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A gun, death and darkness

bruceonthefringe 2023, Comedy, Edinburgh Fringe 2023, Reviews, Stand-up comedy, Theatre, Uncategorized Tags: , , , , , , Leave a comment

What a day, rain, sun, rain, sun, make up your mind! Did another while of flyering; the similarities with carbooting keep popping into my head – big one, a nonchalant smile for all who gaze upon you and your wares (ie resting bitch face is not a good look). One chap made me laugh, he ran across the road when I caught his eye and waved my flyers in his direction, and no, he wasn’t running away, he came to me to take one!! Wonders will never cease. Anyways, on with three more reviews. I’ll go from light to dark I think, three very different shows, that’s the beauty of Fringe, there’s something for every taste!

So, silliness incorporated, The Last Gun starring, in many many roles, Will BF and a couple of sock puppets (what’s the Fringe without a sock puppet or two?). Right from the off when an audience member was urged to put a video in a video player (he was young, not sure he had much clue what he was doing!) the tone was set, daft, a tad retro, with audience participation.

The Last Gun was a film made in 1975, it sunk with barely a trace, never finding it’s audience, this show is a documentary looking back at “the garlic of films – very stinky”. The laughs come fast and frequently in all forms, impressive wordplay and sharp, funny dialogue, the characters in the talking heads documentary sections, visual gags (an easter egg, loved it!). The audience participation bits are excellent, there’s playdough and video-gaming (Will has written operating instructions on the back of his shirt to help the other player along), Will is equally quick and hilarious on and off script. The film is well realised, in fact I’d swear I got it out of Blockbusters in the late 80’s for one of my infamous movie marathons! ☆☆☆☆½

Next, with light and dark, Death Suits You is a musical black comedy where Death takes time out from his busy schedule to explain to us just how much time and effort he puts into each and every death (he’s been feeling very unappreciated). Death is wry and witty, he also has a damn fine set of vocals and great stage presence; live musical accompaniment adds to the drama of unfolding death scenes. Sam Hooper is excellent as Death, he really, err, brings him to life!? ☆☆☆☆

And now, the darkness, no, not the band, a stand-up from Vienna called Elias Werner. Ah, Vienna (come on, I’m not the only one!) I visited it twice briefly on my interrailling adventure, such a shame the film cartridge of my first visit was lost before I got home (so much retro going on in this post!), I even went on the Giant Ferris Wheel seen in that noir classic The Third Man. Is it a Viennese thing, noir?

Werner’s show is called Live, Deaf and Dark and yes, it is very dark, dark and intelligent; his delivery is dry with the occasional hint of a mischievous smile hiding below. This is his first time doing stand-up in the UK and at the Edinburgh Fringe (having come over in his van, Werner played a few shows on the way up to Edinburgh), so plenty of dark gems to mine there! Other topics he touches upon include family, dating online and his deafness, moving deftly between them with some neat callbacks (a loud guffaw escaped me at the schoolbag bit).

Many of his observations of life had heads nodding and some invoked a few sharp intakes of breath (from oo, that’s close to the bone, or, I can’t laugh at that, can I? It’s hard to tell). I know I generally go for the light quirky side of comedy but a little dark humour is a great palate cleanser, and it reminds us of our own dark sides, let’s them run free a while. There’s plenty to enjoy here before you step out again into the light, as he tells us, these are real stories – just not true ☆☆☆½

Time for my bed. G’night all!

Flyering, a moose eye view

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Fringe Flyerers have a hard job, they really do! Even if they do make an effort to connect, keep smiling, be gracious – that does not correlate at all to bums on seats! And all those variables to consider, maybe flyering closer or further away from the venue? How long before the start? Does that matter if the show is on every day? Does caring about these things make any different to the numbers? Probably not, unless no-one’s turned up to see the show for days, then the easy option would be to blame the flyerer (For what? Human fickleness?) fire them and get another one.

And where has this new found respect come from, Brucie? From trying my hoof at it the last couple of days, that’s where! Speaking to a fringe chum their show wasn’t getting many in, one possible solution was more flyering, but flyerers cost and they haven’t had enough bums to seats to pay for one, catch 22. As I have wondered just how good I would be at it, here was the perfect opportunity to help a friend and try something new, step out of my comfort zone. They couldn’t hand me a stack of flyers quick enough!

