Who needs a good bear, when you have Camels?

Ok, so I mentioned in So long, farewell, ta-ra, toodle pip! three shows I’ve seen but hadn’t mentioned before, well, they’ve gone now anyway! Bloody good shows they were too!

What of all the other shows you’ve seen, Brucie, I hear you ask (mooses have very good hearing), and you said you’d tell us more about the early shows?! Yes, I know, but it’s hard in the madness that is Fringe to keep all one’s plates spinning. So I’ll press on and rundown my shows til I had to depart Edinburgh on my mission of mercy.

Preview Friday I managed six shows, yup, six, but that was from ten in the morning ’til one the following morning! The Shakespeare For Breakfast crew were on top form again!! I was surprised how many seats were left, hopefully they’re now selling out with their excellent modern twist on The Taming of The Shrew. A great start to my day!

Next up, new to me Camels, which excitingly was in part of the all-new singing, dancing underneath of McEwan Hall; very modern and entered via the blob thing in Teviot Square. Oo these chaps are good, recalling my Seeing double post from last year, this comedy duo make up for a lack of Goodbear this year! Tom Neenan’s: It’s Always Infinity was another corker from him (maybe not quite to the heights of last year’s Attenborough) it took a wee while to pull me in, but by the end, with the by-then obvious punchline in sight, the audience were all sitting cosily in the palm of Tom’s hand. What a piece of genius writing, long may he grace the Fringe with his wit and style! I did spot, though it took me a while, that the chap in the video clips was non other that David Reed from the Penny Dreadfuls (as is Thom Tuck).

Next up was a show in a big blue box, from Switzerland, umm, the humour just didn’t translate for me, and I’m going to leave that one at that. I recovered myself with a curry at the Mosque Kitchen for tea, first visit this Fringe and it won’t be the last; good, quick, tasty grub. I finished my day at the Gilded Balloon with first the Scottish Falsetto Sock Puppet Theatre: Superheroes, finishing with the wonderful Will Seaward now telling his ghostly tales in the Dining Room. The SFSPT:S was good but having seen plenty of trial bits previously on their Facebook page, I think some of the dumped bits were better. If you hadn’t seen them, then the show is perfectly fine with plenty of laughs and groans, and some rather obscurer fanboy jokes. Then the clock struck twelve and it was Will Time!! Nuff said really, another late hour of terrifying tales and howling horrors but in a bigger room this year!

And then it was home to bed! Well, it’s time for me to maybe venture oot into the rain. It’s been chucking down all day, hence my catching up here. Time to book a few more shows, methinks.

Toodle pip!

A work in progress

Goodness me, how time flies when you’re having fun! Just have time to give you a quick rundown of shows so far – before I have to run back up to the Gilded Balloon for another one.

First night, top show was Russell Howard: Work in Progress what a lovely lad still and blimey it was 2007 when I last saw him at the Fringe, before all the fame on the telly. In second place comes Rob Kemp: The Elvis Dead, more on this show later, but if you like the film Evil Dead II and old Elvis songs, go see it! In third place on the first night, sorry guys, The Pin: Backstage. It was still very good 4☆, but at times it felt a teensy bit lame which was a shame because most of it chugged along fine with brilliant flashes from time to time.

Thursday I managed four shows. No obvious order of brilliance here, Games by Henry Naylor was more of his usual, minimal stage, thought-provoking, powerful female performances – go, watch, learn. Belly of a Drunken Piano at the Assembly Rooms, if you like Tom Waites you’ll love it, if you don’t you won’t. My highlight was Martha, it’s so long since I played it. Next up Felicity Ward: Busting a Nut, a bundle of neurotic joy! One of my favourite Aussies. To finish the evening with a bang Thrones! The Musical!  Definitely more on that later!

And that’s only up to last night! There’s another five I’ve seen so far today, and two more to come!!

Onwards and upwards!

Don’t worry madam, he’s a trained stunt dog.

