Louis Crosland Trio

I dropped into the Voodoo Rooms

bruceonthefringe 2026, Blues, Live bands in Edinburgh, Live music Tags: , , , , , , , Leave a comment

It’s Friday late afternoon, nearly teatime, I’ve just put a nice piece of hoggat chump roast in the oven, well, I’m hoping it’ll turn out nice. I thought it was a piece of cannon, which I know how long to do, it’s not, so fingers crossed. No, I don’t know where the cannon cut is from, but I do know it is totally delicious and almost melt in the mouth when done right. I have my tomato timer ticking away in front of me so I won’t forget to check.

Just earlier I finally got round to sticking a couple of clips of the Cinelli Brothers on my Instagram stories (they played the Voodoo Rooms last Saturday). Yeah, Instagram isn’t particularly instant with me, more when the mood takes me to go through my most recent pile of pics and vids; some get binned, some shared, some umm-ed over but not dealt with, some trimmed to a best bit (and even then not yet shared, I’ll still think about it). This digital age is just a whole new nightmare to hoarders. As I occasionally throw out old photos, I’m building up a music archive, I can’t seem to help myself (an archive of music videos might sound good, but when I’m always losing the impetus to label and sort them, well, it’s kinda messy).

Anyhoo, yes, last Saturday saw local band the Louis Crosland Trio supporting the Cinelli Brothers at their Edinburgh gig. Originally it was going to be Jed Potts supporting, he suggested Louis (pictured left), it would have been him solo, then it became the trio. For once I got there just as they were starting rather than three songs in! I knew there would be some new songs in there, didn’t want to miss anything. Straight up I can say that Marigold is a delight, some interesting lyrics, I love it already, hope it stays around.

Myth of a Man is new but I had already heard it, I knew I had, because, for some bizarre reason the song title pings Man or Muppet into my brain (the close m’s flick a switch?). Oh, don’t think this is a disparagement, it’s the title that does it, not the song itself (and actually, I loved that song in the Muppet movie and it won an Oscar); I do quite like Myth of a Man too. Along with Louis’s own stuff, there were a few from the usual LC3 setlist; Knocking on Heaven’s Door was in there (sounding, erm, different to usual, not sure, a new take?!), and, of course, Hey Joe brilliant as ever.

On to the Cinelli Brothers, oh my, they’re awesome!! How awesome? I was contemplating the logistics of going down to Dumfries two nights later to see them again. No I didn’t, have you seen the price of petrol just now?! It’s not just me who thinks they’re brilliant, they’ve just won Blues Band of the Year at the 2026 UK Blues Awards. The Cinelli Brothers all ooze devilishly mischievous charisma, they know their stuff, and boy, they deliver it with style.

All four of them can sing, there’s guitars, bass, occasional keyboards, harmonica, a drummer who also plays bass, and again those vocals! Be it blues or soul, every song was just another gem of bliss, but when they played Just Dropped In, oh my heartses, purest joy! For much of the gig I was to the side of the stage having relieved myself, then deciding not to wade back into the throng, well, it was a fine spot at Carl Marah’s show. Okay, so I possibly didn’t get the full sound experience, but I could enjoy actually watching the band rather than brief glimpses.

The Cinelli Brothers changing things around

Near the end they called on Louis, and Jed Potts who was in the crowd, to join them on stage for a jam. Apparently its a Cinelli Brothers thing, to get the support back up for a jam, nice touch, the crowd loved it (me too). I fully intend to get round to putting a clip of it on Instagram, honest. I suppose I could just do it after this, before bedtime. Yes, it’s late again. I know I started this hours ago but I took a long break for tea (can you spot the join?), the chump roast was very nice, by the way. I had it, well, half of it with sweet potato mash and lots of broccoli, delicious!

I’ve rambled for so long that I never got round to Louis’s other supporting role this week. Tomorrow, promise. G’night, sweet dreams!

