets in The Big Bang Theory. I actually quite enjoyed it, for a DC movie it had some humour to it! Okay, so the timelines thing was a bit, huh, but seeing all the various Batmans was fun. The Flash is a long film but as it keeps up quite a pace throughout, I didn’t really notice the time; if you go to the cinema to see it just be sure to go to the bathroom beforehand!
Must go and make something to eat, I’m Hank Marvin. After that, Fringey stuff – yes, I have tickets! More later……
Crikey, it’s been a week since my last post – I’ve been busy, honest. I’ve been very busy today too, no sitting out in the sun for me, and just when I thought I was done, I discovered a new moth infestation, bastards! So I writing something short and sweet just now as I’m not sure when I’ll get time next. Short because very shortly Duke Duncan & The Hurricanes will be on at Whistlebinkies – my excuse for a drink. I’ve never seen them before but by all accounts they’re rather good, so it’s beyond time that I checked them out.
Why won’t I be posting for a while? Some long time followers may have noticed this is one of those times in a year that I head back to the old country, Yorkshireland. I’ve kind of sorted stuff to go, uke and music, chocolates from CoCo Company, the Fringe programme (two, mark-up and cut-out), sunglasses.
I’ve already watched the last episode of The Gallows Pole and by’eck its good. Loved the bit when Grace tells David he needs to rally the troops, he turns to the gathered room “Ayup!” Perfect! And there was Peaches by The Stranglers in the soundtrack, pure class. I’ll definitely try to fit in a visit to Heptonstall while I’m down. Oh, I did find my copy of the Cragg Vale Coiners Walk but maybe not this trip down, it’s going to be bloody hot! Maybe next time, let’s face it, these temperatures most likely won’t last long.
Anyhoo, must go, make my way to Amarillo, that’s a pint of, very tasty, from Stewart Brewing, of course. Toodle pip!
Nearly two years ago, I wrote a blog post A Tale of Cards and Coiners about my trip to Yorkshireland when the first lockdown eased. I’d discovered a piece of local history that I’d had no idea about; that bit of history has now been brought to life on the telly. Well, it’s a three-part drama prequelling a novel based on events that happened around the Calder Valley in the later eighteenth century. Yes, that, oh so happy valley is on the TV again! I had wondered at the time if this was something that Sally Wainwright might take an interest in (well, she’s made Gentleman Jack about a local historical character).
Shane Meadows (known for This Is England) is the chap behind The Gallows Pole, starting it back to when David Hartley (the later leader of the Cragg Vale Coiners) returns home from being away in Birmingham for seven years. Those years had seen the onset of the industrial revolution which caused major upheavals for weavers and land labourers in places like the Calder Valley, many had to leave to find work in the new mills.
The opening scenes are of Hartley staggering across the moors, it’s all quite trippy, who/what are the weird stag men figures? Are they real or hallucinations? Then the opening titles kicked in, oh, they’re good, brilliantly done, they promise so much. Well, I wasn’t disappointed, that was a cracking first episode for me! This being Shane Meadows there’s quite a few first-time actors in there; he has all his cast working together, improvising to get into their characters, for quite some time before filming; and even then Meadows doesn’t have a full script, just outlines for the actors to follow.
My favourite scene from the first episode is when David steps outside from his father’s wake for some air, to discover that the girl he was courting before he went away is also outside and does not want to see or talk to him (so she says). David ends up sitting on steps round the corner from where Grace is sitting, and boy, she starts talking! Both are obviously quite shook up from seeing each other again; it was a lovely moment, tentative, angry, funny, coy, even a bit flirty by the end, testing each other out.
And it took me sooo long to figure out where I knew Grace’s voice from – Downton Abbey, she was Daisy, would never have figured it out from her face but the voice was so familiar (no, I didn’t cheat). I did a few double-takes at one character Tom, he had a real look of Tom Hardy but it was one of the first-time actors (Dave Perkins), I suspect it won’t be his last.
Much of the filming was done in the area, in Heptonstall and Hebden Bridge, just along the valley from Mytholmroyd and Cragg Vale (where David Hartley lived). I know the road through Cragg Vale up on to the moors very well, been along it many many times, with no idea that this was once the birthplace of a counterfeiting enterprise that almost toppled the British economy! Oh, one thing that struck me watching the first episode – the drystone walls. They’re quite dilapidated in areas now, but back in the late 1700’s they would’ve probably been in better condition than they are today (funny, the thoughts that pop into your head!)
