You wait two years for a Festival ….

It’s June, the sun is shining and the Meadows Fair (or Festival, as it has become) is back again on the first weekend of the month, yay. Apparently not as big as it was before Covid, not down to Covid but our money-grabbing, anti-locals council; the usual space in the Meadows has been priced out of the Fair’s range, so it will all be in the area that was previously just an extra spill over corner. I noticed the other day that the travelling fairground has come back in it’s usual spot, it comes for about seven or eight days.

a fort, anyone?

The Meadows Fair is wonderful for spotting odd buys on the bric-a-brac stalls and bumping into old acquaintances you haven’t seen since the last time. There’s live music right through the day til six o’clock. Indeed, this year they’ve been seriously promoting the bands on Facebook, check them out at Meadows Festival Edinburgh. No mention of a second smaller stage for young, upcoming bands this year, so I don’t know if that’s happening or not. Annoyingly I have somewhere else to be on Saturday from noon, but I should manage to be up there in plenty of time for Black Cat Bone at five o’clock.

do you wanna get ahead?

I may be a tad whacked on Saturday because The Buccaneers are playing the midnight slot at Whistlebinkies on Friday night. I’m thinking of seeing the new Dr Strange film beforehand, the 8:40 showing won’t finish until 11:15 which gives a nice time to walk from the cinema to Binkies. [EDIT it was just Binkies nonsense again, I checked with Mr Marah, he was away playing on Islay] It is a good stop-off point on my home from a movie, I went to check out their Legendary Open Mic Night on Monday after seeing Downton Abbey: A New Era (very enjoyable if you’re a Downton fan – very predictable but the script is witty with the Dowager Countess getting all the best lines as usual). Why is Binkie’s open mic “legendary”? I don’t know, maybe there is a history that justifies the term, I hope so, legendary to me is a term that should be whispered by others not claimed for oneself.

The Edinburgh International Film Festival will be fully back this year, disappointingly not this month. They’ve put it back in August like it was until around 2007 when it moved to June; I much prefer it in June, there’s enough to see in August with it! I’ve now had a look at the Edinburgh Jazz & Blues Festival programme for this year, the lovely Nicole Smit has two shows on the final weekend. Oo, it’s a great venue, the Piccolo tent, perfect for Nicole Smit: Travelling Tent Show to celebrate the music of 1920s tent shows; I don’t have a ticket yet but I shall! (at £18 it’s pricey for me, but she’s worth it)

Free to wander around will be the Mardi Gras in the Grassmarket on Saturday 16th July and the Edinburgh Festival Carnival (around the Mound and Princes Street) on Sunday 17th July. Fingers crossed for a sunny weekend! It’s starting to feel like an Edinburgh summer now, where’s my sunglasses?

It’s good to be back

……said Messrs Marah and Rough at least a dozen times each last night. Yes, those Scat Rats were back on the seven o’clock slot at Stramash on Friday evening, yay! It’s been a whole five weeks since the last time – some of us were having withdrawal symptoms. “Good” doesn’t really cover how great it was to see them again!

It was the usual mix of covers and their own stuff, one cover they do divinely is Tonight The Streets Are Ours by Richard Hawley (I had to look that up). It’s a shivers down the back, bittersweet, honey of a song; I really should check out more of Hawley’s stuff, I think. They don’t often play it, so it’s a treat when they do as their harmonies really shine on it. Another rarely performed treat was Bob Dylan’s The Man In Me, was I the only one who immediately thought of The Big Lebowski? Probably not. Carl’s guitar work was beaut here, the Scat Rats really were glad to be back and it showed.

As usual now Babe Station was in there, Hot Blondes In Your Area Tonight and Gouching On The 33 from the upcoming Logan’s Close album also got a look-in. And if you want to check out the acoustic versions of these three gems you can! When LC went back to Germany earlier this month they performed them live during a radio interview, Logan’s Close Interview & Liveset on Chocolate Soup radio station, available to watch on Facebook. I’ve gotta mention the neat little segue in the Rats final song last night; You Can’t Judge A Book as usual had a crowd up on the floor when a large bunch started doing an odd dancey walk thing round in a circle, our boys responded by breaking in a quick bit of Walk Like An Egyptian, nice one!

