Aidan Pittman

From the sublime to the ridiculous

bruceonthefringe 2025, Edinburgh Fringe 2025, Fringe Awards, Uncategorized Tags: , , , , , , , , , , , , , , , Leave a comment

I’ve been under the weather somewhat since the end of Fringe. First my throat, then after what seemed like a full recovery, bam, my sinuses mutinied, usually the two run alongside a wee while before passing the baton. Not this time, just far enough apart for some false hope, but also a chance to the Scat Rats on Wednesday midnight at Whistlebinkies; by seven the following evening I was in no fit state to see the Rats again in Stramash, boo. At least I had the immense pleasure of a spur of the moment rendition of Fantastic Man (a song by William Onyeabor that Logan’s Close made a cover video of during one of the lockdowns), I do hope they play it again sometime.

The last couple of days Facebook memories have reminded me that it’s the time when I’ve previously announced the Brucies. What’s the Brucies? They’re the Bruce on the Fringe Fringe Awards, I was inspired after attending the ACMS Awards in 2022 (a silly, nonsensical, absurd event hosted by the Tuck); so just a light-hearted look back at my Fringe (it didn’t happen last year, those reading my blog at the time know why). And so without further ado…

Mesdames et monsieurs, ceux entre et ceux au-delà, bienvenue! The awards that nobody asked for, and mean absolutely nothing to anyone (except the little mooselets in my head), I give you the Bruce on the Fringe Fringe Awards 2025. Ta-dar!!

The Sublime: The Other Mozart

Most August: Thom Tuck

Best Veg-Rom-Dram: Tale of a Potato

Best Supporting Sidekick: Swimothy

Best Evening in an Afternoon: An Evening with Dame Granny Smith

Best Badge: Will & Noah: Too Much Time on Their Phones

Most Suave and he knows it: Troy Hawke

Best Musical Moments (all the nominations and the winner): Rob Kemp (Beatlesjuice and The Elvis Dead)

Best Use of a Building Since it was Public Swimming Baths: Finlay and Joe: Pretend It’s Fine

The Inevitable Award: Bad Clowns: Long Live the King

The Gromit Trophy: Iago in Iago Speaks up until Iago spoke

Oddest thing on the Cowgate: The Mothman Cometh-ing towards me

The Stuff of Nightmares: Aidan Pittman dressed as The Childcatcher

The Ridiculous: God’s Longest

And there you go, from the sublime, through to the ridiculous.

Toodle pip!

Eels, eggs and bolognese

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Finally yesterday morning there were only the lightest of breezes, so I took myself off to the Park and up Moose Ridge. There was a wildfire up over the other side of Arthur’s Seat on Crow Hill a few days ago, great plumes of smoke could be seen for miles! Of course, the most popular joke was that the volcano had come back to life (Arthur’s Seat is a very old very extinct volcano), I had intended to go and check out the damage. Unfortunately, I’d forgotten my water so at the top of Moose Ridge (I’m gonna keep calling it that until it catches on), I took Pipers Walk back down, and home via Old Wood Cafe at St Leonard’s to try their Eggs Benedict, not bad.

The afternoon saw me stepping into the darkness of the Banshee Labyrinth Cinema Room to bear witness to The Night Mouth. I had no idea what to expect, certainly not the Childcatcher! Ye gods, the stuff of nightmares, oh, and two school dinner ladies from hell (Lady Bolognese) popped in. Silly, and comically disturbing, mind, it was Pittman and Hughes behind it; and as you can’t have too much of a good thing, I later popped into Carbon to see God’s Longest again (it was the last of three shows, and being impro it’s always different). Hmmm, some folk’s deepest, darkest secrets really should remain secret!

My childhood trauma came a-knocking!

Evening time found me at that fine old institution the Bedlam Theatre to see Eelmageddon by Intrepid Fools. Yes, it’s as it sounds, the imminent end of the world as we know it, brought about by eels (some days looking at the news, would it be that surprising?!). Only a mad scientist and his assistant stand in their way, one wants to understand them, the other wants to eat them; but they’re running out of time and the super secret underwater science bunker is developing cracks.