OMG!! It is so draining! Flyerers of the Fringe you have my sympathies, apart from the ones who don’t give a monkeys, though I can see that’s an easy coping option if you’re able to not give a shit (it’s not in my dna not to care). But, hey, it is fun work too (wouldn’t be in the rain, though, I dont think), of course, I’ve never minded being flyered unlike many who mump and grump about it, see Flyerers are our Friends from back in 2019.

《EDIT those late ten minutes flyering before the show starts – they’re kinda like the last ten minutes of a car boot sale. It’s nearly done, you’re knackered, others are already packing up, or even packed up and sitting waiting to go, but you want to keep going ’cause just maybe there’ll be another along any second. Yes, I’m that car booter packing up as others tear off home. Avoidance techniques deployed by passers-by can be funny, not quite so much after an hour or so; there’s intently staring at your phone, intently looking at something in the distance, suddenly realising how utter fascinating the pavement is, slowing so that you can then zoom past as the person in front is targeted. I would love to hear from flyerers about their best, worst, funniest experiences!》

So folks, if you’re visiting the Edinburgh Fringe, or any other Fringe around the world, please be kind to flyerers, connect, smile, be gracious when declining. You never know if that flyer will lead you to seeing something truly brilliant!

G’night!

An elephant, a bear and a little philosophy

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Is it just me or is this Fringe a tad quieter than last year? Oh, it is busy, but just nicely busy, transversing Royal Mile is actually quite easy! Okay, so there’s the usual blob of bodies standing watching a street performer, but apart from that it’s a doddle. Again there’s no craft stalls by St Giles, just a few sketch artists, shame, I liked them there; neither are there any on the Mound by the art galleries, nor on the recently reopened walkway to Playfair Steps (okay so that could be hard to negotiate at times, but it was fun and bustling).

In fact there’s not much at all going on by the galleries apart from a pop-up bar, like we needed another one! Why still no new Half Price Hut there? Really, no sponsors could be found, at all? Major publicity like that? This six o’clock closing at the Box Office is nonsense, and they’re charging booking fees too! Come on Edinburgh Fringe, as I said last year, it’s very little help to the later evening shows when folk can’t get to a box office in an evening to take up the deals on offer.

I did procure two HPH tickets yesterday, I’d had an eye out for them appearing on the list and yes, my Fringe-dar is in fine working order; two of my favourite venues too! Paradise in The Vault and Greenside @ Infirmary Street. First off Mark Twain’s The Stolen White Elephant was a joy, just one man telling a wonderfully funny absurd tale (supplanted from America to Salford and around the UK).

What a storyteller! He kept me captivated as he told us about Jumbo the white elephant from Siam, and Inspector Blunt’s attempts to catch the thieves. The language is so gloriously old-fashioned and hilarious, plenty harrumphing and tushing, and telegrams flying everywhere! Great incidental music too, it really added to the experience. Just one thing, a screen set up to show illustrations wasn’t working at the performance I saw, a shame but our storyteller was so eloquent my imagination easily filled in the blanks. A wonderful hour ☆☆☆☆☆

Luckily the rain had stopped when I stepped out of Paradise in The Vault, so I had a wander through up to Teviot Square to take in the fringeyness (again noting that it’s not so busy as I’ve known it), before heading to Infirmary Street. This venue is an old school, a proper old school building, go to a show there just to see it! I went to find out How to Eat a Bear or how not to, as two slackers Mark and Dave find out.

These two slackers have absolutely no redeeming features, they will never become better human beings, they are truly awful (think Bill & Ted but even worse). If you haven’t been put off by what I just wrote, if you like American slacker movies then this is the show for you, you will love it! It is very funny, sharp, dark in places (oh, the Bill Cosby joke!!) and it should be a good time in the evening for it’s intended audience (a shame there were as many working on the show as in the audience when I saw it). Yup, How to Eat a Bear is a lot of fun ☆☆☆☆

As I seem to be reviewing in threes, I’ll just throw the charming Alex Farrow in here. His new show Alex Farrow: Wisdom of the Crowd at Cabaret Voltaire is another hour of philosophical fun. This is the third year I’ve seen him, he just gets better and better; he’s engaging and interesting, I could quite happily listen to him for much longer! ☆☆☆☆☆

That’s your lot for now, I’m off out. Toodle pip!

