Just twenty-one days to go until Logan’s Close play the Liquid Room, yay. Tonight they’re playing at Purple Weekend in León, lucky Spaniards! I’ve noticed on Instagram that former band member Alex Palmer will be on drums. Well, trying to round up five musicians all at once can be tricky! Worse than cats. The Liquid Room gig won’t have Stuart on bass but original bassist Olly is stepping in, sweet.
So will I be jigging around to any sounds tonight? Oh yes, The Blueswater are making a rare appearance at The Jazz Bar tonight at nine. If I’m not ready to head caveward after that, there’s the Moanin’ Bones at Whistlebinkies at midnight (well, so Binkies’ calendar says). Feels like ages since I was last out, three weeks is a long time without live music for me. Oh, I was out at the cinema the other night to see Eileen.
It’s an odd movie, left me feeling slightly on edge, on the disturbed side of bemused. The wonderfully ethereal Thomasin McKenzie plays the title character Eileen, a young woman stuck in small town 1960s Massachusetts; she works in a correctional facility for teenage boys and lives with her alcoholic ex-cop father. This young lady spends a lot of time fantasising, fantasies that escape on to the screen leaving the viewer unsure each time, then one day into her life comes a stunning blonde – is this ringing any alarm bells for you too? I wanted to yell, stay away from her, girly, stay away!
She doesn’t. She is utterly bewitched by Rebecca, the new psychologist at the facility. To be honest I was too, come on, Anne Hathaway with a blonde bouffant hairdo! She looked so different and clearly relished the part, enigmatic, independent 60s female, so Rebecca maybe had a screw slightly loose, quirky?! Both actresses were great as ever, there’s a real chemistry between their characters in this dark kinda noir thriller.
No other movies or musical interludes planned for this weekend. I suppose I should get on with present buying and festooning Old Hummus with tinsel. Of course, there’s Dr Who tomorrow evening, I’m so enjoying this little trio of Tennant treats; and last week’s with Mr Cribbins ❤️ oh, my heartses! My eyes may have gotten a tad moist.
Yay, next week is a Scat Rats double, midnight Tuesday in Binkies and seven on Thursday in Stramash. Dr Salad (Scott’s other band) will also in Binkies on Tuesday, hitting the crowd with some saucy, heavy romantic vibes. That’s about it for me until after my Christmas trip to Yorkshireland. Oh no, must grab a ticket for Jed Potts’ Blue Christmas2023 on the 20th, it was so good last year. Blues fans in Edinburgh, get yourselves in the Christmas spirit at this wonderful event – and the proceeds go to charity!
Anyhoo, time to spruce up for the Jazz Bar. Toodle pip!
Oh lordy, so glad I got back up yesterday evening! I knew that The Buccaneers were playing Stramash at ten, which is always good, but I had no idea they would be that good! Wowzah. On fire they were, and with plenty new covers too. I didn’t arrived back in Edinburgh until the back of eight, just time to put things away, eat and faff a while; well, I wasn’t convinced it wouldn’t actually be a ten thirty start in reality.
Nope, it was ten o’clock, The Buccaneers were already getting down to business when I trotted in, with fellow creative James Gilhooly filming them. Did his presence perk up the performances? Was it the new set list? Was it the joy of having Luke Cunningham was back with his keyboards? Whatever it was, the band were soaring and took the crowd along with them.
Stramash was up for a good time last night, plenty were out with it being a Bank Holiday weekend, Mr Marah was on fire, yes, he’s always good but last night was one of those special nights, he was totally in his element, oh he shone (shined?) brightly. I look forward to what James Gilhooly will put together from the evening, when it’s out I will let you know, really you will have to see it, it’s gonna be awesome!
Among the new tunes were Heard It Through The Grapevine, The Weight (the song with the line “Take a load off fanny” see now you know the one), Feeling Alright? a classic originally by Traffic. Donavon song Season of the Witch was in there with great keyboard swirly bits and Mr Marah rocking it on his guitar. Oh, and California Dreamin’ had a tasty jam in it (to be seen on my Instagram).
One after 909 stayed in, nice. I got a great quick snippet Carl and Simon Gibb singing, not an easy thing to do filming a drummer – there’s very few angles where he’s visible! I loved Shake Your Hips as did the crowd, all indeed shaking their hips and everything else, and all with the beat; they had the floorbouncing to the rhythm!