Eelmageddon is a laugh-out-loud comedy with a great plotline running through the silliness, and oh, Mother Eel is a fine big bad with a voice to send chills through her enemies (it had me back to watching Dr Who as a young calf). For a small theatre company, they’ve put together a great show, just one thing grated by the end (and if they’re reading this, I bet they know what I’m going to say) – the professor’s voice, obviously a well-travelled scientist as the accent went everywhere and beyond, which, yes does have comedy value, but for me it tipped over into grating. Sorry, that’s just me, but I did love the creativity of Intrepid Fools, their comedy, the sound and lighting (a lot more important to making a production well-rounded than many realise, but then, if you don’t notice, then job well done!), and a cracking song to end on, what great voices! This is grassroots theatre, I look forward to whatever they do next. ⭐️⭐️⭐️½

That’s enough from me for now, I have another show to see. Toodle pip!

I pondered lonely as a moose

[Edit. It helps if I press the Publish button twice as instructed!]

A little bit of bonkers!

bruceonthefringe 2025, Comedy, Edinburgh Fringe 2025, Late night shows, Sooo fringe, Stand-up comedy, Uncategorized Tags: , , , , , , , , , , Leave a comment

Today is the day that many Fringe shows with full runs take off, and it’s not bad at all out there. It is rather cloudy but the winds have abated down to breezes, and it’s a nice 20°ish. Pretty good for a scottish summer! I did a proper big shop earlier, think I’m still buoyed up from last night at the Jazz Bar. I had a grand time enjoying some quality blues and rock’n’roll from The Blueswater, always a blast! A little sad though, as it reminded me how much I miss seeing Nicole and the Back-up Crew and The Buccaneers playing in Stramash, ah well, times move on. But back to the present, and the near future, there’s just two more chances to catch The Blueswater this Fringe, that’s on Thursday 14th and Sunday 24th (see the Fringe out with a bang, why not?) at eleven o’clock in the Jazz Bar.

One chap who’s not resting up at all this Fringe is the lovely Alex Farrow (in fact in the absence of Mr Goatley, Alex may be the loveliest person on the Fringe now, hmmm, I’ll have to recalibrate). He’s back with a new show Alex Farrow: New Order, as well as his two usual, hosting Stand-up Philosophy and featuring in Stand-up Science; he’s also directing a play at the Pleasance Courtyard! Busy, busy! He did tell me it’s name when I ran into him last week, but no, it’s gone (there’ll probably be an edit here later!).

Oops, just popped out a while there! I noticed one of my post-it notes had a mention of a free Fringe show starting very shortly, so I legged it up to Carbon on the Cowgate to see God’s Longest, I didn’t actually remember anything about it, but I’d written it down, so I obviously wanted to see it. Ah ha, it’s Aidan Pittman and Hudson Hughes (Dr Dolittle Kills a Man) along with Anand Sankar and Alex Berr doing improv, very surreal improv; this is improv that runs down rabbit holes with manic glee. They’re all very funny and watching them bouncing off each other, wow, pure joy, the situations and characters they conjured up were brilliantly bonkers ⭐️⭐️⭐️⭐️⭐️

And on bonkers, (hmm, does that need re-wording?! nope, it stays) I tootled along to see Will & Noah: Too Much Time on Their Phones at the Underbelly, Bristo Square. Oh, they had me at the opening sketch of skimming stones; as someone who cannot pass by any stretch of water without looking down to find a flat stone, this was hilarious (and please can I borrow that sound effect to make myself feel better about my own attempts?). Will BF has a silly streak a mile long, and sharing a stage with Noah Geelan, well, the pair take silly to new levels, I would give the finding things on the floor of a nightclub sketch as prime evidence, it went there and beyond! Audience participation is plentiful and the day I went the audience were very game. The Where’s Wally sketch was an absolute hoot; and when they started on the final furlong, it was like a mad dash of the callbacks to reach the finish line. Just bonkers! ⭐️⭐️⭐️⭐️½

Toodle pip!

A few definite possibilities

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I remember back when the Edinburgh Festival Fringe programme would come out, early to mid June and folk would rush to get a copy to scour through it picking out their must-sees, ready for when the box office opened about a week later. It was all quite exciting, the anticipation. Nowadays tickets are woozily released from the start of the year, okay so I may take the odd peek, but I still wait on the proper physical paper programme to book tickets (okay, so there’s been the odd rare occasion), I prefer to see everything that’s on before I start to plan.

Only now, there’s also plenty of shows announced after the programme is out. Has it always like this but I just wasn’t aware? Okay, so there was always the odd one here and there (the Sleeping Trees and The Chocolate Factory comes to mind, it was a known late add-on to watch out for!), usually they were free or late night shows, probably thought up over a few drinks and cobbled together! Back in 2007 Rhys Darby was over performing in a play, next thing he’d got a slot in the Pleasance Courtyard Attic and photocopied some handwritten flyers, it wasn’t his best but we didn’t care, it was great seeing him do his thing.

