2022

Some fleas are very talented

bruceonthefringe 2022, Edinburgh, Edinburgh Fringe, Edinburgh Fringe 2022, Flyerers, Last night of the Fringe, Music in Edinburgh, Music shows, Uncategorized Tags: , , , , , , , , , , , Leave a comment

Late Sunday afternoon, the penultimate day of the Fringe, for many acts it is the final day. Earlier on the Out Of The Blue and the Improv Musical flyerers were all out in force again on the Royal Mile, come on, guys, I thought, there’s still time for something to go down. Very entertaining on the Royal Mile was a Flea Circus act that was just starting as I passed by, well, I had to go back and take a look. Not too closely mind, one look at my luxuriant fur and …. well! Doroflea, Hercuflea and Evel Knieflea are actually very skilled circus performers, an acrobat, strongman and daredevil respectively; the ringmaster was very fun with his many flea puns and he seems to treat his fleas well (I do hope it’s the same away from the showtimes).

that’s Doroflea on the highwire

It’s been a glorious day here, after my late morning saunter up the Mile I wandered round to Olly Bongo’s on Teviot Place for a spot of lunch. I am a creature of habit so, bacon, brie and cranberry panini with a white coffee, thank you. I was happily surprised that there were tables available when I peeked in, Olly Bongo’s is very popular and quite often full around lunchtime during the Fringe (always worth a look though, very tasty food). Pleasantly full I headed to join the queue outside The Jazz Bar for Blueswater Presents: Queens of the Blues; yes, another date with Nicole!

Queen of the Blues and a couple of knaves

Actually it was the third time I’ve seen her this week. No, it’s not stalking! For one thing, until I saw Blues! on Tuesday evening I wasn’t even particularly aware that she was part of that Blueswater show, and no, I didn’t go to the final ever Blues! show yesterday just for Nicole, it was a brilliant show with the most awesome rendition of The Wizard (and I got a HPH ticket). The Jazz Bar was full today, luckily I had a good view, apart from not being able to see Simon on drums, shame. Another cracking show from m’lady, in her words, an hour of sass, waffle and song. As the show title hints, she talks about the Queens of the Blues as she sings their songs; in forty, fifty years time will another young singer be putting on a Fringe show about her hero, the great Nicole Smit, who started out singing at the Fringe all those years before? I like to think so (oh, Nicole will still be going strong, and maybe one night she’ll turn up and they’ll do a duet!).

Tonight will be Accordion Ryan‘s final show, quick check on Instagram, good, nothing to say he’s had to cancel, yay, I shall be there, my fourth time – yes my fourth, I did go see him on Friday night and bagged a photo with him! (no, I’m not stalking him, it’s a free show at a time of the evening when it’s too early to go home but really, should I be having yet another drink? Answer, stay out and give Ryan my pint money). He did say he’d put in a different Ryan’s Original song, so I have to go for that and to soak up a few more happy vibes! I wonder where he’ll be heading to next, and whether he’d fancy giving an accordion and ukulele double act a go? Hahaha.

Ryan & Bruce, has a ring to it, don’t you think?

It’s just occurred to me – I haven’t made any plans for tomorrow!! If you’ve read about any of my previous end of Fringes you’ll know that wrapping up the Fringe well has always been very important to me. Final night shows have to be good, usually a favourite to end on. Erm, ahh, my end is in danger of fizzling out like the Fringe does, oh dear. Quick flick through accumulated flyers and saved cut-outs for shows seen, it looks like only the Pleasance and Gilded Balloon still have shows on tomorrow, and even at lot of theirs have finished today. No final evening show for a good send-off?! I suppose there’s the Open Mic Night at Whistlebinkies for entertainment. Hmmm, if Ryan hasn’t already left Edinburgh will he show up? That’s where I first saw him just before the Fringe, it would make for a very good bookend!

Toodle pip!