What are the odds?

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… On being sat a few seats away from the same person at your first show of the day and then the last show you see?! No, I don’t know him but he was pretty distinctive, so definitely the the same chap. Well, you obviously have similar tastes, Bruce. Erm, the first was Max Norman: A Pirate’s Life For Me, a jolly silly romp, and the last was Fabulett 1933 on the life of a gay man in early 20th century Germany. A day of light and dark, my third show of the day was Tom GK: Chemodian, a lovely upbeat guy whose body is riddled with tumours, for the darkest of subjects it’s quite an upbeat show, oh, with plenty of dark humour ☆☆☆½

Back to Max Norman: A Pirate’s Life For Me a show for all the family. Max Norman has a sense of gleeful wonder about him, he has silly in spades with a creative, make-do attitude that almost seems quaintly old-fashioned (dare I say it, I was reminded of Brian Cant). If you have kids they’ll love it, if you don’t, then just take your own inner child and be pirates together! ☆☆☆☆½

Another odd coincidence in the last couple of days, two mentions of Cornish pirates. Max Norman mentioned Pirate Captain was Cornish, the old stereotype for a pirate (they do say aaarrr a lot); just the day before I know I was told the origin for the accent (by a man dressed as a Cornish pixie) in Tre, but I can’t for the life of me remember what it was, dammit. I gave this a bash as I have a soft spot for Cornwall, but well, I did quite enjoy it, it’s not bad, but… ummm. Tre is just on until Saturday 12th, interesting Cornish facts in there.

Fabulett 1933 was excellent. Felix is the emcee at Fabulett, a cabaret club in Berlin, it’s February 1933, the club is about to be closed down by government order. Throughout the performance there’s reminders that the clock is ticking down, Felix uses the hour to recount his life from childhood, conscription to fight on the Western Front, to Berlin. Much of his story is told in song (accompanied by pianist, Hans), well naturally, we’re in a cabaret club! The music perfectly sets the scene, the singing spot on, the story fascinating and powerful ☆☆☆☆☆

I was actually in the same room an hour and a half before, I did mention last post that Monday was my Underbelly day. The two shows before those two were through the same outer door, two venue rooms next to each other – a warning for Clover and Daisy goers, make sure you’re queuing for the right show! And Clover people, unless you have a long body and upper half, best be in the queue early or almost last. If you’re three or more rows back good luck seeing what’s happening, but the back two rows are on higher seats so you can see really well there (I will having a full-blown rant about seating in a post very soon!).

Did you read my last post? To write or not write about shows I haven’t enjoyed so much, that is my predicament. Especially I feel that stand-up comedy is such a personal vibe, not getting a stand-up doesn’t mean they’re rubbish (or maybe they are!). So, I’m not really on the same vibe as Tom Lawrinson but he did go down very well with the crowd. I did laugh plenty, you know that hyena laugh, when you’re joining in with the pack and part of your brain is thinking “yes, I can see the amusement value of what was just said, but I’m not half as amused as this sound I’m making would imply”. I certainly didn’t walk out thinking I’d wasted an hour of my life, but neither will I probably go see him again.

Well, I’ve waffled quite enough for one post. Yes, I still haven’t gone back and completed my previous reviews I know, but the sun is shining out there! I will just mention the other show from yesterday (just to complete the set). Finlay and Joe: Past Our Bedtime was so much fun! The second show of my day opened and finished with a song with lots of silly inbetween. Now, these guys are on my wavelength, inventive, bonkers, with an occasional slight hint of whimsy ☆☆☆☆ I can’t believe I didn’t figure out the author’s name! I realised there was a joke in there but I couldn’t see it, bah.

Now where are my sunglasses? Toodle pip!

The end of the beginning

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Already it’s Sunday night, the previews and first weekend almost at an end. Just three weeks and a day to go! Yes, the Fringe finishes on Monday 28th August, or more like, gasps it’s final breaths (please someone change the last day to the Sunday, there’s no good reason for the Monday ending, and after all, the official start has been brought forward to the Friday).