For shame that I write a whole blog post about a band and not mention the bass player; there, steady, reliable but rarely mentioned. Ewan Gibson, also part of Nicole’s Back-up Crew, the Black Diamond Express and no doubt others, he’s a tad busy. I’ll also give a mention to John Mackie the best on sound and lighting in Stramash, LA Woman is awesome anyway but he adds the cherry on top!
Hopefully The Buccaneers will be back soon, and they haven’t played Binkies in a while, just sayin’. The Scat Rats are back on the midnight watch at Whistlebinkies tomorrow night and next Tuesday (according to their website). Must get an early night tonight.
They came, they rocked, they conquered, and now they’re about to storm down across England, Newcastle first. Ol’ Times gave Binkies another night never to be forgotten, talk about the passion, baby! Going on for three hours, until half past midnight – I had no prior knowledge of the extended time slot, so it came as a most excellent surprise!
The place was buzzing in anticipation, busy with folk trying to grab a good space to seeing the band, when in walked three beanpoles, skinny but wide-shouldered, they hovered about at the back looking around. They seemed harmless enough, but just a look between myself and the chap I was chatting to, we both already knew where they’d decide to stand, and indeed, just six foot from the stage!! Yes, I’ve ranted about this before, but jeez, come on! They stood like a mini mountain range with peaks around 6’6″, the folks immediately behind had no chance of seeing anything. And breathe.
I had my eye on a good side spot which I sidled into once the band were onstage doing the soundcheck. I had a fresh pint of Stewart’s Harlequin (another good brew from them), I was ready. First song, Ol’ Times started with a bang, All The Way To The Top written just 28 days previous (I know this because Kai, the drummer, mentions it before he gets the crowd chanting). Straight into the classic Walking The Dog, sung by one of the guitarists Colm, how to keep the temperature rising!
It was during the first set that I noticed Gabriele’s voice reminding me of Marc Bolan, there was one song in particular where I really heard it. He is a brilliant frontman and whilst I’ve likened his singing to others, Gabriele has a unique voice with a mischievous edge that immediately entranced me from the first time I heard it.
The band were obviously enjoying themselves, having a blast, as much as the crowd were. We got sleazy rock, funky beats, rolling jams; all delivered with easy, laidback confidence and irresistible charm. Think Bad Company but take out all the so-seriousness and angstiness and add some of the nonchalance of early AC/DC aussie boogie woogie (the start of Give It To Me is so this).
The second set included a real blast from the past for me, Come On In My Kitchen, apparently they used to play it regularly but hadn’t for about a year until that afternoon when they were busking. As it was back in their consciousness, the band picked it up and made a tasty bluesy jam with it. I’ve since dug out The Joker by The Steve Miller Band from my record collection (side 2 track 3), well, I had to give it a spin! It’s the only other time I’ve heard it, used to love howling along with it (check it out, you’ll get why). Apparently it’s an old Robert Johnson song; that’s my one thing learnt today!
The jams got longer in the second set, Gabriele just put words to them on the spot, a true showman, and as is traditional there was a drum solo, two words that used to strike fear and boredom into many hearts, but, I dunno, have the new generations of drummers figured out something the previous didn’t? I enjoy them now, and Kai doing that thing (as the band call it), oh my, ’tis a fine thing to behold. The crowd vibed along with the grooves, I don’t think anyone wanted the music to end, if Whistlebinkies had a beating heart it would’ve been stolen by Ol’ Times last Friday night.
Tonight Ol’ Times are in Geordieland, that’ll definitely be one mighty fine time for all. One word of advice to anyone planning to see Ol’ Times as they head south, take a pen so you can get the guys to sign their CD (you’ll be wanting to buy one be the end of the gig!) as they probably won’t have remembered to have pens with them. These guys are definitely gonna be big so catch them now if you can!
I’ll leave you with shots from Friday night in Binkies, no, I didn’t manage to get a clear pic of the bassist, sorry!
from top left clockwise, Gabriele, Manuel, Colm and Kai
Or an Irish bar in Glasgow late on a Thursday night, not somewhere anyone would expect to find this moose, drinking Magners cider too! Well, I’ve never been a fan of guinness and, being totally out of my element Irish cider seemed logical (no, you will never see me drinking the stuff anywhere else).
