I may have been putting off writing this post, yeah, I have – what can I say about Monday and Tuesday evenings?! I thought leaving it a day might help, give time for my mind to form something. Nah, it’s still just a swirl, a very giddy, exhilarating swirl, I can give you single words, snippets, the set list. No, I can do slightly better than that.
It was sooo good to see Logan’s Close playing together again, and in Sneaky Pete’s, the first time there for the new line-up. I also clocked another new line-up within LC, Carl, Scott and Stu all have Gretschs, there’s a sweep across clip of the start of I Want You that I’ve stuck on Instagram. Yes, one of my favourite older numbers was included, very happy about that! Worked A Treat and Give It To Me made it in too, and, of course, Listen To Your Mother finished things off (ah, the first night Treat had the honour, due to time miscalculations).
Of course, some numbers I’m more used to hearing the stripped down Scat Rats versions, but don’t ask me which I prefer! Every version is perfect in its own sweet way; thinking about it, I’d love to hear a Rats version of Merry-go-round (pretty please?!), it’s a great song but there’s something it really reminds me of, something just out of reach in my head, argh! Oo, possibly a Monkees song, maybe.
Sneaky’s was packed out, bouncing along, it really is a great venue if a tad warm, as the lads always comment, but there’s a new marker as to how hot it’s getting – when Stu throws off his hat. SeanKeys was brilliant as ever, I reckon the second night he positioned his keyboard slightly differently to have more space to jump around.
Two nights of awesomeness, truly they were. Christmas come early! Scott’s voice just keeps getting better and better, and the harmonies, achingly good. Logan’s Close are so in sync with each other, so tight, yet loose, the combined energy, well, it grabs me to my core. The words, the music, the performance, ridiculously sublime! Okay, so I have always had huge, huge love for music that moves me (yes, I know it’s a tad odd, that’s just how I’m made), but nothing has ever grabbed me like the LC sound. Can’t wait for the album! Oh, my heartses!
Well, must go, need to eat and Potts & Smit will be starting in Whistlebinkies shortly. Coming up next time, a christmas shopping jaunt up to Bruntsfield and the odd snowman. I’ll leave you with a pic of Mr Rough from the end of Tuesday night ❤️
It’s very late Friday night in Edinburgh, Facebook has informed me that Logan’s Close are in Hamburg; from the pic they were let loose on the streets after their first day in the recording station working on their debut album Heart-Shaped Jacuzzi. It being Hamburg they’re posing in front of a place called Sex-House, well, of course they would, all looking fine and dandy. I wonder how the gig went last night after just travelling over there? I hope it gave them a boost for today. Couldn’t have been as good as last Sunday night at the Voodoo Rooms, though.
Ah yes, finally Logan’s Close got to play the Ballroom in the Voodoo Rooms again – and it was awesome. Not just one or two, they had three support bands to get the crowd warmed up, Julen Santamaria, Jupiter Strange and Racecar. From a low simmer the room gradually went to gently bubbling with the beats and expectation, then the lights dimmed, the lads took to the stage, from bubbling to boiling, a most rapturous reception!! Oh, the love was in the room, I think they may have been a bit taken aback by it all for a few moments before opening with Lost In You.
At the time I was taken by surprise by this choice (oh, a very lovely one, just not a song I would have anticipated as an opener) but as I recall the atmosphere, they were totally caught up in the crowd’s adoration and enthusiasm, so yeah, lost in the euphoria of it all. Next up, Never Bloom, a great live song but like the title says it’s not destined to blossom into a studio track (well, you could grab a copy of the LimbicTV session CD to hear it). Newby Merry-Go-Round was third, I remember because it was also the third song down in the Running Horse, a gorgeous number from the new album (I’m really looking forward to how the studio version will sound, I’m expecting nothing less than totally scrumptious).
Another new song to follow, Half n Half which to be honest I remember thinking was great, but that’s it, the title alone had the crowd smiling. For those outside of Scotland I should explain, a half and half (or hauf n hauf) is a whisky with a half pint of beer for a chaser. Give It To Me a particular favourite of mine was next, the opening harmonies and keyboards slither round like thick smokey tendrils reaching out before engulfing you in a hazy, intoxicating fog (well, maybe not you but it does me) with that guitar break, oh yeah.
Oo la la, Dans Le Jardin bounced and tripped along joliment, one from the album? Next song definitely was, Heart-Shaped Jacuzzi, the title track. Okay, so by this time my powers of remembering were prerty much used up, that’s it. There may have been another new song in there, and the Close “finished” with another newby about Hot Blondes. BabeStation was in there, of course, and Mock Marble Linoleum, both destined for a soak in the Jacuzzi. Classic I Want You had to get an airing, it’s not an LC gig without it, and the song about the number 33 bus? Yeah, Gouching was there with it’s luxurious rolliness.
After the brief off stage right and the crowd hollering for more the lads obliged with Eleonara (oh yay!), Girl, and what else to end with, especially on Mothering Sunday? ListenTo Your Mother, of course! The band each did the obligatory solo after being introduced, the crowd went suitably nuts, oh yes, the new line-up totally rocks it.
I am so, so looking forward to the album coming out, of course that’ll be a while yet, after the recording studio there’s loads to do before it actually gets to be released, all of which costs money, so Logan’s Close have set up a crowdfunder with various rewards for pledges ranging from a digital download of the album, to a virtual pint with Carl and Scott, to a live stripped-back full band set (that’s within 150 mile range of Edinburgh, fair enough). There’s a VIP Concert Day Experience that includes “a pre-concert fry-up at their favourite greasy spoon” – they have a new favourite now? The Babelon Cafe is long gone, I wonder where Scotty gets his tatty scones now?