The evening was still young so I had another pint and hung around for the next band, The Moanin Bones. I’ve not seen them before even though they play Stramash and Whistlebinkies fairly regularly, the singer/guitarist Chris Buckley often does the sound for bands at Binkies, not really sure why I’ve never checked them out. They’re rather good, yup, I’ll go see them again; and I could be wrong but the bass player also plays with the Kennedy’s Project, he was very spruced up in a rather cool shirt last night but I think it was the same guy.

the Moanin Bones

In case you’re wondering why it’s taken me so long to post, I had to save the day down in Deepest Darkest Yorkshire, I was very busy. I may have taken the odd one or two pics whilst out pooch walking, I’ll leave you with a wee selection. Toodle pip!

I have no idea what the flowers are, sorry.

plenty of wild garlic flowering on the riverbank
Yorkshire, nuf said.

Are you ready?

Hey, yay! It’s that time again – Eurovision!! Just over an hour to go. I have marinated chicken thighs in the oven, parboiled spuds to be sliced and sauteed, bread garlic buttered to be put in the oven later, mixed salad all diced and refrigerated, prosecco in the fridge, hmmm, have I forgotten anything? Score cards printed out, yup. I did fancy making something nice for dessert but I was distracted a while this afternoon so that ain’t happening.

For the first time in ages I caught the Kennedy’s Project busking on Waverley Bridge so I just had to linger. The sun was shining and it was a gorgeous afternoon, the combination outweighed the idea of even more time in the kitchen. It was so good to see the Kennedy’s Project again, they make it easy to hang around awhile, great music as ever. And on great music, Logan’s Close are back in Germany; tonight they’re playing the Sonic Ballroom in Köln, just the name sounds amazing!

The lads flew over on Thursday to Berlin for a radio interview with three live songs thrown in, nice! Luckily it wasn’t just on radio, it went out on Facebook Live, you can check it out on Chocolate Soup’s page, Logan’s Close Interview & Liveset. All the songs are from the upcoming album which is mentioned, of course. LC will be back over on the continent in June for Spoorpark Live at Tilburg in the Netherlands. I’m really gonna have to get myself over sometime. They hope to do a big tour in Europe once the album is released, hmmm, a moose on the move, a travel blog. Maybe?!

Oo, best check my chicken thighs. Good luck, everybody! Let’s face it, everyone will be fine if Ukraine wins – that’ll be a big two fingers up to Russia!

There’s been some ukeing goin’ on

The kitchen was a real state last evening, but that didn’t stop me from popping down to the Kilderkin for the Uke Hoot. Hey, the fridge freezer still wasn’t fully defrosted, a small pool of water was still collecting in the bottom, but not enough to spill out on to the floor if I left it for a couple of hours. Besides defrosting and cleaning it, I’d pulled my fridge freezer out from the wall to clean the floor and paint the last bit of kitchen wall. Yes, I painted behind the fridge freezer, I knew it wasn’t done and it irked me, plus there was just a small amount of paint left in the tin, it made sense.

Yes, I hooted my uke last night, it’s quite liberating! A small group of enthusiastic uke players meet up to play and sing songs, all abilities welcome, just do it with gusto and you’ll fit right in. There’s a comprehensive songbook to pick from, some of the regulars have it on tablets but there are solid copies to share around. Folk just call out tunes to play next, there was My Girl, Two Princes, Dreaming (a Blondie song I’d completely forgotten), a few Beatles tunes, of course; my suggestions were Sunny Afternoon, Runaway and Pretty Flamingo. All washed down with Stewart’s Holyrood Pale Ale (well the voice did need lubricating) at the very reasonable price of £2.30 for half a pint. It’s now £2.90 in Stramash, I guess that’s the difference between diy entertainment and getting in professionals!

I was back in Stramash last Sunday night, drinking Stewart’s Citra Blonde, a very hoppy session ale, nice but not as nice as the Holyrood Pale Ale but it is 40p cheaper for a half! The Buccaneers were playing after midnight but I went along at ten for the band before, Nicole & The Back Up Crew; never seen them before but I know Nicole has sung at a number of Fringes as part of the Blueswater Presents line-up, it seemed a good time to finally check her out.

Holy moly, ay caramba, like, wow, don’t I feel stupid for missing out til now!! What a voice, what a presence, what a cutie, Nicole Smit is the whole package; super talented and sweet’n’sassy. A quick check reveals that she’ll be performing Blueswater Presents: Queens of the Blues Live at the Jazz Bar again this year (six shows), definitely worth a punt for blues lovers. Oh, and Nicole’s at the Edinburgh Jazz & Blues Festival in July, I’ll be checking the programme for the details when it launches tomorrow.