Yes, I adventured West to see Ol’ Times, better there than Penicuik, which it turns out is not happening (shame) instead they’re back in Binkies tonight (yay). Do I mind that I went all that way for a second look when they’ll be back in Edinburgh? Don’t be daft! Not remotely. Saw a great gig, discovered a new place and a new band.
The place, Malone’s is rather nice. Tucked down a little lane, blink and you’ll miss it, the bar’s at street level with the music venue above it. Doorstaff direct folk into the bar before the gig starts and give a shout when the door opens. Upstairs is a fair size, very long and a tad narrow, but it works. Malone’s has a good ambience to it with great barstaff up and downstairs, I felt comfy and welcome. It’s only a short walk from Buchanan Street Bus Station, very handy indeed.
The new band was The Best Bad Influence were first on-stage, boy were they fun! A three piece rockabilly band, double bass, drums and the guitarist sang. There were standard classics and their own stuff, all played with style and swing and a grin. I did spot that one of their originals started by borrowing from a great old ZZ Top tune She Loves My Automobile a real blast from the past (from Degüello an awesome album from before Eliminator). It would be great to see them over in Edinburgh in Stramash or Whistlebinkies, they’d go down really well in both.
And on to the main event, Ol’ Times were mighty fine, just a shame there were some technical problems, not that we, the audience noticed them but a brief chat afterwards revealed an unhappy bunny (hey, being fussy about quality is no bad thing), you’d never have known from his performance. If there was anything slightly down from their Binkies gig, I just assumed it from being in Glasgow rather than Edinburgh (just kidding!)
It was fun to be over West knowing the band would definitely put some Edinburgh mentions into their banter to bait the crowd. Whilst it was busy, it didn’t look to be as packed as Binkies, but the singing was louder I reckon (after a wee jibe!) The band wound up just after one but as Malone’s is open til much later plenty folk hung around, me included as the next bus wasn’t until two. No way was I leaving before the very end! Hey, I need to soak up every sweet morsel of sound to keep me going.
And on that note, I shall take myself on a wander to Waverley Bridge. Toodle pip!
I do like an unexpected treat, especially of the musical variety, so I was delighted yesterday morning to see that The Buccaneers would be playing Stramash at ten in the evening. The band listed to play must have had to cancel late on, three out of the four Buccaneers were available – no complaints here!
They were great, obviously having fun, I even saw the bass player smiling (bass players don’t tend to smile much, really they don’t). The phrase “while the cat’s away, the mice will play” sprung to mind, hahaha, not sure what that would imply about the keyboard player?! It did seem the three were really letting loose but I’m sure a lack of keyboardist had nothing to do with it. More likely because this was the first time in a while that they’ve played together at Stramash, certainly the first time I’ve seen them this year.
I took the opportunity afterwards for a quick catch-up with Carl Marah on Elsie’s antics. Well, there’s been some filming going on in the Voodoo Rooms which apparently did not go as originally planned but possibly worked out better for it. More filming coming up, set accessories are being sort out today – my mind is boggling overtime as it knows which song’s being filmed!! The next single from Heart-shaped Jacuzzi will be available from early March, I’m really really excited about this one!
On the album front, the lads are now in possession of the test pressings of Heart-shaped Jacuzzi, teensy tiny snippets can be heard on their Instagram. There’s still a lot to be done, er, any record companies keen to get in with the awesomeness that is Logan’s Close?! Have I mentioned LC have a show lined up in May? That’s Thursday 18th May at The Caves in Edinburgh, tickets are available now, so if you were thinking of visiting Edinburgh sometime soon …. why not?! (be warned, it’s very likely to be a sell out)
That’s all for now, coming up soon, Fringey bits and a rant. I could have ranted any time in the last week but I thought best to breathe first and see if I still felt annoyed – I do! I’ll leave you with the pic of the pressing and it’s proud parents….
It’s finally here!! Logan’s Close are back in Sneaky Pete’s tonight! Yay! And what a build-up to it over the weekend, couldn’t move without bumping into good music! Friday was the Scat Rats in Binkies, plenty folk were in after office parties, so plenty dancing, myself included.
Saturday evening was back to Binkies for The Moanin Bones on excellent form. After their first set I headed down to Stramash for Black Cat Bone, they were fine but I just wasn’t feeling it so back to Whistlebinkies I headed to catch more of the Bones. As if that wasn’t enough of the talented Mr Buckley, I caught his second set in Stramash the following evening, solo this time. There’s a clip of a rather fine bit of California Dreamin’ on Instagram.
