Siren Song

Mr Marah Plus Two

bruceonthefringe 2025, Carl Marah, Edinburgh bands, Live music, Uncategorized Tags: , , , , , , , , , , Leave a comment

Wednesday evening in the Voodoo Rooms was awesome. There may have been fireworks going off outside for Bonfire Night, but inside the atmosphere was sparkling and crackling with fine vibes. Local musician Jack Hinks was support for the evening, some rather lovely tunes there, and a gorgeous voice, rich but not too much (I know what I mean). Tone for the evening nicely set, drink in hand from the bar, good position to see, ready!

Of course, this was the first gig where Carl Marah has played his solo music with a band, which added to the anticipation, not just one man and an acoustic guitar anymore. On drums was Gavin Lamont, like who else was it gonna be? As lovely as he is talented, no 5/4 timings could throw this chap. On bass and occasional backing vocals was one Simon Toner; he and Gavin are in a band Sekoya with Luke Cunningham, who played keyboards with The Buccaneers (oo, how good to have the three of them with Carl some time? make that happen!). A very promising line-up, and how!

It was a gentle start with You’re Always Right and how right was the sound – just perfect. On to Lost and Found, gorgeous but I did find myself contemplating whether, lovely as the band version was, the acoustic solo version had something extra for being less for me. World Keeps Turning next is a tune that’s already one of my accidental hums (oh, I can hum unaware that I’m humming for ages), a cracking song, definitely up a notch with the extra punctuation from the drums.

The setlist was thirteen songs in total, all known to the faithful to some degree. James Gilhooly, the go-to cameraman, was around filming the proceedings. At the start of Long Way To Oban I noticed the array of drumsticks Gavin had to hand, but then I guess that’s how he always gets just the right sound; Holidays with the brush sticks was luscious. The poignant 39 was sooo beautiful, a moment to reflect.

Song of the night for me has to be Cat’s Eyes, oh my heartses. I’d just popped to the loo and came back out into the little hidden area to the side of the stage, it seemed a perfectly good spot to watch the band as the music drove along, taking corners, foot down on the straights. Oh, I’m already there, Cat’s Eyes on the stereo driving along the A702 in the dark, can’t wait! Only Don’t Wanna Love You No More could have followed that, yay, Carl getting down and bluesy, always fine with me!

As it’s the latest single Roll the Dice finished the evening. Yeah, right. Encore! One more song! Hmmm, something that really would really show the whole band off, something by one of Carl’s favourite artists? Paul Simon? 50 Ways To Leave Your Lover, yay, what a way to end, excellent choice. What an evening, I’m looking forward to next time already, hopefully it won’t be too long. Meanwhile, Mr Marah can be seen in the pubs of Edinburgh singing to the stags and hens and mooses.

Such a great gig really deserved better pics for my blog than I could manage with my mobile – many thanks to @hateinacageonfilm for letting me use some of his photos, what a guy!

Carl Marah looking suave with his Movember tache
Gavin Lamont
Simon Toner

It’s in 5/4 time, you know

bruceonthefringe 2025, Carl Marah, Music, New music, Uncategorized Tags: , , , , , , , , , , , , Leave a comment

I’ve come to realise that I first heard Carl perform Roll the Dice in the Auld Hundred last October, I have a vid clip of it, but later couldn’t remember if that was one of his own or a cover, ha. I thought it was, but didn’t want to put it on Instagram and have folk point out that it was actually an old Paul Simon number! There is an air of Graceland about it (as Carl is happy to acknowledge), I’m excusing my cautious lack of surety as a compliment to Carl’s ability to write timeless songs that defy being placed in any particular decade.

Do check it out, Roll the Dice is available on the usual streaming platforms, a few listens and you’ll soon find yourself tapping out bits of the rhythm at random moments of the day (or is that just me?). Carl plays all the instruments and was his own backing choir on the studio recording, everything except the drums, and who better to lay down a jaunty 5/4 rhythm than fellow Logan’s Close member, Gavin Lamont (really, no one!).

There’s an official video too, featuring Carl, his fiancée Klaudia, Piccolo the Dog and a cameo appearance of the Edinburgh Monopoly board and pieces. Our troubadour pops up all around the town looking for his lady, will they ever be on the same space together? A sweet, delightful film that’ll warm your cockles! And you can play identify the places in this montage of Edinburgh spaces. [And if you’re part of an acapella choir visiting Edinburgh this Fringe, why not do an acapella arrangement of Roll the Dice in one, or a few, of the spots? Carl would love that!]

