Is it just me?

I’ve never seen June go so fast before! Is she speeding up or is Corona slowing time down so June just looks to be sprinting away? It’s Friday evening again, last Sunday I was brimming with ideas and good intentions for this week – I’ve got a lot of cramming to do before Sunday bedtime. Umm, can I blame my lack of impetus (aka bone idleness) on the current situation or am I actually this crap but just never noticed before?

Of course, any other year the full Fringe programme would have come out in the last week or so, I should be poring over it page by page, marking up potentials, big squiggles in the top outer corner of any page of note. Any other year I’d be looking forward to the Film Festival imminently starting, if it hadn’t already. Oo, he says after a quick dive into his files, ten years ago today I saw two films in Filmhouse One, The People vs George Lucas (primarily Bud’s choice as a big Star Wars fan), then just time for a quick pee before going back in for Monsters. 

Yeah, having a big Star Wars fan for a friend, I was well aware that many fans were feeling rather disillusioned by Mr Lucas (that was more than a few nights in the pub I can tell you!) Luckily for me, it was a smart, entertaining documentary (so it was a tad one-sided but these were passionate long time fans), enjoyable and thought-provoking (more pub chat!) even for the ambivalent.

Quick aside, Buffy has just come on the telly – it’s the first appearance of Spike and Drusilla!! Oh yay! And on that note….

Monsters but this time of the sci-fi genre. The film is obviously low budget but just how low was not appreciated until the Q&A afterwards, one of the best Q&As I’ve ever been at. Gareth Edwards, the director, writer, cinematographer, production designer and visual effects guy, came across really well with plenty great stories about the making of it; it was filmed in just three weeks in some pretty scary places, often without permission, using any locals hanging around who were willing to be extras. Edwards then spent months in his bedroom on his computer creating all the visual effects using just Adobe software. It all paid off – in 2011 Gareth Edwards was announced as the director of the new Godzilla film.

I saw ten films at the EIFF in 2010, Boy by Taika Waititi being my favourite followed by Monsters, then in third place Evil – in the Time of Heroes a Greek zombie horror film (yup, really!). One of my ticket stubs bears a film title that I have no recollection of whatsoever, nope, nothing.

And back to 2020, where the EIFF and Curzon Home Cinema have come up with #EdFilmFestAtHome, an online festival of cinema. It will run from 24th June until 5th July, there’ll be a new film each day (which then shows for between two and twelve days). I have had a quick look at this year’s selection but nothing stands out on first glance. Mind you, in a full year I may not find many films I wish to see, so I wasn’t really expecting my types to make the cut in such a slimmed down affair. I’m glad that something has been worked out, there’s even going to be live online Q&A after at least one of the films! Modern technology, eh!

Night all!

 

 

 

 

 

 

 

 

From Finland to France in 11 days

Yay! I have my film festival tickets, all thirteen. Oo, hope it won’t be unlucky, ummm. Only two are at the dreaded Vue and I’ll have to be sure to leave my ukulele class sharp to make one of my films (yes, I’ve just started ukulele lessons!) but apart from that all’s well.

From Finland to action in Hong Kong, to faking a war in Georgia, to singing school girls in India, a wedding in Australia (not that one), to more action in South Korea, a few trips in amongst to Spain, another tale from India, a surreal comedy from Ukraine before ending with a mystery in France. Phew!

And that’s takes me to the Saturday evening. On the final Sunday there’s the annual Best of the Fest, which is a selection of the best and most popular films of the festival for just £5 a ticket. So, if I spot something else, there’s always the chance it could be on then.

Ah, I’ve just remembered, umm, that unlucky thirteen. The Filmhouse seems to be having a few problems currently with heating and work being done to screen one….. No! I’m sure everything will be ticketyboo in time, yeah, I’m sure.

Toodle pip!

20190603_225241

Please crunch your popcorn quietly!

Hurray! The 2019 Edinburgh Film Festival programme came out on Wednesday and I’ve already sorted which films I want to see. I toodled along in the evening to grab my two copies – same procedure as Fringe planning, one to peruse and refer to, the other to cut out all potentials; then, as it wasn’t a huge diversion, I popped into the Jolly Judge for a couple of ciders and a quick flick through of this year’s offerings.

No showings at Cineworld this year, I take it that’s just because of the huge renovation works still going on there at the moment and not an end to their participation. I do hope so, fewer cinemas means a greater chance I’ll have to see something at Vue in the Omni centre. Huh? I don’t know why, I just really don’t like the Vue cinema at Omni. Yes, I have been in it, twice; it feels “wrong” to me, my fur bristles and I’m ill at ease, odd I know.

