Goodbye ’23, Hello ’24

When I woke up on the 1st it was raining, oh I was so tempted to go back to sleep but no, and sure enough by the time I was ready to head out the rain had stopped. The proof of the pudding is in the picture….

Yes, that is a traffic cone on top of the trig point!

Yay, my New Year tradition completed again, no thanks to the high winds – I was lucky not to get blown over to Fife! My concerted effort to be up there relatively early (about 10am) paid off, the hordes had not yet ascended, probably still their beds. After the annual pic, I found a slightly sheltered spot in the rocks for my brunch (chicken sandwich and christmas cake washed down with whisky), just taking time to admire the view and exchange new year greetings with passers-by.

I mentioned in my last post that The Scat Rats were playing Whistlebinkies at 3 in the morning on the 2nd (or technically the 3rd), I didn’t make it. The soul was willing but my flesh and bones decided otherwise, a shame. And I bet you’re wondering how the LC gig went on the 29th – totally and utterly bloody awesome!! Mind, I wouldn’t have expected it to be anything less.

It’s been many years since I was last in The Liquid Room, nothings changed; nice that the stage has enough height to allow plenty of the audience a decent view of the band. There is a balcony round the sides and back, tempting (I’ve never been up there) but I’d got myself a good spot close to the front, so was fine.

The lights dimmed to four scattered spotlights, SeanKeys started playing the opening bars of Dans Le Jardin over and over as the rest of the band came on stage and readied themselves (to rapturous applause, natch); Carl next joined in with a lush guitar sound, followed by Scotty’s velvet vocals (and a natty new top he got for Christmas). And they were off!

The set for the evening was Heart-Shaped Jacuzzi in reverse order, so next up was the magnificent Mock Marble Linoleum, yes! Back for the evening was original bassist Ollie Turbitt (he’s definitely acquired some italiano cool), slotting in fine, obviously enjoying himself, sharing plenty of laughs with SeanKeys.

In the absence of Stu, Gavin picked up some of the harmony vocals (there will be four part harmonies in the future, I hear). Great that he was actually visible, and he is a drummer worth watching.

After the chirpy cheeriness of Merry-Go-Round the rest of the band left the stage to Scott and Carl for Calculations + Guesses. It struck me that by the end Scott’s body language seemed to be trying to belie the emotion of the song, distancing himself from it, perhaps? Next, our two troubadours took us way back to an early tune they wrote, very Beatlesque!

The rest of the band returned with two Logan’s Close classics, Lost In You swirling straight through into Give It To Me, what a night!

From there we plunged back into the new album and Curious Terrain, the other grand baroque opus (the studio version is powerful, live it loses none of the nuance and gains from a full-on performance from the band). From there on to the big guns, Babestation then Heart-Shaped Jacuzzi, gotta say this way round really works well live.

It was around this point I get fuzzy, I think it was after the title track that we were treated to a new song (called So Cold, possibly?), I remember a bottle of Buckfast appearing, Scotty saying something like “I’m changing it”, the band going into I Want You which seemed to throw Ollie and Sean a tad. Well, that all happened, though not necessarily in that order!

I do remember the evening ending with Hot Blondes In Your Area Tonight and the whole place going hyper. Oh lordy, what a grand evening! And what a way for LC to end the year! Can’t wait to see what happens next in 2024 ❤️

Oh, if you’re new to this blog, do yourself a favour and check out Logan’s Close on Spotify or wherever you listen to music, hear what I’m making such a fuss over (and see why on my Instagram reels).

Wishing you all an excellent 2024! Toodle pip!

A wondrous thing indeed

Messaging with a friend the other day, I mentioned I still hadn’t written a review for Heart-Shaped Jacuzzi, “they must think you hate it by now,” he replied. WHAT!?! NOOOOOOO! I love it to pieces. How good to hear the whole album together, Logan’s Close had been slowly dripfeeding us singles and videos since last October, now all the pieces of the jigsaw are in place, yay.

Ten vignettes, ten tales of human frailties and harsh realities; the lyrics are brilliant, pulling no punches with touches of world-weariness while the music swirls around, setting and shifting scenes, completing each picture. To borrow from David Lynch, these ducks all have their eyes in the right place. Ten tunes that will make you feel, build you up, deplete you, cocoon you in a euphoric haze, shatter your heart to pieces – or is that just me?

