I may have been putting off writing this post, yeah, I have – what can I say about Monday and Tuesday evenings?! I thought leaving it a day might help, give time for my mind to form something. Nah, it’s still just a swirl, a very giddy, exhilarating swirl, I can give you single words, snippets, the set list. No, I can do slightly better than that.
It was sooo good to see Logan’s Close playing together again, and in Sneaky Pete’s, the first time there for the new line-up. I also clocked another new line-up within LC, Carl, Scott and Stu all have Gretschs, there’s a sweep across clip of the start of I Want You that I’ve stuck on Instagram. Yes, one of my favourite older numbers was included, very happy about that! Worked A Treat and Give It To Me made it in too, and, of course, Listen To Your Mother finished things off (ah, the first night Treat had the honour, due to time miscalculations).
Of course, some numbers I’m more used to hearing the stripped down Scat Rats versions, but don’t ask me which I prefer! Every version is perfect in its own sweet way; thinking about it, I’d love to hear a Rats version of Merry-go-round (pretty please?!), it’s a great song but there’s something it really reminds me of, something just out of reach in my head, argh! Oo, possibly a Monkees song, maybe.
Sneaky’s was packed out, bouncing along, it really is a great venue if a tad warm, as the lads always comment, but there’s a new marker as to how hot it’s getting – when Stu throws off his hat. SeanKeys was brilliant as ever, I reckon the second night he positioned his keyboard slightly differently to have more space to jump around.
Two nights of awesomeness, truly they were. Christmas come early! Scott’s voice just keeps getting better and better, and the harmonies, achingly good. Logan’s Close are so in sync with each other, so tight, yet loose, the combined energy, well, it grabs me to my core. The words, the music, the performance, ridiculously sublime! Okay, so I have always had huge, huge love for music that moves me (yes, I know it’s a tad odd, that’s just how I’m made), but nothing has ever grabbed me like the LC sound. Can’t wait for the album! Oh, my heartses!
Well, must go, need to eat and Potts & Smit will be starting in Whistlebinkies shortly. Coming up next time, a christmas shopping jaunt up to Bruntsfield and the odd snowman. I’ll leave you with a pic of Mr Rough from the end of Tuesday night ❤️
It’s very late Friday night in Edinburgh, Facebook has informed me that Logan’s Close are in Hamburg; from the pic they were let loose on the streets after their first day in the recording station working on their debut album Heart-Shaped Jacuzzi. It being Hamburg they’re posing in front of a place called Sex-House, well, of course they would, all looking fine and dandy. I wonder how the gig went last night after just travelling over there? I hope it gave them a boost for today. Couldn’t have been as good as last Sunday night at the Voodoo Rooms, though.
Ah yes, finally Logan’s Close got to play the Ballroom in the Voodoo Rooms again – and it was awesome. Not just one or two, they had three support bands to get the crowd warmed up, Julen Santamaria, Jupiter Strange and Racecar. From a low simmer the room gradually went to gently bubbling with the beats and expectation, then the lights dimmed, the lads took to the stage, from bubbling to boiling, a most rapturous reception!! Oh, the love was in the room, I think they may have been a bit taken aback by it all for a few moments before opening with Lost In You.
At the time I was taken by surprise by this choice (oh, a very lovely one, just not a song I would have anticipated as an opener) but as I recall the atmosphere, they were totally caught up in the crowd’s adoration and enthusiasm, so yeah, lost in the euphoria of it all. Next up, Never Bloom, a great live song but like the title says it’s not destined to blossom into a studio track (well, you could grab a copy of the LimbicTV session CD to hear it). Newby Merry-Go-Round was third, I remember because it was also the third song down in the Running Horse, a gorgeous number from the new album (I’m really looking forward to how the studio version will sound, I’m expecting nothing less than totally scrumptious).
Another new song to follow, Half n Half which to be honest I remember thinking was great, but that’s it, the title alone had the crowd smiling. For those outside of Scotland I should explain, a half and half (or hauf n hauf) is a whisky with a half pint of beer for a chaser. Give It To Me a particular favourite of mine was next, the opening harmonies and keyboards slither round like thick smokey tendrils reaching out before engulfing you in a hazy, intoxicating fog (well, maybe not you but it does me) with that guitar break, oh yeah.