Nicole and her trusty Back Up Crew in Stramash

I almost felt sorry for Mr Marah having to follow Nicole on stage, but hey, Carlos was fine. The band change over was easy as two of the Back Up Crew are also Buccaneers, Simon on drums and Ewan on bass (I was a tad confused when I walked in to see Simon already setting up the drum kit to his liking), as I’ve said before the band scene here can be quite incestuous. Stage right, the harmonic player was replaced by keyboards, stage left, that’s always Carl’s spot no matter who he’s sharing the stage with. I must ask sometime if there’s any particular reason for it – his best side? superstition? Special mention must be made of the night’s rendition of LA Woman (I say this as one who loved this track to death many years ago, yes, to death, when I really could not bear to hear it ever again) the Buccs have renewed my appreciation of it’s magnificence.

You would think that it was time to hit the sack when I got home at ten to three, au contraire, I made a sandwich, a flask of hot herbal tea, dug out an old picnic blanket, grabbed my uke and headed Park-ward. At five in the morning I was sat on Whinny Hill listening to the dawn chorus, a very grey dawn chorus, occasionally joining in strumming my uke (no, I was not playing Morning Has Broken). I was gently strumming away when I sensed an audience, slowly peering round there was a fox just a few feet away from me, wow! It stayed a few minutes more then continued on it’s way. Probably going to saying to it’s friends later, “You are not gonna believe what I saw in the park earlier – a moose playing a ukulele! Yeah, how weird is that?!”

a moose with a view

Hot blondes in the Auld Toun

I think the title of my last blog post confused a few Americans – they went looking for whisky talk and found a Dutch band instead! How to get attention though, just put the word scotch in, or maybe I’ve just suddenly gotten very popular in America?! Hahaha, nah. So what’s new? Not a lot. Oh, the Uke Hoot is back at the Kilderkin on Wednesday evenings, I really should get along there one week. I’m currently trying to master a Blues Shuffle in G that I found online, it could take a while but hey, it’s a fine excuse for not doing other things that I should be doing.

I was inspired to search out some bluesy uke playing after seeing Mr Marah play not once not twice but three times last weekend. Yay for social media keeping me informed – it’s not stalking when folk put their schedule on Facebook! First off, The Buccaneers were playing the after midnight slot at Stramash on the Thursday night. I had intended to go down to Leith Arches earlier that evening as Willie Dug was playing there along with three other bands; annoyingly, after tea my little relax on the sofa turned into a big time nap til around ten o’clock, dammit. A couple of episodes of Lucifer perked me up for stepping out into the night and up to Stramash.

Carl was back in Stramash for the seven o’clock slot Friday evening with fellow Scat Rat Scott Rough. Oo, we were treated to Hot Blondes In Your Area Tonight from the upcoming Logan’s Close album, nice! This pared down version really brought out the bittersweet-sounding chords and harmonies; music to make your soul soar whilst at the same time tearing a rip in your heart. A young couple completed the romance of the song by dancing together to it, I’m sure I wasn’t the only one to be enchanted for those few minutes, that moment in time.

Less than twenty-four hours again and the Scat Rats were doing an afternoon set in Whistlebinkies. I just caught the second set, it was my reward to myself for spending the previous two hours up a ladder carefully painting the final inch strip around the top of the kitchen walls. Hey, I have high ceilings, the concentration required to paint that neatly and not fall off the ladder was intense, I deserved to sit in a dark room with great music playing after that! There was a new Stewart beer on, a very nice session ale, just had the one half, you understand, just to relax after my endeavours.

And yay, I got to hear Hot Blondes again, a big reason for going along so I’m glad it wasn’t in their first set. There weren’t many in Binkies but the lads gave it gusto as always, Carl managed to break another two strings (I saw two go the previous evening!) – overexuberance?! So, a lot of the same songs always come up, but I could never be bored of listening to this pair, there’s always something to delight, a sound that’s tight but loose and always fresh.

In The Morning is sounding so good now (well, yes, it’s always sounded good but this is A+ with a cherry on top good); sitting in Binkies I realised this was the song on Friday night when I could have sworn Big Nick was there beside me enjoying it, saying, “Yep, those boys have it!” As the Rats wound up with You Can’t Judge A Book it finally twigged – Carl’s gotten a tad flamenco-ey at times, very like Nick did in the later years, that’s why he’s been hovering round.

Facebook tells me that The Buccaneers are back at Stramash this Sunday night (well, Monday 00:30), another late night. Mind, Facebook has also just told me the Close are back in Hamburg, a quick trip or will I be in bed before midnight on Sunday?

