Just time for a quick catch up before I head off for a wee while, bags are packed, ukulele by the door so I won’t forget it. Yay, I did get to see Free Guy again! Still great on second watch. I also got to see the Aretha Franklin biopic Respect, like wow, WOW!! Jennifer Hudson is sooo good. The film ended at the time when she recorded the live album Amazing Grace, the recording of which was filmed, a film I saw two years ago in the Filmhouse, sweet!
This week I luckily spotted that The Green Knight was on at the Filmhouse, a “last chance to see” Facebook post . It’s a re-telling of Gawain and the Green Knight, in this version Gawain is played by Dev Patel (the reason I wanted to see it, he’s getting better and better as he ages). Sumptuous and kinda arty, lots to enjoy, but I did feel it lacked a bit towards the end.
Stramash have very kindly released a lot of gig dates for October and November, so there’s Jed Potts, the Kennedy’s Project and Willie Dug to look forward to, and yay, the Scat Rats (aka Messrs Marah and Rough) will be back, and, double yay, not until after I’m back in toun. Ah, thinking of the Close, I recently went on a coastal meander and popped by Dunbar, look what I found, yay!
Just a jog away from Dunbar is Belhaven Bay, plenty sand, sea and surf. Oh yeah, the surf was up! A great place just to idle a while, shame I didn’t discover it midsummer, ah well. Beach Boys songs swam around in my head as I strolled across the sand; it struck me that it could well have been the Beach Boys sound that heavily influenced the Scat Rats if they’d spent more time on the beach…..
I don’t know about you, but personally I really enjoyed Eurovision 2021, well done to the Netherlands for pulling it off so well! The staging of Eurovision can never be easy, but all the extra faff whilst keeping up the spectacularity of it too? It was a real triumph after the last year and all it’s toils, people coming together and working towards a unifying goal. The cheers and support in the room when James Newman decided to stand up and own his nul points clearly showed the solidarity felt by all those there. The tension as the results of the public vote locked one country after another into their final scores; the shock, the disbelief, the elation on display was electric (probably the biggest surprise for me was the lack of public votes for Malta, only 47 points!). I just really didn’t want the Swiss song to win, so that was my moment of joy, I quite fancied France to win, but hey, I’m happy Italy took it home.
Afterwards, on Sunday the autopsy began, too late of course for the Sunday papers, but online the vultures were up and circling around, by Monday the pitchforks were out. You could be forgiven for thinking the UK, as a one, hates Eurovision if you look at the comments on social media – funny how the haters always shout the loudest, or seem to, the rest of us just don’t really bother responding to their bile, like it would change their minds, ha! They’re not the smartest bunch but they are often very egotistical. Dearies, Europe doesn’t hate you, Europe voted for songs they liked, Europe was indifferent to the UK entry, to say Europe hates us is rather conceited to think they think that much about us!
Many were taking our nul points very personally. Why didn’t the UK get anything from the Judges Panels? Well, there were 26 countries competing in the Final and each panel had 10 scores to award, so every time 16 countries received nul points; it’s not that inconceivable that at least one country won’t get any points. Germany and Spain didn’t make it to double figures, and they got nul points from the Public same as us. I really felt for the Netherlands – our genial hosts and they didn’t muster any love from the Public. I wonder, are the Press and social media in other countries as bad as ours? Looking for someone to blame for a poor showing. Brexit, of course, was mentioned time and time again as the reason for all the “hate”, as one wag said, “Some people would blame Brexit for it raining in a British summer”, he’s right, they would.
There’s always the moan that it’s all political now (duh, it’s been political for ages), and, oh, those countries always vote for their neighbours (agreed Greece and Cyprus always get full marks from each other). So it couldn’t just be that songs on the continent get heard more widely? The singers and bands chosen to represent their countries will also be popular in neighbouring countries, the songs will have had plenty of radio airtime spreading them far and wide. Watching how the scores panned out I actually think there was less political voting than there’s ever been, this was Eurovision back on, people were just voting for what they liked. The UK song only made 22nd on my score sheet! It wasn’t good Eurovision fare, it wasn’t ticking many of the necessary boxes (like, how could I give much for what he was wearing?! performance ok, panache, none).