After he was done I nipped over the road to Bannermans for Jed Potts and Nicole Smit playing in the front bar. Yay, another pub with Stewart’s ales and they had Kilted Kiwi on, sweet! (much preferable to Stewart’s festive offering this year). Bannermans is not a place I go in much, I’ve seen the odd band there and if you like your’s metal it’s definitely worth a visit. It was quite a cosy setting on Sunday evening, not metal instead blues and honky tonk, marvellous.
Sometime after ten I trotted back over to Stramash for The Buccaneers, see it pays to keep a watchful eye on social media for who’s playing where. I noted Mr Marah had a new shirt on, apparently he found it in Armstrong’s an emporium of vintage clothing, well-known in Edinburgh for the place to look for something with style.
Well, it’s time to have a nibble or two before I head along to Sneaky’s. Do check out my Instagram @bruceonthefringe for clips of my favourite Edinburgh bands. I’ll leave you with the lovely Nicole and Jed….
Oops, my blogging has slowed up some. No excuses, it’s not like there’s not stuff to write about. I will write something tomorrow but there’s a blues band, who are apparently rather good, starting very soon in Whistlebinkies, so here’s some titbits of what’s to come….
The Strange Blue Dreams celebrating the launch of their new album Simple Machine
Ah yes, maybe only a half hour support slot, but the lads packed in plenty of juicy goodies. And where is this unusual venue? It has the wonderful name of Saint Luke’s & The Winged Ox and it’s over west in Glasgow.
Ah yes, I was going in the right direction to get the bus home, phew.
It’s been an interesting week since I last posted, some bits sublime, some ridiculously weird, some totally unexpected; it’s all left me too bamboozled to put anything down ’til now. Let’s start where I finished last time, about to head to see See How They Run, I didn’t see it. We arrived rather late, my chum wasn’t fussed about seeing it so we saw Bodies, Bodies, Bodies instead (I still haven’t seen it yet but I shall). Yeah, umm, we should’ve just call it quits and gone to Stramash early, really I could not have cared less if all they’d all ended up dead (I don’t think we were the intended demographic for it).
At least after that particular ridiculous, there was the sublime Nicole & the Backup Crew to pick us back up, and she was wearing another unitard, oh my (I’ve seen her wearing one before, I get it, very comfy, like a onesie but with sexy sass). Stramash was jumping, a great crowd. After midnight The Buccaneers took over, the crowd kept dancing, it was a lot of fun but I called it a night after the first set, hey, beauty sleep is required if I’m to stay so handsome!
A last minute decision saw me heading to the cinema on Tuesday night to see Clerks III, I hadn’t been aware it was even out, just as well I flicked right through the list! The first time I saw Clerks I was not impressed, then some time later I saw it again, much better, I loved Clerks II; I’m sure I have them both on dvd somewhere. If I can find them I can have a Clerks Day, watch them both then see Clerks III again. I enjoyed it but its definitely just one for the fans, quite poignant at times and it really points out how old we’ve all gotten (wow, Dante looks sooo young in clips from the first film!).
Sad news, Accordion Ryan has now left Edinburgh, he’s taken his two bags and accordion to Vienna. Good news, Ryan enjoyed Edinburgh and his Fringe experience so much that he may well be back next year, yay.
Wednesday saw me back at Legends for another blues evening. I missed the first band but arrived just as Jed Potts & The Hillman Hunters took to the stage; or in my head as they became, The Janitors, the mild-mannered janitor (as previously explained in this blog), the cooler slightly edgier janitor and the janitor you really wouldn’t mess with (yes, my mind does wander down some strange paths). As brilliant as ever and I do believe there was mention of an album coming soon?!
Headliners were The Cinelli Brothers who have just won The 2022 UK Blues Challenge, needless to say they were pretty damn fine – but my mind went for another walk…… Okay, so at the time it was very funny, I wasn’t drunk or nothing, I mean no disrespect, but come on, I bet I’m not the only who’s looked at the drummer and thought “porn star”. He had the ‘tache, the hair style, the satin shirt; actually I blame the guitarist/keyboard guy (they all sang various songs) he started it with his odd vaguely eighties trousers with a pattern that reminded me of curtains my Mum had in her kitchen years ago (probably the eighties). Then the other two band members, tiger print shirt and blue tinted glasses, paisley shirt and a hat straight from the seventies; obviously the director and producer of the porn movies. Like I said, they were great, it was a great evening – the deflated blow-up doll lying abandoned in the Cowgate made for a bizarre ending.
