Comedy

Fancy a sardine sandwich?

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That’s a duo of duos with a filling of Sardines; a fine concept if the showtimes had lined up, sadly not. My, a sandwich like this could really give you bizarre dreams afterwards (mmm, actually yes, probably as well it doesn’t exist). First on the board, BriTANick: Dummy.

BriTANick are from the States, a sketch comedy duo who’ve worked together for some time (oh, and the good-looking one is married to Karen Gillan). There’s a charm about them, their comedy is surreal, often subverting the audience’s expectations, but always charming. BriTANick are not afraid to follow ideas way down deep into the rabbit hole when timider comics would stop and head back to the light; the reward is a highly entertaining, deeply funny hour. ⭐️⭐️⭐️⭐️⭐️

On to the filling, Sardines a surreal comedy about William Wordsworth and Samuel Taylor Coleridge. I’ll admit I was very unsure about picking this, like in one of those sandwich shops where it’s all unusual fillings, so you just have to choose and hope for the best. Oh, my Fringe-dar was so on point! Truly, wonderfully silly, there’s sweet and sharp, whimsy and dark. Another brilliant production at Paradise in The Vault but take note it finishes on Saturday 17th, if you like your theatre on the absurd side, do catch it! ⭐️⭐️⭐️⭐️⭐️

And completing the sandwich are those Grubby Little Mitts with yet another ridiculously brilliant show, how do they do it? Hmmm, I reckon that Rosie and Sullivan skipped into a rabbit hole went right to the end, then extended it, and stuck in a few sneaky doublebacks just for fun – they’ve built a whole damn warren! And watch out, this is comedy with a soupsant of unease, and a shiver of disquiet (it’s Rosie, I tell you, she’s scary, looks sweet but …). Without doubt a contender for my top show of the Fringe ⭐️⭐️⭐️⭐️⭐️ 🌟

More later, toodle pip!

A few cuts of comedy…

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Just time for a quick one!! I have a date at eight with Ryan Reynolds and Hugh Jackman. A few notes on Comedy, methinks. The wonderful Will BF is back with two shows, The Last Gun (last year’s show) and Moon Team IIIV. I’m looking forward to seeing both, yes, both, The Last Gun was very entertaining!

Also back are Crizards, just not together, they’ve gone solo. Eddy Hare: This One’s On Me is on at the Pleasance Courtyard, so a tad pricey! While Will Rowland: Masterpiece in Progress is on at the Banshee Labyrinth, part of the Free Fringe. Interesting choices. I’m interested to see what they each bring, will I prefer one over the other?

For years Gamarjobat entertained Edinburgh Fringe-goers, first just on the streets then also with proper shows. Mime is often the butt of jokes, but Gamarjobat a double mime act from Japan were brilliant; this year just one half is back with Ketch Sketch. Hmmm, I’m not sure if one mime can create the magic that the two had together, we’ll see.

And last but definitely not the least, John-Luke Roberts is back with not one but ten different shows; a retrospective of his solo shows, if you will. I’ve seen five, do I pick one I haven’t seen before or re-visit one that I have? Hmm.

Quite a fair weekend in all

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And there ends the first weekend in June, another Meadows Fair done and dusted (ok, it’s the Meadows Festival these days but it did used to be the Meadows Fair – to hark back to a time of midsummer fairs? Then festivals became much more the rage, but I’m an old timer, so). It’s always well attended but the glorious weather was surely a factor in the bumper crowds that turned out.

There were the usual multitude of food stalls, three music stages (Out of the Bedroom – open mic, Future Sounds for new, young bands, and the Tone Garden, main stage), the Stewart’s Brewing bar, and a myriad of stalls selling allsorts. I was rather tempted by a lovely tactile wooden elephant puzzle, but I left the decision to the gods and when I meandered back later it had gone.

Want an old tin or two? There’s the odd old book, but those playing cards – nice!

