Friday Night, Saturday Afternoon

Yay! Normal service has resumed on my telly! Well, I got a man in. New aerial and cable, apparently it’s a great view from the roof of my tenement block (not sure that will ever tempt me up there). I stayed inside and watched for the cable reel when he dropped it down the front of the building (in case there was anyone passing below!), the bit when he was more outside my window than in the flat, trying to put the cable neatly by the downpipe was unnerving, honestly, I had a strong urge to grab hold of his legs, convinced that he was going to tip right out! He didn’t.

I celebrated with a Strawberry Shortbread snacking bar I bought at the Farmers Market last Saturday from the wonderful Co Co Co. Oh, my goodness, Rob has come up with another masterpiece, they are divine! White chocolate, strawberry mallow and blondie shortbread with a dash of strawberry white chocolate for decoration. All those flavours and textures in every bite!! He’s a chocolate alchemist.

I thought I could do some clever twist there, something about music alchemists turning the same old notes, instruments and voices into a magical, awesome sound. Would you have gone with that or is it only me?! I googled alchemy in music for some validation of my thoughts, hmmm, yeah, no. So anyhoo, Awkward Family Portraits played the Speakeasy at the Voodoo Rooms a couple of weeks ago.

Pure gold, an enchanting, other world atmosphere! Their sound transports you on whims of fancy, a tour through a golden age Hollywood movie lot; there’s some soft shoe shuffle on one stage, a hoedown next door, a charleston, americano, every scene a gem with light and shade, wit and melancholy. The mixture of AFP‘s upright bass, violin and guitar along with Julen Santamaria’s very distinctive voice and the harmonies, all blended to perfection in the intimate setting of the Speakeasy. Oh, my heartses 💛

I floated out afterwards with a contented grin and a need to stroll in the Edinburgh night air. My meanderings took me by the Jolly Judge and through the Grassmarket, where bless my soul, if I wasn’t catching a faint strain of Babestation somewhere nearby! Ah yes, Mr Marah was in Maggie Dickson’s, I’ve never been in before, so obviously it was time I gave it the once over! Not really my style, but I liked it and the bar staff were great, and it’s always fun to hear Carl in pub singer mode. We had a wee chat in his break, then I headed home, er, via Whistlebinkies where The Full Kitkat were in full swing rocking the joint. Yes, one more for the road. Hey, as Friday nights go, it was up there.

The following afternoon I was back in Whistlebinkies to catch the Scat Rats but not until the around the start of the second set (it was a sunny day outside). Now I regularly turn up into the second or third song of the first Scat Rats set, which, by coincidence is often Babestation, a fact that had made Friday night’s encounter extra amusing to me; so imagine my complete surprise that I walked into Binkies and they were playing, yes, you’ve guessed it Babestation! They never play it in the second set, never. I was freaked, but not as much as them…

It being a lovely sunny Saturday afternoon, Binkies was dead, so the guys decided to have fun, mix things up, play whatever came to mind (wish I’d bloody turned up earlier now!) When I still hadn’t appeared by the second set, Carl jokingly suggested they play Babestation as it was a surefire way to conjure me up. Yes, they were more freaked than me when I sauntered in, hahaha!! I was treated to In The Morning (not played in ages), Give It To Me a Logan’s Close classic that I don’t think I’ve ever heard the Rats play before, and newby White Lies played at the last Logan’s Close gig ( I’ve put a reel on my Instagram with two very bad splices between the two versions).

I’ll leave you with one more picture taken on that Friday evening, the old Bank of Scotland building has never looked lovelier. Toodle pip!

Back last month, in a cave…

As promised last time, my musings on the LC gig, I just didn’t think it would take me so long to write it! I have no good reasons for my tardiness, only feeble excuses that even I’m not buying. I’ve signed up for a hypnotherapy course in an attempt to address things, we should be able to tell if its working in a couple of months. Anyhoo…

So 17th January was the fourth time I’ve seen Logan’s Close headline at The Caves, it is a rather fine venue, very Edinburgh. The first time was way back in November 2017 for the release of their single Girl; second time was for the release of Lost In You in February 2020; third time in May ’23, er, just because?? There had been several single releases in the previous months from the upcoming album Heart-shaped Jacuzzi, momentum? The Close have played in plenty of the music venues around town over the years,

