Never leave the dishes piling up, just don’t

It’s oot, Heart-shaped Jacuzzi is out there (on all good music streaming sites), the brand new single from Logan’s Close and, in my opinion, it’s rather damn fine. I had a first listen as soon as it launched as I headed from Binkies down to Stramash at midnight – not a complete coincidence that I wasn’t in a noisy pub just then! I mentioned in my last post that the Scat Rats were playing at Stramash Friday night, this week they also played Whistlebinkies late Thursday night and after midnight Carl was in Stramash with The Buccaneers (Scotty was there with a beer). Busy lads!

I reckon Heart-shaped Jacuzzi is set in the same district as Never Bloom and Mock Marble Linoleum, these folk are neighbours, bumping shoulders in the street unaware; facades of chirpiness hide creeping despair, each numbed by feelings of inadequacy and inevitabilities that are seem unescapable. The songs are like a voyeuristic camera sweeping through the neighbourhood spying on their little worlds; I see the last riff of Mock Marble Linoleum as a montage of his day, ending with him setting out again into the night, the camera pans away from him, swooping up through an upstairs window to the first strains of Babe Station. 《BTW this is one of those very late night train of thoughts that I climbed on-board and went with. Just a personal, moosed up idea inspired by the music of LC and a lack of sleep》

It’s now another day in the Close, another house to peer in, who lives in this one? The intro suggests early 70s sitcom with a slightly creepy edge, then those last two chords, uh oh, “Stale beard…” and Scott paints the scene for us. Messrs Marah and Rough always have great lyrics and even when they’re on the bleak side, there’s still a lightness and wit; and the arrangements of their music combine with their words perfectly to enhance whatever scene or story is unfolding. Here Scott is letting us in on how disillusioned the wife is feeling about her husband and how her life has turned out, “golden days distant memories for you”.

Scott’s vocals are as gorgeous as ever, like a coarse velvet (ok, that may sound odd, if I ever think of a better description I’ll edit it), narrating the wife’s turmoil, almost like her own subconscious dispassionately assessing her life choices. The discord builds up with some dark moody guitar, the keyboards reappear, finally the thoughts break back in, everything is swirling around building up and up (okay, I haven’t yet deciphered all the words in this part of the song yet, but I reckon safe to say, the lady is not in a good place, the video really can’t come out soon enough!) then it all cuts out to a sparse guitar ending, plaintive, but our lady has survived to, hopefully, move on.

Plenty of keyboards in this one, plenty space too. The production on this is brilliant, still the LC sound (definitely worth the Hamburg trip to get it right) but there’s been gradual shifts as the band grow together. The lads do like a tempo change or two, well, they help with scene-shifting, cutting to another camera. Talking about cameras, on first hearing this I thought, oo, another Lynchian tune but on further listens it’s more Edgar Wright to me (a game I play, matching music with film directors).

Of course Heart-shaped Jacuzzi gets 5 stars from me, heck it can have a few more!

Toodle pip!

one sexy red heart-shaped jacuzzi

A little voodoo magic from Elsie

It’s very late Friday night in Edinburgh, Facebook has informed me that Logan’s Close are in Hamburg; from the pic they were let loose on the streets after their first day in the recording station working on their debut album Heart-Shaped Jacuzzi. It being Hamburg they’re posing in front of a place called Sex-House, well, of course they would, all looking fine and dandy. I wonder how the gig went last night after just travelling over there? I hope it gave them a boost for today. Couldn’t have been as good as last Sunday night at the Voodoo Rooms, though.

Ah yes, finally Logan’s Close got to play the Ballroom in the Voodoo Rooms again – and it was awesome. Not just one or two, they had three support bands to get the crowd warmed up, Julen Santamaria, Jupiter Strange and Racecar. From a low simmer the room gradually went to gently bubbling with the beats and expectation, then the lights dimmed, the lads took to the stage, from bubbling to boiling, a most rapturous reception!! Oh, the love was in the room, I think they may have been a bit taken aback by it all for a few moments before opening with Lost In You.

At the time I was taken by surprise by this choice (oh, a very lovely one, just not a song I would have anticipated as an opener) but as I recall the atmosphere, they were totally caught up in the crowd’s adoration and enthusiasm, so yeah, lost in the euphoria of it all. Next up, Never Bloom, a great live song but like the title says it’s not destined to blossom into a studio track (well, you could grab a copy of the LimbicTV session CD to hear it). Newby Merry-Go-Round was third, I remember because it was also the third song down in the Running Horse, a gorgeous number from the new album (I’m really looking forward to how the studio version will sound, I’m expecting nothing less than totally scrumptious).

Another new song to follow, Half n Half which to be honest I remember thinking was great, but that’s it, the title alone had the crowd smiling. For those outside of Scotland I should explain, a half and half (or hauf n hauf) is a whisky with a half pint of beer for a chaser. Give It To Me a particular favourite of mine was next, the opening harmonies and keyboards slither round like thick smokey tendrils reaching out before engulfing you in a hazy, intoxicating fog (well, maybe not you but it does me) with that guitar break, oh yeah.