The boxes? Well, this year I had boxes for the song, the visuals (outfit and backgrounds), the performance and pazzazz; out of 15 each for the first three, 5 points max for pazzazz, so a total of 50 to go for. No, Eurovision isn’t just about the songs, it’s about the spectacle, the look, performance, a special sparkle, well it is for me. A great song may not shine because of a poor performance, but a poor song delivered with oomph and panache can soar. As Billy Flynn sings in Chicago, “Give ’em the old razzle dazzle, razzle dazzle ’em.” Yes, I do happen to take my scoring seriously, go ahead, my friends always ribbed me about it. I also make little notes about particulars….
Russia had, “Ye gods! The start!” Norway got, “Captain Sensible with wings and devil guards” Germany has a scrawled,”Yay! Sparkly ukulele, quirky, tap dancing” (see there’s performance and pazzazz there), Finland was, “V different, a good moshing song.” I took snapshots of the telly showing the results of the Judges scores and the Final scores, and I noted the Public scores. Interesting facts that appeared before my eyes – Greece performed 10th and then came 10th with the Judges, Public and Overall (I broke the run with 7th); the Netherlands did the same in 23rd (24th for me). My top 3? Portugal 3rd, Malta 2nd and France 1st.
So can the UK ever win again? Not while they try to write a Eurovision song, just a good pop song would be better. And not sung by the usual type, go for someone fun, known in Europe, not a ballad, good old rock’n’roll, a toe-tapper. If we have to go big and ballady, then get Jack Savoretti to do it! Come on, Candlelight would have been perfect! Otherwise, I reckon I know a great wee band who write cracking songs with wide appeal, a throwback sound of the 60s beloved by many on the continent as the band’s trips over to Germany, Italy and Netherlands can attest. Hey, and when Scotland gets independence, if Scotland wants it’s own Eurovision entry, the lads would be the perfect choice. Would they do it? Hmmm. See, I’m ready for it, Eurovision goes psychedelic!
Last Saturday night was the best Saturday night in the last year, possibly the top night of all nights in the last year. Yes, the lads were rather good! Logan’s Close really knocked it out of the park. Two hours of music and banter all wrapped in a psychedelic haze – bloody excellent!
Hats off to LimbicTV, the set up and production were excellent (not that I know anything about these things). The layout looked good and there were lights and cameras galore to capture all the action then mix it up with trippy video effects (I really liked them!), and there’s Dave, the laidback but authoritative voice, great with the banter and keeping the Close on track and sounding awesome. Well, it all impressed me.
Should you choose to check out what has me still buzzing almost a week later (aren’t you curious?) that’s Logan’s Close on LimbicTV (Live from Aluhpasonics), not only will you hear great music, there’s chat on such diverse topics as Scott’s fashion choices, local cuisine (Dunbar fish suppers and Pizza Crunch) and liquor of the gods, well, fortified wine of some monks, Buckfast. Like Dave, I was also at Glastonbury in 1986, such a shame I didn’t bump into him and all that buckie!
Did I mention how good the music was? The band were clearly enjoying finally playing live together, Carl and Scott both had new guitars to have fun with and their vocal harmonising is none the worse for all the time away, I assume Ollie was having fun (dressed all in black including a black facemask in a darker bit of the studio) on his six string bass, Alex on drums was wearing his trademark hat, Sean not only had his own keyboard but the studio piano as well, making full use of both (to think I was initially a tad dubious about the addition of a keyboard player, he’s a perfect fit in their sound).
Fifteen tasty treats, yum, some old, some new, two borrowed, a smorgasbord of sound to feast on. For starters they served up Eleonara, a new one, fun, catchy, a delight. Second was a song I’ve heard them play live before, I thought it was called Never Blue, err, no, turns out it’s Never Bloom, well, you know how it can be at gigs! It’s a cracking rendition of it whatever the name, lots of space in it (something I really like about Logan’s Close, they don’t overcrowd their sound).