Cool hat, that

Some blues with jam and curry

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It hadn’t been particularly busy in the Jazz Bar, just nice numbers. Of course, the house band and Louis Crosland were already playing when I got there (I should allow an extra ten minutes into my plans). I find it interesting watching musicians’ playing and interactions outwith their usual; the looks and nods to each other are much more noticeable. It’s like I’m seeing the cogs and wheels connecting inside a musical box (just go with me and my whimsy).

Plenty of the set was tunes that Louis plays with his band, what with them generally being bluesy standards. I was a bit surprised when they played Miss You but it worked well enough (see, case in point, how musicians create structure together) albeit back-to-basics, it had a groove. Hey Joe was pretty fine way to round off Louis’s first stint on stage. After a long break, the house band were back on, with Louis, to kick off the jam part of the evening. I was hungry (I said in my last post that I was going to eat before heading to the Jazz Bar but there wasn’t time to have anything substantial), so after watching the next two assortment of players I ducked out and headed to the Mosque Kitchen (open until ten, yay).

Satiated from a plate of chicken curry and rice, I was ready for more beer and blues. The blues jam was still going when I got back, it was okay, there was no one who made me prick up my ears, but that’s just the luck of how these things go. Eleven o’clock and Louis was back on stage again with his own band, and a few tasty new originals in the set, nice. Naturally we got Miss You for a second, rather zupped up time, yeah, quite a lot of the set seemed overpaced, was it just from being after the slightly pedestrian jam?! There was obviously some thought given to an extra final number – they’d gotten through the planned setlist too soon. I know bands have off nights, yeah, it happens to the best, and the set wasn’t exactly bad, just not up to the standard I’ve come to expect. Hey, I care, bite me!

I was finishing off my drink in the Jazz Bar when an American tourist asked me if the live music was over for the night, he’d only caught the final two numbers, yup, sorry man, but I can direct you to more live music if you’re not fussed what it’s like. So I gave him directions to Whistlebinkies and Stramash too, but wasn’t that a much longer walk? (he’d been there much earlier and had obviously wandered around enough afterwards to make it seem a distance away!) Was I myself going to either? Nooo, I didn’t know who was playing but it wouldn’t anyone I wanted to see or I’d be there. Not to say he and his friend wouldn’t enjoy the music, if they were staying out; always the encouraging tourist guide, me. I was ready to head home anyway, so I wished them well and toddled off into the night.

It’s late, again!! Tomorrow will be another very late night, I’ll away to my bed. Next time, the other LC, Logan’s Close and news on Mr Marah’s solo shenanigans. Sweet dreams!

It’s gonna be a fine weekend

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It’s been a while, I know, miss me? I was down in the old country (Yorkshireland) for a while, to catch up with family, seeing how I stayed in Edinburgh for Christmas. Like most of the country just now, it was very wet and very cold, but it was lovely to see everyone. After a very dry summer the weather changed with a vengeance, as illustrated below…

So low for so long the banks became like meadows
Back to it’s darkest, dankest self

Anyhoo, this is merely a quick wave before I head out into the wet night. Carl Marah is playing at the Auld Hundred this evening and at midnight the Louis Crosland Trio are at Whistlebinkies, yay. It’s quite a weekend ahead, plenty good music and a Six Nations Rugby weekend too (the Scotland v England game, yikes). Louis is solo at the Canons’ Gait tomorrow evening, I may pop along, or save myself for Saturday…

There’s Chris Buckley in Binkies at two, he should be fairly buzzing as he’s got a new single out tomorrow. The Scotland v England game is late afternoon, watch at home, or in a pub? Hmmm. Seven o’clock Chris will be down at Stramash with Louis and the rest of the Moanin’ Bones, wow, it’s been ages since they last played together, or it feels like it. Midnight it’ll be back up to Binkies and the Louis Crosland Trio, yes, twice in one week!

Sunday may be quite a lazy day, get myself recovered enough for the Scat Rats to round off the weekend in Binkies midnight slot. Oh, and they’ll be back in 48 hours later, it’s one of those Tuesdays.

