A bit of banter….

The weather’s been rotten today, it’s gonna be really rotten tomorrow, Thursday it’ll keep being rotten just not as windy as tomorrow. The forecast I saw earlier predicts heavy rain, lots of sleet and the odd bit of actual snow until next Tuesday morning, not a single segment showed a lack of any kind of precipitation ’til then. Welcome to February! This may be the time to finally break out the Breaking Bad box set.

I’ve been watching Staged sporadically over the last two weeks. I missed all of the first series last June, so had to catch up on that before watching the second, just out in January. I particularly wanted to see it as it is mainly David Tennant and Michael Sheen bickering with each other, well, they were the best thing about the TV production of Good Omens (from the book by Terry Pratchett and Neil Gaiman – him again). Staged is a product of the current crisis, it’s about this moment in time, all the restrictions on lives, everyone meeting online. I wonder what we’ll make of it in ten, twenty years time?

The premise is that David Tennant (my favourite of the modern Doctors) and Michael Sheen were due to do a play together in the West End, of course it’s on hold due to the pandemic, but the director Simon Evans decides they should press ahead with rehearsals via Zoom………. The three play exaggerated versions of themselves. As this is filmed from their homes their significant others (Georgia Tennant and Anna Lundberg) and Simon’s sister (Lucy Eaton whose house he’s living in) pop up too. The banter is just wonderful, the beards, the wild-eyed rants and angsty moments, spot on as life in lockdown mode. There is some riffing between Sheen and Tennant but it is mainly scripted by Simon Evans who also directs, stars and co-created it (not to be confused with the stand-up comedian Simon Evans, a Fringe regular).

That was just the first series, the second series isn’t just more of the same, oh no, they take it several notches further. The second series accepts that the first series was just that, a tv series, a successful tv series that Evans has been asked to remake for American television – without Tennant and Sheen! Naturally the two are not happy at this, especially when they’re asked to speak to potential new leads, cue a marvellous parade of guest stars including Jim Parsons and Christoph Waltz. While the second series is still very funny and enjoyable, I do prefer the first, it has a warm charm about it of two great friends just bantering.

Hmmm, if Covid isn’t brought to heel soon, if it keeps mutating and makes the current vaccines useless, will there be a third series of Staged? Just how meta could it get? It’s late, the heating gone off for the night, I need to get snuggly warm and sleep.

G’night, sleep tight. 💛

Please crunch your popcorn quietly!

Hurray! The 2019 Edinburgh Film Festival programme came out on Wednesday and I’ve already sorted which films I want to see. I toodled along in the evening to grab my two copies – same procedure as Fringe planning, one to peruse and refer to, the other to cut out all potentials; then, as it wasn’t a huge diversion, I popped into the Jolly Judge for a couple of ciders and a quick flick through of this year’s offerings.

No showings at Cineworld this year, I take it that’s just because of the huge renovation works still going on there at the moment and not an end to their participation. I do hope so, fewer cinemas means a greater chance I’ll have to see something at Vue in the Omni centre. Huh? I don’t know why, I just really don’t like the Vue cinema at Omni. Yes, I have been in it, twice; it feels “wrong” to me, my fur bristles and I’m ill at ease, odd I know.

I’ve selected thirteen films to see, but this may have to whittle down to eleven. I can guess you’re thinking this will make a sizeable dent in my Fringe Fund, but probably not nearly as much as you’d think. Tickets are generally £12 for new films and £8 for the retrospect (this year it’s A Retrospective Celebration of Modern Spanish Cinema, yay), which is comparable with usual cinema prices; then, add in a discount for seeing more than six films (25% up to nine, then 35% above that) and it’s very reasonable. Those thirteen films will cost me £89.60, bargain! As usual, to be included in my selection, none of my choices are ever likely to be shown at Cineworld – I don’t pay to see films I can see with my unlimited card later.

So once I’ve picked out my choices I have to see if I can fit them round each other, this is the tricky bit! New films are shown twice, retrospects once, with everything crammed into seven weekday evenings and four chock full weekend days (there’s very little in the week day times), so many choices will collide with each other! You think you’ve solved this Krypton Factor puzzle, stroll up to the Box Office and discover one of your definite must-sees is already sold out for the showing you chose!! This can kick everything else, so carefully planned, into touch. As I book early nowadays this is unlikely to happen (he says, touching wood) but I always have my list in order of preference and my mapped out diary with me when I buy my tickets (like a good boy scout I’m always prepared).

Looking at my cutouts I’m quite happy with them, but if I have to let any go, ummm. Oo, one other thing I take into account is that first showings may have a Q&A with the director, the second showing won’t. I say that, though there was the exception of Likarion Wainaina after the second showing of his film Supa Modo last year, which was delightful and very insightful. I haven’t mentioned the names of my choices of films as I don’t want to jinx anything! The tickets went on sale to the masses today so I should get on. Toodle oo.

Just one more thing, those clever peeps at the EIFF have only gone and snaffled a showing of all six episodes together of the new tv adaptation of Good Omens!!! How glorious would that be to see!! Yeah, but those tickets will all be long gone (no doubt within an hour or two) and it was in Vue anyway. Ho hum.