I’ve selected thirteen films to see, but this may have to whittle down to eleven. I can guess you’re thinking this will make a sizeable dent in my Fringe Fund, but probably not nearly as much as you’d think. Tickets are generally £12 for new films and £8 for the retrospect (this year it’s A Retrospective Celebration of Modern Spanish Cinema, yay), which is comparable with usual cinema prices; then, add in a discount for seeing more than six films (25% up to nine, then 35% above that) and it’s very reasonable. Those thirteen films will cost me £89.60, bargain! As usual, to be included in my selection, none of my choices are ever likely to be shown at Cineworld – I don’t pay to see films I can see with my unlimited card later.

So once I’ve picked out my choices I have to see if I can fit them round each other, this is the tricky bit! New films are shown twice, retrospects once, with everything crammed into seven weekday evenings and four chock full weekend days (there’s very little in the week day times), so many choices will collide with each other! You think you’ve solved this Krypton Factor puzzle, stroll up to the Box Office and discover one of your definite must-sees is already sold out for the showing you chose!! This can kick everything else, so carefully planned, into touch. As I book early nowadays this is unlikely to happen (he says, touching wood) but I always have my list in order of preference and my mapped out diary with me when I buy my tickets (like a good boy scout I’m always prepared).

Looking at my cutouts I’m quite happy with them, but if I have to let any go, ummm. Oo, one other thing I take into account is that first showings may have a Q&A with the director, the second showing won’t. I say that, though there was the exception of Likarion Wainaina after the second showing of his film Supa Modo last year, which was delightful and very insightful. I haven’t mentioned the names of my choices of films as I don’t want to jinx anything! The tickets went on sale to the masses today so I should get on. Toodle oo.

Just one more thing, those clever peeps at the EIFF have only gone and snaffled a showing of all six episodes together of the new tv adaptation of Good Omens!!! How glorious would that be to see!! Yeah, but those tickets will all be long gone (no doubt within an hour or two) and it was in Vue anyway. Ho hum.

There’s trouble at’ mill!

There was I all pleased with how quickly I sorted my choices to see at the Edinburgh International Film Festival 2018, ten tickets bought so I got the 35% discount, woohoo. All marked up on my calendar after a trip to darkest, dampest Yorkshire next weekend. Then this morning I gets a text, oh dearie me, someone failed to organise the piss-up in the brewery and I may have to head south the weekend after I had planned i.e. the first weekend of the Film Festival when I was going to see five films! Aargh!!

Yes, someone forgot one of the fundamentals of running an event – book the venue! Never assume, don’t put it by because it’ll be fine, turns out it isn’t fine at all, and everything’s been printed for that day, everyone’s expecting it that day, it’s traditionally that day! I’m hoping against hope that the situation can be resolved to restore tradition – and my films.

My initial reaction was, well I won’t be able to come down, but my second was a heavy sigh and acceptance that yours truly has to be there to help make it happen. Really, they couldn’t manage without me! I can still make the first film if I shorten my trip and the other tickets with my discount cost just £7.80 each so I reckon I could find takers for them.

So what will I be missing? Friday was to be humerous horror night with The Devil Outside then Bloodfest late on, Saturday’s film is Mug, a Polish film about a guy who receives a face transplant, it’s “a farcical comedy drama” and Sunday’s is Supa Modo about a young Kenyan girl who is terminally ill who believes she has superpowers. Supa Modo is the one I’m  most unhappy about missing but hopefully it will resurface with a limited general release in the UK at some point. You never can tell what will or won’t get picked up for distribution or how long it can take to appear.

My remit for EIFF tickets is films that most likely won’t get shown at the multiplex where I have an unlimited pass. At one time it was films that were unlikely to get any release in the UK but now that the tickets aren’t as comparatively expensive compared to usual cinema prices, it’s cheaper for me to see films at the Festival than at the Filmhouse the rest of the year.

Ho hum, it would be a shame if I had to miss the films, but as they say,  worse things happen at sea. Aaand, it’s now after midnight, later on TODAY the full Fringe programme is officially out! Yayyy!!!

Toodle pip!

One sleep to go

Where has the time gone already? Tomorrow the full Edinburgh Fringe Programme for 2017 is released. Ooo, I’m looking forward to hours of trawling through it, really it is fun.

I’ve just been going through the Edinburgh Film Festival programme but not a lot is leaping out at me so far. As I save all my spare pennies for the Fringe I don’t have a lot to spend on the Film Festival, and if you think cinema is pricey generally, Film Festival prices are higher still, though the difference is not as much as it was a few years ago. I do like going to the cinema and have an unlimited card for a nearby multiplex, so any film that will get a general release later is not worth paying to see (with some noteable exceptions like Hunt for the Wilder People and Serenity). Then there are the films that will obviously make it back to the local arthouse cinemas, also usually discarded.

The one film that I do intend to go see so far, is in one of the retrospective selections, Repo Man from 1984 directed by Alex Cox, haven’t seen it in the cinema but had it for years on video recorded from moviedrome on BBC2 with an intro from Cox himself. Man, that is one odd film, but like anything with the great Harry Dean Stanton in it, well worth watching.