Starting off with a bang, Hot Blondes In Your Area Tonight gets your toes tapping, shoulders jiggling, hips swinging, before you know it you’ll be doing the Slosh (a dance from the early 70s). The banging bounciness of the music belies the story in the lyrics, not much of a life being lived here. From one stuck in inertia, to a tale of a relationship turned sour.

Heart-Shaped Jacuzzi paints a vivid picture, like a 60s sitcom in 4 minutes, do check out the video, both sound and vision are beautifully stylised and lush (Read Never leave the dishes for more) . Next up another disillusioned life, Babestation, already a Logan’s Close classic, first performed on the LimbicTV recording, now a regular part of The Scat Rats acoustic set; sublime vocals already especially Carl’s, how did Dennis Rux get them sounding even better?! Atmospheric, sparse with a soft seductive rhythm.

The sense of despondency ratchets up in Curious Terrain, a relationship seriously on the rocks, but don’t let that put you off it! It may take a few listens, but there’s so much to absorb here; foreboding harsh monotones, plaintive harmonies, Scott’s vocals and words cut deep on this one. The rich, brooding guitars and swirling keyboards have a very Deep Purple feel to me.

From the grand baroque of Curious Terrain to the sparse bleak beauty of Calculations + Guesses, if this track doesn’t move you, maybe check you have a pulse. So ends Side 1 on the vinyl; after the sublime inner torment of Calculations + Guesses you may need a moment or two before getting up to turn the record over.

Side 2, new day, new scene; as Gavin sets a jaunty rhythm going I picture a bright sunny morning, our chap steps out his door, and cue the keyboards. Oh yes, for me Merry-Go-Round is like a 60s film musical number, even down to the tempo change at the interlude when a different set of bright young things would dance briefly into shot; that, or a montage scene, someone get Edgar Wright now!

After all that frivolity, it’s time to crash back to reality and Gouching On The 33. Languid and soporific, the spaciousness, the deliciously delicate harmonies, Scott’s velvety tones; a serene portrait of another casuality of life. This is one of the songs Marah and Rough play regularly, it never fails to move me, hmmm, to still me more like. Half & Half has a lot to recommend it, but for me it’s all about the bass, love it; it’s another track that requires a few listens to really tune into and appreciate all it’s charms, but so worth it.

Track 4 (or 9 on the CD) Mock Marble Linoleum is another grand rock opus to match Curious Terrain; again, parts are very reminiscent of early Deep Purple. So many layers and textures to pick up on here, and Scott really goes for it on this tale of a self-delusional, self-loathing character; the sudden ending suggests a car wreck in my mind’s eye.

Dans Le Jardin brings Heart-Shaped Jacuzzi to a bitter-sweet end. A cool, almost nonchalant, wind-down after all the more turbulent tales. And though it’s not a favourite of mine, goddammit, there’s a whole can of earworms in there, bits and pieces of it forever popping up!

So is the album what I expected? You know, I didn’t place any expectations on how it would sound, this is a new thing, a step forward, Logan’s Close were taking a bunch of new songs into a studio, serious time. There was potentially a chance that in the studio LC could become something other; ha, I was 99.5% sure that whatever came forth from Hamburg would be utterly brilliant (0.5% still critically brilliant, but with a but). Oh yay, how right I was!

Treat yourself for Christmas! Order your own Heart-Shaped Jacuzzi on vinyl, CD or digital download. If you’re in Edinburgh between Christmas and New Year, do yourself a favour and grab a ticket to see Logan’s Close at the Liquid Room on the 29th ( I think there’s still some available). It will be awesome!!!

Now I must away to my bed. Good night, sweet dreams!

Some salad with my blues, please!

Last week was Independent Venue Week here in the UK, I don’t know much about it except that it champions small independently-owned venues and helps organise events across the country to increase awareness of how important these small venues are to live music. Living where I do, I’m spoilt with the number of music venues around me, you may have noticed from my scribblings!

As part of Independent Venue Week Whistlebinkies focused on bands playing their own original music; in a whole week something was bound to take my fancy! Thursday night saw me going along to witness the spicy, saucy, sultry, stringy, succulent uniqueness of Dr Salad; genre? they call it bad romance (which actually makes some kind of sense when you see them). Dr Salad are a lot of fun, with deep, heavy, infectious rhythms, guitars wandering their own mysterious ways and the words, they’re the saucy, sultry bit! Oh, and there’s some Velvet Rough in the mix helping the medicine go down.

