Miracle Glass Company

A few quick quavers

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Oo, November’s almost gone – can I write a quick post before it runs out? Just a few musical notes 🎶 Two quickies for those in Australia: I happened to spot on Instagram that Lord Rochester, an awesome rock’n’roll trio I saw in September are on your shores just now, if they’re near you check them out; and Accordion Ryan is taking his Pop Bangers to Perth, WA, for Fringe World 2025, boy, does that guy travel around!

Jed Potts and Nicole Smit are back playing Whistlebinkies regularly, a real mixed bag of treats depending how the mood takes them, country, soulful, playful, bluesy, always a pleasure! A real treat back in October was seeing The Best Bad Influence playing in Stramash, I do hope they come back again soon, I love me a bit of rockabilly.

November saw the Miracle Glass Company playing the Ballroom in The Voodoo Rooms to a capacity crowd (which included yours truly). A welcome return, an awesome evening. I will get round to putting a reel or two on Instagram, at some point.

Oo, for the first time in aaages, Jed Potts and the Hillman Hunters played Stramash, honestly it has been a long while (and it’s been some time since I saw Nicole and the Back-up Crew there, ahem, just sayin’). They were bloody good, of course. And thanks to Mr Potts diligent media posts, I’m debating whether to head to the Jazz Bar for 9pm Wednesday 9th December to see Blueswater play (ticketed, but there’s usually some at the door); also, tickets are available for this year’s Blue Christmas 2024 at La Belle Angele on Sunday 22nd December. If you’re in Edinburgh it’s a sure way to get into the Christmas spirit with plenty of festive favourites performed by some of the best blues musicians around these parts!

Yes, I know there’s a lot to spend your money on in December but don’t forget to buy a ticket to see Logan’s Close in January. While you’re at it, why not buy another for your best pal’s Christmas present? Really, that gloves and scarf set is a lousy present and you know it!

Anyhoo, it’s now December. Woohoo.

A little procrastination

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Hey there! It’s a hot, sunny day here in Edinburgh, someone turned the temperature dial back up! I’m inside, oh, sat beside a wide open window, net curtain blowing in the breeze; there’s five or six more days of this forecast, so I’m good. Been looking through my Fringe diary; forty-one shows, three repeats, flyering and all the sordid details in between.

I stick in the occasional tiny picture found in some Fringe publication or other, to help refresh the memory in years to come. Not that I found many pics this year, the likes of Fest and The List don’t bother much with the sorts of shows I like. Aidan Goatley does a bit about The List in his show, I am fully with him there (no, we’re not fans). The odd newspaper supplements I’ve cast an eye over, rarely mention anything of interest to me. Hey, I’m the alternative! Well, one of them, a wee niche of dark whimsy.

What categories will there be at this year’s Bruce Awards? Last year there were Sweetest, Sexiest, Silliest Fringe Things, all had pretty clear front runners then, but not this year. It seems anything I come up with, there’s always more than one choice, which is bloody stupid as, i) I’m the one making up categories, ii) now I’ve started this I cannot cheat it, really I can’t! Even something like Most Fruit Inclusive, there’s three to choose from, and now I’ve thought of them I can’t unthink them.

I’m going to let them mull things over and go enjoy the sunshine. It’s the first weekend of the month which means the Handsome House Jam are playing at Stramash this evening at seven. This week’s guest host is Austen George a local singer-songwriter, one third of the rather bloody brilliant Miracle Glass Company. I’ve not seen him playing outside of MGC before, I’m looking forward to it. Some good music, a drink or two, just what I need. Maybe I’ll return to my cave inspired!

I’ll leave you with a few pics of posters from the Fringe, just random posters. Toodle pip!

The circus has left town

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And that’s it all completely over for another year. Only the larger venues show any signs that something was going on for the past month. I took myself up into the Park today, blow the old Fringe away. I didn’t make it up there for the Comedy Extravaganza, it was just too windy (extremely), I could have been blown over to Fife! Oh, and the Miracle Glass Company were playing at the same time on the corner of the Mound and Princes Street, those two factors combined, well!?

As usual the southern hordes descended upon the town for their Bank Holiday weekend. I braved going to Stramash for the Cumbiatones on Saturday evening, ye gods, it was packed! I didn’t dare take to the dance floor, choosing instead to sway and watch the undulating mass from above (and the upstairs bar wasn’t half as busy).

Sunday evening saw me flaked out on my sofa, lack of self-care had finally caught up with me. A tad annoying as I had half a mind to see the Blueswater at the Jazz Bar at midnight; or the ACMS Awards night at Monkey Barrel 1 at 5 to midnight, they were so good last year! And they inspired me to come up with my own awards, which I fully intend to consider and debate with the voices in my head, more to come on that. Nope, I only stirred to put myself to bed, bah.