I’m sure Elsie won’t mind me sharing the latest shot of their magnificent mugs here

More Scotch, anyone?

Happy Easter! Is it moose or bunny, either way it doesn’t lay eggs!

No Park walk for me today, the place will be full of folk rolling eggs everywhere! Tonight the Park critters will dine royally on the smashed egg remains, it’s the payoff for having to hide away from the hordes all through the day. Tomorrow I’ll enjoy spotting painted pieces of shell on the slopes.

Edinburgh has gotten busy now, maybe still not to usual numbers but not far off now. The stags and hens are all back, swarming around looking for pubs. Alas, the last week wasn’t a good one for bands that I like playing locally, so I’ve been staying in and the odd evening stroll in the Park. I was so happy when Scotch the Band drove back into town after their trek around Scotland. If you read my last post you’ll know they went down a storm in Stramash, this time they were playing Whistkebinkies, a very different space, almost claustrophobic compared to the cavernous Stramash.

Ah, they were so fine, high energy, bouncing off the confines of Binkies; the crowd were fine too, dancing and singing along exuberantly. There’ll be a couple of clips of Scotch in action on my Facebook (Bruce T Moose, and if you friend or follow me there’s always links to new blog posts there). On here you’ll just have to make do with pictures and imagine the sounds and atmosphere. Gotta say, the skinny stripey trousers always put me in mind of Steve Harris back in the day, well, the eighties.

Oh yeah, I should mention I bought their latest cd Losing My Mind, I almost got it for free, well, I did, then I passed the kindness right back to them. See I didn’t have a tenner on me so was going pay by card, I hung around for one of them to find their card reader, it was hiding well away, no trace, he decided to just give me the cd, like wow! Heading out by the stairs on to South Bridge and the fresh air, it occurred to me that there were a line of cashpoints just over the road, doh. Naturally the band, though they’d vacated the pub, were still hanging around outside on Niddry Street, yay, and what a nice bunch they are. Of course, I should have asked how they came by the name Scotch the Band – oh well, next time they’re in town.

Toddle pip!

Scotch n Eggs

Friday night again, Etta James is serenading me, sweet. Had a very, very late night last night at Stramash, so I’ve been feeling somewhat jaded today. Oh, I’m not hungover just missing some sleep, I was drinking very slowly after discovering the latest price increase when I paid for my first pint – dropped down to halves after that. Mind, I would have spent considerably more if my evening had gone as originally intended and I’d gone to the Jazz Bar. Oh I went along (intending to while away a couple of hours) then went along back home, apparently everyone and their cousins had turned up for the Groove Thursdays jam session, not even enough room left inside to squeeze in a mouse never mind a moose!

Why didn’t I just go to Stramash or Binkies rather than back home awhile? Because, annoyingly both pubs had bands on that I would never willingly go see, one because I’ve had the displeasure before, and the other just really is not my thing. I’m very glad I did trot back out after midnight to catch Scotch the Band, well worth it! Phew, so glad was I, well it was late 2019 when I last saw them play and I was fairly drunk that night.

Scotch the Band hail from Holland, clad in black and white striped trousers, white shirts and braces, the drummer carries his kit slung low from his waist, no sitting around for this guy! There’s guitar and bass, and banjo and fiddle, oh and four of the band sing. Their style? Erm, party folk music? Revved up Balkan folk? It’s infectious in the best possible way. Scotch sing in Dutch and English, they sing about cheap vodka, weddings, the hair of the dog, they get the crowd singing raucously along. And after a week driving around Scotland they’ll be back in Edinburgh in Whistlebinkies, yay!

In other news, Co Co Co. were up from Dumfries at the Edinburgh Farmer’s Market last Saturday with some amazing Easter eggs.

I resisted buying one, but I did succumb to a packet of passion fruit truffle eggs and solid white chocolate raspberry eggs. OMG!! These guys know their chocolate but those passion fruit truffle eggs really are divine! (there’s a strawberry cheesecake chocolate in the pipeline that I’m really excited about)

I’ve been very controlled and just had one or two each day – until shortly after this picture this afternoon!

A little voodoo magic from Elsie

It’s very late Friday night in Edinburgh, Facebook has informed me that Logan’s Close are in Hamburg; from the pic they were let loose on the streets after their first day in the recording station working on their debut album Heart-Shaped Jacuzzi. It being Hamburg they’re posing in front of a place called Sex-House, well, of course they would, all looking fine and dandy. I wonder how the gig went last night after just travelling over there? I hope it gave them a boost for today. Couldn’t have been as good as last Sunday night at the Voodoo Rooms, though.

