Costume Changes

I don’t reckon I’ll forget this September

bruceonthefringe 2026, Edinburgh music scene, Films, Live bands in Edinburgh, Logan's Close Tags: , , , , , , , , , , , Leave a comment
Sadly there was no gold

September has been quite balmy in Edinburgh, great for some late afternoon brambling in the park; well, just for idling in the park generally, making the most of the end of summer. I haven’t picked as many brambles as last year, but then I’m not going to make any wine this time, just lots of jam! Time for a terrible segue, Jed Potts was the guest host at the Handsome House Jam at Stramash on the first Sunday of the month, a fine evening of the blues. It was the second time seeing him that weekend as he and Nicole Smit were doing their thing in the Jazz Bar early Saturday evening, an interesting change from Binkies!

The next HHJ is this Sunday evening, I haven’t seen who the guest host will be; but I do know the Scat Rats are playing after that at ten o’clock, yay! That’s the only music noted on my calendar now until the end of the month – unless something pops up soon. I had toyed with the idea of a wee Highland trip up around Inverness to coincide with Carl Marah‘s gig at the Market Bar (this Saturday), but by the time I thought about it again everywhere cheaper than very expensive was gone, Inverness is obviously going to be very busy this weekend!

Ho hum, shouldn’t grumble, last week was ridiculously great fun; Glasgow on Wednesday for some blues harmonica, the Scat Rats twice on Thursday night (early in Stramash, midnight in Whistlebinkies), they were back in Binkies on the Saturday afternoon, mid-evening spot was Louis Crosland plus two, he was back in Binkies Sunday midnight with two others, that was after he’d played the ten o’clock slot in Stramash with the Moanin‘ Bones; and I didn’t miss a thing (apart from a few opening numbers, as per usual).

Saturday night
Sunday midnight

Friday evening I was in Peebles for Show Don’t Tell, an evening of five short films from the Tweed Valley, by rural filmmakers, with live music afterwards. Okay, so the live music was a short set by Logan’s Close, they also starred in one of the short films, of course I went along! It was held in the Eastgate Theatre, an arts centre in a converted church. Wow, what a great place they’ve created! The auditorium is the actual church (there’s a studio area and cafe too) with well tiered seating (with plenty of leg room!) that can all be retracted back leaving the floor cleared, stairs on both sides up to the three-sided balcony. After the films were shown there was a long break while the band set up and the seating was just taken back a few rows, so that there was room for standing and sitting. I mean, what an amazing use of space! I would definitely go back.

Logan’s Close: Live at Maryhill was up first, quite a gothic feel to it, the lads performing in an old empty theatre, flouncy shirts, and a freaky, disturbing side storyline involving Scott and a surgeon (I would tell you more about it, but it was just really odd, okay?) The songs in it were Costume Changes, Chillz and Dans Le Jardin, beautifully shot in a slightly disorientating way. It was directed by Aidan Duckworth, our host for the evening and also director of GIMP the last film shown (his party, so why not two?). The others were Antlers, Cover-up and Cernunnos; short films, they throw you in at the deep end and expect you to survive confusion, gore, drama, BDSM, old gods and antlers (not just in Antlers!). Fun, but I definitely needed a drink afterwards!

I took a stroll down the main street to the Bridge Inn, a real ale pub that I visited some years ago, yay, they had a Stewart’s ale in. Just a half for me seeing as I was driving, then the stroll back to the theatre took me to almost time to head back into the auditorium and some music. Due to the first part of the evening lasting longer than expected, it was a shorter set than planned just five songs, opening with Babestation on to Costume Changes, Hot Blondes, very new one Cuck Chair, then with the crowd yelling for one more, the lads got the nod to go ahead, so they went out with the bloody magnificent Mock Marble Linoleum, yay! Needless to say, my soundtrack for the drive back to Edinburgh was my Logan’s Close Live at LimbicTV cd. All in all, a damn fine evening!