That wasn’t the bizarrest part of my week though. Oh, I had a good idea that the gig on Thursday would be different – I had no idea how different it would be! Firstly, it was in the Banshee Labyrinth, not a pub I frequent (just in August for the odd Free Fringe show, usually in the cinema room), well named as I wandered what was obviously the long way round to find the right room. Just about another dozen souls had found their way there to see Nestter Donuts with support from Diogo Augusto, and the trip began.
Loud doesn’t come close, ear-splitting, the backing track for Diogo Augusto was intense, I’ve never done it before, but thank god for a spare tissue to stick in my ears. The guitar was pretty low in the mix so was hard to made out a lot of the time, maybe if he’d just turned down that infernal backing track. Aside from the music he seemed quite a funny Portuguese chap, definitely preferred the stand-up bits, haha. I realised it did seem like some odd Free Fringe show I’d stumbled upon; the headline act stripping down to his undies at the side of the stage to put on his leopard print unitard did nothing to dispel this thought (personally I reckon Ms Smit wears a unitard much better than Mr Donuts).
the artist prepares
Nestter Donuts was another solo act, he sings while playing electric guitar, bass drum and high hat; he has two large Spanish fans as stage adornments (trying for a kinky boudoir look?!) He describes his music as flamenco trash, a fair description, there’s flamenco stylings in his singing and guitar. There’s also a lot of bizarre, like getting an audience member up to sing the words for his song Meow Meow (those are all the words and boy, did she go for it, obviously a fan). A strange act that somehow compels you to keep watching, thank god I was able to avert my eyes away at the end, most of the few there did – he’d pulled the unitard down and his undies, yes, deliberately! Ye gods! Ridiculously unexpected that was.
More sad news, the Scat Rats won’t be playing Binkies after the Fur gig on Tuesday night, good news is it’s the Willie Dug Duo, or at least that’s what Binkies have their website, hmmm. Unexpected good news, I should be picking up a new toy that I bought on EBay tomorrow. One of those quick ganders that threw up a beauty, I won’t actually say what it is, don’t want to jinx it, maybe I’ve already done so by just mentioning it. Yes, it’s paid for but you do hear things.
Anyway, my tea’s almost ready, I can smell it, yum.
It’s Friday night and I’m in playing the Miracle Glass Company‘s first album on my stereo – yes, its a vinyl record, blue vinyl! I’m now also the proud owner of their second album, that one’s red vinyl. What encouraged this bout of vinyl procurement? Seeing them play last night that’s what, with the added bonus of having their albums on sale afterwards, how could I not? And how to choose one over the other? And when would I get the opportunity to get both again? Yes, they are on Spotify but it’s not the same as having the physical records, both in gatefold covers no less!
I was lucky to spot that the Miracle Glass Company were playing one show at Pianodromeat the Old Royal High, ticket booked! The Old Royal High is a brilliant old building that’s been unused for about sixty years, for a short while it was a possible site for the Scottish parliament, this summer Pianodrome have moved in and created a pop-up venue in true Fringey style. It’s worth a pop in just for a drink and a wee peek around the open bits, while it’s possible.
cloudy with a chance of tunes
The band were playing in the Grand Hall in-the-round or more oval in this case. My, but it was such a fine performance, great songs and cracking harmonies. There sounds to be Beatles’ influences there, but I was surprised when a couple of the slower numbers really reminded me of Bad Company (haven’t hardly thought about them in years). Not sure if I still have any of their albums somewhere. Song of the night for me was Look At You Now with it’s sparseness of just Willie’s voice with guitar for quite a while before coming in with bass, drums and more vocals, exquisite.
Well, I certainly wasn’t going home and crashing after that, oh I popped in to drop off the records, then headed straight back out to Whistlebinkies where the Moaning Bones were playing from midnight til sometime after three o’clock (three sets). A rather cracking night in all, twas almost four before I lay my head down, yeah, didn’t see any of the morning today! Check out the reels on my Instagram for a clip of each.