Ah, but tonight I get to neatly bookend this year’s Fringe as the Scat Rats are back at Whistlebinkies at midnight, as they were four weeks ago. I shall leave you with pics of Messrs Marah and Rough. Expect roundups and moose awards soon, toodle pip!

Newsflash: Hurricanes in Edinburgh

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I’m baaaack! Miss me? It’s lovely oot there, so a brief catchup then I’m getting me some sunshine. Yes, I could write this later but, well, that doesn’t always work out. I had peek at my last post and spotted a big error that has now been rectified, I put Duncan Duke instead of Duke Duncan & the Hurricanes . Oh, and the Amarillo was finished, in its place was Project 7 Juicy IPA and indeed it was, another hit from Stewart Brewing. Those hurricanes blowing along with the Duke, I wasn’t sure beforehand so didn’t mention it in case it had been only a one night stand (you know how musicians are), but yay, Mr Marah is now officially a force of nature (he’s gonna run out of fingers for all those pies soon!)

Duke Duncan is the drummer (and sings) with the Miracle Glass Company, here he sings centre stage, but he just can’t quite let go of those percussive instincts – he has a triangle and a tambourine close by! Some seriously psychedelic vibes going on here, music swirling from light funkiness to hard heavy blues grooves. I liked it, very much. I may well head to The Jazz Bar tonight, where DD&TH will be celebrating the release of their single High On Love. You can catch a clip of it from Binkies last week on my Instagram.

I never got to Heptonstall on my trip south but I did have a wander round Hebden Bridge, discovered a very nice new café called The Excited Goat on Crown Street. I just had to try their eponymously named The Excited Goat Hot Sandwich (their version of my favourite, bacon, brie and cranberry) with goats cheese, streaky bacon, apricot jam and spinach. By’eck, it was very tasty, I’ll have that again! I also discovered Hotcakes a fab little vintage and retro shop, which, to my shame, I’ve never noticed before – it’s only been going fourteen years apparently! On this visit roadworks made me head up a side street (Hilton Street) and there it was. Definitely worth popping in for a look!

I managed a few glances at the Fringe programme, marked up quite a number so far. The ticket prices are definitely up this year, previews are generally between £8 to £10, Mon to Thurs tickets expect to pay £10 to £15, and weekend tickets a tad more. The Pay What You Can ticket option is at some venues again, and of course, there’s plenty of Free (to enter) shows. Hey, I’ve been very busy, there’ll be much Fringeyness coming up soon, promise.

Anyhoo, I’ll be heading out now. Toodle oo!

Duke Duncan & The Hurricanes blowin’ up a storm in Whistlebinkies

A few musical notes ……

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It’s Friday night and I’m in playing the Miracle Glass Company‘s first album on my stereo – yes, its a vinyl record, blue vinyl! I’m now also the proud owner of their second album, that one’s red vinyl. What encouraged this bout of vinyl procurement? Seeing them play last night that’s what, with the added bonus of having their albums on sale afterwards, how could I not? And how to choose one over the other? And when would I get the opportunity to get both again? Yes, they are on Spotify but it’s not the same as having the physical records, both in gatefold covers no less!

I was lucky to spot that the Miracle Glass Company were playing one show at Pianodrome at the Old Royal High, ticket booked! The Old Royal High is a brilliant old building that’s been unused for about sixty years, for a short while it was a possible site for the Scottish parliament, this summer Pianodrome have moved in and created a pop-up venue in true Fringey style. It’s worth a pop in just for a drink and a wee peek around the open bits, while it’s possible.

cloudy with a chance of tunes

The band were playing in the Grand Hall in-the-round or more oval in this case. My, but it was such a fine performance, great songs and cracking harmonies. There sounds to be Beatles’ influences there, but I was surprised when a couple of the slower numbers really reminded me of Bad Company (haven’t hardly thought about them in years). Not sure if I still have any of their albums somewhere. Song of the night for me was Look At You Now with it’s sparseness of just Willie’s voice with guitar for quite a while before coming in with bass, drums and more vocals, exquisite.

Well, I certainly wasn’t going home and crashing after that, oh I popped in to drop off the records, then headed straight back out to Whistlebinkies where the Moaning Bones were playing from midnight til sometime after three o’clock (three sets). A rather cracking night in all, twas almost four before I lay my head down, yeah, didn’t see any of the morning today! Check out the reels on my Instagram for a clip of each.

