Twenty One Returns

That is to say, there are a number of shows that did make the effort to come to Edinburgh last year, that are back again, some did come as WIPs (Work In Progress) in ’21 so there will be changes to them. I’m excited to see Rob Kemp: Agenda in a couple of days, that was excellent last year, I wonder if I’ll spot the changes. All three Privates are back with last year’s shows, alas, again no actual Privates show even though they do have a new show Great Ideas by Geniuses, which was premiered at the Brighton Fringe earlier this year.

Due to extremely popular demand last year I didn’t get to see Tom Curzon in The Flop: A Band of Idiots but this year I’m determined (he was in another show last year which I did see but thats not being repeated). Luke Rollason and Christian Brighty were both at Monkey Barrel last year so I was able to get tickets in advance to ensure seeing them. Christian has moved over to the Pleasance Courtyard (Below), let’s start with him.

Christian Brighty: Playboy is a brilliantly silly show with plenty of bawdy Carry On style humour. One obvious change from last year – no bows and arrows left on any seats for the audience to fire at him, shame! At least in Pleasance Below there’s quite a gradient up to the tech desk, so the avian messengers had easier downward flights to the stage. Pingback back time, if it works, see last year it was A win by a gnat’s crochet for young Brighty (click on the highlighted bit to see last year’s review), could he do it again?

Well I’m pretty damn certain there was no talking armchair in Luke Rollason: Bowerbird last year! It even has a wee segment to itself when it invited someone to sit on it (the guy at the front wouldn’t, nothing would persuade him, Brighty boy was in the audience and obliged the armchair), then Luke reappeared, kind of like those little odd bits in The Young Ones, remember them?! I did think he spoke more this year, as I previously noted that it seemed almost weird when he did talk. I’ve checked and my review from last year still stands, he is A barrelful of funny. Another pingback there, do let me know if they’re not working.

But which one won the battle of the Privates this year? Oo, gonna have to say Luke Rollason: Bowerbird (and that’s not just because he had badges at the end!). Mind, if you go to either of these shows and enjoy it, then do check out the other.

This evening I trotted up to Cabaret Voltaire to see Alex Farrow: Philosophy Machines last year it was Philosophy Pig – a man who doesn’t stray far from his favourite subject! Another interesting and entertaining show, oh, he did get in a mention about Andrew Nagel and his book again (well, I do recall his liking for bats). Last year Philosophy Pig did very well with plenty full audiences, mind that was a smaller room, but I’d say go for the Pay What You Can in advance option, this chap could get very popular again!

I’ll put this up I’ve seen some things, you know as it has my review of Alex Farrow: Philosophy Pig in it along with my reviews of The Return of Sherlock Holmes and Stand-Up Philosophy which are both back again. I’ve noticed that the company that put on Embassy Stomp are back again, hmmm. And John-Luke Roberts’ show was my favourite at that point of the Fringe. Ah well, it’s very late, to bed!

A is for Aidan, Alex and Arthur

Just fourteen days to go before the solid-form, paper Edinburgh Fringe programme is finally released. Can’t bloody wait!! I’ve tried having a look around it online but it takes so long to get anywhere, and all that clicking back and forth for more information, can’t be doing with it. See, you can look in the paper version and there’s everything immediately in one glance, the blurb, the venue, the dates and all the varying prices, all there together, no messing. Checking online I’d still have to write all the details down, all that scribbling would take a long while and use paper anyway.

Yes, I took a peek yesterday, when I clicked on Browse What’s On it said there were 3196 results; I filtered out the Online shows and it came back with 3124 results; then I took out Children’s Shows, Events and Exhibitions (apparently there’s 199) leaving me with 2925 to browse through. And that’s another thing, I thought I’d just look through to the end of the A’s, then the next time I’d pick up with the B’s – there’s only previous and next choices of pages, no way of jumping straight to page 30 to the start of B (If there is a way it’s not obvious).

Actually the first shows listed are the ones with numerals at the start, about 30; one for the night owls is 2am at The Jazz Bar. The A’s always have a few beginning AAA to get the first listings, followed by a few Aaaaaaaaaargh…. shows (round about that number of a’s, I didn’t bother counting). I noticed Henry Naylor has a new show, Afghanistan Is Not Funny, this time he’s performing himself; and his one woman play Angel from 2016 is back again.

Joys, Mr Goatley is back with Aidan Goatley: Tenacious but not at the Sweet venue in the Grassmarket this year, he’s on at ZOO Playground at High School Yards instead. Also back is one of my finds from last year, Alex Farrow, still with Laughing Horse but in Cabaret Voltaire this time. Oo, I had a disagreement with a chap the other week who said that the Liquid Room was on the left-hand side near the bottom of Blair Street (it’s not, it’s on Victoria Street) he was obviously thinking of Cabaret Voltaire, but for the life of me, I couldn’t remember it’s name at the time! Last year his solo show was Philosophy Pig, this year it’s Alex Farrow: Philosophy Machines, he may not be teaching philosophy any more but he’s not ready to give it up yet, and if there’s comedy to be mined from it, well.

Arthur Smith is back, of course. He must be in the running for longest-running Edinburgh Fringe act by now. Hmmm, I must check that out sometime but not right now as its way past my bedtime, so I’ll bid you good night.

Good night!