Another sweltering night in Auld Reekie, the cars go swooshing by outside, the occasional drunk screeches her boyfriend’s name, a nearby gate gratingly squeals open and clatters shut again. Ah, the Gotham effect! Love that show, sooo stylish.

And a duo who definitely have their own distinct style would be The Establishment, not unlike a couple of really creepy henchmen, who you may be fooled into thinking are just buffoons but they’re really creative geniuses in the art of psychological torture. Do go see them😆  This year they’re doing two shows, Fool Britannia which runs right through to the final Sunday and Le Bureau de Strange just two nights where they’ll have “very special guests”. I’ll fit in Fool Britannia but I have a number of late night shows to choose from and at my age beauty sleep is essential!

Another duo, possibly the most distinctively recognisable duo at the Fringe for more than ten years are Gamarjobat; a mohawk-sporting, shades-wearing mime comedy act from Japan. Yeah, I know, mime, a word that can inspire almost as much disdain as juggler, but these guys are seriously and uproariously brilliant at it! They should be, they’ve been doing it for yonks.

The first couple or so years I think they were just a street show, then in 2006 Bud and I saw their first proper Fringe show and the following two years. In 2008 was probably the first time the second half of the show was The Boxer not a million miles from Rocky in it’s storyline, this was mime on another level, to this day a standout Fringe moment for me (and probably Bud too, he was a big fan of Rocky and got bits that I missed). They still perform on the street when they’re here, so even if you don’t go to the show you can catch them, still mohawked!

Bruce loves candy

Hurrah! Those lovely people at Assembly announced on Friday that they are once again doing their Locals discount, that’s all Assembly shows from the 1st to the 5th for a fiver (to a maximum of six shows) at their box office, evidence of an EH postcode required. Woohoo! A swift perusal of all my cutouts and the Venue guide section of the Fringe programme  (it lists all the shows at each venue), et voilà, five more shows picked out.

This is a particularly good deal as Assembly shows are not cheap, even the previews can be costly – I paid a tenner for Thrones! The Musical! preview show just in case the residents offer wasn’t on this year. I can now happily snaffle sweets from the Baby Wants Candy flyerers as I’m finally going to see them (I’ve always felt a teensy bit bad taking their sweets as I never saw them or intended to). Again, their previews cost £10, then up to £14-£15, yeah a fiver sounds good to me.

Sleeping Trees have uprooted themselves again and are now in one of Assembly’s Studios. Couldn’t miss these guys but again, Assembly prices, so though they should really be in the middle week (see  It’s the wrong order, Gromit!) I’ll be seeing them the first weekend for just the fiver and I can see another show with the change! Fingers crossed they do Sleeping Trees and The Chocolate Factory again, that’s oodles of fun. It’s not in the programme, never is, but watch out for posters around the Pleasance Courtyard.

Assembly already have their George Square Gardens set up and running as part of the Edinburgh Jazz & Blues Festival, so when I ambled up to get my tickets I was able to check this year’s layout. There’s a new bar at the bottom of the garden that has an upper level. Silly me, I didn’t check the drinks prices to see how much I won’t be drinking, but I did notice that whilst there’s no decent cider, they do have a couple of IPAs, so I may treat myself to a Deuchars before a show.

Toodle pip!

 

 

 

The Tuck returns.

Hello peeps, today I am a rather poorly moose, though not half as ill as I felt yesterday, couldn’t hardly raise my head 😩. In my fevered condition my mind wandered (it does that a lot anyway, my little legs would be knackered if they had to actually go along too) to a name – Thom Tuck. Ah, where is he this Fringe? After being An August Institution last year I haven’t actually noticed him anywhere in this year’s programme. Hmmm. So having hauled myself from my sick bed and breakfasted on porridge with honey and raspberries I investigated……