Oo la la, Dans Le Jardin bounced and tripped along joliment, one from the album? Next song definitely was, Heart-Shaped Jacuzzi, the title track. Okay, so by this time my powers of remembering were prerty much used up, that’s it. There may have been another new song in there, and the Close “finished” with another newby about Hot Blondes. BabeStation was in there, of course, and Mock Marble Linoleum, both destined for a soak in the Jacuzzi. Classic I Want You had to get an airing, it’s not an LC gig without it, and the song about the number 33 bus? Yeah, Gouching was there with it’s luxurious rolliness.
After the brief off stage right and the crowd hollering for more the lads obliged with Eleonara (oh yay!), Girl, and what else to end with, especially on Mothering Sunday? ListenTo Your Mother, of course! The band each did the obligatory solo after being introduced, the crowd went suitably nuts, oh yes, the new line-up totally rocks it.
I am so, so looking forward to the album coming out, of course that’ll be a while yet, after the recording studio there’s loads to do before it actually gets to be released, all of which costs money, so Logan’s Close have set up a crowdfunder with various rewards for pledges ranging from a digital download of the album, to a virtual pint with Carl and Scott, to a live stripped-back full band set (that’s within 150 mile range of Edinburgh, fair enough). There’s a VIP Concert Day Experience that includes “a pre-concert fry-up at their favourite greasy spoon” – they have a new favourite now? The Babelon Cafe is long gone, I wonder where Scotty gets his tatty scones now?
My donation to the coffers was pre-crowdfunder, yeah, I’m a trailblazer; currently pledges have reached 134% of the original target, so like, wow, the lads are well chuffed and, there’s still over a week to go. It helps a lot that the band were selected by Creative Scotland’s “Crowdmatch” (one of just twenty to be selected), which as it sounds, means Creative Scotland matches pledges when they reach certain milestones. If from all my rabbiting on about LC you’ve checked them out and like their stuff, please check them out again. Gonna leave you with a few pics from last Sunday night. Sorry, epic night but rubbish mobile camera.
Next month It’ll be five years since I stumbled upon Logan’s Close, towards the end of this month the new line-up will take to the road with their mini tour of the UK before heading off to Germany; what will the next five years have in store? But before they headed off to their future would they have time to chat about their past to an old moose? They did ….. in the Waverley late Tuesday night before they played the midnight set at Whistlebinkies. Yup, The Scat Rats, aka Carl Marah and Scott Rough, agreed to meet me there (a favourite pub of theirs) well, they are two lovely amiable chaps, funny, smart, easy-going; as delightful offstage as on. Unfortunately we were drinking, and still drinking at Binkies ’til after two, so I’ve had to sift through an alcohol-induced blurriness to recall anything from the conversation.
Rough and Marah have been best buds since they met playing football at eight years old, so going on twenty years. Both started playing guitar around the same time, Carl was self-learning, Scott was going to a guitar class and told Carl about it; and so the seeds were planted. By 2014, in their late teens the two had been joined by friend Mike on drums and they took the name of a lane in their hometown, Dunbar, as their moniker Logan’s Close. This bit’s hazy, finding a bass player who fitted in took a while, I think Olly was the third one and he was a perfect fit. Now they were a tidy foursome, things started progressing nicely.
I first became aware of them at the end of April 2017 when Facebook suggested I might like their video Listen To Your Mother. Oh, I did, it was cracking and I still reckon it’s a great watch, do check it out! The following month they were the support for a touring band playing Sneaky Pete’s in the Cowgate so I went along and was totally blown away by their energy and sound, yup, one taste and I was hooked! I saw them three times more that year, the final time in November was for the launch of their latest single Girl, at the Caves just off the Cowgate.
Logan’s Close at Sneaky Pete’s Wednesday 31st January 2018
As good as this line-up and sound were, Rough and Marah were after one more piece to complete the puzzle – a keyboard-player, but where to look for someone to match their sound? The gods were happy to oblige them and dropped one into their laps, late one night after a gig in Stockbridge, a chance meeting in a small supermarket. He sent them a demo and Sean Keys was part of the LC sound; as I suspected, it was Scott who christened him Sean Keys, no his surname is not Keys! That was in March 2019 and now those keyboards are very much an integral part of the Logan’s Close soundscape.