Ah yes, finally Logan’s Close got to play the Ballroom in the Voodoo Rooms again – and it was awesome. Not just one or two, they had three support bands to get the crowd warmed up, Julen Santamaria, Jupiter Strange and Racecar. From a low simmer the room gradually went to gently bubbling with the beats and expectation, then the lights dimmed, the lads took to the stage, from bubbling to boiling, a most rapturous reception!! Oh, the love was in the room, I think they may have been a bit taken aback by it all for a few moments before opening with Lost In You.

At the time I was taken by surprise by this choice (oh, a very lovely one, just not a song I would have anticipated as an opener) but as I recall the atmosphere, they were totally caught up in the crowd’s adoration and enthusiasm, so yeah, lost in the euphoria of it all. Next up, Never Bloom, a great live song but like the title says it’s not destined to blossom into a studio track (well, you could grab a copy of the LimbicTV session CD to hear it). Newby Merry-Go-Round was third, I remember because it was also the third song down in the Running Horse, a gorgeous number from the new album (I’m really looking forward to how the studio version will sound, I’m expecting nothing less than totally scrumptious).

Another new song to follow, Half & Half which to be honest I remember thinking was great, but that’s it, hey, there’s only so much of an evening my brain can hold on to! Give It To Me a particular favourite of mine was next, the opening harmonies and keyboards slither round like thick smokey tendrils reaching out before engulfing you in a hazy, intoxicating fog (well, maybe not you but it does me) with that guitar break, oh yeah.

Oo la la, Dans Le Jardin bounced and tripped along joliment, one from the album? Next song definitely was, Heart-Shaped Jacuzzi, the title track. Okay, so by this time my powers of remembering were prerty much used up, that’s it. There may have been another new song in there, and the Close “finished” with another newby about Hot Blondes. Babe Station was in there, of course, and Mock Marble Linoleum, both destined for a soak in the Jacuzzi. Classic I Want You had to get an airing, it’s not an LC gig without it, and the song about the number 33 bus? Yeah, Gouching was there with it’s luxurious rolliness.

After the brief off stage right and the crowd hollering for more the lads obliged with Eleonara (oh yay!), Girl, and what else to end with, especially on Mothering Sunday? Listen To Your Mother, of course! The band each did the obligatory solo after being introduced, the crowd went suitably nuts, oh yes, the new line-up totally rocks it.

I am so, so looking forward to the album coming out, of course that’ll be a while yet, after the recording studio there’s loads to do before it actually gets to be released, all of which costs money, so Logan’s Close have set up a crowdfunder with various rewards for pledges ranging from a digital download of the album, to a virtual pint with Carl and Scott, to a live stripped-back full band set (that’s within 150 mile range of Edinburgh, fair enough). There’s a VIP Concert Day Experience that includes “a pre-concert fry-up at their favourite greasy spoon” – they have a new favourite now? The Babelon Cafe is long gone, I wonder where Scotty gets his tatty scones now?

My donation to the coffers was pre-crowdfunder, yeah, I’m a trailblazer; currently pledges have reached 134% of the original target, so like, wow, the lads are well chuffed and, there’s still over a week to go. It helps a lot that the band were selected by Creative Scotland’s “Crowdmatch” (one of just twenty to be selected), which as it sounds, means Creative Scotland matches pledges when they reach certain milestones. If from all my rabbiting on about LC you’ve checked them out and like their stuff, please check them out again. Gonna leave you with a few pics from last Sunday night. Sorry, epic night but rubbish mobile camera.

It’s going to be a special night

….. Said Carl Marah shortly after Logan’s Close finally began their set at the Running Horse in Nottingham last Saturday night. Oh, it was a special night alright, for all the wrong reasons but I had a great time. I had a great day, first time in two years I’ve been anywhere other than Edinburgh or back home.

After much umming and ahhing I had decided I would go down to see the lads play Nottingham as a prelude to the Voodoo Rooms gig. On hearing my decision, a recent convert to the fineness of the Close asked to trot along with me, goodo, two in a twin room are cheaper than one, and of course soaring fuel prices could be shared, nice. We made the most of the day visiting a number of real ale pubs, lining our stomachs for the evening ahead in a Barburrito, before drinking our way towards the Running Horse.

