Moose heads and table lamps, musthaves!

I did it! It took a while and a few wrong turns but I did it! Indeed, Great Uncle Hubert looks great on my wall, a fine head!

He’s so going to be tinseled and baubled up for Christmas. How could I not?! Yeah, it’s nearly crimble time again. The Edinburgh Christmas Market is up and running; a lot smaller than previous, which is no bad thing. I had a quick scoobies at it yesterday and can report that it’s nothing to write home about (yes, the irony is not lost on me). I hope no one makes a special trip to Edinburgh for it, there’s surely much better Christmas markets to visit. I used to treat myself to a drink and a snack on one wander each year just to get into the Christmas spirit but, like (call me Scrooge if you want) not at those prices, especially for Rekorderlig Swedish spring water with added apple flavours!

There is an ice rink in town this year, I think it’s at the west end of George Street, and there seems to be some fairground rides at the west end of West Princes Street Gardens. Haven’t been for a tootles at either, I shall report back when I do. I can report that Frites on Lothian Road do rather good chips! Yes, they probably prefer to call them french fries but I reckon they’re large enough to count as chips, good mayo too. I was heading for the cinema and realised I needed to eat but also needed to keep moving; I’ve passed it a million times but never stopped before, I couldn’t wait until I had popcorn, a good choice!

The film I was seeing? Venom: Let There Be Carnage for a second time, actually I reckon that I enjoyed it more on second viewing. I’ve also been back to see Last Night In Soho again, such a brilliant, brilliant fillm ❤

Talking about brilliant things, Fur finally made it back to Sneaky Pete’s, yay. This was a rescheduled date from March this year – oh, how confident folks were in summer ’20 of Covid being controlled by early ’21. Now at the back end of ’21, we can see bands again by masking up to enter venues and buy drinks at the bar ….. then removing them to bop and jostle about in a packed out box! I did notice the air-conditioning seemed to be rather better than pre-Covid, no bad thing, it still got very warm but not like before.

Fur last played Sneaky’s in September 2019, I actually just went because Logan’s Close were supporting, I wasn’t expecting to be blown away by this band from Brighton. Reader, I was so blown away I bought the EP! The sound, the songs, the vocals, wow. You’re probably expecting me to give some description of them next, erm, sorry, fully formed sentences ain’t happening. Retro, jangly, disturbing, disquieting eeriness, wistful, euphoric; there’s a few words that come to my mind about Fur.

This time round they have a new album out, When You Walk Away, so natch, I had to buy one. White vinyl, no less! And all the lyrics on the inside sleeve, nice. I rarely buy records these days but it does feel so good to have these two spicing up my collection. Plenty in Sneaky’s were obviously already well acquainted with the new stuff, as Murray (vocals and guitar) was blown away by how many were singing along. Me, I just bobbed about, soaking it all up, a blissed out moose; I love Murray’s voice, and the new stuff is more of the same, no bad thing! And you’ve got to love a band who take table lamps and a rug on tour to add ambience to the stage, oh yeah.

The evening was too good to just head home after the gig, you know how it is! A few drinks later and the night ended in Whistlebinkies, a late night bar with live music just off the Royal Mile, and what do you know, Fur were there drinking with the Scat Rats (The Close weren’t support this time). Just had to get a couple of shots for the files…….

And on Logan’s Close, they’re having a big Christmas bash at the Voodoo Rooms with three support acts, including Julen Santamaria from Awkward Family Portraits. Now that’s how to get into the Christmas spirit!

So Close so fine

Last Saturday night was the best Saturday night in the last year, possibly the top night of all nights in the last year. Yes, the lads were rather good! Logan’s Close really knocked it out of the park. Two hours of music and banter all wrapped in a psychedelic haze – bloody excellent!

Hats off to LimbicTV, the set up and production were excellent (not that I know anything about these things). The layout looked good and there were lights and cameras galore to capture all the action then mix it up with trippy video effects (I really liked them!), and there’s Dave, the laidback but authoritative voice, great with the banter and keeping the Close on track and sounding awesome. Well, it all impressed me.