Zombies, rats and hot tubs

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First off a big WOOHOO!! and YAY!! for those Grubby Little Mitts who won an Amused Moose Award yesterday, brilliant news, well-deserved. Second, the Fringe is coming to an end, shows are starting to wind up (sniff!) and there are a few that I have neglected to mention how much I enjoyed them, in case anyone pays attention to what makes a moose smile. Here goes…

Aidan Goatley, the loveliest man on the Fringe is back with Aidan Goatley: Tenacious in ZOO Playground 1, a slightly out of the way venue to find but still very central. If you’ve seen Aidan before you’ll know what to expect, if you haven’t, like I said, he is a very lovely guy, you do not need to fear the front row (mind, he did demonstrate that without his glasses and a change of tone, with his size and tattoos he could come across as very menacing – and then he put the glasses back on, phew!). He always tells a great story, some older stories have come round again used as springboards into new material; he’s mentioned in previous shows that he started out in stand-up with the likes of Ramesh Ranganathan but Aidan’s not bitter, no, he’s bloody tenacious! ⭐⭐⭐⭐1/2

Nathan Cassidy is back with two shows, one at City Cafe (PWYC) the other at the Three Sisters (Free). I saw Hot Tub God in City Cafe in a small square room, comfy seats around the walls and uncomfy seats in the centre – there was just enough room for what audience there was to fit around the sides – like we were all in a big hot tub. Another great storyteller, more bite, snarl and sex than Aidan, whatever type of storyteller you want they’re here at the Edinburgh Fringe! I haven’t seen his other show yet but on the strength of Hot Tub God, I may well visit the Three Sisters very soon. ⭐⭐⭐⭐

This morning I finally saw a show at Paradise in the Vaults, one of my favourite Fringe venues, and happy to say, it was another belter (I’ve seen some great stuff in those Vaults over the years). It was in my to-see pile as soon as I saw it in the Fringe programme, Apocalypse Kernow; great venue, zombies, Cornish, comedy – what’s not to love? Absolutely nothing! So much funny and satirical content in one hour, the writing and performances are brilliant, turns out its father and son, both are so good in their many roles. Like all the best multi-character shows various soft toys played small parts (very well, too) and the ongoing Trago Mills worker’s updates of the situation were pitched perfectly. ⭐⭐⭐⭐⭐

Enough Fringery, though this kinda is as bands don’t start playing at two in the morning in Binkies at any other time of year. The Scat Rats had told me in advance that they’d be playing Whistlebinkies on Wednesday night (just as well, a night that late requires a little forethought and Binkies made no mention of it til last minute), they did also mention the strong possibility of some level of inebriation, okay, it’s Fringe, it’ll be very late, a few drinks in would be perfectly reasonable to expect.

Back in March I wrote It’s going to be a special night a direct quote from Mr Marah the night Logan’s Close played the Running Horse in Nottingham (click on it, it should link to my post). Wednesday night was another special night, only this time it was Scott’s turn as the soberer one! I was concerned when Carl first took to the stage and sat on his stool that he would stay on it, clearly instinct kicked in and he performed pretty well considering (oh yes, there’s a couple of clips on Instagram!) He coped pretty well with the ongoing technical problems, I felt sorry for the poor girl who was on sound that night, she was doing so her best. It was indeed another fine fun performance through to around four, hugs all round and home to bed.

In other Fringe music news, did I mention the other day that Accordion Ryan had to cancel his show because his voice was suffering? Well, anyway, he did, it was. Poor guy had to cancel another two shows, but today he’s back up and running, yay! I won’t be seeing him tonight but I’ll definitely be there for his last show on Sunday (22:15 at The Counting House on West Nicholson Street), I reckon it’ll be banging!

Must go, need to eat. Toodle pip!

Spending time in Spaces

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Yesterday I hit the hut, the Half Price Hut tickets, plus others just to get a good return for the overall £5 booking fee. In doing so I finally saw shows in theSpace venues, third week and I hadn’t been to any of them yet, unusual for me. I’ve noticed theSpace host a lot of small theatre companies, many that just come up for one week; so if it’s theatre at a reasonable price that you’re after, it’s a good place to check out.