Tomorrow is my Underbelly day, five shows for £6 each (plus £5 booking fee), you know how much I like a good ticket offer. I’ve been taking it a bit easy today, was feeling a little Fringed out; counting today’s shows I’ve seen sixteen, which the observant will know is way more than I’ve written about. For one, my time management could be way better, and second (as I’ve mentioned in the past) my mother always said, if you can’t say anything nice, don’t say anything at all.

Yes, I know I shouldn’t feel bad about saying something negative. Hey, if someone really enjoyed every show they saw, they’re either bloody lucky or way too easily pleased (or just plain lying about it). Anyone can read what I’ve written, then put it down and go their own merry way, sometimes hearing another’s take can help clarify one’s own thoughts. As someone once said, I should publish and be damned. Sorry, mother.

I kinda snuck out there to go see Accordion Ryan’s Pop Bangers, I hadn’t yet been and next chance wouldn’t be ’til Thursday. His show is from eleven ’til midnight, it’s a great, fun way to round off an evening, or get you in the mood for partying through the night. For me it’s the former tonight, I shall get to my bed, tomorrow I’ll fit in some reviews, honest.

G’night, sweet dreams!

Don’t judge a show by the poster?

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Well, I do try not to judge a book by the cover, but with hundreds of shows to choose from, a poster is a quickfire way to yay or nay. Some make you shudder, ye gods, no, some amuse, some bemuse. That first look counts, and if it’s a massive poster, well, call me Homer Simpson, but the influence to see or avoid is greater on this moose. I have written previously about misjudgements I have made based on the look of a poster, hey ho, usually pleasant surprises in the end.

The town by this stage, the Eve of Fringemas, is postered up to the max. Here is a multi-show poster board, anything tall, thin and stationary gets these things attached in August. Shakespeare given comedic makeovers, hmmm. For one, I already have that covered with Shakespeare For Breakfast, and second, neither poster has much moose appeal. Miss Havisham pops up most years in one form or another, such a magnificent character to get creative with; a possible possible there.

Top right and bottom left, neither yays or nays, wallpaper; as the Fringe goes on, they make more of an impression. It’s the little beauty bottom right that caught my eye, loving the artwork. Oh, and if you read my last post, no, I didn’t realise the connection before now. Yes, I’m doubly persuaded that it’ll be worth seeing!

It could become a spotcheck game – asking random people for immediate honest yay/nay responses to posters. Probably get rather more truthful answers than they would say to flyerers! Oo, and on that, I got flyered twice today! The Out of the Blue crew were out in numbers on the Royal Mile, actually, I got past them all without taking a flyer but not for want of their trying. Shortly after I bumped into Paul Currie, been doing the Fringe for years, I’ve never seen any of his shows, this could be the year. Yes, I accepted his flyer!

By the way, I share all my blog posts on Facebook, Bruce T Moose is the name (and no, the T doesn’t stand for what you’re thinking). There’ll also be more daily pics and vids on my Instagram, do check them out.

Some Tuck, Rats and Hot Blondes!

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This time last week I was in Stramash watching The Scat Rats, another damn fine performance as we’ve come to expect from them. The early evening band was Nicole Smit and Jed Potts doing their thang (the first time I’ve seen their double act outside of Binkies) ranging from country, blues, rock’n’roll, and this week Jed went lounge (honestly, eyes shut he sounded like he should be wearing velvet and ruffles!) on a couple of numbers.

Last night I had been expecting to see The Blueswater but alas they had to cancel, well, some of them, so instead Nicole and the Back-up Crew (there are a few overlaps there) did the late night shift at The Jazz Bar. No, I didn’t go, I went to bed at a reasonable time instead! I do hope things are okay again for their Fringe shows (the first one is Wednesday 9th).

I had been wondering at a seeming lack of Tuck this year, nothing in the programme! Surely he’d be up? What anarchy would ACMS descend into without him? And This Is Your Trial without a single Tuck appearance? Surely not. Oh, and TIYT is with Laughing Horse this year, in The Counting House at half past five in the afternoon. It is very random depending many factors but hey, it’s free, definitely worth a punt!

