Passionfruit buns and other highlights

There’s a mutton tagine and pork cheeks slow cooking in my oven. No, not in the same dish, that would be too weird. I prepared the pork cheeks first and put them in for an hour on a low heat (long and low for melt-in-the-mouth tenderness). In that hour I started my mutton tagine on the hob, and had time to make some bun mixture for my latest experiment in baking….

Buns with passionfruit pulp inside! A good dollop of bun mixture slightly hollowed out, some passionfruit innards dropped in, another dollop of bun mix on top. Popped in the oven along with the tagine (cheeks taken out, temperature raised), once the buns were nicely baked they came out, temperature lowered and the cheeks went back in. I tried one immediately, well, I had to be sure they were cooked right through, it was and bloody yummy too – a success!

Oo, that’s reminded me, literally just this second, the pear sponges I made last summer, they were so good! But where did I find the passionfruit and mango coulis to drizzle on top? The combination was quite a highlight of my culinary year, and speaking of highlights – any more from 2022? Well, The Scat Rats as mentioned in my last blog post; rewatching all my vid clips as I attempted to prune my collection recently, my god, the lads are sooo brilliant now, a recorded live set would be awesome!

Just the amount of time spent seeing great local bands last year was amazing, late nights in Stramash and Whistlebinkies, sunny afternoons watching The Kennedy’s Project playing on Waverley Bridge; the Miracle Glass Company in the Old Royal High. Of course, a particular highlight of 2022 for me was seeing local favourites Logan’s Close a few hundred miles away in Nottingham! The whole day was such fun trawling round some great little boozers with an old friend before heading to the Running Horse and seeing the new line-up for the first time (yeah, and the rest of it!)

The Edinburgh Fringe Festival was back almost to old normalcy, shame how they screwed up with the Half Price Hut and no app, but apart from those hiccups it was rather good. I did write about my highlights shortly afterwards, but now with some months gone by, what are the bits that still really stand out in my head?

Crybabies: Bagbeard immediately springs to mind (err, possibly assisted by the fact I follow them on Instagram), clever, fun, stylish and utterly charming; Mr Sullivan Brown in red shirt and shorts in Grubby Little Mitts a darkly bonkers sketch show with partner-in-comedy Rosie Nicholls (and lots of eyeballs); The Man Who Thought He Knew Too Much, sharp, stylish physical theatre and a wide-brimmed red hat; Blueswater playing The Wizard by Black Sabbath, truly astounding!! A rat-arsed Rat performing in Binkies after two in the morning; and lastly, but by no means least, a guy with show that is so much what the Fringe is all about, Accordion Ryan’s Pop Bangers.

Back with Elsie, there was the triumphant gig at the Voodoo Rooms on their return from southern parts in March. Like, wow, brilliant, but, for me, then topped by two awesome gigs in Sneaky Pete’s in December, the perfect way for Logan’s Close to end such a great year! But, still not my top highlight….

That plaudit goes to the CD of 2021’s top highlight, Logan’s Close on LimbicTV (Live from Aluhpasonics), an hour of raw, exuberant energy in the time of Covid. I’ve been listening to it for just over a year now, still love it to bits. And you too can grab a copy of Logan’s Close Live at LimbicTV by going to their website, just £10 GBP (+postage). No doubt their album Heart-shaped Jacuzzi will be a highlight this year.

It’s late, yes, I remembered to turn the oven off. I may edit in a couple of pics later, I need my bed just now but if you check out my Instagram I’ll put up a lovely, sweet moment from Stramash in August, the two dancing are the other two original members of the Close 🧡

Amused mooses, ACMSs and now the Brucies

It’s late, I’ve been medicating my sore throat with strong dry cider, I think it’s working, or?! Anyhoo, Mesdames et Monsieurs, Welcome to the Bruce On The Fringe Fringe Awards 2022! These winners have been picked from 52 shows (not counting return views); there’s been some stiff competition this year – so I took a leaf out of the ACMS’s approach and made up awards to fit.