TheSpace on North Bridge is on the first floor of the big hotel there, the big posh hotel, lovely staircase up, but somehow a building devoid of any, erm, emotion is not quite right, very airport lounge-y, very impersonal, a total lack of atmosphere (just my opinion, others may say differently). This does mean that the actors really need to be able to create their own atmosphere. Once Upon A Midnight Dreary certainly pile in on, a sumptuous musical play about Edgar Allan Poe, sadly it wasn’t quite to my palate. It was the Edgar Allan Poe element that attracted me (there’s always at least one production about Poe or his works at the Fringe every year). The music was very good, very fitting and the three performers all have great singing voices but the play itself just didn’t sit right with me, but any Poe fans, fans of the macabre should consider giving it go, especially if the tickets are on HPH offer.

In the evening I had back-to-back shows in Theatre 3 at theSpace @ Surgeons Hall. Be warned, Theatre 3 is a very warm room, warm enough to have your head nodding if you’ve recently had a large meal. First off, You’re Dead, Mate a dark comedy where Death has to process his latest client and send him to the Hereafter, but his client is, understandably, rather confused and disbelieving. This is the debut play of Edmund Morris with himself as Death and Harry Duff-Walker playing the recently deceased. It’s very funny and entertaining, a few poignant moments in there amid the laughs; for a first play I reckon he done good, not brilliant but sound and some great ideas. It would be interesting if Morris re-visited this in five years time, with tweaks from all his accumulated knowledge and experience this could be really something (yes, Morris has a future in theatre of that I have no doubt). ⭐⭐⭐1/2

Another young man with a bright future is Fraser Brown. After a brief step outside to gulp down some fresh, cool air it was back into Theatre 3 for It’s Fraser Brown, I’m Afraid. He comes across as a personable young chap who’s a tad anxious, or is that part of the act? No, I think his occasional apologies to his audience weren’t without basis in his true self, they may be in there as part of his routine but it would still be telling that he put them in. Brown has some wonderfully pitch-black comedy moments where a few cracked a laugh and others gasped or laughed like they shouldn’t be finding the funny. He seemed to take a while to relax into his stride, I felt he was trying to hard to be edgy, it came across just a bit uneven, disjointed; when he got in his groove he had a lighter touch and delivered the dark punches with more effect. Definitely one I’ll be keeping my eye on ⭐⭐⭐⭐

Yesterday early evening I finally indulged myself with a HPH ticket to see Blueswater Presents: Blues! The 10th Anniversary Show in the Grand Theatre at theSpace @ Surgeons Hall. I know that I shouldn’t begrudge spending a bit more to see some top class blues but I’m a terrible moose and I do. Wow, though, this is a brilliant show, it’s the last year Blueswater will do this particular show, definitely worth seeing before it finishes on Saturday if you like the blues. Worth it just for Nicole Smit coming on and performing I’d Rather Go Blind, followed by a blindingly good rendition of The Wizard by Black Sabbath!

Yes, this show takes us for the beginnings of the blues (with just Nicole Smit and Felipe Schrieburg on stage singing John the Revelator – exquisite) right up to modern day. Members of the band came and went off stage as each number required, with Nicole adding to the mix occasionally; all the various Back Up Crew were there along with some brass on the side. Just have to mention The Wizard again, I don’t usually pay much attention to drummers but I do enjoy watching Simon Gibb and he was sooo good on this; and Jed Potts and Charlie Wild going nuts on guitar, awesome (oh, Ewan on bass and the harmonica player were great too, and Felipe on vocals). I am a bit tempted to go back for the final show.

