Not my fault, the music beckoned

It’s after midnight, so it’s just less than three weeks to the start of this year’s Edinburgh Fringe Festival, oops, I may need to get my skates on, if I could just remember where I put them! I’ve been distracted by glorious sunny days and evenings fulled with the sweetest sounds (well, nine out of the last fourteen evenings). Yes, I most certainly had to see the Scat Rats three times, and I had to see Louis Crosland playing solo, with his band and with the Moanin’ Bones. Jed Potts was on the early Saturday afternoon slot with that queen of soulful sass Nicole Smit, then he turned up the following Sunday evening, not quite as the poster advertised, playing blues with Jonny Christie on drums and the long not seen Ewan Gibson on bass! A welcome surprise (well, he needs the practice with the Blueswater Fringe gigs coming up, haha).

It’s a regular occurrence for Scott to snap strings but it’s much rarer to see an electric guitar string go!

I also saw Mr Marah twice more – with band at McChuills in Glasgow and solo as first support in Sneaky Pete’s on Friday (picking up my copy of his new EP Me, Myself and I). Unfortunately, due to tardiness and an accident on the motorway slowing traffic, I missed some of the Niche Family set. I did want to see it all as the singer/guitarist is Stuart Neil, that’s Big Stu, bassist and harmonies in Logan’s Close. Did I mention I’d caught them a few weeks earlier in Binkies and thoroughly enjoyed them? Their support slot for Carl was going to be the band’s last gig together, the Glasgow crowd gave them a good send-off, the poignancy of the moment was palpable. Second support were the Black Denims, more country sounds (there does seem to be more honkytonk, americano sounds over West!)

It was a very warm evening, thank god for the AC in the venue room, a shame there wasn’t any in the bar itself, the wall of heat hit hard and the temperature outside wasn’t much cooler. I just grabbed another drink and headed back in to stand in the sweet spot to get maximum benefit from the AC until it was time for the main act. I did move right up near the front but soon moved back as it was way too loud for me, I did try the earplugs available at the bar but they were rubbish and really dunted Carl’s vocals and guitar, a lesson to remember to have my good earplugs with me, just in case. After a couple of songs I went closer again, this time making use of all the lanky beanpoles as shields between me and the speakers, while at the same time being in a reasonable position to see through the gaps.

《It’s very late now, I’m away to my bed, will finish this in the morning》

I’m back, thinking how much more was I going to say, except for it was another brilliant gig. Cat’s Eyes just gets better and better with each live performance and Roll the Dice was an absolute treat for the soul, Me, Myself and I exquisite! The sparse chill of World Keeps Turning especially the keyboards and Carl’s guitar sound had me thinking of Tom Waits; watching the bit that I filmed, yup, I still hear it (in fact, yeah, it’s going up on Instagram, why not). On drums for the evening it was Carl’s other drummer, Ryan Bradley (previously seen on Mam Talent with Carl), a snug fit. The EP is a thing of beauty but live is when Carl’s music really shines. If anyone knows how do a decent bootleg recording …!

On recordings, Logan’s Close are currently down in London town for a couple of weeks recording their second album, yay, whoop!! (see now why I was getting my fill before the dynamic duo disappeared south!) Then at the start of August, in fact on Fringemas Eve (Tuesday 4th August) Logan’s Close are playing support in La Belle Angele for Zambian band W.I.T.C.H. (We Intend To Cause Havoc), I’ve checked them out on Spotify, African rhythms meet psychedelic rock, and boy, sounds like a great way to kick off my Fringe!

That’s all for now. Next time I’ll be musing on the Theatre offerings in the Fringe programme. Toodle pip!

Me, Myself and I and Moose

One Night in Finsbury

I do quite like London, only ever stayed for a few days at a time but I’ve always had good experiences, nice wee cafes, there’s some cracking pubs (living in Edinburgh, the prices don’t make me clutch at my heart in mock horror) and I generally find Londoners to be a pleasant bunch. The Camden Road Hotel was a perfectly fine place to sleep, no breakfast, but from past experience that’s where the nice wee cafes come in, they’re everywhere! It was also a reasonable walk from King’s Cross and St Pancras stations, and an easy bus ride to The Finsbury.

Ah yes, I returned from the continent by Eurostar on the Monday so I could get a decent night’s kip and enjoy a wander round Camden before seeing Carl Marah at The Finsbury (good plan, after two nights in a hostel dorm with exuberant marathon runners in Liege, it was heaven). I also took the opportunity to check out a couple of real ale pubs on the way, as you do, but in time to see both supports.

It was meant to be some guy supporting, I gather something happened fairly last minute but no worries, the ladies stepped up and some. First up was Eve Simpson, a northern lass with an awesome voice and great folk/pop songs, including one inspired by The Hive on Niddry Street in Edinburgh! Probably the first and last time that’ll happen (I know the place, I’ve seen Fringe shows in there, as a night haunt, nah). Speaking about the Fringe, Eve will be up at the Pianodrome in August for two nights, hmm, a distinct possibility. Second up, Kiki Annette over from Germany, indie with a delicious dry humour, wow! Later Carl made a light comment of feeling a tad apprehensive coming on after two such talented singer-songwriters, yeah, methinks he was only half joking!

Then it was time, Carl and his trusted compadres, Gavin Lamont and Simon Toner, opened with the latest single You’re Always Right, oh yay. Lost and Found next, one of my favourites and sooo delicious with the extra depth of flavours the band sound brings to it. I say that’s one of my favourites, they’re all wonderful but a few sneak ahead, like World Keeps Turning, why? I don’t know, is it in his delivery of his lyrics, the timbre of his voice with an occasional slight plaintive edge? The rhythm changes?