I do intend to write more tomorrow, honest. Now where’s my brolly? Toodle pip!

It’s Tuesday again…

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It’s evening on 20th January 2026, that’s Tuesday, one of those Tuesdays, yay. Whistlebinkies calendar shows that next Tuesday is as well, two in a row? Indeed, confirmed by Mr Marah himself. Tonight will be the fourth time I’ve seen the Scat Rats this month, then there’s Stramash at 7pm this Saturday too, yays. The Louis Crosland Trio were on the late night slot a couple of weeks ago at Stramash, that was a lot of fun!

I hadn’t been out at that late at Stramash in a while, the LC3 hadn’t played that slot before, didn’t quite know what to expect, I told them, students, lots of them, I wasn’t far wrong. As students go, they were a good crowd, enthusiastic dancing going on, I include myself in that, I couldn’t resist, being a bystander really wasn’t an option. The final number 7 Nation Army was an awesome ending to the night. Since then they’ve played Binkies twice, and they’ll be back there again on Thursday at 9.30pm. Yes, I’m having a rather fine January!

Last Tuesday was cinema time, I took myself off to see Marty Supreme. It’s a long film but it keeps up such a frenetic pace, it didn’t feel as long as it might have. I enjoyed it, fascinated by the place of table tennis in 20th century cultural history; partly because my mother and her sibling were keen players when they were young, sadly, though I was briefly keen, my abilities were seriously lacking. It is based on a real table tennis player, one Marty Reisman, I have a good dive into the facts behind the fiction and having watched clips of Reisman, yeah, Timothée Chalamet’s character wasn’t far removed from the reality.

Other bits this month, hmmm. Oo, jam on crumpets, it works! Or, at least my bramble jam does. One lucky recipient of a jar, mentioned that he spread it on crumpets. This appalled me, being a buttered crumpet fan, but, I decided later that I should at least give it a try, just a dollop so not to waste a whole crumpet if it was awful. Reader, it wasn’t, not quite a green eggs and ham moment, but certainly much better than I’d anticipated. I may even try it again sometime!

Must dash, toodle pip!

And the crowd went wild

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Oh boy, that was a great evening last night! I knew the early part would be good but expected to be home by ten-ish, ha. First port of call, Whistlebinkies to catch the first set from Jed Potts and Nicole Smit, mighty fine as usual. Just a shame that once again there were a couple of very loud folk spoiling the music, so good on Jed for his public service announcement that there were other areas of the bar for people who just wanted to natter. They didn’t bother to move but at least they quietened down. They did leave after the first set, but so did I, I had a ticket for Sneaky Pete’s.

The headline was Callum Ford but my ticket was primarily to see Carl Marah on second support. My timing was just nice to get down there, grab a pint and manoeuvre into a good spot (Sneaky’s was heaving, if it wasn’t sold out it was very close to it!) Marah and moustache took to the stage (I mention his moustache because, it’s there, a double-taker on first meeting, I think it might be staying around awhile), no fancy looping this time, just straight forward man with a guitar.

What a cracking set! Opened with the wonderful Roll the Dice and ended with the awesome Cats Eyes. In-between, Carl gave Cold Cold Christmas one more play, the crowd joined in the dah-dah-dahs to Oban, while Stags and Hens somehow sounded better than ever (how is that even possible?). There was more, but I wasn’t taking notes, didn’t video much either, I just blissed out on the sound, especially Cats Eyes at the end, oh, my heartses.

To be honest I wasn’t sure earlier if I’d hang around for the headline band but being there, yeah, plus it was a fairly quick changeover. Callum Ford and his band were worth staying for, engaging and witty songs; with a fiddle-player and one song set in Captains Bar, definitely a folky leaning. The crowd had been lovely and enthusiastic with Mr Marah, now they were turned up to ten and buzzing. Oh my, when the band started the final song the place went wild, Fairytale of New York no better to end a gig at Christmas, the band and audience gave it everything.