Last but not least from yesterday, not in any Space, the Gilded Balloon Wine Bar instead, was Yippee Ki Yay and if you can’t guess what this show takes its name from it’s possibly not the show for you. If, however you are a fan of Die Hard, are not averse to some verse and like a slice of silly, this could be right up your street. Richard Marsh tells two stories side by side, one Die Hard the movie, the other of our narrator’s life having fallen in love with a fellow Die Hard fan. His Hans Gruber is priceless (with plenty of little Rickman and Potterverse quips); the proposal scene to the music from The Princess Bride, such a great little detail. So glad I decided to get around to seeing this romp ⭐⭐⭐⭐⭐

The sun has finally decided to come out – it was very gray and wet before lunchtime. Must go out and get a few rays, maybe catch another show or two. It could be a late one tonight as I believe those Scat Rats are playing Binkies in the early hours, will I make it?

Toodle pip!

A Fringe Flyerers Battle Royale

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Afternoon all! I’ve just stuffed myself with a very tasty late lunch of lambs liver, onions, garlic, plenty oregano, a generous splash of red wine, a splot out of a tin of tomatoes with an egg fried on top and a base of basmati rice, totally yummy. Ah, I know what I forgot – the paprika! It happens a lot, that or I have no red wine to splash in it. Just having a quick very strong coffee before heading out to a show at Greenside at Infirmary Street, I had a quick chat with the ladies in Guilty! on the Royal Mile earlier on, I was up having a browse at flyers after I failed to get in to see The Delightful Sausage: Nowt But Sea at lunchtime. Ah, but it’s so popular, the Sausage is being Delightful again at 9:15pm tonight, I have my ticket bought ready.

See, I reckoned I’d be able to pop along to Infirmary Street and get a ticket just before Guilty! started – they’ve only gone and got a full house on their first day! Good for them! Is this the Prima Facie effect or was a legal musical comedy always going to do well? Hmm. Like I said after seeing Prima Facie it’s a hard act to follow I wish them well. It’s a drizzly day so I’m happy to stay in and tap away; at least it’s a very light drizzle and its fairly warm out, the flyerers won’t have it too bad and the new bunch up this week are very eager so easily spotable.

Some flyerers like to position themselves at the pedestrian entry points on to the High Street part of the Royal Mile (for a number of years now the High Street has barriers in place across the road at either end for most of the day, pedestrians are corralled through four small archways at each end) where they can thrust a flyer at everyone passing through, Out Of The Blue are particularly notorious for this. There are a lot of Out Of The Blue flyerers about all day it seems, likewise The Improv Musical, loads of them, everywhere. Imagine a rumble going down outside St Giles between them?! It would be hilarious and so ineffectual (well, in my head, anyway).

Out Of The Blue v. The Improv Musical has a West Side Story vibe thing (being song based), let’s Anchorman that vibe up and have the Spontaneous Potter:The Unofficial Improvised Parody and Baby Wants Candy flyerers turn up. Let’s not forget the corporate whore flyerers who haven’t actually seen the shows they’re flyering but will tell you how great they are; will some of the solo show self-flyerers band together in small hit-and-run gangs? All the clowns, absurdists and surrealists will form an Ultra Fringe Resistance, oh wow, this is epic, a Fringe Battle Royale. Obviously John Hastings would be commentating from a high vantage point, and afterwards, everyone will need the barristers from Guilty! to get them off from public affray charges.

THE END.

In other real news, I read this morning that the nominees for The Amused Moose Awards have been announced – yes, another moose, there’s a number of us around. I’m delighted to see that Christian Brighty and Grubby Little Mitts are in there, yay. I bumped into Sullivan Brown (one of the Grubby Little Mitts) this morning and congratulated him , apparently there’s more than just one award to be won, so everything’s crossed for my favourites to win something.

It’s looking dry outside now, I’ll put a few bits n pieces on Instagram then pop out.

Toodle pip!

That’s another week ending

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And that’s the second week of the Fringe drawing to a close; but it’s not quite over yet, my plan is, start writing this post, take a break to see Accordion Ryan, then come home all cheery and write the rest of it. Good flan, huh? Quite a number of shows will be finishing up tonight, there’s always one you’ve intended to get round to seeing only to realise it’s finished, packed up and gone home. There’s also a number in my cut-outs pile that I’ve kept looking at only to realise they weren’t on yet – well now they will be! Oh, and I must go see young stand-up Fraser Brown this week, every time I’ve bumped into him flyering I’ve said I will. He was at the Fringe last year and had a very successful run but I never saw him, my Fringe-Dar is reckoning he’ll be good.

