Month: August 2026

Six of the best, plus one

bruceonthefringe 2026, Comic theatre, Edinburgh Fringe 2026, Fringe Top Tip, Physical Theatre, Sooo fringe Tags: , , , , , , , , , , , Leave a comment

Hey, the first Monday of the Fringe, I took myself into Holyrood Park this morning, up along Moose Ridge, on to the Nether Hill and down the steps, such a beautiful day for it! Nicely warm with a balmy breeze, and it’s set to get warmer this week, sweet. Here’s hoping Fringe venues have good air-conditioning or at least plenty of ventilation. Fringe Tip: say yes to a sturdy flyer for use as a fan. Oo, also beware of having a large lunch – a warm, dark room, smooth, relaxing tones, nodding off is deceptively easy (so make that a two shot coffee).

Anyhoo, six of what, who’s best, huh? Or have I been a very naughty moose?! And why plus one? As Fringe starts go, this has been brilliant for me, and, well, I don’t reckon (though I would love to be wrong about this) I’ll see anything that will knock these shows down my list of favourites. Okay, so I have two coming up this week that will definitely be joining them (oo, then one more will complete my top ten), but these are Fringe gems to this moose.

First off, proving my Fringe-dar is working fine, A Foot is Not an Appropriate Prize for the Tombola was delightful romp that starts when a dismembered foot is discovered in the tombola stall at the village fete. Lydia is determined to get to the bottom of it, despite being told to leave well alone by the local policeman, things soon escalate in unexpected ways! The audience participate a lot in this, but hey, tombola prize for all those do! I was at the second preview, still a bit shaky and Lydia (Daniel McVey) did refer to the script, ahem, the fete schedule a fair bit, but for me it all added to the hilarity; McVey was brilliant, he’s created a true piece of Fringe ⭐️⭐️⭐️⭐️

The Crimes of Pete had me grinning from the start, authors being hauled off by the state (black comedy, btw), the purgatory of each other’s company and the reason Pete was taken; dark, sharp humour all round. Then a chink of hope appears for Pete from an unlikely ally, but what about his cellmates? Another hour of pacy writing and great performances from Tinned Laughter; definitely worth seeing, Shepherd-Cross is in danger of becoming a Fringe institution! ⭐️⭐️⭐️⭐️

So good to have Tom Neenan back at the Fringe, it’s been awhile. The last time was in 2018 with It’s Always Infinity still sitting high in my Hall of Fringe Favourites! Since then Neenan has taken up painting, there’s regularly new portraits on his Instagram, so the topic of this year’s show isn’t too surprising, Tom Neenan: Portrait of a Tom as a Young Neenan with a self-portrait as the publicity shot. I could listen to him for well more than an hour, an amusing wit, he moved almost seamlessly between his two narratives, never losing his audience, a thoroughly lovely show ⭐️⭐️⭐️⭐️½

Hudson Hughes: At Your Service is a completely different kettle of kippers, a wickedly funny show, silly with a big dollop of horror. Of course, there was going to be plenty of props and animatronics (and Aidan Pittman turning up on video), did it matter that there were technical difficulties? Nope, for one, it was second preview so it’s allowed, almost inevitable, and second, watching Hughes keeping his composure and artfully keeping everything on track was an extra layer of hilarity, he done good! It’s a very silly, full-on hour of ridiculous. Totally Fringe ⭐️⭐️⭐️⭐️½

I’ve never cared for the film Top Gun, never particularly liked Tom Cruise, but as Top Gunchained is by the guy behind Yippee Ki Yay, oh yeah; and he’s back in the Wine Bar at Gilded Balloon Teviot, one room that looks pretty much as it did. Richard Marsh has created another great double narrative, the (unauthorised) retelling of a film, and healing familial issues. There’s plenty of effects and props, audience participation (all good fun), big laughs and heartfelt moments, and all done in verse. Most excellent ⭐️⭐️⭐️⭐️⭐️

Another unauthorised retelling, another very long title, Goodbye Horses: An Unauthorised Solo Retelling of The Silence of the Lambs. Ye gods, this was intense! Michael Kinnan‘s portrayals of Starling and Lechter are brilliant, but especially the sense of Lechter’s dark calculating humour. The atmosphere created was so creepy, so tense; it’s been a while since I saw the film, parts only coming back to me as it unfolded, but I wonder what it would be like to see this without ever seeing the film (or read the book). Oh, and you might need to go have a drink afterwards, a nice chianti, perhaps? ⭐️⭐️⭐️⭐️⭐️

Last one, but definitely not least. I knew this would be good, the new play by the Voloz Collective (another long title), REDACTED: The Cover-up of a Cover-up of a Cover-up everything about it is a sheer delight, not least the incredible synchronicity between the actors, physical theatre surely doesn’t get any better than this?! An action-packed comedy thriller, with an elegance and style like some classic Hollywood movie, especially with the accompanying live music. Magnifique! Possibly the best thing I’ll see this Fringe! ⭐️⭐️⭐️⭐️⭐️ (⭐️)

Really, I don’t know how the rest of my Fringe can measure up to a start like that. Anyhoo, my bed is calling. G’night!