My donation to the coffers was pre-crowdfunder, yeah, I’m a trailblazer; currently pledges have reached 134% of the original target, so like, wow, the lads are well chuffed and, there’s still over a week to go. It helps a lot that the band were selected by Creative Scotland’s “Crowdmatch” (one of just twenty to be selected), which as it sounds, means Creative Scotland matches pledges when they reach certain milestones. If from all my rabbiting on about LC you’ve checked them out and like their stuff, please check them out again. Gonna leave you with a few pics from last Sunday night. Sorry, epic night but rubbish mobile camera.
….. Said Carl Marah shortly after Logan’s Close finally began their set at the Running Horse in Nottingham last Saturday night. Oh, it was a special night alright, for all the wrong reasons but I had a great time. I had a great day, first time in two years I’ve been anywhere other than Edinburgh or back home.
After much umming and ahhing I had decided I would go down to see the lads play Nottingham as a prelude to the Voodoo Rooms gig. On hearing my decision, a recent convert to the fineness of the Close asked to trot along with me, goodo, two in a twin room are cheaper than one, and of course soaring fuel prices could be shared, nice. We made the most of the day visiting a number of real ale pubs, lining our stomachs for the evening ahead in a Barburrito, before drinking our way towards the Running Horse.
Okay, so we got there fairly early, but only four including the bar staff?! It had been a gorgeous warm, sunny day, many were out drinking in the sunshine all afternoon; also remember it was Super Saturday (last three matches of Six Nations Rugby) with England not playing until 8pm; and it was just two days after St Patrick’s Day too, personally I don’t get why folk go so OTT about it but they do. The aforementioned may have been factors in lack of bodies at the gig later, who knows. We were happy sitting chatting at the bar with the rather quaffable Duck Berry Pale Ale from the Dancing Duck Brewery. As a few more folk came in we moved away from the bar, must say it’s a nice place, and having a large flat screen to watch the band on in the bar area is a masterful touch.
Rob, the man in charge, had told us the band were running late, fair enough, we were happy. So was Mr Rough when the band rolled up, he came over to say hello rather exurberantly, happy? – he was steaming. The official line seemed to be that his voice was done in from being too enthusiastic the previous two night, maybe there was some truth in that; he’d also gotten drunk after the gig in Bristol and in the morning decided to keep topping up, all day. Thank god for Carl being his usual laidback, quietly assured self keeping the show on the road, minding Scotty, and chatting to folk about the band.
Finally the band started up, my friend and I moved through to watch them (still only a few in, I did feel for the lads), yay, they kicked off with Eleonara, sweet. Next up was Girl, a song that Scott has said he’d be happy never to sing again and he didn’t tonight, Carl did all the lead vocals tonight. My friend was disappointed not to hear Scott sing or the lads’ usual amazing harmonies, that was a big shame for her, yeah. The new bassist did do the backing vocals for BabeStation I noticed (he did good) but I’m not sure if he sang on any other songs. Sadly no harmonies at the start of Lost In You later in the evening, a particular pleasure of mine.
A new song Merry-Go-Round from the upcoming album was next, oh I approve, looking forward to hearing a studio version of it! Oo, just thought, I wonder who’ll be singing it on the album? (I’ve often wondered how the lads settle who’s taking lead vocals on each song, must ask some time) It was great hearing the Marah touch on all the songs as Scott usually does the majority of the lead vocals, Saturday he was too rough to even sing backing (at times he looked too rough to stay upright!), Scott was totally in the zone for what he wanted to hear from the band though, nearly falling off his seat a number of times trying to conduct the others’ performances, even hammered the lad has it!
The sets included quite a few covers – was this the same at the Swansea and Bristol gigs, or just to get the band through the gig using more old standards in place of new songs in the circumstances? Again, I was fine with it, That’s Alright, Mama, What’d I Say, Hound Dog, what’s not to love? Oh yeah, I’d Rather Go Blind was excellent, a song I heard Scott singing some months ago in Stramash, I’m not gonna call it between them.
This was the first time I’ve seen the new line-up, one of the reasons for going down. This mini-tour was a fine bonding session for them before hitting the recording studio. If they can survive sharing a small bunk-bedded dorm room with Scott on Saturday night they can survive anything! Stuart on bass and Gavin on drums are from the same previous band; Stuart had already played with the Close when they started looking for a drummer to commit to them, enter Gavin (very smiley and very young, I like him); fine acquirements for the Close . Sean Keys was kinda tucked away on the far side off the porch, excellent on keyboards as usual.
There was a wee sideshow going on of a couple who’d just met earlier in the bar, obviously from an online dating app; she was obviously rather drunk and kept flouncing off, only to return shortly afterwards to make up, then argue again, all of us who picked up on it were very entertained. I must mention watching Scott trying to pick his plectrum back up off the floor, that was hilarious. Sure moaners would have found plenty to moan about on Saturday night, they’d have probably grumped too when Carl completely fucked up the words to Roll Over Beethoven, bless, I think he was finally begining to crack from the strains of the day. Mind, before the encore he was still on form enough to quip “Here’s one we wrote for the album” before launching into Blue Suede Shoes, haha.
Heading back to the BnB time flew by as we recapped the gig. As two old timers we concurred Scott was completely forgiven by us, it may be a bunch of hazy memories now but hey, we were twenty seven once. If I told you some of things from my twenty seventh year, I’d have to kill you afterwards!!