Next up were Worked A Treat and Girl. The visual effects are amazing, layering two members of the band over each other, add it a psychedelic swirl of colour, wow! Loved the kaleidoscopic bits during Girl, was Scott able to see them on one of the screens? Did it disturb his concentration or did he just forget the words? Yes, I noticed but he covered it well.
Song five was Gallus Laces which I do reckon I’ve heard before, or it could be that it reminds me of the ambience and lackadaisical sound of Fur, a band I saw in Sneaky Pete’s a couple of years ago. I actually just went because the Close were supporting them but happily made a fine new discovery. Fur were meant to be back up in March but have had reschedule the gig to November.
Next song Babe Station was sublime desolation! When Carl sang the first two lines it immediately took me back to when I first heard Rodriguez, that same plaintive bleak but beautiful sound. The Close should definitely put out this track, please, please, like this, nothing added nothing taken away. Another newby followed, one Mock Marble Linoleum, good solid, a vague early Deep Purple feel to it. Fine but nothing special. Almost an hour in now and the band played Paralysed a regular live number for them, the visual effects go nuts, strobe city! Intense.
Give It To Me had Sean over on the piano for the intro, he’s rather good, you know. This is one of those goosebump tracks, the deliciousness of the guitar break gets me every time. We’re on the home straight now, In The Morning, I Want You, Listen To Your Mother, all sheer class. Scott really let loose on I Want You, as Dave said after it “What I love about you, Scott – you’re prepared to testify” Indeed, amen to that.
Oo, I was so pleased they played Fantastic Man next. This is a cover of a song from the late 1970s by William Onyeabor, the Close did a lockdown video of it early last summer, it was such a ray of sunshine! Last year’s single Lost In You was the last song and blimey, I love this song anyway but this was astounding, I want this version. I defy them to ever play it better than that! What a finish. But, of course, this is the current version of a live gig, so one more tune was in order, but what? A good old classic that the lads regularly play Please Don’t Go, one to go all out on, they did and so did the visual effects!
Now if they could compile a CD from this gig – I’m sure I’m not the only one who’s wishing for this! I wonder what the band thought when they watched it later?! If you watch it, do let me know what you think. It’s late, time I bid you adieu.
This morning it was the first anniversary of Ken Bruce doing his Radio 2 show from home. He was mentioning it as I tuned in just after the start. I do like Ken Bruce, such a lovely voice and manner, a real gentleman. His music quiz PopMaster is a highlight of the morning, it gives me a reason to be out of bed before half past ten; I very rarely hear anything of Zoe Ball these days (the breakfast show until half past nine). Each day two contestants answer ten questions on pop music, the winner goes on to play Three-In-Ten (three UK chart hits by a particular band in ten seconds) to win a digital radio. Failure in this latter endeavour gets them a Bluetooth speaker; the runner-up gets a consolation prize of a One Year Out t-shirt, so called as one of the ten questions is to give the year that three singles charted, answers given often lead Ken Bruce to commiserate “One year out!” – said so often they made a t shirt of it!
About an hour later Tracks Of My Years can be interesting, depending on who’s choosing! Each week a celebrity picks two tracks every day and chats with Ken about their relevance between the two being played. This week it’s Sanjeev Bhaskar, so I’m paying attention, I’ve liked him since I first heard Good Gracious Me on Radio 4 in 1996 (yes, it’s another show that was on Radio 4 before going to BBC Two). A few weeks ago it was Adam Hills choosing his tracks, that was very entertaining and informative. Great to hear The Goodies’ Funky Gibbon in there with a really lovely anecdote about meeting two of them at the Edinburgh Fringe (a quick squirrel through my Fringe timetables showed it was in 2006, I saw both his and the Goodies show).
Tracks Of My Years is like the Radio 2 cousin of Desert Island Discs. I’ve spent plenty of time pondering on this and have decided it would be easier to pick my TOMYs than my DIDs. Why? Well, the TOMYs are more fixed it seems to me, those are the tracks you pick as having particular relevance to your life at various points, they are what they are from your history. DIDs are significant moments too, but chosen as the only eight tunes you’ll have to listen to for a long time, music for company, to keep your spirits up, to help keep you sane. See that’s why there’s a lot more pressure on those choices, TOMYs is just a bit of reminiscing with Ken!