Oo, Lucifer is on 5USA channel on the tellybox, from the first series. Yes, I’ve seen it a number of times now but hey, it’s Lucifer.

That’s where I had to dash out to get up to The Counting House to see Accordion Ryan. He’s such a sweet guy and smart, quite the multilingual too, from spending the last few years in a number of different countries and always making an effort to learn the language. Tonight he had in audience members from Denmark and Spain so sang songs in both languages, like so impressive. The dude exudes joy and harmony, though some of the songs he sings can cause outrage when he busks on the street. Ryan does write songs himself but this show is mainly, as the title says, Pop Bangers which he encourages his audience to sing along with him. Accordion Ryan is a ray of sunshine to brighten up the day ⭐⭐⭐⭐1/2

Did I mention last time that I found out late on Friday night that Barry Ferns was to be back on Arthur’s Seat on Saturday? Did I go? Of course, I did, even though it was very windy with showers forecast (luckily they didn’t materialise but I was prepared in case); because it was so windy the show happened at the slightly lower level before the last climb up to the very top. Plenty of people turned up deliberately, a number of others stayed to watch as well and some would just walk across the “stage” bemused by us all.

that’s Barry Ferns squinting into the sun, trying to see his audience

As it was a one-off Barry had a few other comedians with him including John Hastings, who told a very funny story, involving Tim Fitzhigham, about the last night of a Fringe some years ago. I was very impressed that Nina Conti was up there, and over the moon when I got a photo with her on the way back down. Naturally I got a hug from Barry, it was so lovely to see him again! As he said it’s just about as fringey a Fringe show can be, sitting on a high hillside, magnificent view of the Forth and a man with a door frame, amp and mike with stand (the door frame is so that we can all enter the venue and pay into his bag when we leave, not exiting make cause existential problems later).

Its now much later than I thought it would be so I’ll end this here. I”ll pop a reel of Ryan and other Fringey pics on Instagram tomorrow.

Toodle pip!

A few musical notes ……

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It’s Friday night and I’m in playing the Miracle Glass Company‘s first album on my stereo – yes, its a vinyl record, blue vinyl! I’m now also the proud owner of their second album, that one’s red vinyl. What encouraged this bout of vinyl procurement? Seeing them play last night that’s what, with the added bonus of having their albums on sale afterwards, how could I not? And how to choose one over the other? And when would I get the opportunity to get both again? Yes, they are on Spotify but it’s not the same as having the physical records, both in gatefold covers no less!

I was lucky to spot that the Miracle Glass Company were playing one show at Pianodrome at the Old Royal High, ticket booked! The Old Royal High is a brilliant old building that’s been unused for about sixty years, for a short while it was a possible site for the Scottish parliament, this summer Pianodrome have moved in and created a pop-up venue in true Fringey style. It’s worth a pop in just for a drink and a wee peek around the open bits, while it’s possible.

cloudy with a chance of tunes

The band were playing in the Grand Hall in-the-round or more oval in this case. My, but it was such a fine performance, great songs and cracking harmonies. There sounds to be Beatles’ influences there, but I was surprised when a couple of the slower numbers really reminded me of Bad Company (haven’t hardly thought about them in years). Not sure if I still have any of their albums somewhere. Song of the night for me was Look At You Now with it’s sparseness of just Willie’s voice with guitar for quite a while before coming in with bass, drums and more vocals, exquisite.

Well, I certainly wasn’t going home and crashing after that, oh I popped in to drop off the records, then headed straight back out to Whistlebinkies where the Moaning Bones were playing from midnight til sometime after three o’clock (three sets). A rather cracking night in all, twas almost four before I lay my head down, yeah, didn’t see any of the morning today! Check out the reels on my Instagram for a clip of each.