Logan’s Close at the Voodoo Rooms supporting Black Cat Bone in April 2019Mike of the sideburns, taken April 2018; Sean Keys, April 2019; Voodoo Rooms
Alas, in July 2019 the band said a sad farewell to Mike. Since then they’ve had various drummers, but drummers seem to be flighty things, LC wanted one who’d settle down and go steady with them. Mind, it’s been an interesting time, Alex (as seen on the FantasticMan lockdown vid and the LimbicTV gig) was great and Simon Gibb (currently playing with The Buccaneers amongst other things) has picked up the sticks for them on occasion. They have a new drummer, yet to be seen out at play with the band and also a new bass player since Ollie left for Italy last year, interesting to ponder how this change in the rhythm section will affect the band.
Messrs Rough and Marah have been very busy coming up with a whole stack of new tunes since the lockdowns. That must have been grand, finally getting back together, bouncing ideas off each other, getting the old chemistry sparking again. I had intended to ask a bit about the process of their particular alchemy on Tuesday night, hey ho, maybe another time if I’m lucky.
There’s been a shift in their style, the lads have gradually moved away from their initial early Beatles and Sixties sound, looking back Give It To Me (released July 2019) was a clear signal of this change. Oh, there’s still the sixties sensibilites in there in the weave but much more subtly. There’s so many new songs, and what with new band members, much of the old repertoire has been consigned to the band’s history, but there’s the odd one or two that’ll be kept around. Playing as The Scat Rats some LC tunes can pop up, I presume their particular favourites (some of mine too). A couple of songs from the LimbicTV session last year will be on the new album, I’m rather excited to hear how both will have evolved since then, and with the full studio treatment too! Yes, I know which two – not telling!
Sadly Eleanora isn’t one of them, shame. Oh, I did ask where Eleanora came from – Carl having his fortune told high up on a mountain in Italy (Apparently the fortune teller only spoke Italian, so he recorded it and got it translated later). Hey, at least it’s available on the Logan’s Close Live at LimbicTV CD now on sale as a limited edition vinyl-style CD on the band’s website for a mere £10 GBP (exc. shipping). I’d like to think I had a small part in their decision to put the CD out there, you may thank me later.
That’s it from what I’ve retrieved from my sozzled memory of Tuesday night. It was a fun night, there weren’t many in Binkies but we had plenty of enthusiasm and yes, I was up dancing again! So that’s the first five years of my acquaintance with the Close, can’t wait for the next five and beyond. Whatever Marah and Rough get up to next, it promises to a whole barrel of juicy fun.
Let’s finish this with a pic of the divinely talented, exquisitely in-sync Scott Rough and Carl Marah ❤
late night in Binkies
NEWSFLASH!!! Just announced on Facebook, the Close’s debut album Heart-Shaped Jacuzzi will be recorded in Hamburg in April. Well, newsflash to you, I already knew.
…. Oh, but they are. I mentioned in my last post that I was up dancing to The Buccaneers last week, not just tapping a foot or swaying to the beat, full on dancing, shaking it baby! Man, it felt good. Friday night saw me in Stramash for The Scat Rats doing the early evening slot; the lads were on top form, the audience (scant as we initially were) were audibly appreciative but no one danced. I know I praise Messrs Marah and Rough a lot, but really, In The Morning was sooo good – are they getting fired up now that their mini-tour is getting closer?
Second set started with a bang, One After 909 by the Beatles (great song, a regular inclusion in Bluefinger sets back in the day), still no one dancing. The place was starting to fill nicely, everyone was having a great time tapping fingers and feet, not even Listen To Your Mother could entice anyone up (and it really should have), and then, too soon, the final song You Can’t Judge A Book By The Cover.The Buccaneers finished with that in Binkies, I danced then, by god I was going to dance now, so screwing up my courage I headed over to where a vague acquaintance was showing increasing signs of needing to dance. Would she like to? – Oh no, not just us two in front of everyone. She clearly wanted to dance! – But her friends wouldn’t. Turning around there was a line of folk all itching to move more than just a shoulder to the beat, if we got up they’d follow – Really? So I asked them, will you dance if we do? Yes, hallelujah, we started dancing and they joined us, as did plenty others.
Amazing what desperation will make you do, but someone had to get the ball rolling and last night that someone was yours truly. After that the ball stayed in play and any half decent tune got people dancing, the crowd were raring to go by the time the next band came on. I took my leave and headed home some time after midnight, if I’d been wearing socks they would have been well and truly danced off! That was truly a moment of happy for me, I miss my dancing days, or rather, nights. Oh, I never chose to stop dancing but, well, places close down, friends’ lives drift apart. But Brucie, you go out to see bands plenty, why not just get up and dance if you want? Because, because, like the lady and plenty others last night, I feel the fear.