It may be Fringe time but I’ve still been making time to catch some good music when I can, even if it is very late on. Mind, I’m not sure I’ll still be about for the Scat Rats at two in the morning in Binkies, unless I go to the ACMS that night for a couple of hours or so (It starts at midnight). And on music, I’ll mention before I forget, I caught a rather lovely show yesterday early evening at The Mash House. The chap collared me at the bottom of Blair Street as I was heading home for a spot of tea, told me it was about making the greatest album of all time, “Oh, that’ll be out next year” says I; we started chatting, he sounded interesting, so an hour later I went to see Tom GK: How To Record The Greatest Album Of All Time which was enjoyable and interesting, though at times it seemed a bit disjointed.

Tom GK has a condition that has rendered him completely deaf in one ear and partially (going increasingly) deaf in the other ear, time then, to record the greatest album of all time. The show has songs along the way and I really liked the way he spoke about music, he has a great take on explaining how he relates to music sounds and how songs are put together, I was fascinated. Tom GK is a big Beatles fan, they get referenced quite a bit, no bad thing. One particular stand out moment was his song about starting with one chord and planting it like a seed, keep coming back and checking it, then one day another chord like a shoot appears and from that a plant (song) will grow and grow. Sweet! Of course, there was the sombre message at the end to do that thing whatever it is, do it, it may not be the best in the world but make it the best you can do in what time you have. ⭐⭐⭐⭐

A hard act to follow

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The National Theatre Live had a new screening last Wednesday, nice timing to whet the appetite for some theatrics at the Fringe, only eight days away now! Apparently it was the highest grossing event cinema release in the UK, not surprising as the star (and only person in it) is Jodie Comer of Killing Eve fame; Prima Facie is her West End debut and boy, she is bloody tremondous in it! A hundred minutes of monologue and she kept us hanging on every word – a high bar for any one to reach in the next month.

Jodie Comer plays Tessa a brilliant young barrister who specialises in defending men accused of sexual assault, the start of the play sees her swagger and treat the job like a sport to be won, winning points (there’s something of a reminder of Villanelle); then, after being raped by a male work colleague, she comes the realisation that someone else will be trying to score all those same points if she presses charges.

The set is two large, grand wooden tables and leather chairs which Comer moves around herself during her monologue, she also has slight changes of clothing to gracefully and unobtrusively manage whilst speaking. She takes books and ledgers down from the walls to later replace them again, files light up signifying the number of cases of sexual assault, but our eyes stay on Comer and her brilliant performance. An amazing piece of theatre but it leaves a bitter taste in the mouth of the truth of how courts work and how little truth can mean in a court of law.

Now I did say at the end of my last blog post that that would be it on local live music for a bit, but last Friday night was a tad special at Stramash. I mentioned that the Willie Dug Band had been moved from the 7pm slot to the 10pm slot; it was Willie Dug‘s other band the Miracle Glass Company who were playing on Friday, and boy they were good. I got into them thanks to a playlist by Logan’s Close on Spotify that I listened to a lot during the first Lockdown (I was being cheap and listening for free). The MGC are back playing together again and have two gigs next week, if it wasn’t the start of the Fringe I would have tried to get a ticket. Oh well, there’ll be more opportunities.

Last night saw the end of the Edinburgh Jazz & Blues Festival and I saw the ever delightful Nicole Smit and her Travelling Tent Show. Unfortunately it was a drizzly evening so I stayed under one of the big umbrellas until the queue had gone and I could dash straight into the Piccolo Tent. It’s rather nice in there, red velvet drapes on the walls and well-padded tiered seating (There used to be another old spiegeltent, the Bosco, which just had wooden benches, rather numbing on the bottom!) Locals the Tenement Jazz Band were backing our chanteuse; there was also the bonus of Kat Brooks singing a few numbers and shimmying around in white fringed dress (oh my!). Blind Boy Paxton popped in for one song, it was quite a show all in all.

The Assembly George Square Garden stays open this week, hoping the footfall won’t fall too much between the Festivals. The other bar area in Teviot Square is up and running too, it opens a few weeks early so that all the graduates have somewhere to celebrate straight after walking out of the McEwan Hall (literally next to it!). This shows the power of advertising – I really can’t say whose beer garden it is! I walk past it a lot, every year, but to me it’s just “the bar bit in Teviot Square”, I assume one of the big names has it?! The Pleasance Courtyard are busy getting ready, the big 33 sign still wasn’t up yesterday.

The town is getting busy now, not long to go. Must dash, just noticed on Facebook that The Scat Rats are playing Stramash tonight, something of a departure for them, on a Monday!

Toodle pip!

《Didn’t click hard enough last night – it’s been hanging half published, oops!》