Ha, since I started this, then paused a while for my tea, I’ve discovered that Louis Crosland (and whoever!) is playing the half nine slot at Whistlebinkies on Saturday, yay. Ha, a Binkies usual, a band was listed as playing that slot on the month’s list poster and the website, and then this week it was TBC on social media – but hey, that’s me happy! There was also confusion over last Sunday’s midnight slot; towards the end of the Scat Rats Saturday afternoon set Carl announced they’d be back the following night, a back and forth ensued between the Rats and George on sound as he was down to play bass with Louis then, I piped up that he was right, erm, they ended up playing Rock, Paper, Scissors for it, hahaha. All friendly banter, the Rats were having a great afternoon, a good, appreciative audience, they never sounded better (in part, thanks to George, he really knows his stuff), Funnel of Love was particularly exquisite 💛 Oh, and we even got an encore of two extra songs over time, sweet!

And on that note I shall bid you goodnight, bonne nuit, gute Nacht, buonanotte!

A pint and a hug, please

bruceonthefringe 2025, Edinburgh bands, Live music, Logan's Close, Uncategorized Tags: , , , , , , , , , , , Leave a comment

Happy New Year! Oh, the ninth day of 2026 has just begun as I finally get round to writing something. So, circling back round to 22nd December 2025 as promised last post, I went over west to see Logan’s Close at The Hug and Pint in Glasgow for their usual Christmas gig. There were plenty of familiar faces in the bar by the time I arrived, grabbed a pint, a few hugs and headed downstairs to the venue where the crowd were enjoying the Raeburn Brothers, also over from Edinburgh (yes, I quite enjoyed them too). It turned out that one of them was on a double shift, as keyboard player (and occasional percussion!) for Logan’s Close. I wonder, did the guys get the gig then LC went oo, actually, while you’re there, could you, or did they get the gig with that already in mind? Anyhoo, a fine choice, the Raeburn Brothers had the crowd nicely warmed up for LC taking to the stage; I say stage, it wasn’t much higher, more a performance area.

The lads opened with a brand new song Crystal Ball, Scott and Stu looking sharp in suits, Carl had already lost his jacket (it was definitely going to get hot), Gavin was way back in the gloom (shame), while the keyboard guy took the prize for coolest shirt (sadly I didn’t get a pic of it). From there, straight into Babestation, the first of seven songs from Heart-Shaped Jacuzzi; newish songs Chillz and Costume Changes were there, both of which occasionally pop up in Scat Rats setlists, so well-known to some.

The brand new song I presumed to be called Giddy Up, Baby at Leith Arches was there and it is; a stark, sparse song, Scott put down his guitar, picked up his drink and donned a cowboy hat, plenty keyboards in the mix on this one (I have to say it was the LC sound is better with keyboards rather than Carl juggling between instruments). After some outstanding singing from the gathered, along to more Heart-Shaped Jacuzzi numbers (a grand sound!), we were treated to another brand new bouncing baby of a song, Not Love (the prospect of another album is starting to get exciting).

Carl, Scott and Stu in harmony

The guys didn’t bother to leave the stage between the “last” number and the first encore, which was, yay, Lonely This Christmas by Mud. This is one of my favourite christmas songs and have previously loved the Rats doing it, but the full LC treatment, and the crowd all singing, oh, my heartses! Only something big with grandiose could follow it, so that would be Mock Marble Linoleum then. Love that bass riff and Carl gets to have fun with his theremin to emblemish Scott’s tale of a sad loser. A class ending to the evening, well, mine. I know there were plans for where folk would continue drinking after the gig but I headed back to the subway into the centre, happily fuzzed up.

I had hoped to hear Lonely This Christmas once more by the Scat Rats the following evening in Stramash but, well, it was a solo Carl Marah instead! I’m saying nothing. Except that the crowd loved him, Carl was in fine voice (the overall sound was excellent, beautifully rich, well done, whoever was on the buttons). From where I was sitting, I could see a number of folk going over to check the poster of the month’s listing to see who he was. His penultimate song for the evening was the full version of American Pie, well, it’s been so long since I’ve heard it, I had to make that my final advent calendar clip.

It’s now very late, or early?! Time I toddled off to bed. I’ll share this on Instagram tomorrow along with videos of LC in action. I did put one up shortly after the gig but it seems the sound has gone, if it was ever there, I’m sure it was!

Goodnight, sweet dreams!