The fear is a powerful deterrent, it can be subdued by copious amounts of alcohol but that can often result in the fear plus a dose of shame the following day, not good. My fear was drilled into my psyche in my teenage years good and proper; twice, a few years apart, I learnt that others are watching, judging, mocking, condemning you as a wierd freak. I learnt that if you’re out alone, but still trying to make the best of things, without the protection of a bunch of buddies, any hyenas nearby will sniff you out. Yes, that was many years ago now, but it can be hard to shake these things off. And hey, everyone has their own doubts and fears – next time someone tells you your fears and worries are irrational and daft, ask how they feel about spiders! Now that would be irrational, to fear spiders (here in the UK anyway).
And while I’m letting off a little steam, here’s another thing ……. a relative of mine recently accused me of being obsessed with a certain band! What?! Me? At the time, I made some feeble, mumbling jokey retort. Well, he’s just a scornful old misery guts, always out to deflate others’ enthusiasm because he feels none for anything anymore. Wish I’d turned round and asked when was the last time he felt passionately about anything! Certainly never in this century. Yes, my enthusiasm when I find something I love is amusing to others, but sorry, not sorry, that’s just the way this moose is.
Must go now and tidy round a bit before I head up to Stramash for the late set after midnight – it’s The Buccaneers, yay! Will I be dancing? Who knows what the night will bring, but probably not. In the morning though, I totally intend to do something that’s really scary to me but is water to a duck’s back to others. Wish me luck!
….. I’d go back to 8.30ish tonight and go back to the Caves to see Logan’s Close again, this time I’d go right to the front (I was about a third of the way back the first time), it’s something I very rarely do, dunno why, but I want to see the gig again at the front. After that I’d go back again and trot up to the balcony bit, to witness the awesomeness that is Logan’s Close from a new angle.
I’m thinking after three times I could go again and just have a real good boogie at the back of the room. Hey, then a fourth time to get some cool pics, I’d know the shots I’d want and could anticipate them. Yeah, no pics tonight, the music was waaay too good to bother with the faff of photography. See, that’s why a time machine would be so useful, and as I don’t want one for any nefarious activities I think it’s fine.
How was the gig? Immense, just totally wow. Hence wanting the time machine. Plenty new stuff – why just a single, guys? Surely an EP (in solid form) of your new goodies? Oo, yeah, one of them, about the seventh number in (a long weird intro but with oo-ing) really made me think of Fur, a band the lads supported at Sneaky Pete’s last year. Another newbie had the sound of a Northern Soul floor-filler.
Listen To Your Mother was shifted to penultimate number and they finished with the reason we were all there, their new single Lost In You, available now on Spotify along with plenty other gems and diamonds from the Close.
That would be Logan’s Close, a rather good band from Dunbar near Edinburgh, who play Sixties-style music. Indeed I would be so bold as to say they are on the fringe of success. Tonight they played at The Caves in Edinburgh to launch their new single Girl (with a B-side of Work, a B-side? On a cd? aww, bless ’em).
Sometimes Facebook does throw good things your way, case in point these lads’ previous single Listen To Your Mother (check out the Official Video on YouTube, no I haven’t put a link up, I’m not sure how, I’m only a moose), since I saw it I’ve seen them a few times in Edinburgh. The first time was in Sneaky Pete’s in the Cowgate, a much changed pub from when I used to prolong a night’s drinking by ending up there, way way back in the 80’s.
Tonight was top notch if a tad on the cold side for a while, but a great bar for real ale with Caesar Augustus as an option. The Caves are rather better now than when they first opened as a Fringe venue some years ago with moisture dripping off the ceiling! The support band were pretty good, a shame more folk didn’t turn up earlier for them, but as soon as Logan’s Close came on the joint started to really swing. The Close have a lovely easy chemistry between them, especially Scott Rough and Carl Marah on rhythm and lead guitars and shared lead vocals. As David Lynch would say, the eye of this duck is in the right place, this band is perfection to me. They transport the soul, well, mine anyway.
Well, I have some red wine somewhere and I’m in the mood for more music …..
Bruce on the Fringe 