Back out on the Cowgate just going home didn’t seem right, so I decided I’d pop back to Whistlebinkies for one more pint. The second band should have been on at that point, nope, huh? Ah, they’d double booked themselves or something and Binkies took second place, who could they call on? Oh yay, the Louis Crosland Trio, how sweet could one evening get?! It may have been because Max, who occasionally plays drums with LC3 was working behind the bar so only two more bodies were needed.

The man himself, Louis Crosland turned up first, the room started to fill more as folk expecting some live music rolled in. A cheer like a mexican wave heralded the arrival of bassist Rob Henderson to the stage, no time to waste, the band cracked on and the crowd, yes, indeed, did go wild. Wow, I’ve seen LC3 plenty of times, that was one of the best, kind of like a giddy joie de vivre from unexpectedly playing; it definitely put Max in top spot of my favourite of the band’s various drummers. The evening really could not have ended any better, well, unless the final band had cancelled too and the Scat Rats were called in, oh yeah (hey, I can dream!)

I’ll be seeing the Rats tomorrow midnight, yes, it’s one of those Tuesdays, I can survive til then. It’ll be a very late night, so maybe having no definite plans for Hogmanay is a blessing, after all, I’ll want to be doing my usual scamper up to Arthur’s Seat bright and early New Year’s Day. I was up there on Christmas Day, I did mean to put something on here about it, just like I’ve been meaning to say how totally epic Logan’s Close were in Glasgow. I’ll circle back round to that next.

Toodle pip!

What happened to November?!

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Last post was all about Carl Marah‘s latest Voodoo Rooms gig, yeah, that post almost three weeks ago, oops; you can now see an eight minute video from said gig on his YouTube channel featuring You’re Always Right and It Takes One To Know One. Oh, and while you’re there do check out the Live at Everyman Cinema video filmed in August, see why I love Carl’s song Cat’s Eyes so much! That’s on there along with Roll the Dice, well worth a peek. You want more? Check out his latest posts on Instagram, I particularly like the ones where the camera is looking down on the piano keyboard, yes, the lad’s tickling the ivories with his tunes! Nice to see a proper old piano being played.

The dark evenings are bringing folk into the pubs earlier now, I’m used to wandering into an almost empty Stramash at the back of seven for the Scat Rats, but now it’s miserable and colder outside, all the best views are already taken by the time Babe Station lures me in (despite my determination to be in before the Rats started on Friday evening, once again I made my entrance to it, haha). They’re playing Stramash again next Friday, can I make it in earlier?!

I also caught Jed Potts and Nicole Smit both times they played at Whistlebinkies this month, always a delight, and oo, they’re back in Binkies next Saturday afternoon (two Saturdays in a row, great stuff!). Jed was back there this evening with his new band Power Denim, yeah, I gave it a miss just to catch you up, but I will be trotting up the way soon for the Louis Crosland Trio at midnight, third time this month. It has been a pretty fine month for me music-wise, I just won’t think about the rest of it.

I’m determined to get back on top of things next month, er, tomorrow. After a lull in my Park meanderings I’ll have to get back out there more, get into practice for going all the way to Arthur’s Seat for New Year’s Day, and probably Christmas Day before that; yes, I’m staying here in my moose cave this year!

Anyhoo, time to toddle off. Toodle pip, mes amis!

Yeah, I like me some live music

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Saturday evening, six o’clock and it’s already almost dark, bah. I’ll be heading out soon, the Louis Crosland Trio are on at Stramash at seven, but there’s just enough time to catch you up, well, it’s been such a great week music wise.

Wednesday evening I was in need of a pick-me-up, a quick scroll found one in the form of Jed Potts at The Jazz Bar early evening. One leisurely half and a set of Potts and I was restored! There were plenty of people in, well, all the tables had folk at them, oh, I was fine standing (swaying along) at the back, but I was also ready to swoop in when a couple left.