Rather fitting that this headline show was at the start of a new year; setlists can gently morph through time, then wallop, a seismic shift, a new landscape, which in turn will bobble along awhile, yes indeed, this gig showed a new vista to the fans. The Heart-Shaped Jacuzzi songs are now beloved LC classics already, and the lads have a load of new stuff they want to play (yay), so, no Lost In You or Eleonara (fair enough, let her rest, she’s been very busy), and no I Want You! Hey, even as The Scat Rats, Marah and Rough have put Listen to your Mother and In the Morning on the shelf (I do hope they’ll get brought down and dusted off from time to time as both are pure gold). Fair do’s, we were treated to five newbies, eight HSJ toons, and one re-vamp, oh, and Carl doing a bit of crowd surfing!

Local bands Puppy Teeth and Bernstrum and the Men were the supports; I haven’t seen either band play but recognise their faces from Whistlebinkies the last couple of years. Of course, I was in Sneaky’s early on, so still haven’t seen the Pups but did catch BatM’s set, psychedelic garage rock, I think is the right description. The crowd loved them and were having great fun, I watched from up on the balcony taking in the whole dynamic. Whilst not really my bag, I certainly see their appeal, and there’s some interesting stuff going on, worth keeping an eye on, methinks. When the place cleared a tad as folk disappeared outside and to the bar, I mosied down to grab a spot near the front and middle (I’m usually to one side at gigs, not tonight) – no great lummoxes came and stood in front of me! Yay! And then it was time…

They sauntered on to rapturous applause, the atmosphere was electric, ooo, straight in with Hot Blondes In Your Area Tonight, no messing about! Interestingly, to me anyway, last time in this venue they ended with Hot Blondes and began with Lost In You which they’d finished with the previous time; I am rather good at seeing accidental patterns, you know. From blondes to babes, Babestation wove it’s seductive groove around the room, I love Carl’s singing on this, always gives me the chills; which is what the band literally gave us next. Chillz is a newby, and incidentally one that I’ve heard the Scat Rats playing in Whistlebinkies (I have clips of both, so watch out for something!)

Gav always looks chill

Scott was getting hot after Chillz so removed his jacket to exuberant hoots and cheers from the crowd, SeanKeys was in stitches playing through the intro to Dans Le Jardin until Scotty had sorted himself out (he did make rather a palaver of it). I couldn’t help wondering why there was a huge pot plant placed in front of Sean!? Didn’t stop me getting a great shot or two.

From lush loungeyness to the sparser intensity of Half & Half and on to the second new number Costume Changes, where the guitar break conjures up half-formed images of ott theatrics (okay, I have a clip of it that I’ve watched, a few times). Back again to HSJ and the brooding baroque majesty of Curious Terrain followed by some Gouching On The 33. Oh, my heartses!

Mind blown?!

The room was buzzing from euphoric bliss, riding high on the sounds and energy emanating from the stage, and boy, what an excellent spot I had to take it all in! (I would love to know how someone with synesthesia would experience an LC gig, epic or overload?)

As the band could do no wrong, time to bring out more new untested tunes, White Lies tripped poppily along, and by Femme Fatale Carl was feeling the need to bask in the waves washing over the room – the fans obliged and kept him high on a wee crowd surfing.

I think I let out an audible guffaw when Scott introduced the next “new” song, Gallus Laces, it’s been re-vamped from the previous pre-covid version, apparently. So not new to some of us, definitely not if you’ve heard their LimbicTV CD. I still have no idea what the song’s about but I love how it comes across both edgy and lackadaisical at the same time! Falling In Slow Motion completed the set, well, you know, the lads left the stage for a few minutes, as bands do, the crowd hoolers, stamps, claps…. and they’re back on.

After such a great gig, the encore had to be something big – it doesn’t get much bigger than the grand opus that is Mock Marble Linoleum a wild ride to raise everyone up for the final tune Heart-Shaped Jacuzzi. The room sang it’s hearts out, a bloody magnificent end to the evening ❤️

I didn’t go on anywhere afterwards, just took a slight meander home, in the dark, to savour the feelings of unadulterated bliss before they ebbed away. Oh, my heartses.