Should you choose to check out what has me still buzzing almost a week later (aren’t you curious?) that’s Logan’s Close on LimbicTV (Live from Aluhpasonics), not only will you hear great music, there’s chat on such diverse topics as Scott’s fashion choices, local cuisine (Dunbar fish suppers and Pizza Crunch) and liquor of the gods, well, fortified wine of some monks, Buckfast. Like Dave, I was also at Glastonbury in 1986, such a shame I didn’t bump into him and all that buckie!

Did I mention how good the music was? The band were clearly enjoying finally playing live together, Carl and Scott both had new guitars to have fun with and their vocal harmonising is none the worse for all the time away, I assume Ollie was having fun (dressed all in black including a black facemask in a darker bit of the studio) on his six string bass, Alex on drums was wearing his trademark hat, Sean not only had his own keyboard but the studio piano as well, making full use of both (to think I was initially a tad dubious about the addition of a keyboard player, he’s a perfect fit in their sound).

Fifteen tasty treats, yum, some old, some new, two borrowed, a smorgasbord of sound to feast on. For starters they served up Eleonara, a new one, fun, catchy, a delight. Second was a song I’ve heard them play live before, I thought it was called Never Blue, err, no, turns out it’s Never Bloom, well, you know how it can be at gigs! It’s a cracking rendition of it whatever the name, lots of space in it (something I really like about Logan’s Close, they don’t overcrowd their sound).

Next up were Worked A Treat and Girl. The visual effects are amazing, layering two members of the band over each other, add it a psychedelic swirl of colour, wow! Loved the kaleidoscopic bits during Girl, was Scott able to see them on one of the screens? Did it disturb his concentration or did he just forget the words? Yes, I noticed but he covered it well.

Song five was Gallus Laces which I do reckon I’ve heard before, or it could be that it reminds me of the ambience and lackadaisical sound of Fur, a band I saw in Sneaky Pete’s a couple of years ago. I actually just went because the Close were supporting them but happily made a fine new discovery. Fur were meant to be back up in March but have had reschedule the gig to November.

Next song Babe Station was sublime desolation! When Carl sang the first two lines it immediately took me back to when I first heard Rodriguez, that same plaintive bleak but beautiful sound. The Close should definitely put out this track, please, please, like this, nothing added nothing taken away. Another newby followed, one Mock Marble Linoleum, good solid, a vague early Deep Purple feel to it. Fine but nothing special. Almost an hour in now and the band played Paralysed a regular live number for them, the visual effects go nuts, strobe city! Intense.

Give It To Me had Sean over on the piano for the intro, he’s rather good, you know. This is one of those goosebump tracks, the deliciousness of the guitar break gets me every time. We’re on the home straight now, In The Morning, I Want You, Listen To Your Mother, all sheer class. Scott really let loose on I Want You, as Dave said after it “What I love about you, Scott – you’re prepared to testify” Indeed, amen to that.

Oo, I was so pleased they played Fantastic Man next. This is a cover of a song from the late 1970s by William Onyeabor, the Close did a lockdown video of it early last summer, it was such a ray of sunshine! Last year’s single Lost In You was the last song and blimey, I love this song anyway but this was astounding, I want this version. I defy them to ever play it better than that! What a finish. But, of course, this is the current version of a live gig, so one more tune was in order, but what? A good old classic that the lads regularly play Please Don’t Go, one to go all out on, they did and so did the visual effects!

Now if they could compile a CD from this gig – I’m sure I’m not the only one who’s wishing for this! I wonder what the band thought when they watched it later?! If you watch it, do let me know what you think. It’s late, time I bid you adieu.

Adieu, dear hearts 💛

See, apples green, oranges orange, got that?

I’m in the wrong place, Gromit. No wonder l feel out of sorts, bloody Covid, I should be a couple of hundred miles south in darkest Yorkshire. I haven’t spent the second weekend of October in Edinburgh for eons! It’s one of my annual pilgrimages back to the old country. Some would say I should have just gone down but, having left the decision right up the night before I would have gone, the family all agreed best to leave it. The law may be an ass, but annoyingly my tribe are way too law-abiding for our own good at times!

