Gavin Lamont

Mr Marah Plus Two

bruceonthefringe 2025, Carl Marah, Edinburgh bands, Live music, Uncategorized Tags: , , , , , , , , , , Leave a comment

Wednesday evening in the Voodoo Rooms was awesome. There may have been fireworks going off outside for Bonfire Night, but inside the atmosphere was sparkling and crackling with fine vibes. Local musician Jack Hinks was support for the evening, some rather lovely tunes there, and a gorgeous voice, rich but not too much (I know what I mean). Tone for the evening nicely set, drink in hand from the bar, good position to see, ready!

Of course, this was the first gig where Carl Marah has played his solo music with a band, which added to the anticipation, not just one man and an acoustic guitar anymore. On drums was Gavin Lamont, like who else was it gonna be? As lovely as he is talented, no 5/4 timings could throw this chap. On bass and occasional backing vocals was one Simon Toner; he and Gavin are in a band Sekoya with Luke Cunningham, who played keyboards with The Buccaneers (oo, how good to have the three of them with Carl some time? make that happen!). A very promising line-up, and how!

It was a gentle start with You’re Always Right and how right was the sound – just perfect. On to Lost and Found, gorgeous but I did find myself contemplating whether, lovely as the band version was, the acoustic solo version had something extra for being less for me. World Keeps Turning next is a tune that’s already one of my accidental hums (oh, I can hum unaware that I’m humming for ages), a cracking song, definitely up a notch with the extra punctuation from the drums.

The setlist was thirteen songs in total, all known to the faithful to some degree. James Gilhooly, the go-to cameraman, was around filming the proceedings. At the start of Long Way To Oban I noticed the array of drumsticks Gavin had to hand, but then I guess that’s how he always gets just the right sound; Holidays with the brush sticks was luscious. The poignant 39 was sooo beautiful, a moment to reflect.

Song of the night for me has to be Cat’s Eyes, oh my heartses. I’d just popped to the loo and came back out into the little hidden area to the side of the stage, it seemed a perfectly good spot to watch the band as the music drove along, taking corners, foot down on the straights. Oh, I’m already there, Cat’s Eyes on the stereo driving along the A702 in the dark, can’t wait! Only Don’t Wanna Love You No More could have followed that, yay, Carl getting down and bluesy, always fine with me!

As it’s the latest single Roll the Dice finished the evening. Yeah, right. Encore! One more song! Hmmm, something that really would really show the whole band off, something by one of Carl’s favourite artists? Paul Simon? 50 Ways To Leave Your Lover, yay, what a way to end, excellent choice. What an evening, I’m looking forward to next time already, hopefully it won’t be too long. Meanwhile, Mr Marah can be seen in the pubs of Edinburgh singing to the stags and hens and mooses.

Such a great gig really deserved better pics for my blog than I could manage with my mobile – many thanks to @hateinacageonfilm for letting me use some of his photos, what a guy!

Carl Marah looking suave with his Movember tache
Gavin Lamont
Simon Toner

It’s in 5/4 time, you know

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I’ve come to realise that I first heard Carl perform Roll the Dice in the Auld Hundred last October, I have a vid clip of it, but later couldn’t remember if that was one of his own or a cover, ha. I thought it was, but didn’t want to put it on Instagram and have folk point out that it was actually an old Paul Simon number! There is an air of Graceland about it (as Carl is happy to acknowledge), I’m excusing my cautious lack of surety as a compliment to Carl’s ability to write timeless songs that defy being placed in any particular decade.

Do check it out, Roll the Dice is available on the usual streaming platforms, a few listens and you’ll soon find yourself tapping out bits of the rhythm at random moments of the day (or is that just me?). Carl plays all the instruments and was his own backing choir on the studio recording, everything except the drums, and who better to lay down a jaunty 5/4 rhythm than fellow Logan’s Close member, Gavin Lamont (really, no one!).

There’s an official video too, featuring Carl, his fiancée Klaudia, Piccolo the Dog and a cameo appearance of the Edinburgh Monopoly board and pieces. Our troubadour pops up all around the town looking for his lady, will they ever be on the same space together? A sweet, delightful film that’ll warm your cockles! And you can play identify the places in this montage of Edinburgh spaces. [And if you’re part of an acapella choir visiting Edinburgh this Fringe, why not do an acapella arrangement of Roll the Dice in one, or a few, of the spots? Carl would love that!]