Oh yayyy! Phew! The Tuck is back! He’s hosting the Alternative Comedy Memorial Society (ACMS) with John-Luke Roberts late night at the Monkey Barrel Comedy Club. I shall definitely popping along to that. Tuck and Roberts together? That’ll be bonkers enough, never mind the guests! So, if he’s doing that late night, what’s he doing the rest of the time? Oo, he’s in one of those all comedians plays Courtroom Play: A Courtroom Play at 12.25 in the afternoon, plenty recovery time from the late night. Ah, just looked again at ACMS it goes on til 2.30 in the morning, every morning of the Fringe (Wednesday nights are quiz night), Tuck’s going to be tuckered out by the end of August 😆

I’ve also discovered he’s putting in a couple of appearances at the Comedy Club 4 Kids. A lot of comedians do it now, why not? The fans of the future and a different perspective to more adult-honed shows. In fact I’m rather miffed as Thom’s first date also has Brendon Burns and Colt Cabana there and I’m busy that day, grrrr. Brendon Burns for kids, I have to see that sometime!

Burns and Cabana are back with their Comedy and Commentary to Bad Wrestling Matches late night at the Monkey Barrel, hmmm, just a five minute overlap with ACMS, interesting! I’ve never been but have it on good authority that it is worth seeing. Brendon himself has downsized again, not quite the free fringe but Pay What You Want (or £6.50 ticket in advance) at Heroes@Boteco, apparently his twentieth solo hour! I shall be there.

Time for my lemsip, toodle pip!

Anya Anastasia sings again

It’s a tad late, I’ve been perusing the Fringe programme again and lost track of time but thought I might share with you some of the possibilities I found this evening and why they caught my eye. I’ve taken to marking up on each cutout a rough time of day, in case there’s enough earlier shows to warrant booking more annual leave off work.

First to catch my eye Accordion Fight Show, it’s late night in the final week, only a fiver and apparently has “the world’s loudest, nakedest accordion player”!! No it wasn’t “nakedest” that got my attention, I happen to enjoy accordion music!

Anya Anastasia I’ve seen before, oo, she’s moved venues again, this time to the Gilded Balloon; fun, a sharp wit, pretty good voice and wickedly dark songs, but still, it’s pricey,  marked up EVE and HPH (half price hut). Another from the Cabaret & Variety section is The Voice Behind the Stars the story of Marni Nixon, ghost singer on so many musicals I used to watch as a young calf; tempting but another HPH.

Adam Larter: Boogie Knights caught my attention ’cause of his starey eyes in the picture, that and “just a typical medieval story told through disco”!? So that’s an AFT and PWYW (pay what you want), how bad could it be?

And how bad will Ciaran Dowd be in his first solo show Don Rodolfo without his fellow Beasts? I ponder this as the first Beasts show I saw was outstanding with plenty of hysterically funny ideas but their follow-up show was disappointingly unoriginal; this one may need more checks, so REVIEWS and LATE.

To end this evening in the Comedy D’s, Douglas Walker Presents: Of Christmas Past, “the sinister, absurd true story of Christmas” with a picture of a chap in polar gear gazing into the distance, my fringe-dar is definitely beeping at this one!

You know, I think I may be starting to feel ever so slightly excited about this Fringe lark again  😊

Well, that’s the previews sorted!

If you read my last post (and why not?!) you’ll be dying to know what happened, will I have to miss my films? Well, good news, I will be heading back to the mother ship this weekend so won’t miss any of EIFF 2018, yay! Bad news, the whole piss-up/brewery thing has been totally cancelled this year (bloody numpty!) I am so not impressed.

Since then I’ve completed my first scour of the full printed Fringe Programme and bought my first batch of tickets, mainly previews with a few others. As there is now a booking fee of 80p a ticket that stops at £4.80 it makes sense to buy enough tickets to reduce the effect of it – £4.80 booking fee for fifteen shows is quite reasonable, I’d say!

I’m going to kick off this year with Russell Howard, good to see him back and for only a fiver! Mind it is called Russell Howard – Work in Progress, hmmm, first night could be interesting (interesting=shambolic). The ever delightful Felicity Ward (pic below is me swooning over her poster) is back and hopefully on time. I have 30 minutes to get from Pleasance Above to George Square Theatre for Thrones! The Musical! this is perfectly doable, just as long as the Pleasance aren’t running too late. Considering how long they’ve had to get it right you would think it should run like a well-oiled machine but, well, it doesn’t always.