Yeah, I like me some live music

bruceonthefringe 2025, Bands, Edinburgh music scene, Live music venues Tags: , , , , , , , , , , , Leave a comment

Saturday evening, six o’clock and it’s already almost dark, bah. I’ll be heading out soon, the Louis Crosland Trio are on at Stramash at seven, but there’s just enough time to catch you up, well, it’s been such a great week music wise.

Wednesday evening I was in need of a pick-me-up, a quick scroll found one in the form of Jed Potts at The Jazz Bar early evening. One leisurely half and a set of Potts and I was restored! There were plenty of people in, well, all the tables had folk at them, oh, I was fine standing (swaying along) at the back, but I was also ready to swoop in when a couple left.

Thursday evening I trundled down to Leith Arches where Messrs Marah and Rough, in LC mode, were supporting Native Sun over from New York on tour. There were two more bands playing but I missed the first and just caught part of the second, they were quite psychedelic, not bad, music for an indie movie soundtrack. Hey, I was there to see Logan’s Close and the boys did not disappoint!

Babe Station started the set in style, so lush; for me, one of their best, the intertwining vocals towards the end send me every time. The newish Costume Changes was next up, a moody tune, with flits of foreboding and melancholy. After Hot Blondes we were treated to a brand new tune, they didn’t mention it’s name, so I’m calling it Giddy Up until I hear otherwise. Half and Half had a notch more echo on Scott’s vocals, oh wow, and combined with Carl’s Gretsch, chillingly atmospheric (I’m thinking an Edgar Wright film soundtrack).

Gouching On The 33 had the crowd singing and swaying along, and on into Heart-Shaped Jacuzzi too; that was meant to be the final song but of course, the crowd called out for more and from the way the guys were debating, they hadn’t planned for another, they asked for suggestions, oh my heartses, we got Merry-Go-Round!! I’ve not heard a duo version before, I’ve wondered how they’d do the long instrumental part, I think they were still wondering about that too, haha. I reckon the acoustic version should just wander off on its own track there, do it’s own thing, it’s such a different creature to the studio showpiece. Whatever, I do hope it’ll start appearing on Scat Rats set lists.

After that, the headliners Native Sun were good, but honestly, the evening had already peaked for me, I did enjoy them, the lead singer sure has it. I would see them again, if they’re ever back in Edinburgh.

That’s how far I got writing (and rewriting) bits of this on Friday and Saturday early evenings; the hour between six and seven is much shorter than any other hour of the day! Hence, on Friday evening the Scat Rats first set was nearing it’s end by the time I strolled into Stramash. So I was a little freaked to realise that yes, once again, it was that spell of summoning, Babe Station being played! Scotty clocked me and looked equally bemused. As Stu from Logan’s Close was in, Hot Blondes had extra harmonies, yay (like they’d have let the opportunity go to waste!).

It was back to Stramash, the back of seven, on Saturday for the Louis Crosland Trio, yes, this time they were playing! But only as mentioned on Instagram at the start of the week, the poster and website both showed Safehouse, who, incidentally, were the band that played instead of LC3 the previous Saturday (hmmm). Sorry, but it is a bugbear of mine, the poster, okay, but why not correct the website, huh?

And that’s been my week for music so far. So far – I’m tapping this out on a megabus heading to Newcastle. Turns out that pub that Carl Marah is playing in at four this afternoon has a fine selection of real ales and decent ciders! It’s Station East just over the bridge in Gateshead. Well, why not? It’s actually my first time on a megabus, not only is it cheap, the views from the top deck, travelling down the coast have been excellent!

Next week is not nearly as good as this has been. On the other hand, the week after does have Mr Marah doing his thing in the Voodoo Rooms, with a full band too! You really should go if you’re in Edinburgh, really.

Toodle pip!

Back last month, in a cave…

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As promised last time, my musings on the LC gig, I just didn’t think it would take me so long to write it! I have no good reasons for my tardiness, only feeble excuses that even I’m not buying. I’ve signed up for a hypnotherapy course in an attempt to address things, we should be able to tell if its working in a couple of months. Anyhoo…

So 17th January was the fourth time I’ve seen Logan’s Close headline at The Caves, it is a rather fine venue, very Edinburgh. The first time was way back in November 2017 for the release of their single Girl; second time was for the release of Lost In You in February 2020; third time in May ’23, er, just because?? There had been several single releases in the previous months from the upcoming album Heart-shaped Jacuzzi, momentum? The Close have played in plenty of the music venues around town over the years,