Of course, there’s not been just the single and video released this last week, Mr Marah also started another promotional tour, kicking off in the Voodoo Rooms last Sunday evening, the Ballroom no less! Very nice it was with tables and chairs laid out in a relaxed fashion; we had been warned that there was no support i.e., don’t be late! The Jefferson Airplane classic White Rabbit heralded Carl’s arrival on stage, a fine choice.

For starters we had Siren Song but, oh my, the lad’s gotten into looping! With guitar, keyboards, percussive knick-knacks, this was Marah MkII; this time round the sound is fuller, richer. I really enjoyed his songs the first time round, but wow, to hear them again switched up, it’s great hearing the progression. What will they sound like by the third single tour?! I’m looking forward to that already.

Fourteen songs, including a new work-in-progress, Me, Myself and I, some sweet chord progressions there, I’ll admit I was more engrossed by the music than the words, next time. Carl played 39 without any introduction, a beautiful song, the natural slight melancholy timbre of his voice adds to the poignancy of the lyrics. You’re Always Right was played on the keyboards this time (with added percussive loop); about halfway through it hit me, Lynsey de Paul, mid 1970s, that’s what it now reminded me of! Yeah, okay, you’re probably thinking, who? But for those of a certain age I’ll put up a vid of it on Instagram, I’m sure you’ll get what I mean!

Oo, and Cat’s Eyes, this time around by the end of the guitar break I was like, oh wow, John Martyn, by the end of the song I could almost hear his voice. I mentioned it to Carl afterwards, haha, he understood what I meant; Carl does wear his influences proudly and unashamedly on his sleeve (he knows where he’s come from and has a fair idea where he wants to go). After Cat’s Eyes it was time for the final song, the second single Roll the Dice.

First the build-up of the loop, shaker, tambourine, hand claps (interesting with it being in 5/4 time, did I mention that before?!), drum beat, and to great cheering, triangle (Would any other nation do this? Pure, silly glee at the sight of a lowly triangle?), oh, and backing vocals. While the studio version is great, a live version built up to over an evening, oh my heartses! A wonderful climax to the evening, Marah MkII was a great success! After the crowd had called out for more (we couldn’t just leave at that, we needed to be gently brought back down), Carl obliged with a cover of Squeeze’s Up The Junction.

I do fully intend to catch the show at least one more time, but right now I really need my bed. Goodnight, sweet dreams!

The end of summertime

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The summer is fast running out now, evenings are darker, the wind is cooler but the sun still been dishing out the odd warm day. We’ve had a few days touching 20° since I last posted, and today was rather nicer than forecast, lucky for me as I was in the Park this afternoon doing a bit more brambling. I’d noticed some rather juicy-looking brambles a couple of days ago (no container unfortunately!), so I headed back today once they would have had one more good blast of sunshine (to raise the sugar content).

Brambles can be very deceptive little sods; they might look shiny black, ready, but nope, still clinging on tightly refusing to budge. Others look ready but are actually overripe, too much juiciness that almost explodes on touch. A ripe, well-formed bramble will come away with a gentle tug; often found in a more dapply light than too much harsh direct sunlight. Believe me, I’ve learnt plenty about the art of brambling these last few years!

I had time to sit a while just taking in the scenery, looking across the big dip to the old quarries and the sweet, slightly treed area to the left (definitely not enough to say wooded just a few dotted about), a photo just can’t do justice to it, at least not with my mobile. Oh, the colours, hues, the movements in the breeze; it struck me just how good my long sight is and how grateful I am to be able to enjoy all the detail.

But I thought I’d take a pic, anyway

Last week we had three beautiful warm days, that slid into the most gorgeous evenings and sunsets. Quite a number of folk headed up to the high areas in Holyrood Park to take in the last of the sun and dusk. Of course, there were plenty of new students in the mix, I wonder if they realise those evenings were nothing like the norm?