Scotty boy was back out again on Friday evening with his fellow Scat Rat in Stramash, but huh? they were billed as Logan’s Close, well, yes, they are LC as well, but as a duo they’re usually the Scat Rats certainly on early Friday evenings. Last Friday evening was a ticketed event at Stramash, I had my ticket booked for The Black Diamond Express, a local band who play blues with celtic strains and an Americana twang. It was an unexpected bonus to later read that the lads would be on as support, just a short sweet set of delights.

Definitely in Logan’s Close mode – both were looking very smart (Carl always likes to look smart, but, well, Scotty goes for a much more relaxed look as a Rat), and Carl had his electric guitar for that LC sound. All their own songs apart from the usual finale You Can’t Judge a Book… ; including the latest two singles Dans Le Jardin and Heart-shaped Jacuzzi, sweet. The lads went down well with the crowd, as only to be expected, and had Stramash nicely warmed up for the main attraction.

The Black Diamond Express, are a band of many, the stage looked packed out after the sparseness of LC. With that many musicians about, there had to be one I’d seen elsewhere – yes, the bassist, Ewan Gibson. He’s a Buccaneer, one of Nicole’s Back-up Crew, a Blueswaterman, and that’s just the ones I’m aware of, probably a few more, I’m sure.

When The Black Diamond Express came on the place was buzzing and there was soon some jigging about going on in the crowd. For me the fiddle-playing really enhanced the mood of the music and sounded great against the singer (great voice there). Oh, it was all great, I just like a touch of fiddle to add a little pathos and melancholy.

Back in Whistlebinkies on Saturday evening Jed Potts and the Hillman Hunters were playing some of their originals, always a pleasure! Binkies was buzzing, well, Scotland had just beaten England in this year’s Six Nations Rugby Championship, I’m guessing quite a few folk were a few pints in already!

No, I didn’t go to the Handsome House Jam on Sunday evening, I stayed in with the telly. Mind, the video is out and the setlist looks very interesting, I shall have a watch at some point. It was a good night for telly, last episodes of His Dark Materials (god, I’d forgotten how sad the end is) and the utterly brilliant Happy Valley which, happily, finished perfectly! All the coffee shops and cafés in Hebden Bridge will be looking forward to another influx of tourists on the back of it.

The sun’s beckoning me, must head out. There’ll be clips of the bands up on my Instagram later, please do check them out. Cheerio!

The Black Diamond Express

I feel better, thanks for asking

Finally I feel moose again! That lurgy was a real mean one, I hope you haven’t had the misfortune to start your year with such as I had. I’ve been battling mine with turkey curry! January is a great time for buying turkey carcases and frozen turkey legs from Brewsters Smalling at Edinburgh Farmers Market. Hurrah for folk who just want turkey crowns for Christmas lunch, that leaves extra legs and wings for later. A turkey carcass I bought last weekend made a splendid broth; a long, slow simmer allowed all the meat to be stripped from the bones. I left out the leg I bought yesterday morning to defrost and roasted it in the evening, oh my, it was really hard to stop after a little taste!

With my health just about restored, I finally caught up with The Scat Rats at Whistlebinkies on Friday evening, yay. It was fairly quiet – dry January? Personally I prefer to support my local drinking establishments, someone has to when so many abstain for a month, it was my duty! The Moanin Bones played the late night shift at a packed Stramash (the students were well up for a party before the next term gets under way), I had a quick peek in on my way home.

Oo, other news from Friday, Logan’s Close released another single Dans Le Jardin, do check it out! There’s clips of Messrs Marah & Rough looking very come-hither in Dr Neil’s Garden to help promote it on Instagram and Facebook; I’m not sure about the beret, though (why?! well, see for yourself do). I felt inspired to take a walk round there for myself. The garden used to be closed during the winter months, it’s good to be able to visit all year round now.

Dans le jardin du Brucie

Earlier in the week I was delighted to see that Michelle Yeoh and Ke Huy Quan both won Golden Globes for Everything Everywhere All At Once (Jamie Lee Curtis was nominated but sadly didn’t win), the weirdest film of 2022, probably the decade too. The Banshees of Inisherin did well too, picking up three awards and Austin Butler won one for playing Elvis (though Bill Nighy would have been equally deserving for his brilliant performance in Living). Not that I need my film choices to win awards to feel vindicated or anything, but it’s nice when they do.

