One Night in Finsbury

I do quite like London, only ever stayed for a few days at a time but I’ve always had good experiences, nice wee cafes, there’s some cracking pubs (living in Edinburgh, the prices don’t make me clutch at my heart in mock horror) and I generally find Londoners to be a pleasant bunch. The Camden Road Hotel was a perfectly fine place to sleep, no breakfast, but from past experience that’s where the nice wee cafes come in, they’re everywhere! It was also a reasonable walk from King’s Cross and St Pancras stations, and an easy bus ride to The Finsbury.

Ah yes, I returned from the continent by Eurostar on the Monday so I could get a decent night’s kip and enjoy a wander round Camden before seeing Carl Marah at The Finsbury (good plan, after two nights in a hostel dorm with exuberant marathon runners in Liege, it was heaven). I also took the opportunity to check out a couple of real ale pubs on the way, as you do, but in time to see both supports.

It was meant to be some guy supporting, I gather something happened fairly last minute but no worries, the ladies stepped up and some. First up was Eve Simpson, a northern lass with an awesome voice and great folk/pop songs, including one inspired by The Hive on Niddry Street in Edinburgh! Probably the first and last time that’ll happen (I know the place, I’ve seen Fringe shows in there, as a night haunt, nah). Speaking about the Fringe, Eve will be up at the Pianodrome in August for two nights, hmm, a distinct possibility. Second up, Kiki Annette over from Germany, indie with a delicious dry humour, wow! Later Carl made a light comment of feeling a tad apprehensive coming on after two such talented singer-songwriters, yeah, methinks he was only half joking!

Then it was time, Carl and his trusted compadres, Gavin Lamont and Simon Toner, opened with the latest single You’re Always Right, oh yay. Lost and Found next, one of my favourites and sooo delicious with the extra depth of flavours the band sound brings to it. I say that’s one of my favourites, they’re all wonderful but a few sneak ahead, like World Keeps Turning, why? I don’t know, is it in his delivery of his lyrics, the timbre of his voice with an occasional slight plaintive edge? The rhythm changes?

What a wonderful evening, there was almost no need for Carl to ask for us to singalong with It’s a long way to Oban, I could hear there was already a strong murmur augmenting the chorus. Carl’s first single Siren Song was in there (I was very in the moment, some of which refused to be retained later). Stags and Hens with it’s world-weary wry charm will always have a place in my heart, and it’s own little burrow in my ear.

Naturally Me, Myself and I, the title track of the new EP was there, one where for me, the solo version has sweet echoes of Gilbert O’Sullivan, not as much with the band. Oh, and from just watching a couple of videos, I must mention that the sound and lighting were excellent all evening. Cat’s Eyes was a total sublime dream, without doubt my top favourite of all Carl’s songs (so far!) The drum and bass motor along so beautifully, while Carl’s voice and guitar take the twists and turns with confident ease. Oh, my heartses!

Carl did cut one song from the set just before Cat’s Eyes as he wanted enough time to do it justice, at just over eight minutes, yeah he did that; but I do wonder what was cut? On the other hand, I might disappointed if I knew. I wouldn’t have wanted any of the songs I heard cut from the set. Final song of the evening was ol’ 5/4 timer Roll the Dice (the Paul Simon one), the guys went for it! All brilliant musicians, it’s a class way to end things.

It wasn’t quite the end of my evening, oh no. Now, at this point I’ll mention that it wasn’t particularly busy in The Finsbury, a real shame the turn out wasn’t better, mind, the folk who did turn up were obviously enjoying themselves and showed their appreciation loud and warmly; but it was the evening of Tuesday 19th May when most of North London were glued to tv sets watching a football match with bated breath. The outcome of that match would determine whether Arsenal would win the Premier League.

When I left the pub to catch the bus, a few cars were passing by blaring their horns, bit exuberant for a Tuesday night, I thought. Then, on the bus, the traffic was really slow, horns tooting rhythms, was this about football?! The bus got diverted, watching its movements on Google maps I realised I was best getting off. By now it was after eleven, the streets were thronged with people in red and white scarves and tops, car horns going off everywhere, folks jubilantly calling out. I have to say, the exhilaration in the air was infectious, so joyous; I had no idea what the reason was, but I realised it was something pretty monumental. What a night to be in North London! Overall, it was pretty damn fine ❤️

Toodle pip!

Mr Marah Plus Two

Wednesday evening in the Voodoo Rooms was awesome. There may have been fireworks going off outside for Bonfire Night, but inside the atmosphere was sparkling and crackling with fine vibes. Local musician Jack Hinks was support for the evening, some rather lovely tunes there, and a gorgeous voice, rich but not too much (I know what I mean). Tone for the evening nicely set, drink in hand from the bar, good position to see, ready!

Of course, this was the first gig where Carl Marah has played his solo music with a band, which added to the anticipation, not just one man and an acoustic guitar anymore. On drums was Gavin Lamont, like who else was it gonna be? As lovely as he is talented, no 5/4 timings could throw this chap. On bass and occasional backing vocals was one Simon Toner; he and Gavin are in a band Sekoya with Luke Cunningham, who played keyboards with The Buccaneers (oo, how good to have the three of them with Carl some time? make that happen!). A very promising line-up, and how!

It was a gentle start with You’re Always Right and how right was the sound – just perfect. On to Lost and Found, gorgeous but I did find myself contemplating whether, lovely as the band version was, the acoustic solo version had something extra for being less for me. World Keeps Turning next is a tune that’s already one of my accidental hums (oh, I can hum unaware that I’m humming for ages), a cracking song, definitely up a notch with the extra punctuation from the drums.

The setlist was thirteen songs in total, all known to the faithful to some degree. James Gilhooly, the go-to cameraman, was around filming the proceedings. At the start of Long Way To Oban I noticed the array of drumsticks Gavin had to hand, but then I guess that’s how he always gets just the right sound; Holidays with the brush sticks was luscious. The poignant 39 was sooo beautiful, a moment to reflect.

Song of the night for me has to be Cat’s Eyes, oh my heartses. I’d just popped to the loo and came back out into the little hidden area to the side of the stage, it seemed a perfectly good spot to watch the band as the music drove along, taking corners, foot down on the straights. Oh, I’m already there, Cat’s Eyes on the stereo driving along the A702 in the dark, can’t wait! Only Don’t Wanna Love You No More could have followed that, yay, Carl getting down and bluesy, always fine with me!

As it’s the latest single Roll the Dice finished the evening. Yeah, right. Encore! One more song! Hmmm, something that really would really show the whole band off, something by one of Carl’s favourite artists? Paul Simon? 50 Ways To Leave Your Lover, yay, what a way to end, excellent choice. What an evening, I’m looking forward to next time already, hopefully it won’t be too long. Meanwhile, Mr Marah can be seen in the pubs of Edinburgh singing to the stags and hens and mooses.

Such a great gig really deserved better pics for my blog than I could manage with my mobile – many thanks to @hateinacageonfilm for letting me use some of his photos, what a guy!

Carl Marah looking suave with his Movember tache
Gavin Lamont
Simon Toner