The only thing I bought was a pork gyros from a Greek food stall, I must say it was very tasty! I don’t usually buy food as it is, to my eyes, expensive, but I do love pork gyros so I succumbed.

Oh, I did buy something unexpected this weekend – my first lot of Fringe tickets! Yes I know, I usually hold out until the whole programme is officially out, but Underbelly decided to do a sneaky early offer, so I just had to check out their line-up. Just as well I was paying attention, the offer was only on from Friday until midnight just gone. Underbelly usually do some kind of early offer but this time it’s very early (and very short), I wonder how many folk actually spotted it.

The deal was £6 tickets for all shows on each Wednesday of the Fringe, pretty good, huh? I didn’t bother with tickets for preview Wednesday, there’ll be plenty others vying for that spot, but it was good to get expensive tickets for acts I have never seen, because of the prices, on the final Wednesday. They would be Danny Bhoy and Foil Arms and Hogg, yep, I’m fairly chuffed about that; and with several other tickets I got my moneys worth of booking fee (it’s £1.25 a ticket up to a maximum of £5 for one order).

It’s late, time to kip. I’ll leave you with one more from the Meadows Fair……

Just a wee catch up

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Another month almost gone and I’ve only been in Edinburgh for seven days of it; after only a few days back from my European wanderings, I was summoned down to Yorkshireland. Busy, busy, and two sick pooches as well. Oh, they’re both fully recovered now – now that I’ve left.

I’m still working through all the photos, videos and occasional scribbles from my trip. As a matter of curiosity, this afternoon I went quickly through which songs I’ve taken videos of, and surprisingly there are none of Babestation, I know! Really?! Hot Blondes and Lost In You have the most clips, followed by Merry-Go-Round, Mock Marble Linoleum and Dans Le Jardin. Some will pop up randomly on Instagram, but I do intend to put them in some semblance of order later (mind, good intentions can just stay that way).

I am without tv to distract me – it says there’s no signal. It actually happened back halfway through April but as I had a lot to sort out I just left it. I’ve plenty to be getting on with now, so it can stay off, well the tv can, I do have a number of tv series on dvd that I can watch; there’s radio shows too. I’ve been listening to That Mitchell and Webb Sound on Spotify, still as funny and sharp as it was (on the Radio 4 early evening comedy slot between 2003 and 2013). I’m now on series 4, particular favourites are the Stargate sketches and the Old Lady Job Justification Hearings, so bitingly funny.

Missing watching tv at teatime, I dug out my old Coupling dvds, a tv comedy sitcom by Steven Moffat from about twenty years ago, loved it then and still do, especially Richard Coyle as Geoff. Some of the monologues would make brilliant set pieces in a stand-up routine. If anyone does snaffle the cushion speech by Steve, I’d know it from about six words in!

Last night I finally got round to watching Ash vs Evil Dead, it’s only been in a drawer unwatched for, oo, fifteen years?! OMG, it is so good! No, I don’t know why I never got round to watching it before, I think it was going very cheaply when the HMV store on Princes Street was closing down, I did buy a number of dvds at the time. I will definitely be looking for the second and third series at some point. Yeah, so no tv signal but I have plenty to entertain me.

There’ll be plenty to entertain this weekend, the first full weekend in June so it’s Meadows Festival time. The rain gods are being canny this year, rather than a wet weekend, there’s heavy rain everyday up until then, the ground will be pretty soggy and with all those feet traipsing everywhere – there will be mud. Saturday evening I’m off to see The Crow in the cinema, I’ve never seen it so grabbed a ticket for the 30th Anniversary Re-Release, better late than never, as they say.

It’s only two weeks until the full printed Edinburgh Fringe 2024 programme comes out, oh yay. Yes, I’m still being good and not peeking. Okay, so I know some shows that are up through social media, and ones that aren’t, like Aidan Goatley who’s not bringing his new show Looking For Edith, noooo!! If he’s doing it in your area, lucky you, bloody go see it and be thankful! The other Aidan, Aidan Sadler will be back, yay. And very exciting, just spotted this evening, John Robertson is finally doing another stand-up show at the Fringe, happy happy, joy joy!!!