Anyway, there’s a cooked turkey leg in my kitchen calling out to have a few slices removed and placed between two chunks of bread. Toodle oo!

A little voodoo magic from Elsie

It’s very late Friday night in Edinburgh, Facebook has informed me that Logan’s Close are in Hamburg; from the pic they were let loose on the streets after their first day in the recording station working on their debut album Heart-Shaped Jacuzzi. It being Hamburg they’re posing in front of a place called Sex-House, well, of course they would, all looking fine and dandy. I wonder how the gig went last night after just travelling over there? I hope it gave them a boost for today. Couldn’t have been as good as last Sunday night at the Voodoo Rooms, though.

Ah yes, finally Logan’s Close got to play the Ballroom in the Voodoo Rooms again – and it was awesome. Not just one or two, they had three support bands to get the crowd warmed up, Julen Santamaria, Jupiter Strange and Racecar. From a low simmer the room gradually went to gently bubbling with the beats and expectation, then the lights dimmed, the lads took to the stage, from bubbling to boiling, a most rapturous reception!! Oh, the love was in the room, I think they may have been a bit taken aback by it all for a few moments before opening with Lost In You.

At the time I was taken by surprise by this choice (oh, a very lovely one, just not a song I would have anticipated as an opener) but as I recall the atmosphere, they were totally caught up in the crowd’s adoration and enthusiasm, so yeah, lost in the euphoria of it all. Next up, Never Bloom, a great live song but like the title says it’s not destined to blossom into a studio track (well, you could grab a copy of the LimbicTV session CD to hear it). Newby Merry-Go-Round was third, I remember because it was also the third song down in the Running Horse, a gorgeous number from the new album (I’m really looking forward to how the studio version will sound, I’m expecting nothing less than totally scrumptious).

Another new song to follow, Half & Half which to be honest I remember thinking was great, but that’s it, hey, there’s only so much of an evening my brain can hold on to! Give It To Me a particular favourite of mine was next, the opening harmonies and keyboards slither round like thick smokey tendrils reaching out before engulfing you in a hazy, intoxicating fog (well, maybe not you but it does me) with that guitar break, oh yeah.

Oo la la, Dans Le Jardin bounced and tripped along joliment, one from the album? Next song definitely was, Heart-Shaped Jacuzzi, the title track. Okay, so by this time my powers of remembering were prerty much used up, that’s it. There may have been another new song in there, and the Close “finished” with another newby about Hot Blondes. Babe Station was in there, of course, and Mock Marble Linoleum, both destined for a soak in the Jacuzzi. Classic I Want You had to get an airing, it’s not an LC gig without it, and the song about the number 33 bus? Yeah, Gouching was there with it’s luxurious rolliness.

After the brief off stage right and the crowd hollering for more the lads obliged with Eleonara (oh yay!), Girl, and what else to end with, especially on Mothering Sunday? Listen To Your Mother, of course! The band each did the obligatory solo after being introduced, the crowd went suitably nuts, oh yes, the new line-up totally rocks it.

I am so, so looking forward to the album coming out, of course that’ll be a while yet, after the recording studio there’s loads to do before it actually gets to be released, all of which costs money, so Logan’s Close have set up a crowdfunder with various rewards for pledges ranging from a digital download of the album, to a virtual pint with Carl and Scott, to a live stripped-back full band set (that’s within 150 mile range of Edinburgh, fair enough). There’s a VIP Concert Day Experience that includes “a pre-concert fry-up at their favourite greasy spoon” – they have a new favourite now? The Babelon Cafe is long gone, I wonder where Scotty gets his tatty scones now?

My donation to the coffers was pre-crowdfunder, yeah, I’m a trailblazer; currently pledges have reached 134% of the original target, so like, wow, the lads are well chuffed and, there’s still over a week to go. It helps a lot that the band were selected by Creative Scotland’s “Crowdmatch” (one of just twenty to be selected), which as it sounds, means Creative Scotland matches pledges when they reach certain milestones. If from all my rabbiting on about LC you’ve checked them out and like their stuff, please check them out again. Gonna leave you with a few pics from last Sunday night. Sorry, epic night but rubbish mobile camera.