There’s also the Inheritance Tracks feature on Saturday Live on Radio 4; a small feature that has grown legs and now has a podcast of it’s own. Every Saturday morning a celebrity shares two tracks, one they’ve inherited from a previous generation (often something a parent listened to a lot) and then one that they would pass on to the next generation. I’m not sure what I’d pass on but probably my inherited track would be Mockingbird Hill, I don’t remember who by (oh, I’ve trawled through Google, trying to find the version we had, to no avail!). It was one in a stack of 78 rpm records from our parents’ youthful days; as I recall it, they were just gathering dust in a cupboard (the records not our parents) until my siblings and I happened upon them, claimed them as ours and relocated them to beside the old Bush record player in our playroom. Oh, how we loved playing them and singing along with the likes of Frankie and Johnny or The Three Caballeros. Hmm, we were easily entertained young mooses!
I paused there for my tea. A dozen distractions later……the train of thought has been seriously derailed. Bugger! The kitchen needed cleaning after an interesting reaction when red wine met hot lamb fat and juices. I had to drink the rest of the wine to recover and got sucked into watching the telly. Oo yeah, something did occur to me while I was cleaning up – a track that would be a TOMY and a DID, even possibly my Inheritance track to pass on, Logan Close’s Listen To Your Mother, it ticks all the boxes. I do hope the lads play it on Saturday night, yes, that’s right, this coming Saturday night (27th March) the lads are doing a live stream event on Facebook! Yay! News good enough to make a moose smile!!
Saw yet another strand of tinsel as I downward dogged this morning, that’ll be the twelfth since my last blog post! It lay there glinting mockingly at me, bold as brass it was, well not any more. Oh, and we didn’t get the promised snow, so I closed the curtain again and went back to bed. There has been more snow outside of Edinburgh but nothing in the city, just freezing temperatures.
Listening to the news, it’s sounding like we’ll be lucky if we can do anything at Easter nevermind Mothering Sunday here in the UK. That’ll be another of my annual trips to the old country cancelled, I’ll have forgotten the way down soon! Yeah, 2021 isn’t looking that much better than 2020 so far. How depressing! So, to brighten the mood I decided to look back through 2020 and find my highlights, surely there were some?!
First off, Esther – our wee beastie o’the loch. I reckon she’ll be a highlight for a few Edinburgh folks grateful for the distraction. It’s been so good to watch this beautiful wild creature so close by. Hopefully she’ll be okay after all the recent weather, Dunsapie Loch has been frozen over a fair bit this last month. From otters to rabbits….
Way back last January I went to Jojo Rabbit three times at the cinema. Those were days, open cinemas, me with my unlimited card going to see two films in one evening, Nando’s chicken wings in between (will Cineworld reopen at all now?). Jojo Rabbit is such an outstanding film and a proper cinema film too. God, I miss going to the cinema, that sense of occasion (as a young moose a trip to the cinema was an event, that feeling has never quite left). The whole cast of Jojo were brilliant and Taika Waititi cemented his place as my favourite director and all-round amazing film person.
Thinking about it, I guess all that time spent in Holyrood Park, walking around, lying in sunny nooks reading, that was pretty special. We did have long spells of great weather in 2020, I did most of my reading outdoors. Highlights bookwise, finally reading Errol Flynn’s autobiography (an amazing glimpse at another time and place) and John Robertson’s The Little Town of Marrowville, I expected it to be good and darkly humorous but wow, it exceeded all my expectations! Yes it’s a kid’s book, but it’s a damn fine one.
Not Eurovision 2020 was a day of Eurovision treats for the fans on radio and tv. In the evening Graham Norton guided us through the main Not Eurovision Show, which just felt like one big love-in around the world (as Australia is now in it, yes I make that around the world). I thoroughly enjoyed a day of reminiscing, music, dancing, oh, and prosecco with pear juice.
2020, a shorter but sweetest year yet for Strictly Come Dancing. Bill Bailey with Oti was a worthy winner, confounding the initial assumptions of so many viewers with his capacity to learn and ability to dance. Their routine to Rapper’s Delight will go down in Strictly history. I learnt you could video chat on WhatsApp in November – yeah, Strictly brings out that need to share!
