Driving with Elsie

Today has seen bright sunshine and blue skies over Edinburgh, very chilly with it, as the forecast predicted. Annoyingly they got it very wrong for yesterday morning! The forecast had promised snow from the early hours, some heavy, awoke all expectant and excited I did – bloody none! And I’d come back up on Thursday for it. Well, and also to avoid Eunice, that’s Storm Eunice (who came up with Eunice?! What sort of name is that for a storm?).

I was down in deepest, dampest Yorkshire again. Very damp indeed, not much time was spent out-of-doors, it was ‘orrible! The few hours of fine were spent wandering round Hebden Bridge, note to self, some shops are closed Tuesdays as well as Mondays. Still a tasty lunch was had and a few purchases made, I do like Hebden Bridge, and there’s usually a fine calibre of busker in the Square.

Naturally, my choice of travelling audio accompaniment included my new Logan’s Close Live CD, at 63 minutes its perfect for the last legs down and up. In the gathering dusk I hurtled across the moors to Scott letting rip on I Want You, followed by the classic Listen To Your Mother – that’s when the low fuel light started flashing (yeah, yeah, mother, make sure there’s plenty in the tank, I know); after that first, oh bugger, I reasoned there was actually around 40 miles worth left so no worries. On the homeward leg it takes about an hour to get from Abington services (junction 13 off the M74) to home, that is, without slowcoaches on the road; so perfect, with a second playing for Eleanora as I pulled up.

Eleanora is a bouncing upbeat babe of a tune, a catchy infectious earworm so it is! Everything a good Logan’s Close song should be, and also something slightly new, different but still undeniably LC. Sean Keys’ (that’s what he gets called, anyway) keyboards are at times reminiscent of Jon Lord on early Deep Purple, noticeably so on Mock Marble Linoleum. I’ll admit it’s taken me a while to get into this track, my original take was “fine but nothing special”, I’d like to update that, Mock Marble Linoleum is fine and dandy, like a mid 70s rock opus, swirling keyboards, grand majestic riffs, Scott going for it, yeah, it is pretty special.

Paralysed is a whirling dervish of a tune with Carl taking lead vocals this time. This lady who “reached inside and stripped you of your core” sounds like AC/DC’s Soul Stripper; two very different songs but the same female lineage (in my head, anyway). Gallus Laces is great, a lackadaisical swing and hook to it, love Scott and Carl’s vocals together on the chorus.

Probably (at least at time of writing this) my favourite track is Babe Station, from the opening drumbeats, sultry keyboards, offhand guitar, and then Mr Marah plaintively narrates the girl’s nightlife; the spacious sleaziness and Carl’s vocals almost echoey, with added Scott on backing, omg, it’s like sliding into a hazy drug-addled dream state! I’ve also had the pleasure of hearing The Scat Rats take on this song a number of times ❤

Mind, Give It To Me is a very close second on this, right from Sean’s piano intro and Scott’s and Carl’s harmonies; the guitar sound, the space, more beautiful desolation from the lads. I Want You is always near the top spot at any gig but the competition is tough here, even with Sean back on the piano and Scott’s sublime vocals. It would be hard to place all fifteen tracks in an order of preference, really, after my top five I couldn’t separate the others. God, I love this CD! Will this recording, this moment in time, ever be made available to anyone else? I don’t know, but if it is, no self-respecting LC fan would be without it!

Toodle pip!

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