After a break last year everyone’s favourite sock puppets are back  with a new show Superheroes, check out the Scottish Falsetto Sock Puppet Theatre on Facebook or YouTube for skits and songs on the subject (love the Deadpool and Black Lightning videos). As ever they’re in the exceedingly warm Sportsman room at the Gilded Balloon, grab a flyer on your way in to use as a fan!

At the witching hour the wonderful Will Seaward is back with Spooky Midnight Ghost Stories V, but what’s this? He’s no longer in the Wee Room, he’s been upgraded to the Dining Room! Yay!!

Oo, and I got me a ticket to see the Ukulele Death Squad as they’re bound to sell out. They’re back at the Leith Depot near the bottom of Leith Walk, an exceedingly hot room above the pub but it does have its own bar. Well I actually bought two tickets as it’s on the Friends of the Fringe list of 2for1’s, so if you’re reading this and will be in town Sunday 5th, I have a spare half price ticket for one very lucky individual! Bang Bang!

Toodle pips!

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Paddington: The Fringe Show.

I just went back to see Paddington 2 for a second time, almost seven weeks after I first went to see it – I guess it’s a success, not many films stay on the big screen that long these days. Once back home I did that thing folk like to do these days, looked up the film on IMDb to see who’s done what where. But what! What! Tim Fitzhigham and Dan Antopolski were both in it and I missed them? Oh, and Cal McCrystal had a cameo besides being the Physical Comedy Consultant. FYI all Fringe favourites of mine.

Justin Edwards and Richard Ayoade were also in it, didn’t miss them, well it would be hard not to spot Richard Ayoade, who, incidentally, was being directed by Paul King (director of both Paddington films) in Garth Marenghi’s Netherhead the first time I saw him at the Fringe many years ago! One last tentative Fringe connection Tom Conti, well, I’ve seen him in town in August – up to see Nina?

In fact the first evening I saw Paddington 2, I saw Justin Edwards twice as he also had a part in The Death of Stalin (oh yes, two films in one evening with a trip to Nando’s sandwiched between them, well, I do have an unlimited viewings card). At the Fringe Justin Edwards had a magnificent creation the children’s entertainer Jeremy Lion, possibly one of my Desert Island Fringe Shows! More on him another time.

It is great when I see folk who I’ve seen in small, sweaty venues on the big screen, guess it reflects how long I’ve been fringing. Both Paddington films are excellent, having all the elements in the right proportions to make cinematic classics, and they came from a guy who first directed at the Fringe. What an inspiration! Crikey, I’ll be singing Circle Of Life next!

Next film I’ll go see may well be Three Billboards Outside Ebbing, Missouri by Martin McDonagh, who also wrote the bloodiest play I’ve ever seen, or will probably ever see again, at the Fringe, The Lieutenant Of Inishmore. See another Fringe connection!

McNeil & Pamphilon: which ones were they?

Ones who gave out badges at the end of their show, yay! I do like a show that has free badges at the end. That was in the Pleasance Dome in 2011, the show was McNeil & Pamphilon: Which One Are You?, which besides sketches had them looking at their differences and how fans have their favourite of the two (I was definitely a Pamphilon). These two are very funny and play off each other brilliantly, they’re so relaxed and endearing it felt like watching two pals bantering in the pub, keeping everyone else thoroughly entertained and happy just to listen.

Okay at times they seem disturbingly close, like when McNeil had to touch Pamphilon’s balls – it’s there in my old Fringe diary, followed by “(rubber glove and lube)”?! McNeil also drew the short straw in the fashion stakes, Pamphilon looks cool in anything, but McNeil can make the same clothes look crap, demonstrated to make the point (oh, it was well made) by borrowing a hoody from an audience member. Old diaries are fun, apparently the School Rabbit Sketch was VERY sick and funny, I’m sure it was, wish I had one of those memories that can actually recall details! I gave them four stars.