Fringey goodness was found online. April and May saw the magnificent Will Seaward online re-telling his Spooky Ghost Stories sometimes with live accompaniment courtesy of Jam With Humans. Yes, it was back in the early lockdown days, things went a bit wonky, not always online just somewhere in the vicinity, but no matter, it was great to see the maestro weaving his wondrous tales again.
The nearing of the NonFringe saw me checking to see what the Sleeping Trees were up to, if anything. Oh bugger! I’d missed getting to see MAFIA? by about ten days! Joys, I did get see SCI-FI? again. So is there a recording of WESTERN? somewhere? I’d love to see that again. Pretty please?! I could read MAFIA? by purchasing a copy the recently published Sleeping Trees at The Movies – Blueprints forDevised Comedy, but it just wouldn’t be the same as seeing it. But the best was yet to come – a Christmas Living Room Adventure! Oh yay, The Legend of Moby Dick Whittington was the highlight of my Christmas, yes, even above my Christmas Lunch Roll! That first sighting of the great white whale will stay with me forever.
Anything else, Brucie? Well, there was the small matter of Logan’s Close at the Caves for the release of their latest opus LostIn You at the end of February, like, a truly epic night! Best I’ve seen them yet; there was a gig planned for the end of this month but it has, of course, been cancelled. Lead guitarist and singer Carl Marah took to singing Bob Dylan to his washing machine in April, strange behaviour but captivatingly beautiful.
My top highlight of 2020? The Close’s Lockdown Cover of Fantastic Man by William Onyeabor. Having since put the original on one of my Spotify playlists, I love what the lads did with it even more; they’ve taken the best parts, condensed and Closified it into a summer classic of their own. Their video is rather fine too, and usually if I leave YouTube running afterwards it goes to a film of roller dancers skating to the original with some seriously cool moves (yes, I’ve watched both plenty of times after I’ve done online exercises – hey, its good cool down music).
So, wow, 2020 wasn’t all bad, and I did two seasons of Preacher and three of Lucifer, plus my uke playing is slowly coming on. Dear reader, I hope you too can look back and recognise your own highlights of 2020, to paraphrase Aidan Goatley, What made you happy in 2020?
I’m in the wrong place, Gromit. No wonder l feel out of sorts, bloody Covid, I should be a couple of hundred miles south in darkest Yorkshire. I haven’t spent the second weekend of October in Edinburgh for eons! It’s one of my annual pilgrimages back to the old country. Some would say I should have just gone down but, having left the decision right up the night before I would have gone, the family all agreed best to leave it. The law may be an ass, but annoyingly my tribe are way too law-abiding for our own good at times!
My disgruntledness hasn’t been helped by an article I saw this week on Facebook from the local paper; the headline read “Curbs on amplified music, concerts and fireworks proposed for Edinburgh’s Old Town”. What! Are they having a laugh? Mind you, reading stuff in the local paper is like hearing about stuff from my mother – not necessarily the actual facts, just something with a resemblance of them. It’s written to read like everyone in the Old Town area came together and all agreed, no more fireworks, castle concerts, and we don’t care for the Tattoo either, really? A numberof people compiled this ducument, by no means should it be taken as the views of all Old Town residents. See, that irked me but what really got my goat was when the article went on to say that this group also have “a radical solution …. to ban all amplified music in the Old Town, from …. individual pubs”.
I was annoyed with the way local pubs in the local music scene were being linked to the council’s greed for the tourist buck and everything else that’s bad about inner city living; the night-time noise in the Grassmarket area is from drunks spilling from the other pubs, the live music venues really don’t add anything much to that hullabaloo. I was so incensed I almost wrote a comment (having read the Comments section of the local rag posts, I know the savagery of the regulars and how adept they are at missing others’ points). Almost, then I noticed a Facebook friend had already pretty much made my comment for me, oo, and indeed there were already two replies that would exasperate anyone level-headed.