Thursday evening I trundled down to Leith Arches where Messrs Marah and Rough, in LC mode, were supporting Native Sun over from New York on tour. There were two more bands playing but I missed the first and just caught part of the second, they were quite psychedelic, not bad, music for an indie movie soundtrack. Hey, I was there to see Logan’s Close and the boys did not disappoint!

Babe Station started the set in style, so lush; for me, one of their best, the intertwining vocals towards the end send me every time. The newish Costume Changes was next up, a moody tune, with flits of foreboding and melancholy. After Hot Blondes we were treated to a brand new tune, they didn’t mention it’s name, so I’m calling it Giddy Up until I hear otherwise. Half and Half had a notch more echo on Scott’s vocals, oh wow, and combined with Carl’s Gretsch, chillingly atmospheric (I’m thinking an Edgar Wright film soundtrack).

Gouching On The 33 had the crowd singing and swaying along, and on into Heart-Shaped Jacuzzi too; that was meant to be the final song but of course, the crowd called out for more and from the way the guys were debating, they hadn’t planned for another, they asked for suggestions, oh my heartses, we got Merry-Go-Round!! I’ve not heard a duo version before, I’ve wondered how they’d do the long instrumental part, I think they were still wondering about that too, haha. I reckon the acoustic version should just wander off on its own track there, do it’s own thing, it’s such a different creature to the studio showpiece. Whatever, I do hope it’ll start appearing on Scat Rats set lists.

After that, the headliners Native Sun were good, but honestly, the evening had already peaked for me, I did enjoy them, the lead singer sure has it. I would see them again, if they’re ever back in Edinburgh.

That’s how far I got writing (and rewriting) bits of this on Friday and Saturday early evenings; the hour between six and seven is much shorter than any other hour of the day! Hence, on Friday evening the Scat Rats first set was nearing it’s end by the time I strolled into Stramash. So I was a little freaked to realise that yes, once again, it was that spell of summoning, Babe Station being played! Scotty clocked me and looked equally bemused. As Stu from Logan’s Close was in, Hot Blondes had extra harmonies, yay (like they’d have let the opportunity go to waste!).

It was back to Stramash, the back of seven, on Saturday for the Louis Crosland Trio, yes, this time they were playing! But only as mentioned on Instagram at the start of the week, the poster and website both showed Safehouse, who, incidentally, were the band that played instead of LC3 the previous Saturday (hmmm). Sorry, but it is a bugbear of mine, the poster, okay, but why not correct the website, huh?

And that’s been my week for music so far. So far – I’m tapping this out on a megabus heading to Newcastle. Turns out that pub that Carl Marah is playing in at four this afternoon has a fine selection of real ales and decent ciders! It’s Station East just over the bridge in Gateshead. Well, why not? It’s actually my first time on a megabus, not only is it cheap, the views from the top deck, travelling down the coast have been excellent!

Next week is not nearly as good as this has been. On the other hand, the week after does have Mr Marah doing his thing in the Voodoo Rooms, with a full band too! You really should go if you’re in Edinburgh, really.

Toodle pip!

Shut up you tiny fool!

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Is something I should say way more often to my monkey mind; it’s also something I was singing last night at The Stand (along with the rest of the audience, it wasn’t just me doing a musical heckle, that would be weird). Yes, John Robertson was back in Edinburgh for one evening as part of his UK tour. It was a toss-up between him and some band playing at The Hive (it popped up on my Instagram and looked intriguing), I didn’t decide til early evening. Hey, one hundred minutes of manic glee? It had to be.

The Stand was packed but it’s not too difficult to find a single seat close to showtime. Being British I felt bad plonking myself on a stool that would ruin the view of the person behind me, on the otherhand, the stool was clearly visible, if not me then someone else would have most likely sat on it as the room was very full. Being me, seeing a Fringe show outside of the Fringe initially feels slightly wrong, a shake of the head and I’m rejigged.