Arthur’s Seat – a top spot for a good sunset

Heading home well after 8 o’clock on the Tuesday, I made a slight detour to pass Whistlebinkies as they hadn’t put anything on social media about the midnight band – oh, a wise move, those Scat Rats were on, yay. I’d figured there should be a good chance it would be them, and how, they were buzzing! And tomorrow evening (ah, it’s after midnight, so, later on today…) the Scat Rats are back at Stramash. Oh yeah, that reminds me, last Thursday night I was expecting to see Babyface and the Beltin’ Boys at Stramash.

The sun is sunk, now comes the next colour palate

Erm, there was no Babyface (a bearded face instead), just the one regular Beltin’ Boy on lead guitar, a different double bass player, and a familiar face on drums – Gavin from Logan’s Close! I was thrown when I first walked in, as the tune was not one that would ever feature in the usual BFaTBB playlist; it felt a tad odd but by ‘eck, that chap could sing, Summertime and House of the Rising Sun were particularly fine. And what a joy to see Gavin, yay.

The top of Salisbury Crags always has a few folk at sunset

Oh cripes, it’s very late. I must away to get some beauty sleep. I may well edit this a bit in the morning when I’m more awake but it’ll do for now.

Sweet dreams!

Goodbye ’23, Hello ’24

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When I woke up on the 1st it was raining, oh I was so tempted to go back to sleep but no, and sure enough by the time I was ready to head out the rain had stopped. The proof of the pudding is in the picture….

Yes, that is a traffic cone on top of the trig point!

Yay, my New Year tradition completed again, no thanks to the high winds – I was lucky not to get blown over to Fife! My concerted effort to be up there relatively early (about 10am) paid off, the hordes had not yet ascended, probably still their beds. After the annual pic, I found a slightly sheltered spot in the rocks for my brunch (chicken sandwich and christmas cake washed down with whisky), just taking time to admire the view and exchange new year greetings with passers-by.

I mentioned in my last post that The Scat Rats were playing Whistlebinkies at 3 in the morning on the 2nd (or technically the 3rd), I didn’t make it. The soul was willing but my flesh and bones decided otherwise, a shame. And I bet you’re wondering how the LC gig went on the 29th – totally and utterly bloody awesome!! Mind, I wouldn’t have expected it to be anything less.

It’s been many years since I was last in The Liquid Room, nothings changed; nice that the stage has enough height to allow plenty of the audience a decent view of the band. There is a balcony round the sides and back, tempting (I’ve never been up there) but I’d got myself a good spot close to the front, so was fine.

The lights dimmed to four scattered spotlights, SeanKeys started playing the opening bars of Dans Le Jardin over and over as the rest of the band came on stage and readied themselves (to rapturous applause, natch); Carl next joined in with a lush guitar sound, followed by Scotty’s velvet vocals (and a natty new top he got for Christmas). And they were off!

The set for the evening was Heart-Shaped Jacuzzi in reverse order, so next up was the magnificent Mock Marble Linoleum, yes! Back for the evening was original bassist Ollie Turbitt (he’s definitely acquired some italiano cool), slotting in fine, obviously enjoying himself, sharing plenty of laughs with SeanKeys.

In the absence of Stu, Gavin picked up some of the harmony vocals (there will be four part harmonies in the future, I hear). Great that he was actually visible, and he is a drummer worth watching.

After the chirpy cheeriness of Merry-Go-Round the rest of the band left the stage to Scott and Carl for Calculations + Guesses. It struck me that by the end Scott’s body language seemed to be trying to belie the emotion of the song, distancing himself from it, perhaps? Next, our two troubadours took us way back to an early tune they wrote, very Beatlesque!

The rest of the band returned with two Logan’s Close classics, Lost In You swirling straight through into Give It To Me, what a night!

From there we plunged back into the new album and Curious Terrain, the other grand baroque opus (the studio version is powerful, live it loses none of the nuance and gains from a full-on performance from the band). From there on to the big guns, Babestation then Heart-Shaped Jacuzzi, gotta say this way round really works well live.

It was around this point I get fuzzy, I think it was after the title track that we were treated to a new song (called So Cold, possibly?), I remember a bottle of Buckfast appearing, Scotty saying something like “I’m changing it”, the band going into I Want You which seemed to throw Ollie and Sean a tad. Well, that all happened, though not necessarily in that order!