It’s very late so I shall away to bed and leave you with, well, is it just a sign or sage advice?!….

On screen and stage

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I stayed up on Sunday night to watch the Oscars, it was on ordinary telly for the first time in the UK and I had a good feeling. And yay, Emma Stone picked up Best Leading Actress, totally deserved! I went to Poor Things for a third time earlier in the evening (as I’ve previously mentioned I would), there was a reasonable size audience for it, good to see (apart from the person who was eating out of a very noisy packet). I’m sure Stone will have a long, successful career but I reckon Bella Baxter will be one of her top performances. Oppenheimer picked up the most Oscars but Poor Things did also get the awards for Make-up & Hair Styling, Production Design and Costume Design, again all three richly deserved.

Oo, I went to see Wicked Little Letters a few evenings ago, what fun!! Olivia Colman and Jessie Buckley are both on excellent form, well, the whole cast are a delight. The film is based on a true story that happened in a little English seaside town in the 1920s, but be warned, some of the language is very fruity, okay, there’s long strings of swearing and obscenities like you’ve never heard! Best leave that person behind again, maybe the next film will be nicer and proper. Wicked Little Letters is hilariously funny but there are dark sides around the events too, I thought the balance was played really well.

On the small screen I’ve just watched the final two episodes of Our Flag Means Death, man, that was brilliant telly! Just so many great elements to it, so of course it’s been cancelled, no series three, boo. Mind, this way it remains a beautiful gem, no overstaying and sinking into the mediocrity of weaker stories (though with Taika Waititi at the helm that could have taken quite a while).

In other news, the first batch of tickets for this year’s Edinburgh fringe are on sale, not that I’ve bothered to look, all in good time. What I have had a ganders at was the line-up at the Leicester Comedy Festival in February; good to see plenty of WIPs (Work In Progress), hopefully they’ll be all polished and sparkly by August. Grubby Little Mitts have yet another new show, yay, Luke Rollason too, two for my definites pile, well I assume they’ll be coming to Edinburgh. Very exciting, I see that John Robertson was trying out a new show, I really hope that makes it up here.

I also had a peek at who’s been at the Adelaide Fringe Festival. Eric’s Tales of the Sea – A Submariner’s Yarn is still doing the rounds! I wonder if it’s still the same as when I saw it many years ago or has he tweaked it over time? Manbo and Yippee Ki Yay, two great shows paying homage to two classic 80s movies, popped over. The fabulous Aidan Sadler has been having a whale of a time out there, first time in Australia, first time in drag – I follow them on Instagram, very entertaining stories!

Starting this week and going on until the end of March is the Glasgow International Comedy Festival. I haven’t looked to see what’s on, hopefully plenty of shows being nicely honed for Edinburgh in August. Oh, I do know of one, Napoleon’s 100 Days on for two shows Monday 18th and Tuesday 19th, by the same chap who totally captivated me with the marvellous tale of Mark Twain’s The Stolen White Elephant last year. I’ll be away otherwise I may well have popped across, but hey, it’s going to be at the Edinburgh Fringe, I shall definitely see it then.

Well, my friend, its now very late, so I’ll bid you good night and sweet dreams.

I know my onions, yes I do

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Have you seen the price of onions lately? Okay, so I don’t pay much attention to the price of staples usually, but when a bag of three, yes, three is £1.10 in the local Tesco’s!! In a bag too (why?), I prefer to pick my own, especially at that price (bagged vegetables have a nasty habit of having the odd dodgy one, don’t you find?) No, I didn’t buy any onions there. And breathe.