My disgruntledness hasn’t been helped by an article I saw this week on Facebook from the local paper; the headline read “Curbs on amplified music, concerts and fireworks proposed for Edinburgh’s Old Town”. What! Are they having a laugh? Mind you, reading stuff in the local paper is like hearing about stuff from my mother – not necessarily the actual facts, just something with a resemblance of them. It’s written to read like everyone in the Old Town area came together and all agreed, no more fireworks, castle concerts, and we don’t care for the Tattoo either, really? A number of people compiled this ducument, by no means should it be taken as the views of all Old Town residents. See, that irked me but what really got my goat was when the article went on to say that this group also have “a radical solution …. to ban all amplified music in the Old Town, from …. individual pubs”.

I was annoyed with the way local pubs in the local music scene were being linked to the council’s greed for the tourist buck and everything else that’s bad about inner city living; the night-time noise in the Grassmarket area is from drunks spilling from the other pubs, the live music venues really don’t add anything much to that hullabaloo. I was so incensed I almost wrote a comment (having read the Comments section of the local rag posts, I know the savagery of the regulars and how adept they are at missing others’ points). Almost, then I noticed a Facebook friend had already pretty much made my comment for me, oo, and indeed there were already two replies that would exasperate anyone level-headed.

Would my friend reply back? From reading through all the comments I discovered the first reply was from a serial ranter with a rather smug, patronising attitude towards any dissenting views; please, don’t rise to it, I prayed, he’s so not worth it. Ha, no reaction back (I bet that irked him), but a good handful of likes in support of our local music scene. Crickey, if these recommendations were implemented it would be a serious blow to Sneaky Pete’s, Stramash, Bannermans, just to name a few. And if that happened where might the new puritans strike next?! Oh, I do get the need for some restrictions and noise controls, absolutely, but not by people who don’t know apples from oranges!

If I had a time machine…..

….. I’d go back to 8.30ish tonight and go back to the Caves to see Logan’s Close again, this time I’d go right to the front (I was about a third of the way back the first time), it’s  something I very rarely do, dunno why, but I want to see the gig again at the front. After that I’d go back again and trot up to the balcony bit, to witness the awesomeness that is Logan’s Close from a new angle.

I’m thinking after three times I could go again and just have a real good boogie at the back of the room. Hey, then a fourth time to get some cool pics, I’d know the shots I’d want and could anticipate them. Yeah, no pics tonight, the music was waaay too good to bother with the faff of photography. See, that’s why a time machine would be so useful, and as I don’t want one for any nefarious activities I think it’s fine.

How was the gig? Immense, just totally wow. Hence wanting the time machine. Plenty new stuff – why just a single, guys? Surely an EP (in solid form) of your new goodies? Oo, yeah, one of them, about the seventh number in (a long weird intro but with oo-ing) really made me think of Fur, a band the lads supported at Sneaky Pete’s last year. Another newbie had the sound of a Northern Soul floor-filler.

Listen To Your Mother was shifted to penultimate number and they finished with the reason we were all there, their new single Lost In You, available now on Spotify along with plenty other gems and diamonds from the Close.

That truly was the best I’ve seen them yet.

 

On the fringe of the Close

That would be Logan’s Close, a rather good band from Dunbar near Edinburgh, who play Sixties-style music. Indeed I would be so bold as to say they are on the fringe of success. Tonight they played at The Caves in Edinburgh to launch their new single Girl (with a B-side of Work, a B-side? On a cd? aww, bless ’em).

Sometimes Facebook does throw good things your way, case in point these lads’ previous single Listen To Your Mother (check out the Official Video on YouTube, no I haven’t put a link up, I’m not sure how, I’m only a moose), since I saw it I’ve seen them a few times in Edinburgh. The first time was in Sneaky Pete’s in the Cowgate, a much changed pub from when I used to prolong a night’s drinking by ending up there, way way back in the 80’s.

Tonight was top notch if a tad on the cold side for a while, but a great bar for real ale with Caesar Augustus as an option. The Caves are rather better now than when they first opened as a Fringe venue some years ago with moisture dripping off the ceiling! The support band were pretty good, a shame more folk didn’t turn up earlier for them, but as soon as Logan’s Close came on the joint started to really swing. The Close have a lovely easy chemistry between them, especially Scott Rough and Carl Marah on rhythm and lead guitars and shared lead vocals. As David Lynch would say, the eye of this duck is in the right place, this band is perfection to me. They transport the soul, well, mine anyway.

Well, I have some red wine somewhere and I’m in the mood for more music …..

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