Oo la la, Dans Le Jardin bounced and tripped along joliment, one from the album? Next song definitely was, Heart-Shaped Jacuzzi, the title track. Okay, so by this time my powers of remembering were prerty much used up, that’s it. There may have been another new song in there, and the Close “finished” with another newby about Hot Blondes. Babe Station was in there, of course, and Mock Marble Linoleum, both destined for a soak in the Jacuzzi. Classic I Want You had to get an airing, it’s not an LC gig without it, and the song about the number 33 bus? Yeah, Gouching was there with it’s luxurious rolliness.

After the brief off stage right and the crowd hollering for more the lads obliged with Eleonara (oh yay!), Girl, and what else to end with, especially on Mothering Sunday? Listen To Your Mother, of course! The band each did the obligatory solo after being introduced, the crowd went suitably nuts, oh yes, the new line-up totally rocks it.

I am so, so looking forward to the album coming out, of course that’ll be a while yet, after the recording studio there’s loads to do before it actually gets to be released, all of which costs money, so Logan’s Close have set up a crowdfunder with various rewards for pledges ranging from a digital download of the album, to a virtual pint with Carl and Scott, to a live stripped-back full band set (that’s within 150 mile range of Edinburgh, fair enough). There’s a VIP Concert Day Experience that includes “a pre-concert fry-up at their favourite greasy spoon” – they have a new favourite now? The Babelon Cafe is long gone, I wonder where Scotty gets his tatty scones now?

My donation to the coffers was pre-crowdfunder, yeah, I’m a trailblazer; currently pledges have reached 134% of the original target, so like, wow, the lads are well chuffed and, there’s still over a week to go. It helps a lot that the band were selected by Creative Scotland’s “Crowdmatch” (one of just twenty to be selected), which as it sounds, means Creative Scotland matches pledges when they reach certain milestones. If from all my rabbiting on about LC you’ve checked them out and like their stuff, please check them out again. Gonna leave you with a few pics from last Sunday night. Sorry, epic night but rubbish mobile camera.

Driving with Elsie

Today has seen bright sunshine and blue skies over Edinburgh, very chilly with it, as the forecast predicted. Annoyingly they got it very wrong for yesterday morning! The forecast had promised snow from the early hours, some heavy, awoke all expectant and excited I did – bloody none! And I’d come back up on Thursday for it. Well, and also to avoid Eunice, that’s Storm Eunice (who came up with Eunice?! What sort of name is that for a storm?).

I was down in deepest, dampest Yorkshire again. Very damp indeed, not much time was spent out-of-doors, it was ‘orrible! The few hours of fine were spent wandering round Hebden Bridge, note to self, some shops are closed Tuesdays as well as Mondays. Still a tasty lunch was had and a few purchases made, I do like Hebden Bridge, and there’s usually a fine calibre of busker in the Square.

Naturally, my choice of travelling audio accompaniment included my new Logan’s Close Live CD, at 63 minutes its perfect for the last legs down and up. In the gathering dusk I hurtled across the moors to Scott letting rip on I Want You, followed by the classic Listen To Your Mother – that’s when the low fuel light started flashing (yeah, yeah, mother, make sure there’s plenty in the tank, I know); after that first, oh bugger, I reasoned there was actually around 40 miles worth left so no worries. On the homeward leg it takes about an hour to get from Abington services (junction 13 off the M74) to home, that is, without slowcoaches on the road; so perfect, with a second playing for Eleanora as I pulled up.

Eleanora is a bouncing upbeat babe of a tune, a catchy infectious earworm so it is! Everything a good Logan’s Close song should be, and also something slightly new, different but still undeniably LC. Sean Keys’ (that’s what he gets called, anyway) keyboards are at times reminiscent of Jon Lord on early Deep Purple, noticeably so on Mock Marble Linoleum. I’ll admit it’s taken me a while to get into this track, my original take was “fine but nothing special”, I’d like to update that, Mock Marble Linoleum is fine and dandy, like a mid 70s rock opus, swirling keyboards, grand majestic riffs, Scott going for it, yeah, it is pretty special.

Paralysed is a whirling dervish of a tune with Carl taking lead vocals this time. This lady who “reached inside and stripped you of your core” sounds like AC/DC’s Soul Stripper; two very different songs but the same female lineage (in my head, anyway). Gallus Laces is great, a lackadaisical swing and hook to it, love Scott and Carl’s vocals together on the chorus.

Probably (at least at time of writing this) my favourite track is Babe Station, from the opening drumbeats, sultry keyboards, offhand guitar, and then Mr Marah plaintively narrates the girl’s nightlife; the spacious sleaziness and Carl’s vocals almost echoey, with added Scott on backing, omg, it’s like sliding into a hazy drug-addled dream state! I’ve also had the pleasure of hearing The Scat Rats take on this song a number of times ❤

Mind, Give It To Me is a very close second on this, right from Sean’s piano intro and Scott’s and Carl’s harmonies; the guitar sound, the space, more beautiful desolation from the lads. I Want You is always near the top spot at any gig but the competition is tough here, even with Sean back on the piano and Scott’s sublime vocals. It would be hard to place all fifteen tracks in an order of preference, really, after my top five I couldn’t separate the others. God, I love this CD! Will this recording, this moment in time, ever be made available to anyone else? I don’t know, but if it is, no self-respecting LC fan would be without it!

Toodle pip!