I missed the anniversary of the first Bruce On The Fringe Fringe Awards yesterday. I say I missed, hmm, missed or procrastinated the entire day?! The double Fringe there was deliberate, by the way, in case of any non-Fringe Awards I choose to bestow in the future, you never know. If you follow me on Instagram or Facebook (and why not??) you may have noticed the latest pic on my storyline featuring flyers and cut-outs, and so, without further ado,

Mesdames et monsieurs, ceux entre et ceux au-delà, welcome to the Bruce on The Fringe Fringe Awards 2023!

Best Epic Fantasy Adventure: Shadow Kingdom

Best Double Feature: Voloz Collective with The Man Who and The Life Sporadic

The Pugwash Trophy: Max Norman: A Pirate’s Life For Me

As the Actress Said: to the Bishops

Best Flounce: Yippee Ki Yay

Best Bedcaps: Finlay and Joe: Past Our Bedtime

Best Blood and Gore: How to Eat a Bear

Best Game of Jenga (ever): Laser Kiwi: Rise of the Olive

Best Docucomedy: The Last Gun

Loveliest Fringe Thing: Mark Twain’s The Stolen White Elephant

Best Fringe Follow-up: Grubby Little Mitts: Hello, Hi

Most Beguiling Poster: Ginzel’s Little Cordoba: A Double Bill

Best Aidan on the Fringe: joint winners, Aidan Goatley and Aidan Sadler

Yes, maybe a couple pictured didn’t make the final cut but they were so so close. And what? No Best Musical Moment nominees this year?! Nope, my favourite, hands down winner will be on Instagram shortly. That’s it from me, and thank you to everyone who brought shows to Edinburgh this August, I may not be real, but for a few weeks there you made me feel alive ❤️

The Final Push

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At the start it stretches ahead, but now it’s shortening unseemingly quickly. Now it’s the beginning of the final weekend, hoards descend upon the town from Down South, party time! Then from the aftermath of Saturday night, everything just fizzles out. Sunday morning some shows and venues are already packing up. Still, one more blow out on Sunday night, hey? Before more packing up with sore heads Monday morning.

Monday the last remaining flyerers will scrabble around looking for the last punters, it can be quite tragic to witness! Those final few are probably very glad to depart what feels like a ghost town by Tuesday. Yes, I know it isn’t, dur, but for those few Fringe workers still around, all the Fringey places that were so full of life are now empty. Like I’ve said before, let’s end the Fringe on the Sunday, hey, the official start day has been brought forward over the years, so too can the end date.

Anyway, there’s flyering to be done and shows to see, a Half Price Hut to check. I’m not sure how much the HPH list gets updated this year, there may be some additions later on?! I notice that Mark Twain’s The Stolen White Elephant (5☆ from me) and How to Eat a Bear (4☆) are on there again.

Also on, I saw them the other night but haven’t got to writing a review, the utterly fabulous (and even more talented than I’d perceived them to be from our many chats) Aidan Sadler with their new show Melody, well worth 5☆. All their own songs too! Not on the HPH list yet, but it has appeared plenty, Yippee Ki Yay, I saw it yesterday, intrigued as it’s a different actor from last year and oh boy, so, so, so glad I went 5☆!

Oo, just glanced out of my window, it’s teeming down out there!! Jeepers! On the one hand flyering will be bloody soggy, on the other, folk will be more inclined to go indoors. This last week has been mostly sunshine with gentle warm breezes, folk wanted to make the most of it, not sit in stuffy dark rooms in the middle of the day.

Ah well, no rest for the wicked! I must have caffeine and away, but I’ll leave you with a quick list of shows that I’ve enjoyed this year, for your consideration this final weekend. I’ve scribbled it down quickly from looking at my Fringe schedule, so some may not be on any more.

Have a great day, whatever you’re doing, mes amis!