What a wonderful evening, there was almost no need for Carl to ask for us to singalong with It’s a long way to Oban, I could hear there was already a strong murmur augmenting the chorus. Carl’s first single Siren Song was in there (I was very in the moment, some of which refused to be retained later). Stags and Hens with it’s world-weary wry charm will always have a place in my heart, and it’s own little burrow in my ear.

Naturally Me, Myself and I, the title track of the new EP was there, one where for me, the solo version has sweet echoes of Gilbert O’Sullivan, not as much with the band. Oh, and from just watching a couple of videos, I must mention that the sound and lighting were excellent all evening. Cat’s Eyes was a total sublime dream, without doubt my top favourite of all Carl’s songs (so far!) The drum and bass motor along so beautifully, while Carl’s voice and guitar take the twists and turns with confident ease. Oh, my heartses!

Carl did cut one song from the set just before Cat’s Eyes as he wanted enough time to do it justice, at just over eight minutes, yeah he did that; but I do wonder what was cut? On the other hand, I might disappointed if I knew. I wouldn’t have wanted any of the songs I heard cut from the set. Final song of the evening was ol’ 5/4 timer Roll the Dice (the Paul Simon one), the guys went for it! All brilliant musicians, it’s a class way to end things.

It wasn’t quite the end of my evening, oh no. Now, at this point I’ll mention that it wasn’t particularly busy in The Finsbury, a real shame the turn out wasn’t better, mind, the folk who did turn up were obviously enjoying themselves and showed their appreciation loud and warmly; but it was the evening of Tuesday 19th May when most of North London were glued to tv sets watching a football match with bated breath. The outcome of that match would determine whether Arsenal would win the Premier League.

When I left the pub to catch the bus, a few cars were passing by blaring their horns, bit exuberant for a Tuesday night, I thought. Then, on the bus, the traffic was really slow, horns tooting rhythms, was this about football?! The bus got diverted, watching its movements on Google maps I realised I was best getting off. By now it was after eleven, the streets were thronged with people in red and white scarves and tops, car horns going off everywhere, folks jubilantly calling out. I have to say, the exhilaration in the air was infectious, so joyous; I had no idea what the reason was, but I realised it was something pretty monumental. What a night to be in North London! Overall, it was pretty damn fine ❤️

Toodle pip!

Here, there and even on the telly!

As promised last post a catch up on Messrs Marah and Rough, oh, they’ve been busy! There’s been the usual Tuesday midnights at Whistlebinkies, I say usual but I’d swear they’ve gotten even better recently, how? I know, right! Maybe it’s from recent activity with the rest of Logan’s Close and the anticipation of summer gigs.

At the end of March, LC played down in Norwich and then Glasgow supporting one Ghost Funk Orchestra; I did consider going over to Glasgow, but after a busy week, yeah, no. But Brucie, it was Logan’s Close?? Ah, but they’re playing two nights in Edinburgh next month, yay (got to get some money together to make the second album, you know). Just one night was announced but the lads already had plans for another gig the following night, and indeed, ticket sales were excellent, all snapped up in less than a month. I’m not sure if they realised the date or decided it would be a funny twist – the sell out and second gig were announced on 1st April, err, April Fools Day, guys!? Did anyone hang fire to make sure it was genuine, I wonder? Anyhoo, the second night is Friday 22nd May at Leith Cricket Club.

Oo, I see badge potential here

Scotty went even further than Norwich with his other band last month. Dr Salad were out playing a few gigs in Cambodia (as you do!?) That was quite a surprise when Scott told me late one night in Binkies, had I heard right? I was like, Cambodia? Huh? Yes really. A trifle bizarre, but then, it is Dr Salad, goes with the territory. When I caught up with him after his return, Scott was certainly buzzing from the whole experience, oh, he’d definitely go back for more.

Carl has also been playing his own music overseas on Mam Talent! Poland’s version of Britain’s Got Talent. He does visit Poland plenty with his Polish fiancée, and last year friends over there suggested he should enter, he did, et voilà …. he’s only gone and made it to the semi-finals!! The live show will be on Polish telly 25th April, like wow. Always busy, the date for the launch show of Carl’s debut Me, Myself and I EP has been announced as Wednesday 10th June, at the Voodoo Rooms, where else?! And it’ll be a four piece band this time – added keyboards. Tickets are available now on Carl’s website (there’s options with a signed cd or signed vinyl, nice).

He did tell me that there’ll be tour dates north and south, but that’s as much as I know, no more details were forthcoming. I wonder if he’s waiting to see how Mam Talent! goes before setting everything in stone? Meantime there’s plenty to watch on Carl’s Instagram, including some great studio diary videos. In a video last Thursday it was mentioned that Carl looks more like George Harrison than the actor in the new upcoming film; I almost choked on my IPA when an hour after I saw it, a chap sat next to me in Stramash exclaimed, “Bloody’ell, George Harrison!” pointing at Carl on stage. Actually, he does do a beautiful version of While My Guitar Gently Weeps at his solo pub gigs.

Time to crash, but I’ll leave you with a couple of pics from the day Carl was shooting a video à la Beatles on the rooftop of an Edinburgh tenement. Next time, when you’ve got the blues make sure you have good support. Toodle pip!