Of course, there’s not been just the single and video released this last week, Mr Marah also started another promotional tour, kicking off in the Voodoo Rooms last Sunday evening, the Ballroom no less! Very nice it was with tables and chairs laid out in a relaxed fashion; we had been warned that there was no support i.e., don’t be late! The Jefferson Airplane classic White Rabbit heralded Carl’s arrival on stage, a fine choice.

For starters we had Siren Song but, oh my, the lad’s gotten into looping! With guitar, keyboards, percussive knick-knacks, this was Marah MkII; this time round the sound is fuller, richer. I really enjoyed his songs the first time round, but wow, to hear them again switched up, it’s great hearing the progression. What will they sound like by the third single tour?! I’m looking forward to that already.

Fourteen songs, including a new work-in-progress, Me, Myself and I, some sweet chord progressions there, I’ll admit I was more engrossed by the music than the words, next time. Carl played 39 without any introduction, a beautiful song, the natural slight melancholy timbre of his voice adds to the poignancy of the lyrics. You’re Always Right was played on the keyboards this time (with added percussive loop); about halfway through it hit me, Lynsey de Paul, mid 1970s, that’s what it now reminded me of! Yeah, okay, you’re probably thinking, who? But for those of a certain age I’ll put up a vid of it on Instagram, I’m sure you’ll get what I mean!

Oo, and Cat’s Eyes, this time around by the end of the guitar break I was like, oh wow, John Martyn, by the end of the song I could almost hear his voice. I mentioned it to Carl afterwards, haha, he understood what I meant; Carl does wear his influences proudly and unashamedly on his sleeve (he knows where he’s come from and has a fair idea where he wants to go). After Cat’s Eyes it was time for the final song, the second single Roll the Dice.

First the build-up of the loop, shaker, tambourine, hand claps (interesting with it being in 5/4 time, did I mention that before?!), drum beat, and to great cheering, triangle (Would any other nation do this? Pure, silly glee at the sight of a lowly triangle?), oh, and backing vocals. While the studio version is great, a live version built up to over an evening, oh my heartses! A wonderful climax to the evening, Marah MkII was a great success! After the crowd had called out for more (we couldn’t just leave at that, we needed to be gently brought back down), Carl obliged with a cover of Squeeze’s Up The Junction.

I do fully intend to catch the show at least one more time, but right now I really need my bed. Goodnight, sweet dreams!

More on Marah

bruceonthefringe 2025, Bands, Live music, Live music venues, Uncategorized Tags: , , , , , , , , , , , , , , , Leave a comment

And the world keeps turning – into what it’s difficult to say but it’s not looking very pretty right now, unlike Mr Marah who’s continuing to delight audiences across the UK with his Siren Song Single Tour. This week it’s been Birmingham on Tuesday, down to London town on Wednesday, tonight it’s Round The Corner in Liverpool, a circuitous route home! Next weekend he heads back up north to Inverness and then over to Ullapool on the west coast – if the weather’s good that will be a stunning drive! But for now, last week…

Last Wednesday evening Carl Marah took his solo show over to Glasgow, a venue called the Red Door Club. Put the name into Google and it takes you to a pub called The Old Toll Bar, a bit confusing initially (especially when you’re glancing through the details without your reading specs!) The pub itself is a real gem with the original Victorian decor and a good range of beers, while the club is down in the basement with a wee stage and walls covered with murals of famous Scots, though it’s a tad odd to have Billy Connelly constantly looking over a performer’s shoulder at you!

See what I mean? It’s a tad distracting

It was originally Julen Santamaria as the support, but he had to pull out (a shame as I’d been looking forward to seeing him playing solo), so instead it was one Adam Thom who I thoroughly enjoyed, a worthy replacement. A great voice, some cracking lyrics and a country sound, all nicely set up a warm vibe in the room; and after another drink up in the pub, it was back down for the man.

Really, I’m looking at this thinking, but what can I actually write about it? Yes, I know that sounds daft, but for me Carl’s music is so right, the sound grabs me, swamps me, defying me to describe it adequately. I can’t but here’s a few moose musings….. first off, his voice has such wonderful tone and timbre, occasionally reminiscent of Bobby Goldsboro. And when Carl performs You’re Always Right it’s like hearing an old Gilbert O’Sullivan song, sweet, quirkily honest with a teensy plaintiveness. Lost and Found would make a great second single, at least a studio recording (on an album?), it is rather scrumptious; Cat’s Eyes would be a fine edition to anyone’s driving playlist, especially in summer, hint, hint!