It may be Fringe time but I’ve still been making time to catch some good music when I can, even if it is very late on. Mind, I’m not sure I’ll still be about for the Scat Rats at two in the morning in Binkies, unless I go to the ACMS that night for a couple of hours or so (It starts at midnight). And on music, I’ll mention before I forget, I caught a rather lovely show yesterday early evening at The Mash House. The chap collared me at the bottom of Blair Street as I was heading home for a spot of tea, told me it was about making the greatest album of all time, “Oh, that’ll be out next year” says I; we started chatting, he sounded interesting, so an hour later I went to see Tom GK: How To Record The Greatest Album Of All Time which was enjoyable and interesting, though at times it seemed a bit disjointed.

Tom GK has a condition that has rendered him completely deaf in one ear and partially (going increasingly) deaf in the other ear, time then, to record the greatest album of all time. The show has songs along the way and I really liked the way he spoke about music, he has a great take on explaining how he relates to music sounds and how songs are put together, I was fascinated. Tom GK is a big Beatles fan, they get referenced quite a bit, no bad thing. One particular stand out moment was his song about starting with one chord and planting it like a seed, keep coming back and checking it, then one day another chord like a shoot appears and from that a plant (song) will grow and grow. Sweet! Of course, there was the sombre message at the end to do that thing whatever it is, do it, it may not be the best in the world but make it the best you can do in what time you have. ⭐⭐⭐⭐

A pomelo? Looks like a grapefruit

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Not long in from seeing Palimpsest in the Balcony room at Gilded Balloon Teviot. I quite like the irony of having to head to the lowest level to reach the Balcony, that’s just to queue then there’s a different set of stairs to get to it. The Balcony used to be one of the hottest rooms of the Fringe, yay, thank god for air-conditioning units.

Palimpsest, just googled it, apparently it’s something reused or altered but that still bears visible traces of its earlier form, ah, that makes sense! I’d never heard the word before, never heard of a pomelo before today, either (it does look very like a grapefruit);a day of discoveries! Palimpsest is also the name of a play by Alex Lacey, which she also stars in alongside Rob Kemp (he also has his own show Rob Kemp: Agenda reviewed last post).

Yes, I did see Palimpsest on the back of Agenda, good decision, loved it too. The flyer calls it a meta romcom, it’s meta and then some. If you enjoyed the film Free Guy that’s a good starter to liking this. The play starts normal enough, each actor delivers short monologues then the other joins in with the same line and takes over with their own monologue……until Jess tells Jim to stop interrupting her! The initial play is funny enough, but when the characters go off script, wow, its brilliantly written with really fun ideas – your head may hurt a bit after seeing this! Just go have a drink somewhere, you’ll be fine (the Library bar doesn’t have a lovely stock of real ales anymore, sadly, so head somewhere else if you want a good ale).

This career off-piste into a wickedly funny existential crisis reminded me of Phil Jupitus‘ play Waiting For Alice at a Fringe many years ago about Tweedledum and Tweedledee, but that was quite melancholy and sad, it’s the existential bit that’s similar. Both Palimpsest and Agenda are on until the final Sunday, time enough to fit them in!

Here comes the rain again

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Today is the start of the second week of the Edinburgh Fringe, the day that a lot of full run shows take off; if not today, tomorrow or a few take Wednesday off. Certainly all the Just The Tonic shows are not on today – are they all having like a huge works party somewhere?! Thunder rumbled through yesterday evening and night heralding the end of the heatwave, this evening we have torrential rain forecast from around nine o’clock onwards, settling down to steady rain from first thing Tuesday morning until sometime in the early evening. All the wetness should be cleared by Wednesday when most shows are back on, it’s how it often goes, an August institution.

