EIFF 2018 done and dusted

The Edinburgh International Film Festival for 2018 is over and done with, but did Supa Modo stay at No1 or did another film nudge it to No2? Nah! Supa Modo is a thing of rare beauty; there’s so many friends that I think would love it, I do hope it gets a decent release, not just a few arthouse cinemas.

A close second place was homegrown Anna And The Apocalypse, a fun zombie-filled musical set at Christmas (so a December release in cinemas would be great!) Typical teenager, she heads out to school, music blasting in her ears, singing and dancing down the street totally oblivious to everything around her – including that half the neighbours are now zombies attacking the still human half! This film has great songs, teenage angst, lots of laughs, plenty gore and fun ways to kill zombies; and whilst the young’uns were all generally excellent, it was great to see Mark Benton as Anna’s father and Paul Kaye is in blisteringly good form as a tyrannical Headmaster!

Joint third place to Unicorn Store and Humor Me. Unicorn Store, well, it has unicorn in it’s title (automatic points for that alone 😊) and Brie Larson not only stars in it but it’s her directorial debut, directoring no less than Samuel L. Jackson as the Salesman at said Unicorn Store. This is an oddball of a film with just the right amount of quirkiness and some beautifully played surreal and absurd moments. My only niggle was some of Kit’s (Larson) millennial traits, hey, I’m an older generation, they bugged me, ok!

Humor Me (clearly American from the misspelling of humour)  was a very different kettle of fish with the excellent casting of Elliott Gould and Jemaine Clement as father and son, along with great support from the likes of Bebe Neuwirth and Annie Potts (she’s wonderful as Meemaw in Young Sheldon)This is a slow charming film about families, aging and Jewish jokes; it has a well-balanced bittersweetness.

Also seen was Flammable Children by director Stephan Elliott (He did Priscilla Queen of the Desert). I did really enjoy it, just not as much as the above films but probably 4th equal with Blood Fest. It did have Guy Pierce and Kylie Minogue looking like you’ve never seen them before!! It’s an autobiographical look on Stephan’s early film-making career – think The Goldbergs in 1970’s Australia. Ah yes, this had a great Q&A afterwards, we found out he has upset family and friends with it and his sister says the queue outside her bedroom was not that long!

So that’s the Film Festival wrapped up, tomorrow the CAMRA Scottish Real Ale Festival begins at the Corn Exchange here in Edinburgh. Besides an awful lot of beer there’ll be 30+ ciders and perries, heaven 😊

There’s trouble at’ mill!

There was I all pleased with how quickly I sorted my choices to see at the Edinburgh International Film Festival 2018, ten tickets bought so I got the 35% discount, woohoo. All marked up on my calendar after a trip to darkest, dampest Yorkshire next weekend. Then this morning I gets a text, oh dearie me, someone failed to organise the piss-up in the brewery and I may have to head south the weekend after I had planned i.e. the first weekend of the Film Festival when I was going to see five films! Aargh!!

Yes, someone forgot one of the fundamentals of running an event – book the venue! Never assume, don’t put it by because it’ll be fine, turns out it isn’t fine at all, and everything’s been printed for that day, everyone’s expecting it that day, it’s traditionally that day! I’m hoping against hope that the situation can be resolved to restore tradition – and my films.

My initial reaction was, well I won’t be able to come down, but my second was a heavy sigh and acceptance that yours truly has to be there to help make it happen. Really, they couldn’t manage without me! I can still make the first film if I shorten my trip and the other tickets with my discount cost just £7.80 each so I reckon I could find takers for them.

So what will I be missing? Friday was to be humerous horror night with The Devil Outside then Bloodfest late on, Saturday’s film is Mug, a Polish film about a guy who receives a face transplant, it’s “a farcical comedy drama” and Sunday’s is Supa Modo about a young Kenyan girl who is terminally ill who believes she has superpowers. Supa Modo is the one I’m  most unhappy about missing but hopefully it will resurface with a limited general release in the UK at some point. You never can tell what will or won’t get picked up for distribution or how long it can take to appear.

My remit for EIFF tickets is films that most likely won’t get shown at the multiplex where I have an unlimited pass. At one time it was films that were unlikely to get any release in the UK but now that the tickets aren’t as comparatively expensive compared to usual cinema prices, it’s cheaper for me to see films at the Festival than at the Filmhouse the rest of the year.

Ho hum, it would be a shame if I had to miss the films, but as they say,  worse things happen at sea. Aaand, it’s now after midnight, later on TODAY the full Fringe programme is officially out! Yayyy!!!

Toodle pip!