On a more serious note, Carl’s song 39 is his tribute to the 39 Vietnamese nationals who were found dead in a refrigerated trailer in Grays, Essex in 2019. Such a beautiful song, Carl’s poignant lyrics will still you, and the ending, the room paused, before a warm applause. How to follow that and bring the mood back up? A harmonica, apparently sales have soared since a certain recent biopic in the cinemas! And Mr Marah couldn’t possibly not play some blues, come on, so there’s I Don’t Wanna Love You No More (potentially an LC song when it was first written some years back, when the boys were beatniks) with some juicy, snappy lyrics along with some shredding.

A big favourite of mine is Stags and Hens another fine example of Carl’s lyric-writing, it may be based on Edinburgh pubs but the pictures he paints will be familiar in many towns (I did find that particular song popping in my head a lot as I walked around Newcastle on Saturday). Siren Song is like the cherry on top of the icing on top of the cake by the end. Yes, this show is too good not to be seen a third time – I went to Newcastle at the weekend.

I’ve only ever been to Newcastle once before (passed through plenty times on the train), that was many years ago to see Stevie Ray Vaughan at the City Hall. Time for another visit, cheapest trains there and back, a bunk in a hostel, breakfast, just about sixty quid; oh, and Nando’s before the gig, sweet. Had a great time wandering round, admiring the architecture, browsing in shops, chancing upon Newcastle’s vampire rabbit. Yup, a vampire rabbit!! How have I not heard of it before?! How is it not famous, or infamous? Neither was I particularly aware that there’s a castle in Newcastle, well, the keep and gatehouse are still there, worth a look round.

Behold, the Vampire Rabbit!

The gig was in the Head of Steam a fine boozer close by the train station. Again, like in Glasgow, the gig room was in the basement. Support was AJ Potter, a good northern lad complete with flat cap and a pocketful of great tunes, one of which I’ve found on Spotify One Night, loving the studio arrangement! Interestingly, two other bands, from London and Spain, who had been due to play at a sister pub to Head of Steam were shifted over and played after Carl, four bands in one evening! The London band were good, a tad eclectic for me, they didn’t seem to gel right to me, they seemed to be off in different directions at times, but it was fascinating to watch. Unfortunately the final band had the drums way, way too loud which was a shame as the female singers/guitarists were all very enthusiastic and bubbly, it would have been nice to hear them.

It was another fine performance from Carĺ. This time it was the catchy World Keeps Turning that really snuck into my head, snippets of it still keep popping out! I love the in-between patter of musicians, when some bits will be almost word for word the same every time and other stories may be expanded on or cut to barely more than the title; this is the mark of a relaxed, self-assured performer, this is the Carl Marah who’s worked hard to get to where he is. The lad’ll go far.

Toodle pip!

A siren song to haunt you evermore

bruceonthefringe 2025, Live music, Music in Edinburgh, Uncategorized Tags: , , , , , , , , , Leave a comment

It’s already the last Tuesday in February, whaaat! Not a late one tonight, well, not too late, no midnight rats at Binkies, a rather more reasonable half past nine at Stramash for The Scat Rats. They played that slot last week, naturally I went along, always a pleasure, but oh my, an extra treat – first track as the lads went off for a break, Siren Song! Blimey Charlie! Hearing it like that, totally filling Stramash, just intoxicating! I do hope it gets another play tonight; headphones are fine but through a powerful system in a large room is even finer.

For those unaware, new to my musings (where have you been?!) Siren Song is the debut solo single by Carl Marah co-founder member of Logan’s Close (Scottish psychedelic pop) and one half of The Scat Rats (edgy and dynamic). This is it, Carl has hung up his apron, no more frothing coffees Up The Junction (his mum’s cafe in Leith), it’s music all the way from here on in (in case there’s a biopic in some future year, can I be the first to say, it was a pivotal moment towards his destiny). He’s decided it’s high time that something be done with all his other songs (the nonelsie material), oh yay, even more Marah music, sounds fine to me!

So yeah, Siren Song was released on the usual music streams on Valentine’s Day and there’s also a cd of it available from Carl’s website – yes, of course I bought one. Besides the full studio version, the cd also has an acoustic version, an instrumental version and a wee chat about the song from the maestro himself. His inspiration came from a Roald Dahl short story The Landlady, a tale that spirals down from slight unease to sinister; the sort of thing Edgar Wright could re-visit with style, Siren Song would be the perfect motif through it.