These days, of course, there’s social media to keep an eye on for late announcements, like Lord Christian Brighty‘s of a three night run at the Pleasance Courtyard, yay. There’s always an odd extra show or two that’s not in the paper programme at Monkey Barrel Comedy but I know to actually read their emails just in case; and huzzah, John-Luke Roberts is back in the final week with a WIP.

And extra joys, Aidan Pittman and Hudson Hughes, the co-creators of the bloody brilliant Dr Dolittle Kills a Man (one of my top favourites of last year’s Fringe) are back doing various bits and bobs as part of PBH’s Free Fringe in the middle week. Quick edit here: well, he did announce it late! Will BF is bringing back his sci-fi romp Moon Team IIIV to a late slot at the Underbelly, starting on Tuesday 12th. Considering how many changes he made to it within a month last year, it could be an entirely different show by now! Still bonkers and laugh out loud daft, of course.

But there’s always the odd show in the Fringe programme that doesn’t happen, and sadly it’s not happening for Crybabies: The Scaring, they’ve had to cancel their run due to an unforeseen health issue (wishing a full recovery for whoever it is). However, I just saw on Instagram a couple of days ago that Crybabies have a series of four one-off comedy adventures coming to Radio 4 through August! Excellent news!

Well, it’s very late, way past time I should be asleep. I shall leave you with a picture of my cut-out Comedy possibles. G’night!

Deep in the Belly….

bruceonthefringe 2024, Absurd comedy, Edinburgh Fringe 2024, Fringe reviews, Sooo fringe, Uncategorized Tags: , , , , , , , Leave a comment

This Fringe I’ve been rediscovering my love of Green & Black’s Organic Intense Dark 70% cocoa chocolate. Oh, it’s a tad too intense to start, but then it oozes in and canoodles your senses; I don’t leave the moose cave now without a piece slowly melting in my mouth. A very pleasurable sensation!

And a pleasure it was to see those men of the cloth again and with a new show, Bishops: Farewell Bruce Porcelain. Another very funny show, this time sketches with a narrative running through (well, loosely skipping through). I was utterly delighted that they revisited one of my favourite bits from last year, but I can’t believe how long it took me to twig it was that again!! No, I won’t say which bit, to say anything would give it away, but boy, it killed me, twice. ⭐️⭐️⭐️⭐️

Staying in the Underbelly in the Cowgate, I went to see My Last Two Brain Cells in the Iron Belly, which reminds me, I was rushing to the show, tore up the stairwell unsure which floor it was on (note to Underbelly, it would help to put signs on the stairwell doors through to each floor), gasping I asked an Underbelly employee sat in the stairwell which floor Iron Belly was on – I got a vacant look and shrug back! Jeez, not a lot of brain activity there.

Anyhoo, My Last Two Brain Cells starts with Brain Cell 64,928,460,783 (with clipboard in hand) welcoming us to the first tour of Gary’s brain; then Brain Cell 12 turns up wanting to liven things up a little. Hmm, a brain cell buddy show?! Indeed, 64,928…. is the efficient but dull worker (useful but you wouldn’t go for drinks after work with him, and from here on in known as Clive), while 12 is fun, fun, fun (but you’re glad you don’t work in the same team as him). Oh, and of course these two have a history together…

MLTBC is very silly and surreal; Joe Pike and Tom Hazelden are such a talented pair, the energy of these two is full-on but oddly charming. They seem to pack a helluva lot into an hour, did all that happen in one hour? A crazy exhilarating hour ⭐️⭐️⭐️⭐️½

Ah, I seem to have inadvertently stayed in the Underbelly in this post. I’ve also stayed with the theme of absurd silliness, it must be something in the air there. Dr Dolittle Kills a Man (and Reads Extracts From His New Book) was recommended to me, oh, such a sweet call! My god, another brilliantly bonkers show – what a great Fringe it’s been for me!

Dr Dolittle Kills a Man just ticked so many boxes: comedy that’s silly but sharp too, a ridiculous plot reminiscent of an 80’s movie or two, a pitch perfect performance, a great baddie, a surprise cameo, oh and great incidental music and visuals (loved all the maps). If this is what Aidan Pittman can do for a debut solo show, well, just, wow ⭐️⭐️⭐️⭐️⭐️

Must fly, another show to see. Toodle pip!