A gun, death and darkness

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What a day, rain, sun, rain, sun, make up your mind! Did another while of flyering; the similarities with carbooting keep popping into my head – big one, a nonchalant smile for all who gaze upon you and your wares (ie resting bitch face is not a good look). One chap made me laugh, he ran across the road when I caught his eye and waved my flyers in his direction, and no, he wasn’t running away, he came to me to take one!! Wonders will never cease. Anyways, on with three more reviews. I’ll go from light to dark I think, three very different shows, that’s the beauty of Fringe, there’s something for every taste!

So, silliness incorporated, The Last Gun starring, in many many roles, Will BF and a couple of sock puppets (what’s the Fringe without a sock puppet or two?). Right from the off when an audience member was urged to put a video in a video player (he was young, not sure he had much clue what he was doing!) the tone was set, daft, a tad retro, with audience participation.

The Last Gun was a film made in 1975, it sunk with barely a trace, never finding it’s audience, this show is a documentary looking back at “the garlic of films – very stinky”. The laughs come fast and frequently in all forms, impressive wordplay and sharp, funny dialogue, the characters in the talking heads documentary sections, visual gags (an easter egg, loved it!). The audience participation bits are excellent, there’s playdough and video-gaming (Will has written operating instructions on the back of his shirt to help the other player along), Will is equally quick and hilarious on and off script. The film is well realised, in fact I’d swear I got it out of Blockbusters in the late 80’s for one of my infamous movie marathons! ☆☆☆☆½

Next, with light and dark, Death Suits You is a musical black comedy where Death takes time out from his busy schedule to explain to us just how much time and effort he puts into each and every death (he’s been feeling very unappreciated). Death is wry and witty, he also has a damn fine set of vocals and great stage presence; live musical accompaniment adds to the drama of unfolding death scenes. Sam Hooper is excellent as Death, he really, err, brings him to life!? ☆☆☆☆

And now, the darkness, no, not the band, a stand-up from Vienna called Elias Werner. Ah, Vienna (come on, I’m not the only one!) I visited it twice briefly on my interrailling adventure, such a shame the film cartridge of my first visit was lost before I got home (so much retro going on in this post!), I even went on the Giant Ferris Wheel seen in that noir classic The Third Man. Is it a Viennese thing, noir?

Werner’s show is called Live, Deaf and Dark and yes, it is very dark, dark and intelligent; his delivery is dry with the occasional hint of a mischievous smile hiding below. This is his first time doing stand-up in the UK and at the Edinburgh Fringe (having come over in his van, Werner played a few shows on the way up to Edinburgh), so plenty of dark gems to mine there! Other topics he touches upon include family, dating online and his deafness, moving deftly between them with some neat callbacks (a loud guffaw escaped me at the schoolbag bit).

Many of his observations of life had heads nodding and some invoked a few sharp intakes of breath (from oo, that’s close to the bone, or, I can’t laugh at that, can I? It’s hard to tell). I know I generally go for the light quirky side of comedy but a little dark humour is a great palate cleanser, and it reminds us of our own dark sides, let’s them run free a while. There’s plenty to enjoy here before you step out again into the light, as he tells us, these are real stories – just not true ☆☆☆½

Time for my bed. G’night all!

An elephant, a bear and a little philosophy

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Is it just me or is this Fringe a tad quieter than last year? Oh, it is busy, but just nicely busy, transversing Royal Mile is actually quite easy! Okay, so there’s the usual blob of bodies standing watching a street performer, but apart from that it’s a doddle. Again there’s no craft stalls by St Giles, just a few sketch artists, shame, I liked them there; neither are there any on the Mound by the art galleries, nor on the recently reopened walkway to Playfair Steps (okay so that could be hard to negotiate at times, but it was fun and bustling).

In fact there’s not much at all going on by the galleries apart from a pop-up bar, like we needed another one! Why still no new Half Price Hut there? Really, no sponsors could be found, at all? Major publicity like that? This six o’clock closing at the Box Office is nonsense, and they’re charging booking fees too! Come on Edinburgh Fringe, as I said last year, it’s very little help to the later evening shows when folk can’t get to a box office in an evening to take up the deals on offer.