I do remember the evening ending with Hot Blondes In Your Area Tonight and the whole place going hyper. Oh lordy, what a grand evening! And what a way for LC to end the year! Can’t wait to see what happens next in 2024 ❤️

Oh, if you’re new to this blog, do yourself a favour and check out Logan’s Close on Spotify or wherever you listen to music, hear what I’m making such a fuss over (and see why on my Instagram reels).

Wishing you all an excellent 2024! Toodle pip!

A red beret, a megaphone, Action!

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Am I right? Belly nicely full, strong coffee beside me, air scented with essential oil vapours, yes I’m right, time to write something. Oh, today’s oils are grapefruit for levity and clarity, frankincense to ease my still ailing body and fennel, just because it’s been in my oils box for ages and needs using up. Since I last wrote I’ve been lurgied, losing my voice for three days, it’s come back very grudgingly accompanied by a body-shaking cough, bah.

So, I was about to head back to Yorkshireland for Mothering Sunday and Logan’s Close were about to release the video to Babestation ….. didn’t manage to hit the road until the crack of noon, did manage a first look at the video before I left. Haha, watching the video reminded me of a bit from my review of the single release “… a seedy wedding band playing unnoticed …” inspired by a song by Fringe favourites Dead Cat Bounce; I grabbed the CD for my journey.

Dead Cat Bounce were a bunch of talented Irish lads who combined their musical and comedic skills to produce witty, bitingly funny, un-PC songs (this was back 2008 to 2012). The scenario DCB painted in Christians In Love was what sprung to my mind while listening to Babestation. From being a song about a young couple on their wedding night, a sudden twist reveals it’s actually being played in the couple’s room by the wedding band who don’t plan to leave until they’ve been paid (the young newlyweds are “possibly deaf or just incredibly focused”). I’d envisaged Logan’s Close in a back corner of the room, not quite, they’re on a different tv channel.

Once down in Yorkshireland it was all go, ’til I was laid low and silent on the Monday; at least I finally had some time to check out Babestation again. That was a week ago, I’ve watched it a few times since. Wow, there’s a lot packed into those five minutes and twelve seconds!! (short, intense, bizarre, like you’ve just been Tango’d) Love it, the eye is in the right place on this duck, LC‘s go-to film guy James Gilhooly is so in tune with their vibe, so many exquisite little niblets (yes, okay, I’ve watched it plenty times).

A few of those niblets to tantalise your tastebuds – the retro television, also seen in the Heart-shaped Jacuzzi video, is sooo cool. Greenscreen guy, ha, a nice touch! Hats, wigs, fake moustaches, perve it up with a nod to 60s looks. Lots of closeup shots, very closeup, eyes, fingers, mouths, and a nipple shot!! That’s a nipple belonging to Gareth Mutch a local comic and actor who plays the Babe brilliantly, going through a whole gamut of emotions within five minutes (I told you it’s intense). The punch-ups look great but Gavin Lamont takes first prize for violence – and he seems so quiet! And the potentials waiting to do Babestation auditions, haha!

The tempo of the action beautifully mirrors the changes in mood and tempo of the music. I like the mixing up of eras, the modern with retro 60s, mirroring the Close‘s sound; even the modern isn’t that modern, apart from maybe the caller’s nails? This “midnight observer” is gorgeous, feisty, sexy – from the glimpses we get to see of her (erm, I’ve no idea of what sorts phone up these channels, yes, I’m that naive, but I’m guessing she’s not what a female equivalent to the usual caller would look like). I had wondered about this particular video, but yay, they pulled it off – how else to film Babestation but by subverting the whole scenario? A highly entertaining fast-paced, fist-flying film, Edgar Wright-like glimmers in there.

Do give it a watch, as Kenny Everett would say, it’s all done in the best possible taste! The next single is already being lined up and it is another beaut, well, all the songs are, but it’s another that The Scat Rats occasionally sing which always adds a little extra sparkle for me. They’ll hopefully do it at Whistlebinkies on Saturday afternoon, some time after four.

Toodle pip!