Would my friend reply back? From reading through all the comments I discovered the first reply was from a serial ranter with a rather smug, patronising attitude towards any dissenting views; please, don’t rise to it, I prayed, he’s so not worth it. Ha, no reaction back (I bet that irked him), but a good handful of likes in support of our local music scene. Crickey, if these recommendations were implemented it would be a serious blow to Sneaky Pete’s, Stramash, Bannermans, just to name a few. And if that happened where might the new puritans strike next?! Oh, I do get the need for some restrictions and noise controls, absolutely, but not by people who don’t know apples from oranges!
Kia ora, dudes! Day Whatever of lockdown. Today I’ve come to a decision to be more impetuous! Yeah, I know you all see me as a carefree, live for the moment kinda moose, but not really. I may not post that often but that’s because I put it off to do other stuff (like faffing, watching telly, surfing YouTube and occasionally some cleaning). My table is covered in bits of notes for blogging ideas that I haven’t got round to writing; when something grabs me I don’t rush to share it, my head goes, No, take a note, think about it, write it up later. Needless to say, impetus lost, I don’t. Listen Head, shut up, if ever there was a time for some impetuosity it’s now. There’s nothing that needs to be done that can’t wait. That picture taken on a walk? Share it! Great vids on YouTube, resurfaced memories, Fringe friends up to stuff? Don’t write a note, write a blog post!
A few notes lying around – Jäähyväiset! (I think that’s farewell in Finish), a voodoo octopus, lamb with anchovies – dauphinoise potatoes, The Trap Pleasance Over the Road 2, Jam With Humans, Will Hay, zombiesaur. Guess the ones relating to Will Seaward! I’ll get back to those later 😂😂 See? Did it again.
Today a Facebook friend shared an episode from 60 Second Docs by an artist Mike Bennett from Portland, Oregon who makes great pieces of cartoon art from recycled wood and paints then sets them free into the wild! Well, he puts them out for people to enjoy and raise spirits. He’s raised money for local charities with his artwork, a really nice guy. The artwork is quite Seussical, not in style but in flavour, mischievousness and joie de vivre. Check it out!
Another share (obviously up rather earlier than me) was a brilliant video by Tusk Puppets for the New Zealand Police Facebook page. Hmmm, the NZ Police page has good stuff, some great kiwi humour on there to brighten up lockdown. And bubbles! I haven’t heard mention of bubbles here in the UK, I love the concept, bubbles, it’s a cheery word, not all doom and gloom. Yes, I feel more content now, visualising my bubble around me, gonna float along next time I’m oot. Anyway, Tusk Puppets have written and performed a great little number called “One day I’ll go outside again”, it quite rocks out towards the end!
From there I wandered through the New Zealand Police and Tusk Puppets Facebook pages (my tablet sneakily changes Tusk into Rusk, it just tried to do it that time too😄) where I found a video of a lovely lady tap-dancing with a puppet from Tusk, oh my, impressive! (makes me wish I’d kept up my own tap-dancing from my youth).
Whilst I’ve been tapping away, my friend has also shared a vid by the lovely Carl Marah of Logan’s Close. He’s singing a Bob Dylan cover to his washing machine, I think he may be taking lockdown hard!
Well, I suppose I should head out for my daily trot around the park. It’s great how many people are there everyday now and not just at the weekend, yes, there are quite a few folk out but everyone seems to be generally adhering to social distancing rules. Guess we’ve all been appreciative of the lovely sunny weather we’ve been having recently (yes, that’s right, lovely sunny weather in Edinburgh, Scotland) and that we have an awesome piece of rugged parkland close by the Southside.
I shall leave with another artwork of Edinburgh in smithereens by Pete Standen. Oh, and I’ll stick a piece of graffiti I came across on a walk last week (yes, something I’ve sat on to use later), look twice, there’s something really quite sweet there!
Ladies and gentlemen, mesdames et messieurs, meine damen und herren, naiset ja herrat. Hi peeps! I was just flicking through the tv channels – can you guess what film almost sucked me in? It was tough but I managed to switch it off.