I did procure two HPH tickets yesterday, I’d had an eye out for them appearing on the list and yes, my Fringe-dar is in fine working order; two of my favourite venues too! Paradise in The Vault and Greenside @ Infirmary Street. First off Mark Twain’s The Stolen White Elephant was a joy, just one man telling a wonderfully funny absurd tale (supplanted from America to Salford and around the UK).

What a storyteller! He kept me captivated as he told us about Jumbo the white elephant from Siam, and Inspector Blunt’s attempts to catch the thieves. The language is so gloriously old-fashioned and hilarious, plenty harrumphing and tushing, and telegrams flying everywhere! Great incidental music too, it really added to the experience. Just one thing, a screen set up to show illustrations wasn’t working at the performance I saw, a shame but our storyteller was so eloquent my imagination easily filled in the blanks. A wonderful hour ☆☆☆☆☆

Luckily the rain had stopped when I stepped out of Paradise in The Vault, so I had a wander through up to Teviot Square to take in the fringeyness (again noting that it’s not so busy as I’ve known it), before heading to Infirmary Street. This venue is an old school, a proper old school building, go to a show there just to see it! I went to find out How to Eat a Bear or how not to, as two slackers Mark and Dave find out.

These two slackers have absolutely no redeeming features, they will never become better human beings, they are truly awful (think Bill & Ted but even worse). If you haven’t been put off by what I just wrote, if you like American slacker movies then this is the show for you, you will love it! It is very funny, sharp, dark in places (oh, the Bill Cosby joke!!) and it should be a good time in the evening for it’s intended audience (a shame there were as many working on the show as in the audience when I saw it). Yup, How to Eat a Bear is a lot of fun ☆☆☆☆

As I seem to be reviewing in threes, I’ll just throw the charming Alex Farrow in here. His new show Alex Farrow: Wisdom of the Crowd at Cabaret Voltaire is another hour of philosophical fun. This is the third year I’ve seen him, he just gets better and better; he’s engaging and interesting, I could quite happily listen to him for much longer! ☆☆☆☆☆

That’s your lot for now, I’m off out. Toodle pip!

Three morsels of Fringey goodness

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Three days in, twelve shows seen. It’s tricky balancing wanting to be Fringey, writing about the Fringeyness and getting enough sustenance and sleep. It’s late just now, I had intended to be already in the Land of Nod but a few quick mentions before I lay my head.

Second day of previews I started with Ringer at Underbelly Bristo Square, picked as it’s by the same chap who wrote the very last show I saw last year, Out To Lunch (I was rather cajoled into seeing it as one of the few punters in Bristo Square, but it was very good). Another sharp, dark comedy; maybe a tad confusing to follow at the start but the storyline got underway, great fun and great performances by both actors. Same as last year’s, I’ll give it 4 stars.

I bumped into Grubby Little Mitts when they were flyering before the show, so lovely to see Sullivan Brown again, he said the new show is even better than last years – a bold claim! He was right though. The two of them (Rosie Nicholls is the other mitt) have a great chemistry, the sketches come fast and furious, there’s darkness and light and all sorts of bonkers in between. So that’s five stars plus another little star for Grubby Little Mitts: Hello Hi.

I want my bed so just one more, Shadow Kingdom by Mochinosha Puppet Company; that’s puppets as in Japanese shadow puppets, over four hundred are used! Another big epic story, last year’s was sci-fi, this year it’s fantasy (but again with a message in there) with plenty of adventure, hey, they paraphrase that line from Princess Bride! As last year, the flyer is actually a short comic book, and they have badges, yay (for a small donation), that’s 4½ stars from me. You might think shadow puppetry isn’t for you, maybe not, I wondered the same last year and am glad I gave it a chance.

G’night, sweet dreams!