Another August institution is the ever delightful Thom Tuck, who is, of course, here again, yay. Indeed, I just went this afternoon to see his show, Thom Tuck: An Even More August Institution. He’s only doing it for three days, this was the first one – almost like he knew in advance that the weather would be rubbish, so folk would want to head indoors! Well, he knows how August in Edinburgh pans out, he’s been here for plenty of them, and his show this time features a number of tales of Fringes past. I could have quite happily sat listening to him for another hour, the man is witty, erudite, silly; always a pleasure ⭐⭐⭐⭐⭐

Thom did mention that he studied philosophy at university, couldn’t help wondering if he’s ever a guest comedian at Stand-up Philosophy? I’d definitely go to that, the chap could wax lyrical on anything I reckon. I have actually been to Stand-up Philosophy once already this Fringe but it is one of those, a different show every night. The afternoon I went along the topic was identity, the host had three comedians lined up to do short pieces on the topic, after each he’d join them to chat and get questions from the audience, it’s an interesting idea for those wanting something a bit different from stand-ups. ⭐⭐⭐1/2

Late morning today I went to see Rachel Creeger at The Globe Bar (PBH’s Free Fringe) on the basis of seeing her doing Stand-up Philosophy. Good choice, she comes across well; the raconteur style of stand-up rather than jokes, and there is plenty to laugh about in her stories. Probably not to everyone’s tastes but I had a lovely hour in her company, oh, and she’s an orthodox Jew, there’s a few mentions about food – you will be feeling hungry by the time you head out. ⭐⭐⭐1/2

Just time for another mention before I head out to see Aidan Goatley, a show that I saw as a WIP last year Rob Kemp: Agenda. Until this year I don’t think I’ve ever been in The Hive in Niddry Street, in the last two weeks I’ve seen three shows there, all great. The Hive rooms are an extension to the Monkey Barrel Comedy Club, so tickets can be bought in advance or PWYC at the end of the show. Anyways, Rob Kemp: Agenda is a great show, he’s great, great legs too. This is an autobiographical show about Rob dealing with societal expectations versus his identity as a man who likes, when the mood takes him, to wear sequins and make-up, a pansvestite (his term). It’s honest and blunt, also very funny and touching, loved it last year, loved it this time too ⭐⭐⭐⭐⭐

Must dash. Toodle pip!

Puppets, hippos and an accordionist

bruceonthefringe 2022, a rant, Edinburgh Fringe, Edinburgh Fringe 2022, Free Fringe, Fringe 2022 reviews, Puppets, Sci-fi, Sooo fringe Tags: , , , , , , , Leave a comment

It’s really warm out there and really busy, so many people everywhere! So many people who have totally forgotten everything they were ever taught as kids about crossing the road. The human gene pool could do really without them. They’re quite often the same people who walk two or three abreast across the pavement and expect you, the oncomer, to step into the road to avoid them; I used to, every time, now I check myself and carry on my own path, let them moved aside instead – so many times they completely, like a refusal to give way, keep coming on, then are astonished/annoyed that I expected from them what they expected from me (it is in fact less, I just expect the courtesy of being able to walk on the pavement, they expect me to walk into the traffic). And breath, rant over, humans, huh?!

Space Hippo is a case in point of how dumb humans can be; why is a hippo sent into space? – because all life on earth will be wiped out in five years and there’s nothing we can do to stop it. Yes, you’re right, there is absolutely no follow-on logic there, this is the bizarre premise of Space Hippo but considering some the world leaders around today, hmmm. This is like an epic sci-fi movie, but told using shadow puppets projected on to a large screen. A poor female hippo is captured and sent into space, this is her story, meeting aliens, being used, lied to, befriended, getting caught up in an intergalactic war and ultimately discovering the power within herself. I told you it was epic!