Earlier this evening I did watch Twelfth Night on YouTube from National Theatre Live. Most excellent! I saw it when it was shown in cinemas and was delighted that it’s been included in their lockdown #NationalTheatreAtHome run. This is a brilliant production but particularly outstanding for me were Tamara Lawrance as Viola and Tamsin Greig as Malvolia (yes, that’s right, they’ve made Malvolio a woman!). I’ve loved Tamsin Greig since Black Books, she was a big part of why I saw Twelfth Night in the cinema, and by god, she was magnificent.
There’s seven days to catch Twelfth Night on YouTube until Thursday 30th April when another NTLive production is shown. And what a treat next week! Not just one but two!! Well, the same play with the leads alternating, that’s Benedict Cumberbatch and Jonny Lee Miller as Frankenstein and his creature. I was lucky enough to catch both versions at the cinema and will no doubt see both again over the course of the week.
There’s certainly some great theatre and music to be had on the internet to keep us going in these troubled times. I’ve recently been delighted to watch scenes from Oh Hello, a one man show about Charles Hawtrey, on their Facebook page; and how delighted was I to hear a spooky poem featuring Clarence and Louloulou the other evening? Very, very, indeed. More about those later.
Oh, and I have acquired Spotify on my phone (for my daily walks) and am enjoying playlists from the lads at Logan’s Close, so many bands I’ve never heard before, but in the main really good.
And it’s another late night for yours truly. I did spend plenty of the evening in the kitchen with Elvis making meat sauce for a lasagne (tea tomorrow). Yes, Elvis, well, a compilation cd I made a few years ago from records I’d put on my computer. Probably not the songs you may be thinking of like Blue Suede Shoes or In The Ghetto; no, my siblings and I loved watching his films on the telly, those were the songs we wanted, from the likes of Blue Hawaii, Kissing Cousins, Viva Las Vegas.
Easter weekend, it seemed right to reminisce, sing along and have a wee dance. It’s easy to forget how amazing Elvis’ voice was, man, he was gooood! But hey, all the words came flooding back, from I Got Lucky at the start right to Tender Feelings at the end, via two big big favourites of mine Someone To Lean On and Beach Boy Blues. Honestly I was doing some cooking too, a good ragu sauce does take time you know, lots of chopping up to do.
By the time the music and sauce were done it was late and I hadn’t actually had any tea (possibly the two white chocolate cookies I’d had earlier might have kibboshed my appetite). Hmm, what to have? A small bowl of sauce with added cream and quickly rustled up very garlicky bread, washed down with a bottle of Peroni.
Nice, J.J.Abrams’ Star Trek was on the telly, nearly halfway through but I know it well enough. It’s a great movie, how scared were we that it wouldn’t work before it came out?! Rather, but Chris Pine and all were brilliant, Pine especially was perfect as Kirk and Karl Urban as McCoy, uncanny at times. The only blot on the copy book was Simon Pegg as Scotty; he was fine enough but it seemed rather hammed up for me.
….. I’d go back to 8.30ish tonight and go back to the Caves to see Logan’s Close again, this time I’d go right to the front (I was about a third of the way back the first time), it’s something I very rarely do, dunno why, but I want to see the gig again at the front. After that I’d go back again and trot up to the balcony bit, to witness the awesomeness that is Logan’s Close from a new angle.
I’m thinking after three times I could go again and just have a real good boogie at the back of the room. Hey, then a fourth time to get some cool pics, I’d know the shots I’d want and could anticipate them. Yeah, no pics tonight, the music was waaay too good to bother with the faff of photography. See, that’s why a time machine would be so useful, and as I don’t want one for any nefarious activities I think it’s fine.
How was the gig? Immense, just totally wow. Hence wanting the time machine. Plenty new stuff – why just a single, guys? Surely an EP (in solid form) of your new goodies? Oo, yeah, one of them, about the seventh number in (a long weird intro but with oo-ing) really made me think of Fur, a band the lads supported at Sneaky Pete’s last year. Another newbie had the sound of a Northern Soul floor-filler.
Listen To Your Mother was shifted to penultimate number and they finished with the reason we were all there, their new single Lost In You, available now on Spotify along with plenty other gems and diamonds from the Close.