Fringe shows are generally an hour long, so two hours with a twenty minute break is a real treat, and that long with John Robertson was almost overload. I have to mention his hair, it looked amazing last night, so fine, so silky, sorry, but it was. The show is called John Robertson Plays With The Audience, and yeah, that’s basically it, anyone, anywhere in the room is fair game, he scans the room for anything that tickles him and then pulls it into the narrative, weaving it in amongst the other threads. There was plenty for him last night, we were all howling with laughter (and a pinch of relief), no idea where he’ll go next (I’m not sure he did either); and of course, there was the raucous, fuzzed up ukulele tunes (not sure George Formby would make of them!)

If you’ve not heard of John Robertson before, are reading this thinking, oo, I’ll pop along to one of his shows, Brucie likes him, a few points for the uninitiated …. it’s adult content, I do mean, adult content, and not a show to take your parents or maiden aunt to, unless you intend to disappoint them (on the otherhand, a disgusted walkout always delights Robertson) or are prepared to be shocked when they roar with laughter. One thing though, he maybe shouty and manic and out there, but he’s also a lovely human being who knows when to back off and does so (there was a real bunny in the headlights moment last night but a skilful swerve and the show revved away from it).

I’ll leave you now, but just one thing, totally unrelated to the above. You know how I regularly check social media so that I don’t miss any music I like …. hmmm, this Saturday evening, who to see? There’s the Louis Crosland Trio at Stramash at seven o’clock or The Moanin’ Bones at Whistlebinkies at seven o’clock. I know these details to be correct at time of writing this, maybe I’ll catch a set of each? I am very intrigued to see who’ll playing guitar with The Moanin’ Bones!! Hahaha.

See! the Old Town Pub Co calendar

Music to soothe the soul

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I had no tickets booked for yesterday, just as well, seeing as the night before I was in Whistlebinkies right until the bouncers started herding everyone towards the exits. The Louis Crosland Trio were playing from midnight, three sets, I couldn’t bring myself to leave! Yeah, Friday morning didn’t happen much apart from the absolutely necessary stuff. Some washing up was done, well I needed a few clean mugs and a clean wok for another stir-fry tea. It really wasn’t a fringey sort of day….

Late afternoon I spotted the marvellous Carl Marah playing in the latest incarnation under George IV Bridge so, naturally, I had to pop in. It’s back to being called the Cow Shed and I must say I like what they’ve done, and there’s a couple of Stewart’s ales on tap (a tad pricey, but hey). Surprisingly Carl didn’t have another gig to get to until much later in the evening, so we caught up a while, and saw a wonderful wee band Andrea Carlson & the Love Police, like wow, gorgeous sounds! Sitting there in a pop-up bar, good company and a band playing retro swing tunes, mmm, a pure Fringe moment. I stayed for their full set (I’ll definitely be paying more attention to the board listing the acts, as I go past) then headed out on to Cowgate.

Bless my cotton socks! What in the Fringe did I see? That master of spooky storytelling, Will Seaward, yays! Big hugs! One of the loveliest humans who ever played the Fringe (we first met twelve years ago when he flyered me and my friends on the last night of the Fringe for a midnight show – we went!) What a lovely catch-up, Will always did have a highly infectious joie de vivre! Then, not two minutes later below South Bridge was Will BF putting up posters for Moon Team IIIV (just recently started, on until Sunday 24th). Another catch-up with another of my Fringe favourites, a mighty fine day. It was well after nine before I started on my stir fry (then crashed asleep on the couch).

A mention back to the marvellously talented Carl Marah, he’s playing a set of his own tunes at the St James Quarter Sessions on Monday 18th afternoon. It’s free but ticketed, tickets can be got through the St James Quarter app, I’ve got mine! It says he’s playing at the Everyman cinema, so that’ll be me in there for the first time. Oh, and this evening I’m going to check out a free Fringe act that Carl really likes, unlike his friends who he’s taken along in past Fringes! I’ll let you know how it goes.

Must pop out to buy some nice bread, nice bread because I bought some scallops at the Farmers Market this morning, only nice bread goes with scallops.

Toodle-oo, for now!