Okay, so we got there fairly early, but only four including the bar staff?! It had been a gorgeous warm, sunny day, many were out drinking in the sunshine all afternoon; also remember it was Super Saturday (last three matches of Six Nations Rugby) with England not playing until 8pm; and it was just two days after St Patrick’s Day too, personally I don’t get why folk go so OTT about it but they do. The aforementioned may have been factors in lack of bodies at the gig later, who knows. We were happy sitting chatting at the bar with the rather quaffable Duck Berry Pale Ale from the Dancing Duck Brewery. As a few more folk came in we moved away from the bar, must say it’s a nice place, and having a large flat screen to watch the band on in the bar area is a masterful touch.

Rob, the man in charge, had told us the band were running late, fair enough, we were happy. So was Mr Rough when the band rolled up, he came over to say hello rather exurberantly, happy? – he was steaming. The official line seemed to be that his voice was done in from being too enthusiastic the previous two night, maybe there was some truth in that; he’d also gotten drunk after the gig in Bristol and in the morning decided to keep topping up, all day. Thank god for Carl being his usual laidback, quietly assured self keeping the show on the road, minding Scotty, and chatting to folk about the band.

Finally the band started up, my friend and I moved through to watch them (still only a few in, I did feel for the lads), yay, they kicked off with Eleonara, sweet. Next up was Girl, a song that Scott has said he’d be happy never to sing again and he didn’t tonight, Carl did all the lead vocals tonight. My friend was disappointed not to hear Scott sing or the lads’ usual amazing harmonies, that was a big shame for her, yeah. The new bassist did do the backing vocals for Babe Station I noticed (he did good) but I’m not sure if he sang on any other songs. Sadly no harmonies at the start of Lost In You later in the evening, a particular pleasure of mine.

A new song Merry-Go-Round from the upcoming album was next, oh I approve, looking forward to hearing a studio version of it! Oo, just thought, I wonder who’ll be singing it on the album? (I’ve often wondered how the lads settle who’s taking lead vocals on each song, must ask some time) It was great hearing the Marah touch on all the songs as Scott usually does the majority of the lead vocals, Saturday he was too rough to even sing backing (at times he looked too rough to stay upright!), Scott was totally in the zone for what he wanted to hear from the band though, nearly falling off his seat a number of times trying to conduct the others’ performances, even hammered the lad has it!

The sets included quite a few covers – was this the same at the Swansea and Bristol gigs, or just to get the band through the gig using more old standards in place of new songs in the circumstances? Again, I was fine with it, That’s Alright, Mama, What’d I Say, Hound Dog, what’s not to love? Oh yeah, I’d Rather Go Blind was excellent, a song I heard Scott singing some months ago in Stramash, I’m not gonna call it between them.

This was the first time I’ve seen the new line-up, one of the reasons for going down. This mini-tour was a fine bonding session for them before hitting the recording studio. If they can survive sharing a small bunk-bedded dorm room with Scott on Saturday night they can survive anything! Stuart on bass and Gavin on drums are from the same previous band; Stuart had already played with the Close when they started looking for a drummer to commit to them, enter Gavin (very smiley and very young, I like him); fine acquirements for the Close . Sean Keys was kinda tucked away on the far side off the porch, excellent on keyboards as usual.

There was a wee sideshow going on of a couple who’d just met earlier in the bar, obviously from an online dating app; she was obviously rather drunk and kept flouncing off, only to return shortly afterwards to make up, then argue again, all of us who picked up on it were very entertained. I must mention watching Scott trying to pick his plectrum back up off the floor, that was hilarious. Sure moaners would have found plenty to moan about on Saturday night, they’d have probably grumped too when Carl completely fucked up the words to Roll Over Beethoven, bless, I think he was finally begining to crack from the strains of the day. Mind, before the encore he was still on form enough to quip “Here’s one we wrote for the album” before launching into Blue Suede Shoes, haha.

Heading back to the BnB time flew by as we recapped the gig. As two old timers we concurred Scott was completely forgiven by us, it may be a bunch of hazy memories now but hey, we were twenty seven once. If I told you some of things from my twenty seventh year, I’d have to kill you afterwards!!

Just a few visuals from the evening to finish……..

Scott’s pished face, very like his bored face
from the left Sean, Stuart, Carl, Scott, Scott’s scarf and Gavin
just playin’ some tunes on Rob’s back porch
Carlos, did you just mess up that line? That’s my boy!
dear god, Carl, what’ve you been eating, man?
I know it’s only rock’n’roll but I love it ❤