We saw them again in 2012, this time in the Baby Grand at the Pleasance Courtyard, a small, hot room, so, much like most venues then. Threading through the show was Pamphilon’s body-swapping machine and the joke that he fancied McNeil’s mum. Another four stars given.

2013 was the first time they brought Go 8-Bit to the Fringe, and more badges! Yay! Despite never having been much of a videogamer, I thoroughly enjoyed it seeing the enthusiasm and competitiveness it brought out! And the horror of some of the forfeits the lads, as team leaders, had to endure, well Pamphilon mainly. Forfeits like downing three shots of cheap vodka, eating a jar of chillies, getting dead-armed by all the winning team. All good fun, and worth five stars!

Oo, 2014 it went hi-tech, instead of, please switch off your mobile, it was, switch it on, go to the website and vote for who you think will win each video game. Umm, I didn’t bother, ok, so more like I was still getting used to my first android phone and didn’t really know what to do. Just as well, turned out that one lucky person who voted would then be randomly picked to play in the next game, aargh, like seriously, no way could I have done that! Hmmm, back down to four stars!? I did note that the forfeits weren’t as cruel as the previous year’s, was that a reason to lose a star?

As luck would have it, flicking through tv channels on 5th September 2016, I settled on a show on Dave hosted by Dara O’Briain, he’s usually a safe bet. Then, oo, isn’t that Steve McNeil, and there’s Sam Pamphilon, blimey Charlie, Go 8-Bit’s made it on to the telly! Nice one. Hang on, why is it Dara’s? No, it’s not yours Dara, it’s Sam and Neil’s, give it back! That was literally my thought process over the time it was on. Hey ho, maybe Dave wanted a bigger name to be able to entice viewers in. There’s been two series shown so far and another coming up next year. Well worth a watch, with a few beers, natch. It’s still great to see how competitive and focused some comedians can be, yeah right, Calman, it’s just a game!

Shame they don’t do the really cruel forfeits  😆

 

Nick Helm on Dave

I was just flicking through the telly channels when I happened upon Eat Your Heart Out With Nick Helm. Huh? Nick Helm has a food programme now?! Mr Shouty was conversing in French and later showing off his few words in Portuguese, all in lovely mild manner. Hmmm (looks into the distance, head to one side, a hazy wibbly-wobbliness takes us back, back…)

Friday 3rd August 2012, rushed home from work to get to the Pleasance Queen Dome in time for Nick Helm: This Means War. My choice, I just really like the poster, very Flashman/ Rik Mayall’s Bombardier, it worked for me. I had heard he was quite loud, quite loud?! He came on singing a Motorhead song, well, shouting it, then he seriously ripped into some of the audience, boy, was I glad we were well back in the middle of a row. One poor chap ended up on stage peeling spuds and being yelled at for most of the show, but while we felt the fear we enjoyed the show anyway.

I didn’t see Nick Helm again until 2015, well to be fair, in 2014 he only did two nights at the Pleasance Grand at £15 a pop, that’s ’cause he’d made it on to the telly in Uncle. Then in 2015, he appeared on the Free Fringe with a catchy show title, Nick Fuckin’ Helm: My Edinburgh Hour. This time, a young chap at the front who hadn’t clapped and laughed enough was made to sit behind Nick on the stage so that a more appreciative lady could gave the seat, again I was glad to be well back in the crowd! It was another very entertaining show, especially as the venue sound limiter kept cutting out the microphones whenever he sang – it’s not like Nick Helm really needs amplification in a room that size anyway!

So, his new tv show on Dave, well I really enjoyed it. Him and a mate just go places, eat loads of food and meet the chefs who cook it, and he’s quite sweet actually. There were two half hour shows together, the second had Nish Kumar as the buddy, he’s another chap who’s doing rather well these days. I saw him doing McNeil and Pamphilon’s Go 8-Bit back in 2013 and 2014, yes, at the Fringe it was theirs, not Dara O’Briain’s.

More about that later.