I wrote this last night

bruceonthefringe 2026, Edinburgh, Edinburgh Fringe 2026, Fringe Venues Tags: , , , , , , Leave a comment

Oh dear lord, it’s wet out there! I would just stay in, take a night off, but I’m meeting a friend. According to the forecast it’s going to be rainy until tomorrow late afternoon. I’ve already decided to bake a cake in the morning, haven’t made one in ages and I have a few pears will need eating , so a pear sponge cake it will be!

After saying in my last post that I hadn’t yet been in Teviot I popped in yesterday afternoon after seeing a show in George Square, it is very different, I’m kind of ambivalent to the changes, apart from one, I’m annoyed! The old Library Bar is now exclusively for performers, dammit. At least the room that I think used to be called the Refectory has another name but yay, the upper balcony area is still accessible, that could be a writing spot again. I have a show there tomorrow afternoon, I should the refurb will have included reasonable temperature controls.

So far the warmest venue has been ZOO Playground 1, the heat kind of added an extra uncomfortable edge to the feverish dream quality of the play (not nightmarish, just that unease that you dreamt something awful but can’t recall, and your body shudders when you try). The fact that The Last Drop might be in Brazilian Portuguese (being from Brazil) had not occurred to me, no worries folk, there are subtitles, but this again added to the otherness. I didn’t always follow what was happening but am not sure if that was me or how the play plays; very much like a David Lynch film, just sit back and go with it! ⭐️⭐️⭐️½

This afternoon I headed to the Westend, off Princes Street, to a place I didn’t know existed. It was to see Mistakes on Maps, I assumed the venue name, Library of Mistakes was just a joke to go along with the show, nope, it’s a real place (dedicated to the study of financial history) tucked away down along a back lane. Historical maps and facts, some quirkier than others, that’s it, interesting if that’s your thing; okay, I thought the presentation was a tad lame, but these are map nerds sharing their passion, fair enough. If you’re not rushing away afterwards there are plenty of maps laid out to peruse and chat about. If you’re a secret map nerd, this may be for you, you’ll need a map to find it!

I would also mention St Mary’s Episcopal Cathedral nearby, that bloody huge building at the end of Melville Street. Definitely worth a look if you have time!

Toodle pip!

So far so good

bruceonthefringe 2026, A good audience, Badges, Edinburgh Fringe 2026, Fringe history Tags: , , , Leave a comment

Thursday evening, six shows in, and it’s just occurred to me that I haven’t had a ganders round Teviot yet (Gilded Balloon) despite going past at least twice, I don’t think my head has properly registered that it’s open again. Past years I would definitely have been in by now, even without shows to be seen, a first drink in the Library Bar, oh, I do hope they haven’t ruined it with their refurbishments. I’ve not bought one preview ticket for anything in there, but then previews have generally been cut down to just Wednesday and Thursday; time was when many previews ran right up to Saturday (no wonder I crammed in so many shows). Mind, the 241 days were originally the first Sunday and Monday, the Sunday was a very busy day! Fun times.

Safety warning for The Dark Room

On fun times, John Robertson’s The Dark Room was an excellent end to my first day, love his energy and wild glee as he interacts with the crowd. Last night’s audience was ready to have fun, the Darrens were all great, funny how things can go with these shows, but Robertson is a master of his art, he just wears it lightly, teasing the potential chaos. Now I’m a relative newcomer to The Dark Room but the folk behind me, ha, they were joining in Robertson’s retorts to players’ option choices; he has quite a number of loyal fans, the shows will sell out. Of course he’s doing a free Fringe show too, Excitable Boy! He most certainly is.

Time to head for a late night show; I’ll do a round-up tomorrow of shows seen so far. I’ll leave you with a pic of my first badge this Fringe, I say first, I do hope more shows will have badges to hand out. Toodle pip!