Rather fitting that this headline show was at the start of a new year; setlists can gently morph through time, then wallop, a seismic shift, a new landscape, which in turn will bobble along awhile, yes indeed, this gig showed a new vista to the fans. The Heart-Shaped Jacuzzi songs are now beloved LC classics already, and the lads have a load of new stuff they want to play (yay), so, no Lost In You or Eleonara (fair enough, let her rest, she’s been very busy), and no I Want You! Hey, even as The Scat Rats, Marah and Rough have put Listen to your Mother and In the Morning on the shelf (I do hope they’ll get brought down and dusted off from time to time as both are pure gold). Fair do’s, we were treated to five newbies, eight HSJ toons, and one re-vamp, oh, and Carl doing a bit of crowd surfing!

Local bands Puppy Teeth and Bernstrum and the Men were the supports; I haven’t seen either band play but recognise their faces from Whistlebinkies the last couple of years. Of course, I was in Sneaky’s early on, so still haven’t seen the Pups but did catch BatM’s set, psychedelic garage rock, I think is the right description. The crowd loved them and were having great fun, I watched from up on the balcony taking in the whole dynamic. Whilst not really my bag, I certainly see their appeal, and there’s some interesting stuff going on, worth keeping an eye on, methinks. When the place cleared a tad as folk disappeared outside and to the bar, I mosied down to grab a spot near the front and middle (I’m usually to one side at gigs, not tonight) – no great lummoxes came and stood in front of me! Yay! And then it was time…

They sauntered on to rapturous applause, the atmosphere was electric, ooo, straight in with Hot Blondes In Your Area Tonight, no messing about! Interestingly, to me anyway, last time in this venue they ended with Hot Blondes and began with Lost In You which they’d finished with the previous time; I am rather good at seeing accidental patterns, you know. From blondes to babes, Babestation wove it’s seductive groove around the room, I love Carl’s singing on this, always gives me the chills; which is what the band literally gave us next. Chillz is a newby, and incidentally one that I’ve heard the Scat Rats playing in Whistlebinkies (I have clips of both, so watch out for something!)

Gav always looks chill

Scott was getting hot after Chillz so removed his jacket to exuberant hoots and cheers from the crowd, SeanKeys was in stitches playing through the intro to Dans Le Jardin until Scotty had sorted himself out (he did make rather a palaver of it). I couldn’t help wondering why there was a huge pot plant placed in front of Sean!? Didn’t stop me getting a great shot or two.

From lush loungeyness to the sparser intensity of Half & Half and on to the second new number Costume Changes, where the guitar break conjures up half-formed images of ott theatrics (okay, I have a clip of it that I’ve watched, a few times). Back again to HSJ and the brooding baroque majesty of Curious Terrain followed by some Gouching On The 33. Oh, my heartses!

Mind blown?!

The room was buzzing from euphoric bliss, riding high on the sounds and energy emanating from the stage, and boy, what an excellent spot I had to take it all in! (I would love to know how someone with synesthesia would experience an LC gig, epic or overload?)

As the band could do no wrong, time to bring out more new untested tunes, White Lies tripped poppily along, and by Femme Fatale Carl was feeling the need to bask in the waves washing over the room – the fans obliged and kept him high on a wee crowd surfing.

I think I let out an audible guffaw when Scott introduced the next “new” song, Gallus Laces, it’s been re-vamped from the previous pre-covid version, apparently. So not new to some of us, definitely not if you’ve heard their LimbicTV CD. I still have no idea what the song’s about but I love how it comes across both edgy and lackadaisical at the same time! Falling In Slow Motion completed the set, well, you know, the lads left the stage for a few minutes, as bands do, the crowd hoolers, stamps, claps…. and they’re back on.

After such a great gig, the encore had to be something big – it doesn’t get much bigger than the grand opus that is Mock Marble Linoleum a wild ride to raise everyone up for the final tune Heart-Shaped Jacuzzi. The room sang it’s hearts out, a bloody magnificent end to the evening ❤️

I didn’t go on anywhere afterwards, just took a slight meander home, in the dark, to savour the feelings of unadulterated bliss before they ebbed away. Oh, my heartses.