Extreme fried chicken?!

No Bob, that wasn’t a drunk post, I was merely overtired and feeling ranty (my tablet wanted to change that to Randy, yes with the Capital, either way, I wasn’t). Unstoppable was a great action movie, fast-paced and didn’t take itself seriously.

Also from that neck of the woods was Extreme Job, another action film but with plenty comedy helping it along. The plotline was instantly recognisable and I have absolutely no problem with that – they did something really fun with it. Useless team, about to be disbanded, mocked by their fellows, last-ditch try, come out winners; blundering police narcotics team determined to prove themselves, realise the best way to keep surveillance on Mr Big is to take over the fried-chicken shop directly across from one of his “businesses”, becoming successful selling fried-chicken rather disrupts their plan, then, well, let’s say, karma plays a hand, and it all ends happily ever after, after some great fight scenes.

I love that what makes their takeover so successful is the recipe they use for the sticky chicken, which (if I remember correctly) is the nominated chef’s grandmother’s recipe for spare ribs, the only thing he knows how to cook. The looks as they contemplate putting a pork recipe to chicken! It tickles me that there are people who wouldn’t allow such a thing (there are you know, I’ve met them). Necessity once again the mother of invention! Oo, and I do like the idea, sounds very tasty.

From the tasty, to something you’d push around your plate with a fork while asking what exactly it is for the third time. Volcano looked intriguing from the programme blurb, “splendid black comedy” and “a gleeful sense of the absurd”; it was intriguing but as in I was never too sure what was going on. I dunno, I did sort of enjoy it, pondering, some beautiful cinematography, quite Kafkaesque; chap gets misplaced in the border region of Ukraine, is befriended by a local (with a lovely daughter!), tries hard to get back to civilisation without much success. Ah, yes, there was a Q&A after it, the director is more of a documentary maker apparently and like How to Fake a War they used a lot of locals in acting roles. Volcano‘s ending wasn’t with an eruption but a perplexing “I think I know what just happened, but don’t my word for it”. I think I would watch it again if it ever appeared on telly, just out of curiosity.

For those counting, you’ll know there are just three films left!

Toodle pip!

From Finland to France in 11 days

Yay! I have my film festival tickets, all thirteen. Oo, hope it won’t be unlucky, ummm. Only two are at the dreaded Vue and I’ll have to be sure to leave my ukulele class sharp to make one of my films (yes, I’ve just started ukulele lessons!) but apart from that all’s well.

From Finland to action in Hong Kong, to faking a war in Georgia, to singing school girls in India, a wedding in Australia (not that one), to more action in South Korea, a few trips in amongst to Spain, another tale from India, a surreal comedy from Ukraine before ending with a mystery in France. Phew!

And that’s takes me to the Saturday evening. On the final Sunday there’s the annual Best of the Fest, which is a selection of the best and most popular films of the festival for just £5 a ticket. So, if I spot something else, there’s always the chance it could be on then.

Ah, I’ve just remembered, umm, that unlucky thirteen. The Filmhouse seems to be having a few problems currently with heating and work being done to screen one….. No! I’m sure everything will be ticketyboo in time, yeah, I’m sure.

Toodle pip!

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Please crunch your popcorn quietly!

Hurray! The 2019 Edinburgh Film Festival programme came out on Wednesday and I’ve already sorted which films I want to see. I toodled along in the evening to grab my two copies – same procedure as Fringe planning, one to peruse and refer to, the other to cut out all potentials; then, as it wasn’t a huge diversion, I popped into the Jolly Judge for a couple of ciders and a quick flick through of this year’s offerings.

No showings at Cineworld this year, I take it that’s just because of the huge renovation works still going on there at the moment and not an end to their participation. I do hope so, fewer cinemas means a greater chance I’ll have to see something at Vue in the Omni centre. Huh? I don’t know why, I just really don’t like the Vue cinema at Omni. Yes, I have been in it, twice; it feels “wrong” to me, my fur bristles and I’m ill at ease, odd I know.

I’ve selected thirteen films to see, but this may have to whittle down to eleven. I can guess you’re thinking this will make a sizeable dent in my Fringe Fund, but probably not nearly as much as you’d think. Tickets are generally £12 for new films and £8 for the retrospect (this year it’s A Retrospective Celebration of Modern Spanish Cinema, yay), which is comparable with usual cinema prices; then, add in a discount for seeing more than six films (25% up to nine, then 35% above that) and it’s very reasonable. Those thirteen films will cost me £89.60, bargain! As usual, to be included in my selection, none of my choices are ever likely to be shown at Cineworld – I don’t pay to see films I can see with my unlimited card later.

So once I’ve picked out my choices I have to see if I can fit them round each other, this is the tricky bit! New films are shown twice, retrospects once, with everything crammed into seven weekday evenings and four chock full weekend days (there’s very little in the week day times), so many choices will collide with each other! You think you’ve solved this Krypton Factor puzzle, stroll up to the Box Office and discover one of your definite must-sees is already sold out for the showing you chose!! This can kick everything else, so carefully planned, into touch. As I book early nowadays this is unlikely to happen (he says, touching wood) but I always have my list in order of preference and my mapped out diary with me when I buy my tickets (like a good boy scout I’m always prepared).

Looking at my cutouts I’m quite happy with them, but if I have to let any go, ummm. Oo, one other thing I take into account is that first showings may have a Q&A with the director, the second showing won’t. I say that, though there was the exception of Likarion Wainaina after the second showing of his film Supa Modo last year, which was delightful and very insightful. I haven’t mentioned the names of my choices of films as I don’t want to jinx anything! The tickets went on sale to the masses today so I should get on. Toodle oo.

Just one more thing, those clever peeps at the EIFF have only gone and snaffled a showing of all six episodes together of the new tv adaptation of Good Omens!!! How glorious would that be to see!! Yeah, but those tickets will all be long gone (no doubt within an hour or two) and it was in Vue anyway. Ho hum.