A late contender

So it’s almost over for another year, already some venues have reverted back. The flyerers have been making a big effect today to fill that last performance, all those I’ve chatted to have loved their time in Edinburgh and would come back again another year if the opportunity arises. It’s even been good weather this weekend, so I’ve been out getting a few more photos.

About now I start composing my Fringe Top 20, oo this year there’s a few in there for top spot. On Friday I went to the Underbelly warren in the Cowgate (very surprisingly the only time I’ve seen a show there this year) for Nick Coyle:Queen of Wolves, ok so I’d been hoping it might Half Price Hut at some point but I finally bowed to my instinct and bought a full price ticket. Like, cor Blimey guv’nor, so worth every penny.

This was outstanding, as a naive, nervous Bronte-style governess he was very good, and he can play the cello. Yes, it was a comedy but the horror aspects were quite chilling. The moving chair and falling books, the sounds around the house, the incessant sound of the rain, all really kept the tension going. Nick Coyle kept his audience gripped from start to finish, and that finish! Well done, sir! If I wore a hat I would take it off to you!

 

Seeing double

I do like a good laugh (really? I never would have guessed) and there are plenty to be had at the Fringe, as long as your Fringe-dar is working well. You’ll know it needs resetting when the third show in a row just doesn’t work for you (it happened to me some years ago, I still shudder remembering that day).

My fringe-dar was working well when I first picked up on Goodbear a few years ago. This year it bleeped at The Intimate Strangers: Mr Bond. Yes, it’s working fine, these two are very good. They have some great ideas and twists, some pure genius, but there’s something not quite right yet, something needs something!? Heck, I’m only a moose, sometimes words fail me. I do hope they return, I want to see them back next year, I’d definitely get a ticket.

Another duo new to me are Studio 9, though I think they are Fringe veterans from another show. These two are what I think The Intimate Strangers could be, again great writing and ideas, these two have a great chemistry and perfect timing with each other, needed for the pace they go at. Really liked the seagull sketch, one of those that sneaks up and grabs you by the funny bone.

Oo, another duo I saw early on, The Establishment, playing at the Omnitorium this year. I caught them towards the end of the Fringe last year, an unexpected delight of whimsy and absurdity, so glad they’re back. The Omnitorium is a great venue for them, being odd and quirky with a slight air of anything could happen. The show is ridiculously bonkers, as two terribly British chaps they are wonderful but there’s a sinister layer underneath bubbling away. I did feel the material was a bit thinner by the end, but still entertaining.

There was a bit recently on the BBC News website about whether comedy duos have had their day, judging by this lot I’d say there’s new day dawning for duos.

A turkey and a Tuck.

Goodness me, it’s the final week already. More shows finished at the weekend, new shows take their places and I have my eye on a few I’m thinking of seeing. As I’ve mentioned before I’ve seen this year’s turkey, its always good to get it out of the way, of course I could yet see another one! So what was this travesty of theatre that deserves the title of turkey?

Oh dear, I can hear my old mother’s voice, “If you can’t say anything nice, don’t say anything at all!” Sorry mother, it was Egg at Bourbon Bar as part of the Free Fringe. It was a packed out room, whether the rest were more up on what to expect, whether it was just their sort of thing I don’t know, but I just found it too pretentiously arty and she was too softly spoken to be heard at times. I try to find something to like about it and from the applause at the end others did seem to like it, though I noticed a number of folk walking past without putting anything in the bucket. Bad form! Only a show one walks out of early is worth nothing, if one is there til the end it’s worth at least some spare change or my usual is a fiver.

At the other end of the Fringe spectrum, I seriously enjoyed Thom Tuck’s show An August Institution, at 3pm at the Dragonfly. A wonderful hour of silliness and a rather bizarre make-over, I suspect those who got a lot out of Egg, may not appreciate Mr Tuck’s humour.

Well, I’ve enjoyed it since I first saw him in the Penny Dreadfuls’ Aeneas Faversham back in 2006, bloody excellent show it was! Saw them each year after that and when they all did solo shows. Thom was the one who continued to come up each year to do a variety of shows, including on the Free Fringe. His show one year even got enlongated into a short series on Radio 4! I saw his Scaramouche Jones in 2015 which delighted and moved me (it’s in my diary for 2025). Yes, I reckon he’s become an August Institution and long may he remain so!