The two puppeteers are amazing using over two hundred shadow puppets whilst also performing all the characters’ voices. The story whips along with laugh out loud bits along with wry and poignant moments; it is quite out there but if you see it, I’m sure it will charm you too ⭐⭐⭐⭐

A very different puppet show is Famous Puppet Death Scenes, this is dark, very dark, unsettling, grotesquely funny. Oh, it’s very funny if you have a macabre sense of humour; lots of puppets die, one poor thing dies over and over. The puppet show stage set is impressive and there’s quite an Edward Gorey feel to the whole thing. Mind, the first death will make most think of Monty Python as the big foot comes down. Catching strange and wonderful shows like this and Space Hippo is what the Fringe is all about ⭐⭐⭐⭐1/2

Famous Puppet Death Scenes has an air similar a Tiger Lillies performance, their music would be the perfect accompaniment to it. Speaking of the Tiger Lillies, they’ve finally returned to the Fringe with a new show One Penny Opera, I have a ticket for next week, yay.

And now, something completely different Accordion Ryan’s Pop Bangers playing at the Counting House as part of the Free Fringe and popping up in various places during the day. He is the sweetest guy, a gentle, laidback soul, who (you may have worked it out) plays the accordion, rather well. The show is mainly his twist on popular pop songs but he sneaks in a few of his own compositions (I do like the Holister song). He arrived in Edinburgh a few weeks ago now, I first saw him performing at Whistlebinkies’ Open Mic Night and made a mental note. At 22:15 in an evening it’s a good time when folk will be up for taking a chance on a free show. He is highly entertaining with his mix of music and comedy, not for the prudish though! I’ll probably go see him again before the end of the Fringe ⭐⭐⭐⭐

That’s your lot for today, I’ll leave you with a pic of my latest Fringe mementos. The programme from Famous Puppet Death Scenes with a selection of cut-outs on the back to make my very own puppet death scene; and the Mochinosha Puppet Company’s comic book/flyer for Space Hippo (what a great idea!)

Another sunny day in Fringeland

bruceonthefringe 2022, a rant, Edinburgh Fringe, Edinburgh Fringe 2022, Half Price Hut, Uncategorized Tags: , , , Leave a comment

It’s another glorious day in old Edinburgh town, gonna be hot today, maybe I should escape the Fringe madness for a couple of hours and go down to Portobello beach, soak up a few rays. For the Fringe acts this is the day it gets real – the giddiness of arriving in Edinburgh, previews, first weekend going wild, the packed houses of the 241 days, that’s all done now. Of course, apart from the initial Yay! We’re in Edinburgh! the PWYC (pay what you can) shows and the Free Fringe hit reality sooner, especially as folk (myself included) will have been making the most of the cheap offers, but now the pendulum swings the other way. The free Fringe shows puts the punters in charge of how much a show is worth, do they pay a tenner for a show that turns out to be rubbish or see a show that may turn out to be really good and worth every penny of that tenner? Or fiver or fifteen pounds if you’re really flush.

Today is also the day the Half Price Hut usually opens for business, sadly it’s no longer on the Mound and open until nine o’clock in the evening so that revellers can decide on a whim to take in a show as part of their evening. Instead, this year the day’s offers will be posted online and must be bought by six o’clock at the Fringe Box Office – am I the only one that thinks this is rather rubbish? For starters, the Fringe was going to make itself more popular with locals, hmmm, be at work, get home, eat, maybe a change of clothes, catch the bus into town and have already decided what you want to see, all by quarter to six?? (There will be a queue at the box office, let’s face it) Sorry, if you have a day job to go to and don’t live in the very centre of town you can forget HPH-ing for a fun evening.

The Hut’s old location also gave flyerers somewhere else to hang around, ready to give punters that extra push towards their show, the Royal Mile is packed enough as it is. There were obviously staff rotas for up until nine previously, so why not until nine now to help manage the crush there’s going to be late afternoon? Anyone who’s been on the Royal Mile in the last week knows it’s back up to peak capacity already in the afternoon; the times and place may deter some from bothering to get HPH tickets. I get that the old Hut was past it’s sell date and the Fringe don’t have the funds right now to get another one, but surely there’s a business in Edinburgh or Scotland that would like the publicity and prestige of putting up the dosh for a new hut? We need a new hut and laserboard, next year will do.

End of unexpected rant. Normal service will resume next post.

Toodle pip!

coming up next time, the Establishment comes apart!