Best Zomcom: Apocalypse Kernow

Best Pomelo: Palimpsest

Best Sci-fi: Space Hippo

I’m still pondering Best Musical Moment, first nomination is the Miracle Glass Company performing Look At You Now (it was mighty fine)

Best Use of a Red Hat: The Man Who Thought He Knew Too Much

Most Macabre: Famous Puppet Death Scenes

Smartest Suited: The Flop – A Band of Idiots

Second nomination for Best Musical Moment is Blueswater performing The Wizard (epic)

Best Creepy Mouse Costume: Neil Frost – Nan’s House Of Fun

Best Hans Gruber Impression: Yippee Ki Yay

Most Tenacious: Aidan Goatley

Third nomination for Best Musical Moment is Nicole Smit for every moment she’s onstage

Most August: Thom Tuck

Best Kitchen Utensils: Steve and Shirley Sieve

Best Washing Machine Operator: John-Luke Roberts

Fourth nomination for Best Musical Moment is Accordion Ryan’s ability to go so low

Most Absurd Bird Impressionist: Luke Rollason

Best Avian Messenger Trainer: Christian Brighty

Best Furniture Movers: Grubby Little Mitts

Fifth nomination for Best Musical Moment is Carl Marah not falling off his stool in Binkies

Sweetest Fringe Thing: Accordion Ryan

Sexiest Fringe Thing: Rob Kemp

Silliest Fringe Thing: Crybabies – Bagbeard

And that’s it for this year. Pardon? Who won Best Musical Moment? I’m gonna take another leaf off ACMS’s tree and not bother declaring a winner.

Toodle pip!

this year’s Bruce On The Fringe Fringe award winners

Red hats, chest freezers and an owl

Wow, it’s Sunday, pretty sure it is, yup, my Fringe calendar shows that I saw BriTANick last night and indeed I did. This afternoon I’m staying in to fill you guys in on what I’ve enjoyed so far. What? Staying inside on a lovely Sunday afternoon when the town will be heaving with Fringey things? Well, exactly, it’ll be heaving out there and I have to write something down, all these shows are starting to merge into each other in my head, some were perfectly bizarre enough on their own without added plots. I have been out earlier in Holyrood Park, I headed up by the lesser walked Lang Rig, round to Nether Hill and down the steps, a bracing walk on such a windy morning. Washing up from the last three days finally done, I have strong coffee and a punnet of cherries to help me along.

So, how was Fritz and Matlock? Pretty good. Two friends have managed to accidentally get locked in a house basement while putting a dead body into a chest freezer down there; they’ll be unable to get out for sometime. The house belongs to Fritz’s granny and the lads have been growing marijuana in the attic, dubious characters; this is drama and dark comedy about dependency within relationships, with occasional illumination from the chest freezer. Its well acted, well written and well conceived, it struck a chord with this moose.⭐⭐⭐⭐ (Pleasance Courtyard in The Attic)

I was back up in The Attic the following morning for Who Here’s Lost? an utterly delightful monologue by Ben Moor. The hour slips away as our narrator tells a tale about going on a road trip with his ex-mother-in-law who is dying from cancer; it’s funny, heart-warming, surreal, recognisable, beautifully eloquent. I really enjoyed it and intend to pop up to the Courtyard just after he’s finished one day as I want to buy the book of it (didn’t have any cash on me at the time), oo, and there’s a badge too, yay ⭐⭐⭐⭐⭐

From the Pleasance Courtyard I headed to the Pleasance Dome for The Man Who Thought He Knew Too Much by the Voloz Collective. The blurb in the Fringe had “Chaplin meets Hitchcock meets spaghetti western ….. live music ….. Lecoq-trained physical theatre company” how could I not see it? (great promo pic too, quirky, intriguing) Live musical accompaniment can really enhance a show, this guy played keyboards, guitar and harmonica (well if you’re gonna get a musician in, might as well get one who can play a few instruments). Could the Voloz Collective deliver what seemed promised? Yes, and how, with impeccable timing and nuances. Physical, comic theatre at its best, and that red hat amid the grey, loved it. Definitely gonna be one of my top shows this year (yes, three weeks still to go, it’s that good) ⭐⭐⭐⭐⭐

While I’m on about the best ones so far let’s stay in the Pleasance Dome and go back a day to when I saw Crybabies: Bagbeard. Picked because the blurb said Absurdist and “a sci-fi infected narrative sketch adventure”, the pic was too dark to inform further. By George, my fringedar was right on the bullseye with this one, these lads are great. Right from the first scene, so, so funny and inventive, and the owl. I lost it when the owl appeared, not just because it was a ridiculous costume (that looked more like a strange bat to me) but it looked like John-Luke Roberts had just wandered into their show (it so looked like something he’d come up with and the chap is not dissimilar to him). And Victor Valentine – this character (and only when he was playing this one character) so made me think of the crazed FBI agent in one of my favourite films The Frighteners.

Crybabies:Bagbeard is hilarious, ridiculous, sweet, quite bonkers, there is a very good, clever plotline in there amongst the laughs. Another top Fringe delight for me. So what if there was a slight technical mishap, it was the first preview and they handled it well ⭐⭐⭐⭐⭐

Must finish here just now. I do need to eat before my next show.

Toodle pip!