The eyes have it

Another Fringemas Eve

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I’ll be going out shortly but first a quick post. Where? I got me a ticket to see W.I.T.C.H. at La Belle Angele, support by some local band called Logan’s Close. There’s going to be some serious rhythms and grooves going on! I suspect it won’t be the only hot sweaty room I’ll be in this month, even with improvements over the years, some Fringe venues still get incredibly warm and stifling. I wonder which room will take the max oven setting prize this year, hmmm. If anyone thinks they’ve sat in the winner, do let me know!

I was back at the cinema last night to see Toy Story 5 on the big screen, I think i may well go see it again, at least once more. Yes, another excellent film, one of the very few film franchises that has always delivered, for me, anyway. Oh, there’s so much that makes this movie an absolute joy. Of course, the main themes are around new tech toys replacing old toys, but I was touched by the little note that you shouldn’t change and be less of who you are in order to fit in with the popular crowd; really, there’s no point, one slip up and they will turn on you, they don’t generally like different. Oh, that got dark! Hey, it’s a cracking film, way more than a kids movie.

Up close with the Close

Okay, so at that point I left to go the gig, the lads were awesome!! After starting with Babestation, the rest of the set was new stuff on the upcoming second album. They went down well with the crowd, hopefully picking up a few new fans. I was at the front so managed to get some good vids, best ones I’ll put on Instagram; I just took one vid of the headliners W.I.T.C.H, but as I was much further back it’s not the best visually. For me, they were a mixed bag, from just okay to some really intoxicating grooves. Overall a fine evening, including a wee chat with Mr Marah about LC‘s time recording in London and what’s comes next.

Ha, another late night, despite all my best intentions. Thankfully my first show isn’t until midafternoon, the first of four tomorrow. Oh yay, one more sleep, then its Fringe ’til September!

Toodle pip!

A bugbear, minions and music

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As the Fringe gets ever closer, the rain gods are once again perfecting their sudden deluge from nowhere techniques, so don’t forget to bring a brolly (a sturdy one, it can get very windy here). Oh, and don’t forget to bring some commonsense too, honestly, you would not believe the number of people wandering around Edinburgh who clearly leave theirs at home (we have enough local numpties, and, well, it looks bad when the headline says “tourist in Edinburgh….”, okay?); but that’s a rant I’ll save for another time.

The town is noticeable more bustly now, not what I’d consider busy yet just bustlier (not bustier as spellchecker tried to insist). Heck, there were even people drinking after ten in George IV Bar on Friday evening – it’s busy through the day while people are coming in to eat, but it does seem be very quiet once the kitchen close. Oh yeah, that reminds me! A bugbear. Pubs that have that sign “Please Wait To Be Seated” just inside the door and don’t remove it after dining is over? Sure, some of us know when to ignore it, but some hover, glancing around, trying to appear nonchalant but we can all see the embarrassment in their eyes. A quick timely removal of that sign wouldn’t take a minute, well, maybe two or three.

I’d been to the cinema to see Minions & Monsters, wow, such bloody good fun and so many cheeky wee film references, had me grinning and guffawing right the way through it. The voice cast was perfect with Christopher Waltz and Jeff Bridges in there, and of course, Pierre Coffin (the man is a genius); the story skips and trips along, aided by hilariously wonderful montages. There’s been plenty of films about the beginnings of Hollywood, honestly, this could be my new favourite (Friday evening was the second time I’d seen it, so ).

Feel that passion, yeah!

Anyhoo. It made sense to head to George IV Bar – bluesman Louis Crosland was playing there before heading to Whistlebinkies for the midnight slot (plus band), total sense. How good to hear acoustic then electric versions of All Along the Watchtower, brand new to Louis’s setlist and an old favourite of mine (I do incline towards the Hendrix version). I’ve put a reel that incorporates both on my Instagram, please do check it out. I was also treated to Gilbert O’Sullivan’s Alone Again Naturally, another new one on the setlist, nice, I liked Louis’s take on it. FYI, Louis will be playing the Canons’ Gait at nine o’clock on Wednesday nights through August.

The Canons’ Gait and Whistlebinkies are once again venues for PBH’s Free Fringe along with plenty other pubs in the city, the rest are part of the Laughing Horse stable, nah not really, but it can feel like every pub in Edinburgh becomes a Fringe venue! Of course, it helps if there’s an actual separate room available and plenty of the old pubs have weird and wonderful spaces!

Time I was creeping off to bed. Back to Fringe nuggets tomorrow.

Sweet dreams, mes amis!