It may be Fringe time but I’ve still been making time to catch some good music when I can, even if it is very late on. Mind, I’m not sure I’ll still be about for the Scat Rats at two in the morning in Binkies, unless I go to the ACMS that night for a couple of hours or so (It starts at midnight). And on music, I’ll mention before I forget, I caught a rather lovely show yesterday early evening at The Mash House. The chap collared me at the bottom of Blair Street as I was heading home for a spot of tea, told me it was about making the greatest album of all time, “Oh, that’ll be out next year” says I; we started chatting, he sounded interesting, so an hour later I went to see Tom GK: How To Record The Greatest Album Of All Time which was enjoyable and interesting, though at times it seemed a bit disjointed.
Tom GK has a condition that has rendered him completely deaf in one ear and partially (going increasingly) deaf in the other ear, time then, to record the greatest album of all time. The show has songs along the way and I really liked the way he spoke about music, he has a great take on explaining how he relates to music sounds and how songs are put together, I was fascinated. Tom GK is a big Beatles fan, they get referenced quite a bit, no bad thing. One particular stand out moment was his song about starting with one chord and planting it like a seed, keep coming back and checking it, then one day another chord like a shoot appears and from that a plant (song) will grow and grow. Sweet! Of course, there was the sombre message at the end to do that thing whatever it is, do it, it may not be the best in the world but make it the best you can do in what time you have. ⭐⭐⭐⭐
Saturday night I toodled back to the cinema for Baz Luhrman’s Elvis and I loved it! Sure he plays fast and loose with the facts but this a Baz Luhrman movie not a gritty warts’n’all biopic, what did people expect?! I had no problems with Austin Butler’s Elvis, and Tom Hanks’ Colonel Parker was a great departure from his usual roles, bet he enjoyed playing the bad guy for once (has he ever played a bad guy before?). The soundtrack is great fun, I enjoyed the mix-up of styles, all the scenes around Beale Street were a total delight for eyes and ears alike; and Trouble, oh my, it was rather fine.
Elvis does skirt around a lot of stuff but how long would it have been to get everything in? It was already two hours 39 minutes long, not that I particularly noticed the time, the film fair sweeps along and carried this viewer with it. For me it’s a cautionary tale of talented boy looking for fame and fortune makes a deal with a devil which ultimately costs him everything, any resemblance to Elvis Presley was intentional. I could happily see it again before it disappears, that’s how much i enjoyed it!
The title of this post, you may have guessed, comes from the song That’s All Right which features in various forms through Elvis. It’s also the second song that The Scat Rats played on Friday evening in Stramash, it usually crops up in their sets somewhere (you can catch a bit of it on my Instagram). I headed up the road determined to catch more than the last few songs of the first set (I always intend to get there earlier but time seems to go incredibly fast late Friday afternoons), haha, turns out the bar was so dead they’d held off starting for a while. It happens in summer, people are staying out in gardens and beer gardens longer to enjoy the evenings; even when the lads started it was still very quiet but their magic touch weaved it’s way out into the streets and drew people in (to paraphrase from Field Of Dreams, if you play, they will come). A very appreciative crowd they were, mind The Scat Rats were on fine form, particular stand-outs for me were Tonight The Streets Are Ours and The Man In Me, beautiful both 💛
I’m being spoiled this month as the Rats are back in Stramash a week on Friday and the Fridays before and after that it’s the Willie Dug Band in the early evening slot, yay. Earlier today Stramash shared on Facebook that the Rats will also be there seven o’clock on Friday 5th August, ah, first Friday of the Fringe so I’ll most likely be seeing previews, hey ho. Yes, it’s just over four weeks until the Fringe preview shows start! And kinda Fringe related, the Cowshed as was during previous Fringes under George IV Bridge is now an extension of Subway next door, the Cowshed folk have mooved to 27 West Port. They opened just recently, it’s a low building on the right-hand side as you leave the Grassmarket; a pub that’s never appealed to me in all it’s many reincarnations over the years, but as it’s now the new Cowshed I popped in for a look after the cinema. I was pleasantly surprised, especially as they’re having live music every evening – I missed Del & Bart (from TheKennedy’s Project) earlier in the week according to the board on the wall.
Just three more sleeps ’til this year’s Edinburgh Fringe Festival programme is properly out i.e. in solid paper form. There’ll be billboards up all around the place with Fringe posters in no time. My first Fringe on Instagram, if only I knew what I was doing with it!
Bruce on the Fringe 