And then, midweek he shared a pic on Instagram of his Fringe schedule so far, yay! Thom Tuck will be in the building, well, a building, a number of buildings, around Edinburgh during August. I like his use of colours, if a tad rough, but curious what Dom and Wogan mean!? 2110 Ginzel’s I think I’ve figured out, some serious acting? I’ll let you know.

This morning I headed up Moose Ridge in Holyrood Park, after a week of slow ambles with old dogs I’ll have to get back into the long climb up, ready for Arthur’s Seat Comedy Extravaganza on Saturday 19th. If you’ve never been up to the top, then that’s the day to do it! Catch a 45 minute free Fringe show with four stand-ups and the most spectacular view in town (unless there’s very low cloud!)

Hot news of the week, Logan’s Close have released another succulently scintillating single from their forthcoming album Heart-shaped Jacuzzi, for which they have also announced a Release Party date in late December, oh yay! So that’s Hot Blondes In Your Area Tonight available now on Spotify and other music streams; and Liquid Room on 29th December.

Alas, I was away on Monday when they invited fans to go along and be in the video for Hot Blondes, hopefully it’ll be out before too long. In the meantime, I have put a clip on Instagram of The Scat Rats doing an acoustic version in Stramash.

Anyhoo, time for bed, just three sleeps to go. I’ll leave you with the Rats from last week…

A few faces to watch out for

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Just time to fit in another quick flit to the home country, then it’s back up to Auld Reekie and no sleep ’til September! I’ve noticed that The Blueswater are playing the Jazz Bar on Saturday night in advance of their Fringe shows, I may well make it back up in time for that. A couple of days to get my moose cave in order, it’s all coming together.

Yay, Accordion Ryan will be back with more Pop Bangers, this time he’s in 32 Below, next door to where he was last year, again part of the Free Festival eleven o’clock every night except Wednesdays, really, make time, go see!!

Alex Farrow is back, once again hosting Stand-up Philosophy and Stand-up Science besides his new solo show Wisdom of the Crowd, all at Laughing Horse venues. His solo show is PWYC, the other two are free, they’re more or less entertaining depending on the line-ups each day.

David Alnwick has a new show The Mystery of Dracula, expect good theatre and great magic (if you’re thinking, umm, a magic show, it will be way more than that!) in the Speakeasy at the Voodoo Rooms. It is part of PBH’s Free Fringe but be warned, Mr Alnwick is very popular, best be there in plenty of time!

Those two absurdly funny men, Neil Frost and Dan Lees are back with solo shows. I could be wrong but Neil Frost: The Door sounds very similar to his show last year, no matter, it was a wonderfully funny show. That other absurd clown Luke Rollason is back with Cheep Cheep, of course I have a ticket! Oh, it’s not mentioned in the printed version of the Fringe programme.

Anyhoo, must go, I’m being taken out for lunch! Apparently it’s by a place we used to go many, many years ago – I have no recollection of it. ……. and I’m back, I was whisked away! Even driving past Waters Meet (where we used to have picnics on Sunday afternoons I’m told) I only had the faintest of memories. It’s at Walshaw Dean, a bleak moorland area above Heptonstall (above Hebden Bridge), further on and bleaker still, you come to Pack Horse Inn; it’s stood there as a welcome shelter from the elements for just over 400 years (ok, no doubt with a few changes over time). They serve fine ales, a very good Ox Cheek Bourguignon and scrummy desserts.

More about tasty Fringe morsels next time. Toodle pip!

There’s nothing else here but bracken, more bracken and hills

Things that made me go, hmm

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It’s Saturday afternoon and time for the annual defrosting of my fridge freezer, well, I’m waiting for it to defrost completely, then I’ll clean it. No meat from the Farmers Market this morning, instead I’m letting mince and chicken thaw out for cooking later; the subsequent bolognaise sauce and chicken curry will refill the freezer in mealsize portions. There’s method in the madness!