No doubt the series will help attract yet more tourists to the area. I did get a copy of The Cragg Vale Coiners Walk but never got round to doing it, if this fine weather keeps up I shall give it a go next time I’m down. I might also pop into the Heptonstall Museum which has recently reopened (the local council had previously closed it as unviable), one of it’s rooms was used as a set in The Gallows Pole. The museum is open from Thursday to Sunday 11am – 4pm. It’s not far from the graveyard where David Hartley was buried after his hanging in York.
If you’re an energetic type you can walk up to Heptonstall from Hebden Bridge! (well, a very energetic type, it is a very steep climb) There are two fine pubs up there, The White Lion and the Cross Inn, both frequented by coiners back in the day. The place is literally steeped in history, sorry, I just had to get that in.
It’s been a tad sunny in Edinburgh, and warm too! Summer concerts at Murrayfield are back, Harry Styles was playing the other evening, feather boas everywhere! I hadn’t been paying attention, so first thought was, oh my god, so many hen parties in one day?! The bands playing on Waverley Bridge had a fine day of it providing pre-show entertainment.
Naturally, The Kennedy’s Project were there taking turns with other buskers, they always pull a good crowd anyway, but the sunshine and Styles fans really busied things up! I had things to do, so couldn’t hang around but as I went past I thought the band were louder than usual, did they feel the crowd’s enthusiasm and cranked up the volume? It is a fairly noisy area with all the traffic and people, a few steps further on and you’d hardly be aware of any live music – unless it’s bagpipes.
There’s plenty of areas in the city centre where buskers set up and play, and since the dark days of lockdowns there have been plenty of buskers around to add a little sparkle to the day. Why, I might not have become aware of the awesomeness of Ol’Times if I hadn’t happened upon them busking. They packed out Whistlebinkies and no doubt other venues across the UK, by busking locally to promote themselves and help finance the tour.
Are you going somewhere with this, Brucie? I can hear you wondering – yes I am. See I recently became aware that the council have launched a consultation regarding busking and to help “determine if we need additional powers to manage amplification of sound in public places”, ummm. CEC (City of Edinburgh Council) are consulting the people? Not possibly with their minds already made up? – I say this, as I’ve completed their questionnaire and really felt it was trying to lead me to being down on busking (from Facebook I know I’m not the only one with this impression). My worry is that the council will go seriously OTT on this, they’re not known for being level-headed and rational.
There are already signs up in some areas to remind buskers of local guidelines of no amplification after 9pm, fair enough, though a busker without any amplification would be unlikely to be heard over the noise in the Grassmarket on Friday and Saturday nights! Buskers are asked to keep to a “considerate volume” and regularly move pitches, I reckon most do. Sure there are some bad eggs, there always will be in all things, and they’ll continue on their merry way no matter what regulations come in, they won’t give a damn. In Scotland the police already have powers to move on performers if necessary, so what additional powers are CEC wanting?
I find it quite sad that some humans seem to have lost the ability to just talk calmly, listen to each other calmly, pause to give thought out responses, accept that other points of view can be valid even if disagreeable; and whatever happened to magnanimity and grace in defeat? I get that some businesses may find it difficult to tell a busker just outside their door to turn it down, but maybe they’re just not thinking and are unaware how annoying they’re being? Maybe they are d**kheads, but maybe they’ll apologise, even be embarrassed by their lack of awareness (of course, embarrassment can also lead to an altercation if they try to defend the undefendable).
I think the problem will be with what the council consider as overamplification and their reactions. Sure there is just too loud, then there’s too loud in one place that couldn’t be heard in another. Times and places, people! Blanket rulings would be overly harsh, while overcomplicated rules will deter shy, new buskers (who should be nurtured and encouraged as possible greats of the future) and the bolshy ones won’t care. And what about bagpipers? Where will they fit in with their noise levels?
This issue has had me remembering back to the mid-nineties and one of my favourite Fringe bands Bean. They came over from Australia for three Fringes, mainly busking on the Mound, but they also managed to get a few very late night gigs in the original Gilded Balloon on the Cowgate. This was the Mound before the Half Price Hut took up residence, so a lot busier and packed with folk.
Bean only had an amp for the acoustic guitar, (the trombone and drum didn’t need anything), but no mics for voices – can you imagine that these days?! They were really quite fine without, but then the ever nearby panpipers added amps!! Really, no! Those panpipes were in-bloody-cessant at the time (I swear some tourists must have left Edinburgh thinking that panpipes were a Scottish thing!) No-one else got a look-in when they piped up, yes, problems with overamplification are not anything new!!
I’m guessing final song of the set, Moondance 🧡
Bean and gone
I’ll leave you with a great comment I saw on Facebook on the subject of how the council will deal with buskers, “You’ll no doubt find a way to charge them by the decibel, and then the louder the better!!!”