Siren Song has a beautiful haunted quality to it, starting out sparse and eerie, it slowly builds and builds to a glorious, full-on mosh, then ends as it began leaving a feeling of melancholic despair. The production is excellent, such an atmosphere and Carl’s vocals will send a few shivers down your spine. Oh, and there’s a creepy video too, with a great narrative, do check it out.

And besides the single, the lad has a tour to promote it, already two dates in. Naturally, the first gig was in Edinburgh and where else could it be but Sneaky Pete’s, last Wednesday night. You could feel the love in the room! Carl regaled the crowd with the songs’ background stories; he really is a lovely guy, a gentle, unassuming soul with a quiet, easy confidence that’s quite charming. There’s vibes of country, some folksiness, and of course, plenty rhythm’n’blues throughout his songs, all bloody marvellous. The evening ended with Siren Song, and then the crowd called out for more, but what could possibly encore after that? Only getting Scotty out of the crowd to lend backing vocals to Babestation, hell yeah!

… And that was where I ducked out last night to see The Scat Rats, I ran out of time! Sadly no Siren Song in the break but it was a very eclectic mix from Ace of Base to AC/DC. This afternoon I’m off to Glasgow for Carl’s third show, it’s at the Red Door Club (thank heavens for Google maps). Yes, indeed, and why not? Possibly because I’ll see him again on Thursday night?! There’s a thing happening at Leith Arches with good sounds and good food; the sounds are definitely gonna be good as it’s Carl Marah, Jed Potts n Jon Mackenzie and The Moanin’ Bones for a line-up! Yay!

Must dash, more later. Well, hopefully tomorrow. Toodle pip!

A new year, hello

bruceonthefringe 2025, Bands, Live bands in Edinburgh, Logan's Close, Music, New Year, Uncategorized Tags: , , , , , , , , , , , Leave a comment

Errr, Happy New Year everyone! Yes, I know, it’s appalling, ten days into the new year, sorry! I’ve kept meaning to write something, but Gotham keeps getting in the way. I reclaimed my three season boxset from a sibling at Christmas; it’s actually impossible to only watch one episode I’ve decided. No matter how determined I am, it can’t be done. So I’ll at least start something now before I stop for tea and the Scat Rats at Stramash at seven.

It’s now only a week to go until the next full Logan’s Close outing at The Caves, yay. The last update this afternoon said there’s 20 tickets left so I doubt there’ll be any left on the night, just sayin’. On ticket sales, did I mention that the talented Mr Marah has announced a small solo tour, tickets now available? Well, more like quick darts around Scotland and England, so far; if anyone has a sweet local space where he could do his thang, just let him know, help him spread the gospel according to Carlos!

It’s a solo single tour – his first single Siren Song is coming out on St Valentine’s Day, five days before the first show at Sneaky Pete’s (where else!?). You could pop along to Carl Marah on social media and pre-save it, why not? And it turns out, my Instragram reel of Carl playing in the Auld Hundred in December is the Siren Song! See, I just know a great song when I hear it.

More music news, the band previously known as Ol’Times will be back over in Edinburgh next week. Now known as Amos Moses they’ll be supporting Edinburgh band High Fade on their UK tour, but before that starts Amos Moses will be playing in Whistlebinkies on Tuesday night before the Scat Rats at midnight, sweet!! Well, at least that’s what Binkies are saying, for now, you know why I’m a little dubious.

Why the change of name? A slight change in line-up, sadly Gabriele (singer) has moved on, it looks like Colm, guitarist and occasional singer has taken over on lead vocals. But will the new sound move me like the Ol’Times did? Gabriele was charismatic with a raffish charm, exciting to watch; Amos Moses will be a very different band. AC/DC after Bon, Van Halen after Dave, Marillion after Fish; for me, once amazing bands that then barely registered in my ears. But kudos to the band for the name change, it’s a good way to underline the fresh start. Yeah, I’m quite keen to see this new band!

Anyhoo, it’s getting on (did you spot where I broke off for tea?). I could just fit in one episode of Gotham before I turn in. I’ll leave you with my customary New Year Arthur’s Seat pic, my meeting a snowbaby as I headed back down, and Carl Marah‘s tour dates.

My slightly delayed start to the New Year
Even a slight smattering of snow and they appear!!

See, there’s room to squeeze in a few more!