Now, while the freezer slowly warms up, on with “things I’ve spotted in the Fringe programme” with pauses to occasionally go through and mop up the gathering puddle. Oo yeah, definitely possible, the gorgeous Rose Matafeo will be at Monkey Barrel 4 for only £7 or PWYW, bargain! Unfortunately whilst in the Box Office in June I overheard the chap at the next till being told that Rose was already sold out, so that’s almost definitely impossible, then. I say almost, apparently a few seats will be available on the day, good luck getting one of them!

The show with what has to be the longest title is back again, one performance only. It’s part of PBH’s Free Fringe, I’ve never seen it but maybe this is the year for A Young Man Dressed as a Gorilla Dressed as an Old Man Sits Rocking in a Rocking Chair for 56 Minutes and Then Leaves… 14. Would you be tempted? I really don’t know, I suppose it is free, very much a see-how-I-feel-on-the-day. I wonder how many will go, and has anyone gone to it more than once?

So …Gorilla… is now pencilled with brackets in my calendar, supposing he never does it again? Someone who won’t be back at the Fringe ever again is the late great comedy legend that was Barry Cryer who sadly died last year. For the last twenty years Barry was part of the Fringe in a double act, this year instead it’s Ronnie Golden: Allo Keith! Remembering Barry Cryer, I came over quite emotional seeing that!

What do you reckon “unusual old-school Fringe activities” will entail? Apparently Mark Watson’s Churchfest will be seven hours of the stuff on Tuesday 22nd. Churchfest because the venue is St Peter’s Church up at Lutton Place on the Southside (it has a lovely garden beside it). I do like Mark Watson, he’s intelligent with a slight of whimsy, he has me intrigued with this show (and it’s free non-ticketed).

Back in my school days I studied Murder In The Cathedral by T.S.Eliot for English Lit A-level, even got to see it performed in York Minster. This year, for one night only it’s on at Old Saint Paul’s Church. I’m don’t remember ever seeing it in a Fringe programme before, an OMG moment when I spotted it; but no, well, I’ve already seen it, haven’t I?

More from me tomorrow, I have a Jazz Festival to attend just now. Toodle pip!

Only two weeks to go!

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Hurrah! At the weekend Assembly announced their Locals offer was back again. Good news for me as Laser Kiwi are back with a new show Rise of the Olive at Assembly Roxy. They were last at the Fringe in 2019, brilliantly bizarre, amazing acrobatics and soooo bendy! Also back are Mochinosha Puppet Company, last year they did an epic sci-fi adventure Space Hippo, this year it’s a fantasy adventure Shadow Kingdom. Needless to say I’ve bought tickets for both (along with three more Assembly shows).

Back for more puns and frolics are Shakespeare For Breakfast, well, of course they are! I see they’ve moved venue yet again, this year to Lauriston Halls in Lauriston Street (I’ve been to a few ceilidhs there in Fringes past). It’s back to just one performance a day (last year it was two back-to-back every morning!) at the original time, ten o’clock, the earliest show on the Fringe! Okay, there may be earlier ones, but not for me, ten is quite early enough, thank you.

Also back with a new show are the Voloz Collective. Last year’s The Man Who Thought He Knew Too Much was a total joy – great physical theatre, a great story, all very stylishly delivered. I’m almost a little nervous whether The Life Sporadic of Jess Wildgoose can match it. I’ll let you know, and I won’t have to rely on my memory to recall The Man Who… as they’ve brought that back and, well, I couldn’t resist another watch. Yes, it’s that good; I do believe they Sold Out a lot last year – you have been warned!

Two more shows that I really enjoyed last year Manbo and Yippee Ki Yay are back – if you don’t get what they’re referencing then they’re probably not for you! Both were well conceived and highly entertaining. More sombre returns are Watson:The Final Problem and …And This Is My Friend Mr Laurel, again the clues are in the titles, fans will enjoy them.

My calendar is nicely busy from 2nd ’til 8th, after that, well, the Fringe is my oyster. Stramash have been busy posting on Facebook who’s playing when in August – I’ve added particular ones to my Fringe calendar in green. You know the ones, Nicole, the Rats, the Buccaneers, and, oh joys, Ol’Times will be back in town! Oh, and for folk who’d like to give ceilidh dancing a whirl during the Fringe, Stramash has the Daily Ceilidh every afternoon.

Next time, interesting things noticed in the Fringe programme and more happy returns. Toodle pip!